Lupino Lane Ç”Μå½± Ä¸²È¡Œ (Å¤§Å…¨)

Total Page：16

File Type：pdf, Size：1020Kb

Lupino Lane ç”µå½± ä¸²è¡Œ (å¤§å…¨) Trust the Navy https://zh.listvote.com/lists/film/movies/trust-the-navy-19818492/actors Love Lies https://zh.listvote.com/lists/film/movies/love-lies-19894044/actors Ship Mates https://zh.listvote.com/lists/film/movies/ship-mates-18729910/actors Buying a Gun https://zh.listvote.com/lists/film/movies/buying-a-gun-20004489/actors Purely Circumstantial https://zh.listvote.com/lists/film/movies/purely-circumstantial-20802998/actors My Old Duchess https://zh.listvote.com/lists/film/movies/my-old-duchess-12126410/actors Joyland https://zh.listvote.com/lists/film/movies/joyland-18642019/actors Privates Beware https://zh.listvote.com/lists/film/movies/privates-beware-18711809/actors Be My King https://zh.listvote.com/lists/film/movies/be-my-king-18713280/actors Fandango https://zh.listvote.com/lists/film/movies/fandango-18713281/actors Fisticuffs https://zh.listvote.com/lists/film/movies/fisticuffs-18713282/actors Hectic Days https://zh.listvote.com/lists/film/movies/hectic-days-18713283/actors Only Me https://zh.listvote.com/lists/film/movies/only-me-18713284/actors Roaming Romeo https://zh.listvote.com/lists/film/movies/roaming-romeo-18713285/actors Good Night Nurse https://zh.listvote.com/lists/film/movies/good-night-nurse-18729908/actors Summer Saps https://zh.listvote.com/lists/film/movies/summer-saps-18729911/actors The Innocents of Chicago https://zh.listvote.com/lists/film/movies/the-innocents-of-chicago-19798658/actors Never Trouble Trouble https://zh.listvote.com/lists/film/movies/never-trouble-trouble-19894702/actors No Lady https://zh.listvote.com/lists/film/movies/no-lady-19894764/actors The Maid of the https://zh.listvote.com/lists/film/movies/the-maid-of-the-mountains-20804248/actors Mountains Who's Your Father https://zh.listvote.com/lists/film/movies/who%27s-your-father-20804275/actors Letting in the Sunshine https://zh.listvote.com/lists/film/movies/letting-in-the-sunshine-6533842/actors Old Spanish Customers https://zh.listvote.com/lists/film/movies/old-spanish-customers-7085012/actors The Deputy Drummer https://zh.listvote.com/lists/film/movies/the-deputy-drummer-7729764/actors The Love Race https://zh.listvote.com/lists/film/movies/the-love-race-7748948/actors.

Copy Link

Recommended publications

Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
[Show full text]
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pick, J.M. (1980). The interaction of financial practices, critical judgement and professional ethics in London West End theatre management 1843-1899. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/7681/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] THE INTERACTION OF FINANCIAL PRACTICES, CRITICAL JUDGEMENT AND PROFESSIONAL ETHICS IN LONDON WEST END THEATRE MANAGEMENT 1843 - 1899. John Morley Pick, M. A. Thesis submitted for the Degree of Doctor of Philosophy in the City University, London. Research undertaken in the Centre for Arts and Related Studies (Arts Administration Studies). October 1980, 1 TABLE OF CONTENTS Acknowledgements 4 Abstract 5 One. Introduction: the Nature of Theatre Management 1843-1899 6 1: a The characteristics of managers 9 1: b Professional Ethics 11 1: c Managerial Objectives 15 1: d Sources and methodology 17 Two.
