Guitar Effects Guide Book
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BOSS Introduces SY-1000 Guitar Synthesizer
Press Release FOR IMMEDIATE RELEASE BOSS Introduces SY-1000 Guitar Synthesizer Next-Generation GK Synthesizer and Instrument Modeling Processor for Guitar and Bass Los Angeles, California, December 5, 2019 — BOSS introduces the SY-1000 Guitar Synthesizer, an advanced synthesizer and modeling processor for guitar and bass. Opening a bold new chapter in BOSS guitar synth innovation, the SY-1000 features a newly developed Dynamic Synth and refreshed versions of historic BOSS/Roland instrument modeling and synthesizer technologies. Backed by a cutting-edge sound engine, high-speed DSP, and evolved GK technology, the SY-1000 delivers the finest performance and most organic playing experience yet. BOSS and its parent company, Roland, have been at the forefront of guitar synthesizer development since 1977, when the landmark GR-500 first introduced guitar synthesis to the world. The SY-1000 is the most powerful guitar/bass synth processor to date, fusing decades of R&D with the latest software and hardware advancements. Leveraging custom DSP and GK independent string processing, the SY-1000 brings numerous musical advantages to players, including ultra-articulate tracking, lightning-fast response, instantly variable tuning, sound panning/layering, and more. SY-1000 users can build patches with three simultaneous instruments—each with a number of distinctive types to choose from—and combine them for an endless range of sounds. Fed by the processor’s 13-pin GK input, every instrument offers an extensive set of parameters for tone shaping, mixing, and tuning. A normal ¼-inch input is also available to blend in regular guitar/bass pickup sounds. Deep and expressive, the SY-1000’s Dynamic Synth takes guitar synthesis to a new level, allowing players to craft sounds never before possible. -
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Bassic Fundamentals Course Take The Next Step On Your Bass Journey A Massive 10 Hours Of Lessons Covering Every Area Of Playing “Every bass player starts with the same goal - a solid foundation Building a strong, all-round set of bass skills can be hard work, especially when there are holes in that foundation. To avoid any pit falls you need a structured study program with a clear, simple road map covering every aspect of playing. That can be hard to find! To remedy this problem, I created Bassic Fundamentals, a huge course covering the basics of every essential area from technique to bass line creation to music theory, sight reading, bass setup, effects and much, much more. It really is a one size fits all course. Bassic Fundamentals will provide you with the skills necessary to easily progress and develop your bass playing in any area or style you desire – always building on a strong core and foundation” Mark J Smith (Creator of Talkingbass) “I took the Basic Fundamentals course shortly after picking up the instrument. Nine months after picking up the instrument and 6 months after starting the course, I went to an audition.” Mark Mahoney – USA “I play in church most weeks and wouldn’t have got anywhere near the level I’m at without these lessons.” Rob P. – Australia “After about six months of getting nowhere, I bought the Bassic Fundamentals course. My playing has been turbo charged.” Matthew Ogilvie – Western Canada “Bassic Fundamentals gave me a good starting point for practising different techniques.” Alexander Fuchs – Germany Bassic Fundamentals Course Breakdown Module 1: The Core Foundation Lesson 1-1 Course Introduction In this lesson we look at the course ahead and the kind of topics we’ll be covering Lesson 1-2 Practice Tips & Warmups Here we look at how to create a simple practice routine and work through some basic warmup exercises both on and away from the instrument Lesson 1-3 Tuning In this lesson we look at several different ways of tuning the bass: Tuning to an open string; Tuning with harmonics; Using an electronic tuner. -