[Show full text]
Knockabout and Slapstick: Violence and Laughter in Nineteenth-Century Popular Theatre and Early Film
Knockabout and Slapstick: Violence and Laughter in Nineteenth-Century Popular Theatre and Early Film by Paul Michael Walter Babiak A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Drama, Theatre and Performance Studies University of Toronto ©Copyright by Paul Michael Walter Babiak, 2015 Knockabout and Slapstick: Violence and Laughter in Nineteenth-Century Popular Theatre and Early Film Paul Michael Walter Babiak Doctor of Philosophy Centre for Drama, Theatre and Performance Studies University of Toronto 2015 Abstract This thesis examines laughter that attends violent physical comedy: the knockabout acts of the nineteenth-century variety theatres, and their putative descendants, the slapstick films of the early twentieth-century cinema. It attempts a comparative functional analysis of knockabout acts and their counterparts in slapstick film. In Chapter 1 of this thesis I outline the obstacles to this inquiry and the means I took to overcome them; in Chapter 2, I distinguish the periods when knockabout and slapstick each formed the dominant paradigm for physical comedy, and give an overview of the critical changes in the social context that separate them. In Chapter 3, I trace the gradual development of comedy films throughout the early cinema period, from the “comics” of 1900 to 1907, through the “rough house” films of the transitional era, to the emergence of the new genre in 1911-1914. ii Chapters 4, 5, 6 and 7 present my comparative analyses of the workings of four representative
[Show full text]
Columbia Records Catalogue 1922
Complete to Supplement No. 60.1 CURRENT PRICES OF COLUMBIA RECORDS. DARK BLUE LABEL (Doable,S,ided)v__I'sges_60 to 103 10 inch 3/6 12-inch 516 .. ... Hebrew-Jewish Records-see page 110. Wm. McEwan Sacred Album 42/- . each The Children's Bo:-" (see 103) 21/- page - LIGHT BLUE LABEL ('J Pc.'er 9 42 uble-Sided; , to 10-inch 5/- each 12-inch 7/6 ea -a "Daughter of Madame Angot " A1Lum 13 s."."EEN LABEL. Pages 43 to 59 PINK LABS L, GRAND OPERA (Single-Side d Page 1C 12-inch 1246 iva-dica only. ... .. ... each BROWN LAB-Z.. ITALIAN OPERA ;Double-Sided) 104 to :106 516 10-inch :3/6 each ... )'L iach eac" RMEN' Ai .um, compieta 0 1.'Sa i i)A " Aihurn, containing Complete Opera £ r "i?ICOLETfO"Album,containingCompleteOpera . £4 8n. `IteCards. '::tng txdn>,flcru/t4 ruder P.rittlA! CAUTION..--Cuwnrbta 3ety '4;,stralian Zealand Parents, naý" ný: b! aal for :slr! ar offered fir salt at less than Al autfori,ed pries: fixed tAo,* liaFls eannrrier respa,iaýrly. euir,{;;r rendering LRtk ells:- ant pýr'`arer to damage for infringe sent"-ssýwýwý++.ýmr ýrnllls.. ý7s8 BRIT'S}-?!NST;TUTE QE SOUND, 922 SUPPLEMENTARY CATALqQIWTION;(7DFD ROAD, i iris Supplementary Catalogue includes all Columbia Records issued in the supplements Nos. 61 to 65 and Special Issues. and with the 1922 Catalogue comprises the complete Columbia repertoire to the No. 65 and " Lady of re Rose " Supplements. I ORPLE LABEL-12-In. Single-Sided. 716 LIGHT BLUE LABEL-12-in.-contd. 72:18 (Carmen-My Mother I Behold ILe Chasseur Ntaudit (Tbe Accursed l Duct: Shaba Mullings and 1.1423{ Hunter).
[Show full text]
Radio-Pictorial-1939
RA I r. PICTORIAL THE ALL -FAMILY RADIO MAGAZINE JULY 21, 1939. No. 288. Registered at the G.P.O. as a Newspaper *BRITAIN'S SWING STARS *LISTENING WITH THE WINDSOR LUXEMBOURG, NORMANDY, PARIS, LYONS, AND EIREANN PROGRAMMESJULY 23-2 EVERY FRIDAY RADIO PICTORIAL July 21, 1939 whosepopular band can be heard in the Cookeen programme from Luxembourg every Monday and from CARROLL GIBBONS Normandy every Saturday at 10 a.m. 2 July 21, 1939 RADIO PICTORIAL No. 288 RADIO PICTORIAL A Mtn The All -Family Radio Magazine 441FtvEr.OM) Published by BERNARD JONES PUBLICATIONS, LTD. a. v 37-38 Chancery Lane, W.C.2. HOLborn 6158 MANAGING EDITOR K. P.HUNT ASST. EDITOR JESSIE E. KIRK Biparb4 IT sounds extraordinary that an artiste so youthful as Mamie Soutter should be celebrating this year her Silver Jubilee on the stage! Mamie- "doing her stuff" in Stanelli's "Crazy Cruise "-began her stage career twenty-five years ago as a little tot in the ALL THE WEEK'S GOSSIP, NEWS AND HUMOUR "TwelveLittleSunbeams,"hersalary HE off -to -America bug isstill getting show MIRIAM LESTER is a young lady of whom being sixpence a week to spend on lollipops 1 business people in a big way. Latest to declare you'll be hearing plenty, judging by her or whatever seemed to Soutter (sorry !)inhis intention of going is Carroll Gibbons, who willperformances in the "Melody and Song" pro- those days. sail immediately he finishes his summer tour of thegrammes. She's another Aussie, though actually She had to get a magistrate's licence everyprovinces.
[Show full text]
Movie Night #6
#6 Winter 2013 12222222222222222222222222222222222222222222222222222222222222222222222222222222Za\ NEWS NEWS from SLAPSTICK BRISTOL’S ANNUAL FESTIVAL OF SILENT & VINTAGE COMEDYDad’s Army with Ian Lavender OMID DJALILI LEADS THE WAY AS SLAPSTICK MARKS 10th BIRTHDAY WITH CHARLIE CHAPLIN SALUTE Friday 24 – Sunday 26 January 2014 Britain’s biggest festival of silent and visual comedy returns to Bristol with a 10th birthday edition that will offer three laughter-filled days of films, music, archive discoveries, vintage television and celebrity guests. The programme opens with a gala, hosted by Omid Djalili, paying an extra-special tribute to Charlie Chaplin and the centenary of his most famous character, the Little Tramp. Comedian, film actor and Charlie Chaplin enthusiast Omid Djalili is to host the gala evening of film and music that will open Bristol’s tenth annual Slapstick festival of silent and visual comedy on Friday 24 January 2014. The gala event at Colston Hall will not only launch what is now acknowledged as the UK’s biggest celebration of screen comedy but will also be the first in a series of global events marking the centenary of Charlie Chaplin’s best-loved character, the Tramp. As a result, the Gala will have a special Chaplin focus, including a screening of the 1931 feature CITY LIGHTS, accompanied live by a 39-piece orchestra – the largest ever to appear at any Slapstick event. Festival organiser, Chris Daniels, says: “We’re absolutely thrilled that Omid Djalili is coming to Bristol to launch both our 10th birthday festival and the world’s centenary salute to one of cinema’s most iconic figures.
[Show full text]
Complete Printable Windyridge CD Listing in PDF Format
VAR1 Randolph Sutton - Good 'Eavens Mrs. Evans Listing dated Sept 2021 VAR2 G. H. Elliott - Plain Chocolate VAR3 Bobbie Comber - The Return of Barnacle Bill VAR4 Ronald Frankau - Upper Class Love VAR5 Max Miller - Confessions of a Cheeky Chappie CDR1 Dan Leno - Recorded 1901 - 1903 VAR6 Douglas Byng - One of the Queens of England CDR2 Gus Elen - The Coster Comedian VAR7 Will Fyffe - I belong to Glasgow CDR3 Harry Champion - Cockney Bill of London Town VAR8 Robb Wilton & John Tilley - I should say so! CDR4 Billy Williams - Let's have a song upon the Phonograph VAR9 Vivian Foster - The Vicar of Mirth CDR5 Florrie Forde - Join in the Chorus VAR10 Flotsam and Jetsam - Sing a Song of England CDR6 Marie Lloyd - Wink the other Eye VAR11 Leslie Sarony - Wheezy Anna VAR12 Murder & Mayhem CDR7 Mark Sheridan - One of the B'Hoys