Frank Zappa and His Conception of Civilization Phaze Iii
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Guitar Electronics Input/Output Structures Modify: Fender Amp Mxr Phase 100 More Gr- 500 the Ultimate Keyboard
J u ly -Aug. 1981 PQLUPHONU $2 .5 0 ELECTRONIC MUSIC & HOME RECORDING ISSN: 0163-4534 GUITAR ELECTRONICS INPUT/OUTPUT STRUCTURES MODIFY: FENDER AMP MXR PHASE 100 MORE GR- 500 THE ULTIMATE KEYBOARD The Prophet-10 is the most complete keyboard instrument available today. The Prophet is a true polyphonic programmable synthesizer with 10 complete voices and 2 manuals. Each 5 voice keyboard has its own programmer allowing two completely different sounds to be played simultaneously. All ten voices can also be played from one keyboard program. Each voice has 2 voltage controlled oscillators, a mixer, a four pole low pass filter, two ADSR envelope generators, a final VCA and independent modula tion capabilities. The Prophet-10’s total capabilities are too The Prophet-10 has an optional polyphonic numerous to mention here, but some of the sequencer that can be installed when the Prophet features include: is ordered, or at a later date in the field. It fits * Assignable voice modes (normal, single, completely within the main unit and operates on double, alternate) the lower manual. Various features of the * Stereo and mono balanced and unbalanced sequencer are: outputs * Simplicity; just play normally & record ex * Pitch bend and modulation wheels actly what you play. * Polyphonic modulation section * 2500 note capability, and 6 memory banks. * Voice defeat system * Built-in micro-cassette deck for both se * Two assignable & programmable control quence and program storage. voltage pedals which can act on each man * Extensive editing & overdubbing facilities. ual independently * Exact timing can be programmed, and an * Three-band programmable equalization external clock can be used. -
Soundgas Stock List
THE SOUNDGAS LIST May 2020 We don't have prices for all the incoming items: in many cases it’s impossible to determine price before assessment, servicing and testing has taken place. Preorders are possible on some of our regular pieces (eg Binson Echorecs, Space Echoes, Junos etc). As-is: we need to clear our service backlog so are open to offers on unserviced items. We hope that you like the new list and welcome feedback: this is very much a work in progress. “Your list is one of the best, it really is. I just want everything on it.” - Pete Townshend "I’m on the list, thanks. It’s like crack …” - Michael Price All items are serviced and in full working order (and covered by our guarantee) unless stated otherwise. New arrivals highlighted in yellow Prices (where quoted) are in £GBP and exclude delivery. Debit/Credit Card and Paypal payments may incur a surcharge on high value items. *VAT (Sales Tax): Customers in USA/Canada/Australia the pay the tax-free price shown in the first column where applicable. All prices in the first column show standard VAT-exclusive prices; if the second column has the same price, then there’s no reclaimable VAT on the item. SECTION GUIDE STATUS KEY 1. ECHOES AND EFFECTS 2. RECORDING GEAR: MIXERS - PRES - EQs - COMPRESSORS ETC. Listed now on the Soundgas website, click the link to go to the listing Listed 3. SYNTHS - KEYS - DRUM MACHINES - SAMPLERS Arrived or on its way, yet to be listed. Please enquire. Enquire 4. EFFECT PEDALS Reserved for our studio or further investigation required. -
506 Operation Manual
Operation Manual Thank you for selecting the ZOOM 506 (hereafter simply called the "506"). Please take the time to read this manual carefully so as to get the most out of your 506 and to ensure optimum performance and reliability. Retain this manual for future reference. ZOOM CORPORATION NOAH Bldg., 2-10-2, Miyanishi-cho, Fuchu-shi, Tokyo 183, Japan PHONE: 0423-69-7111 FAX: 0423-69-7115 Printed in Japan 506-5000 1 Major Features • 24 individual built-in effects provide maximum flexibility. Up to 8 effects can be used simultaneously in any combination. • Memory capacity for up to 24 user-programmable patches. • Integrated auto-chromatic bass guitar tuner for simple and precise tuning anywhere. • Optional foot controller FP01 can be used for pedal wah or pedal pitch, and volume control is also possible. • Optional foot switch FS01 can be used for bank switching, resulting in enhanced playability. • Dual power supply principle allows the unit to be powered from an alkaline battery or an AC adapter. • New DSP (digital signal processor) ZFx-2 developed by Zoom produces high-quality effects from an amazingly compact package. 2 Safety Precautions USAGE AND SAFETY PRECAUTIONS Usage precautions In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The Electrical interference meanings of these symbols are as follows: This symbol indicates explanations about extremely For safety considerations, the 506 has been designed to provide dangerous matters. If users ignore this symbol and maximum protection against the emission of electromagnetic !� handle the device the wrong way, serious injury or radiation from inside the device, and from external death could result. -
Price List February 2018 ITEM NUMBER ITEM DESCRIPTION LIST PRICE Incl
Price List February 2018 ITEM NUMBER ITEM DESCRIPTION LIST PRICE Incl. VAT ALL PERCUSSION BAG DSPK10-6 PADDED STICK BAG + 6 PRS DSH-10 STICKS R 389.00 DRUMSTICK DSH-10 STUDENT DRUMSTICK 5A WOOD TIP R 49.00 VG-5A AMERICAN HICKORY DRUMSTICK 5A WOOD TIP R 139.00 VG-5AN AMERICAN HICKORY DRUMSTICK 5A NYLON TIP R 139.00 VG-7A AMERICAN HICKORY DRUMSTICK 7A WOOD TIP R 139.00 VG-7AN AMERICAN HICKORY DRUMSTICK 7A NYLON TIP R 139.00 ITEM NUMBER ITEM DESCRIPTION LIST PRICE Incl. VAT BERGEN ACCES LC-18 GUITAR CAPO R 139.00 BAGS PCYB-01 BAG - PROFESSIONAL CYMBAL/STICK BAG R 1,450.00 SGB-GTM02 BAG - ACOUSTIC GUITAR - DELUXE R 880.00 SGB-GTM05 BAG - ELECTRIC GUITAR - DELUXE R 850.00 SGB-GTM06 BAG - BASS GUITAR - DELUXE R 880.00 BONGOS BOLCS200NL PRO BONGO SET 7" + 8.5" RAWHIDE HEADS NAT FINISH R 1,695.00 BRUSHES VG-DHW4 RETRACTABLE METAL BRUSH - PLASTC HANDLE R 239.00 VG-SHM19 MULTI DOWEL HOT RODS R 179.00 CAJON CAJ132-HT BIRCH CAJON FULLY ADJUSTABLE SNARE W/BAG DARK WALNUT R 2,195.00 CAJ132-SL BIRCH CAJON FULLY ADJUSTABLE SNARE W/BAG NATURAL FINISH R 2,195.00 CAJ132-SZ BIRCH CAJON FULLY ADJUSTABLE SNARE W/BAG TEAK FINISH R 2,195.00 CASE AGC-1 ACOUSTIC GUITAR CASE - BLACK SNAKE SKIN R 1,595.00 AGC-6 ACOUSTIC GUITAR CASE - BLACK with BROWN TRIMMING R 1,595.00 AJGC-2J JUMBO ACOUSTIC GUITAR CASE - BLACK R 1,750.00 BGC-5A BASS GUITAR CASE - BLACK R 1,495.00 CGC2-6 CLASSIC GUITAR CASE - BLACK with BROWN TRIMMING R 1,595.00 EGC-3C ELECTRIC GUITAR CASE - BLACK (SINGLE CUT STYLE) R 1,495.00 GLC-28 28" GUITARLELE CASE R 839.00 U2-012 24" UKULELE CASE R 765.00 -
Take Your Guitar Further