VAR13 Jack Warner - The Old Blue Pencil VAR14 Variety - “Live!” CDR8 George Formby Snr. - Standing at the Corner of the Street VAR15 Gillie Potter - Heard at Hogsnorton CDR9 Little Tich - In Other People's Shoes VAR16 Albert Whelan - The Whistling Boy CDR10 George Lashwood - What a Don! VAR17 Gracie Fields - A Hotpot Party CDR11 Harry Lauder - Foo' th' Noo VAR18 Florrie Forde - Forty Fousand Frushes CDR12 Ella Shields - Burlington Bertie from Bow VAR19 Elsie & Doris Waters - Just Gert and Daisy CDR13 Wilkie Bard - She sells Seashells VAR20 Harry Gordon - The Laird o’Inversnecky CDR14 Music Hall Medleys CDR15 Costers & Cockneys VAR21 Norman Long - My Little Austin Seven CDR16 Nellie Wallace & Maidie Scott - Mother's Advice
[Show full text]
Movie Night 7
Welcome, again, to another issue of ‘MOVIE NIGHT’. Thanks to all who have contributed, especially to David Wyatt for providing his regular column. This is the longest issue to date, thanks in no small measure to the many exciting events, DVD releases and pieces of news that have been happening lately. It’s a good time to be a silent comedy fan! As always, please do get in touch with articles, story submissions, or opinions and ideas. Your contributions are really appreciated. In case you missed it, there’s a new email: [email protected]. Alternatively, you can still use my old address, [email protected]. Thanks for your continued support, and happy reading! Cover photo: George Formby, Cyril Ritchard and Kay Walsh in ‘I SEE ICE’ (1938). STOP PRESS! AN AMAZING BUSTER KEATON DISCOVERY! The International Buster Keaton Society (The Damfinos) have announced a fantastic, unexpected find in a new press release: A treasure trove of previously unknown behind-the-scenes material documenting the making of Buster Keaton’s The General, long considered one of the greatest films ever made, has recently been discovered by a member of the International Buster Keaton Society Inc. In the summer of 1926, Cottage Grove, Oregon, a local photographer was given unprecedented access to the filming of the classic, and his vast collection of photographs and nitrate negatives remained stored in a box until found recently by one of his descendants. The collection was obtained by the member of the Buster Keaton Society, and rights to publish the materials were donated to the group.
[Show full text]
Celebrating London's Writers My Old China
A fascinating and insightful look at the history of London’s ‘Lambeth Walk’. My Old China This book brings together photos and memories from past and present residents, ‘My Old China’ is a fresh look at how Lambeth Walk has developed through the ages. Includes an exciting new detective story ‘The Amazing Case of Lambeth Walk’ by Steve Tasane. 2 – My Old China - A celebration of Lambeth Walk through the ages Spread the Word – celebrating London’s writers Includes The Amazing Case of Lambeth My Old China Walk a thriller by Steve Tasane My OldChina A celebration of Lambeth Walk through the ages A Spread the Word project Spread the Word – celebrating London’s writers – celebrating London’s the Word Spread My Old China - A celebration of Lambeth Walk through the ages – 3 Spread the Word is London’s leading writer development agency. It is a catalyst for developing writers with a strong reputation for providing bold, playful and accessible support for writers of all levels – from networking events to publisher and agent talks, advice surgeries to an online city of shared stories. Spread the Word is committed to excellence and quality and works in partnership with arts organisations, universities, libraries, local authorities, schools and community groups. We provide key employment opportunities for writers, develop talent, contribute to the growth of literacy and promote wellbeing and social cohesion. www.spreadtheword.org.uk First published in the United Kingdom 2011 Copyright © individual authors 2011 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the written permission of Spread the Word, nor may it be otherwise circulated in any form of binding or cover other than that in which it is published.