The VGA-3 V-Guitar Amplifier puts Roland’s most sought-after guitar and amp models in a compact digital amp at a very friendly price. This 50-watt brute uses COSM modeling to deliver a stunning range of electric and acoustic guitar models—plus unique GK effects—from any GK pickup-equipped guitar. There are also 11 programmable COSM amp models, 3-band EQ, and three independent effects processors that can be accessed using any standard electric guitar. TaTaTa k k k e e e Yo Yo Yoururur Guitar Guitar Guitar Further Further Further ● Rated Power Output 50 W ● Patches 10 (Recalled from Panel), 40 (Recalled from MIDI Foot Controller) ● Nominal Input Level (1 kHz) INPUT: -10 dBu, EXT IN: -10 dBu ● Speaker 30 cm (12 inches) x 1 ● Connectors Front: GK In, Input, Recording Out/Phones, Rear: EXT In, EXP Pedal, Foot SW, MIDI In ● Power Supply AC 117/230/240 V ● Power Consumption 55 W ● Dimensions 586 (W) x 260 (D) x 480 (H) mm / 23-1/8 (W) x 10-1/4 (D) x 18-15/16 (H) inches ● Weight 18.5 kg / 40 lbs. 13 oz. ● Accessory Owner's Manual * 0 dBu=0.775 Vrms ■ Roland’s Flagship Modeling Amplifier. The VGA-7 V-Guitar Amplifier is the most powerful and complete modeling amplifier in history. This technological marvel serves up a range of COSM amp sounds, onboard effects, and speaker cabinet simulations—plus models of different electric and acoustic guitars, pickups, and tunings using any steel-string guitar and an optional GK-2A Divided Pickup. -
User Manual As of January 2019
JHS PEDALS USER MANUAL AS OF JANUARY 2019 JHS PEDAL MANUAL 1 TABLE OF CONTENTS WARRANTY INFORMATION MODULATION 3 The Emperor V2 OVERDRIVE & DISTORTION Unicorn V2 Angry Charlie V3 4 Warble Tron 12 Bonsai Charlie Brown V4 DELAY Double Barrel V4 Milkman 5 Moonshine V2 Lucky Cat Delay Morning Glory V4 Panther Cub V2 Ruby Red Superbolt V2 REVERB Sweet Tea V3 6 Alpine Reverb 13 The AT+ Spring Tank 14 The Calhoun The VCR The Kilt V2 Twin Twelve V2 7 PREAMP Clover COMPRESSION Colour Box 15 Lime Aid Haunting Mids 16 Pulp ‘N’ Peel V4 The Crayon Steak ‘N’ Eggs 8 Whitey Tighty UTILITY BOOST Active A/B/Y 17 Mini Bomb Boost Buffered Splitter The Prestige Little Black Amp Box Little Black Buffer FUZZ Mini A/B 18 Bunrunner V2 9 Mute Switch Firefly Red Remote Four Wheeler V2 Stutter Switch Mini Foot Fuzz V2 Summing Amp 19 Muffuletta 10 Switchback Pollinator V2 ABOUT JHS PEDALS TREMOLO 20 Honeycomb Deluxe Kodiak Tidewater 11 JHS PEDAL MANUAL 2 WARRANTY INFORMATION Thanks for buying a JHS Pedal. You might not have realized it but you also just received one of the best warranties in the business! This pedal is backed by a limited lifetime warranty. If anything happens in any way that is our fault or the fault of a part that we use, we will fix it 100% free of charge with no questions asked. Simply email [email protected] or call 816 216 7953. Thanks for buying a JHS Pedal, we are proud to stand behind what we do! JHS PEDAL MANUAL 3 OVERDRIVE & DISTORTION Angry Charlie v3 Charlie brown v4 Modern Marshall tones that lean toward the classic JCM 800. -
The Infinisphere: Expanding Existing Electroacoustic Sound Principles by Means of an Original Design Application Specifically for Trombone
THE INFINISPHERE: EXPANDING EXISTING ELECTROACOUSTIC SOUND PRINCIPLES BY MEANS OF AN ORIGINAL DESIGN APPLICATION SPECIFICALLY FOR TROMBONE BY JUSTIN PALMER MCADARA SCHOLARLY ESSAY Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate College of the University of Illinois at Urbana-Champaign, 2020 Urbana, Illinois Doctoral Committee: Professor James Pugh, Chair and Director of Research Assistant Professor Eli Fieldsteel Professor Erik Lund Professor Charles McNeill DMA Option 2 Thesis and Option 3 Scholarly Essay DEPOSIT COVERSHEET University of Illinois Music and Performing Arts Library Date: July 10, 2020 DMA Option (circle): 2 [thesis] or 3 [scholarly essay] Your full name: Justin Palmer McAdara Full title of Thesis or Essay: The InfiniSphere: Expanding Existing Electroacoustic Sound Principles by Means of an Original Design Application Specifically for Trombone Keywords (4-8 recommended) Please supply a minimum of 4 keywords. Keywords are broad terms that relate to your thesis and allow readers to find your work through search engines. When choosing keywords consider: composer names, performers, composition names, instruments, era of study (Baroque, Classical, Romantic, etc.), theory, analysis. You can use important words from the title of your paper or abstract, but use additional terms as needed. 