[Show full text]
Interview with Albert Mack
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Albert Mack – interview transcript Interviewer: Sue Barbour 24 October 2008 Theatre-goer and amateur actor. Billie Bennett; Bernard Bresslaw; Roy Castle; Harry Champion; Charles Dennis; The Empire, Nottingham; Will Fyffe; Horace Golding; Arthur Hindley; Jimmy James; Lupino Lane; Me and My Girl; monologues; Nottingham theatres; pantomimes; Scott Sanders; Wilson, Kepple and Betty; Brendan Woods. SB: This is Sue Barbour, I’m doing a PhD with the University of Sheffield and The British Library Theatre Project and I’m interviewing Albert Mack. First of all Albert could you just confirm that… you’re in agreement for us to use this recording for the British Library Theatre Project and for future generations to understand this period of theatre, variety and light entertainment. AM: Full agreement, yes. SB: Great. Well, first of all, could you just tell me a little bit about where you were born and brought up? AM: I was born in London in the New Cross Road which is in Deptford and the borough of Greenwich, SE14. SB: And when did you first become aware of entertainment? AM: Well, I was just thinking that the first time was when my father used to perform in the kitchen, little bits of Harry Champion. Harry Champion was before my time but he used to do Harry Champion’s signature tune, I think it was of ‘Any Old Iron’, but he never knew all the words so all we got was the beginning and the dance at the end and I decided to learn it with the verse and the chorus.
[Show full text]
CULTURE Horseracing and the British
huggins cvr 8/14/03 12:10 PM Page 1 STUDIES IN POPULAR CULTURE STUDIES IN STUDIES IN ‘This book reveals some major findings, not least about the part that POPULAR POPULAR CULTURE Horseracing racing and betting played in the lives of women, and the sport’s CULTURE inherent conservatism. It is genuinely British in its approach and uses a HUGGINS wide range of primary and secondary sources from across the nation to bring out local and regional variations.’ and the British Wray Vamplew, University of Stirling ROM THE PRIZE-WINNING AUTHOR of Flat Racing and British Society F 1780–1914, this is the first book to provide a detailed consideration of the 1919–1939 history of racing in British culture and society and to explore the cultural world of racing during the interwar years. MIKE HUGGINS It breaks new ground by showing how racing’s pleasures were enjoyed even by Horseracing andtheBritish the supposedly respectable middle classes, and gave some working-class groups hope and consolation during economically difficult times. Regular attendance and increased spending on betting were found across class and generation, and women too were keen participants. Enjoyed by the Royal Family and controlled by the Jockey Club and National Hunt Committee, racing’s visible emphasis on rank and status helped defend hierarchy and gentlemanly amateurism, and provided support for more conservative British attitudes. The mass media provided a cumulative cultural validation of racing, helping define national and regional identity, and encouraging the affluent consumption of sporting experience and frank enjoyment of betting. The broader cultural approach of the first half of the book is followed by an exploration of the internal culture of racing itself: the racecourse and course life, trainers and jockeys such as Steve Donoghue or Gordon Richards, trainers like Fred Darling or the Honourable George Lambton, owners and breeders such as the Aga Khan, Lord Rosebery or the actor Tom Walls.
[Show full text]
British National Cinema
British national cinema With films as diverse as Bhaji on the Beach, The Dam Busters, Mrs Miniver, Trainspotting, The Draughtsman's Contract, and Prick Up Your Ears, twentieth- century British cinema has produced wide-ranging notions of British culture, identity and nationhood. British National Cinema is a comprehensive introduction to the British film industry within an economic, political and social context. Describing the development of the British film industry, from the Lumière brothers’ first screening in London in 1896 through to the dominance of Hollywood and the severe financial crises which affected Goldcrest, Handmade Films and Palace Pictures in the late 1980s and 1990s, Sarah Street explores the relationship between British cinema and British society. Using the notions of ‘official’ and ‘unofficial’ cinema, the author demonstrates how British cinema has been both ‘respectable’ and ‘disreputable’ according to the prevailing notions of what constitutes good cinema. British National Cinema analyses the politics of film and establishes the difficult context within which British producers and directors have worked. Sarah Street questions why British film-making, production and distribution have always been subject to government apathy and financial stringency. In a comparison of Britain and Hollywood, the author asks to what extent was there a 'star system' in Britain and what was its real historical and social function. An examination of genres associated with British film, such as Ealing comedies, Hammer horror and 'heritage' films, confirms the eclectic nature of British cinema. In a final evaluation of British film, she examines the existence of 'other cinemas': film-making which challenges the traditional concept of cinema and operates outside mainstream structures in order to deconstruct and replace classical styles and conventions.
[Show full text]