1. Trombone 2. Electroacoustic 3. Electro-acoustic 4. Electric Trombone 5. Sound Sculpture 6. InfiniSphere 7. Effects 8. Electronic If you need help constructing your keywords, please contact Dr. Bashford, Director of Graduate Studies. Information about your advisors, department, and your abstract will be taken from the thesis/essay and the departmental coversheet. -
Bass Pedals Manual V1.1 (29/08/2012) Introduction
Bass Pedals Manual v1.1 (29/08/2012) Introduction Thank you for choosing Bass Pedals, our virtual analogue bass synthesizer optimized for Native Instruments’ Kontakt 4 / 5 sampler. Bass Pedals is a powerful instrument capable of creating a wide range of huge analogue sounding synth bass tones. We hope you have fun exploring Bass Pedals capabilities, and enjoy creating new sounds with it as much as we have enjoyed developing the instrument itself. This manual is specifically written for the Kontakt 4 / 5 version of Bass Pedals which makes extensive use of Kontakt's advanced script programming and GUI integration. Bass Pedals the Story Bass Pedals is inspired by the sought-after Moog Taurus Mk1 bass synthesizer from the mid seventies. The original Moog Taurus was a basic, but unique and powerful sounding monophonic analogue bass synthesizer with 2 VCO's (sawtooth waveforms), a typical (great sounding) Moog 24db Low pass filter with basic envelope controls, a VCA and 13 large pedals which were intended to be played by the feet. To fully capture the enormous and highly praised ‘Taurus sound’ we heavily multi-sampled an original Taurus MK1’s raw oscillator waveforms as well as 40 heavily multi-sampled preset patches, the latter being designed using the Taurus’s synthesis parameters. All waveforms and preset patches have been carefully recorded with 3 x round robin sample variations to help capture the imperfections and quirkiness of the original instrument. All samples were recorded through an API pre-amp and high end converters. Some patches have been further processed through an Empirical Labs Fatso and Pultec Style analogue EQ. -
Using Ketron Modules with Guitars
USING KETRON MODULES WITH GUITARS Midi Guitars have been around for ages and guitar players have found ways to catch up with their keyboard counterparts in being able to have fun playing different sounds using drum machines and synthesizers. Many have however resorted to using Midifiles and backing tracks (making folks think they are ‘DJ’s now’ because it has been a challenge for them to have a device which they can perform with and which follows them as though they were playing with a live band … until now. The KETRON SD90 (SD9 & SD60), SD40, Midjay Pro & AUDYA 4 and even the older units such as the SD3, XD3, X4 and MS40 (referred to as the module from here on) can be set up to be controlled by Guitar players in various ways, such that the backing tracks FOLLOW YOU, meaning you don’t have to follow a midifile or drum machine or karaoke just to sound good and full. You can choose to use your feet to change the chords (using bass pedals such as the KETRON K8 Pedal board) or simply set up the machine to recognize the chords you play (PIANIST AND GUITARIST mode described on page 68 of the SD9/SD60/SD90 manual) which allows you to simply play and focus on your performance – not your feet. Either way, you are now in full control of the LIVE backing tracks meaning you can for example keep playing a tune, should you reach the end and the audience decide to start dancing, or quickly go into another tune and keep your audience on the dance floor.