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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Goober Peas P. Nutt, Lilsq., New York, John L. Peters, C.1864 B.R A.Lil.Blackmar, La
Goober peas P. Nutt, lilsq., New York, John L. Peters, c.1864 b.r A.lil.Blackmar, La. ,---- - -- - - - ---- ---- 12 Gooch, William Byron's farewell to the maid of Athens. Cincinnati, A.C.Peters & bro c1861-6fi] I I I l ____ _ • -------------------r #34 Gooch, lh. -- Danube river. Boston, Vllite, Smith, 1871 • ------- --- -----•---- -- -------~ r Langstroth. Goooh.wm. v.26.p.367 JUliette Waltz. By Wffi.Gooch. Boston, White Smith & Co •• 298 & 300 Washington St. 0.1872. 5 pp. no.3-5. 2nd & last pages blank • • ~-I Vol.50 Goooh, Willi~ (arrg.) I p.7 Only a. dream of home. •••Words and music by C. A. White. Arra.nged by Wm. Goooh. Boston, White, Smith & Company, 0.(1872). Plate no. 1113.4. 6pp • • -------- 1 '37 Gooch" W11Jj.8lll Reuben and Rachel. Boston" Vrlte" Smith, 1878. I I I I i I I I I j" - Good Poy, Uncle Sam. c1898 --·--1 [ Rosenfeld, Monroe H. No.43 Spanish American War Songs. I Song Sheet •••Words only. I • Good bye ..• cards interfiled with Goodbye (one word) • Good Clean Fun. Bock, Jerry. N.Y., Sunbeam Husic Corp., F 01960. I I Langstroth Good Company. I V.25, p.19l Song. Words by Dr. Chas. Mackay. Music by Stephen Adams. No imprint. 6pp. no. 2-5, last p. blank. On oover: ornate design; fig. 3t in 6-pt. star • L • J Good evenin' Seymour, Tot. c and others:!. N. 'i". t Davis, Coots and Engel Inc., 1930. copy 1 copy 2 together with "In my Heart - Its Youll • I- No -55 Good fellow gal Novelty waltz ballad. -
April 2020 Thespring.Co.Uk Great Experiences for Everyone
What’s On January – April 2020 Great experiences for everyone thespring.co.uk Contents We are open 04 Event Cinema The Spring will re-open after Christmas 06 Live Events on Wednesday 15 January 2020. Monday – Friday: 30 Films 10am – 5pm or later when there is an 34 Workshops evening performance. Saturday: 38 Heritage & Exhibitions 10am – 4pm and one hour before an 41 Useful Information evening performance. 42 Diary We are also open on some Sundays and Bank Holidays for specific performances, opening one hour before the start of a show, but please check Key in advance. Film/Event Cinema Our bar opens 45 minutes before the start of an evening performance, or one hour in advance Workshops when evening menu orders have been placed in Heritage & Exhibitions advance. Please see page 29 for details. Family Our supporters make our work possible! Comedy We want to send a huge thank you to our supporters, who make our work possible. Theatre Literature Patrons Our Patrons make a significant contribution and Music support our contemporary theatre programme to make sure we can continue to bring the best performances to you. Thank you to our Patrons: Professor Sue Harper Roger and Tina Harrison Nick and Barbara Haward Gladys West David Willetts and Sarah Butterfield Anonymous Find out more about becoming a Patron at thespring.co.uk/support-us/become-a-patron or contact Sophie Fullerlove, Director on [email protected] Members Our Members are very special friends of The Spring. Membership starts from just £12 per year or £20 for a joint membership. -
Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
Here's a House
HERE’S A HOUSE A Celebration of Play School Reference Section Paul R. Jackson Kaleidoscope Publishing Here’s A House - A Celebration of Play School Copyright © 2010, 2011 Paul R. Jackson The right of Paul R. Jackson to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Here’s A House cover: Yellow Play School logo and house designed by Hilary Hayton. Orange Play School house designed by Laurence Henry. The author and publishers would like to thank Hilary Hayton and Laurence Henry for allowing the use of their classic designs on this series of books. First published as a download in Great Britain in 2011 by Kaleidoscope Publishing 93 Old Park Road Dudley West Midlands dy1 3ne All rights reserved. Apart from any use permitted under UK copyright law, this publication may only be reproduced, stored or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licenses issued by the Copyright Licensing Agency. ISBN-13 978-1-900203-43-2 “A few bracing statistics...” Barry Took, fifteenth anniversary programme “25 Minutes Peace”, April 1979. Here’s A House - A Celebration of Play School 4 reference section CONTENTS Presenters with the Greatest Number of Appearances ............................................................................................................. 9 Play School Presenters – Series One .............................................................................................................................................11 -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pick, J.M. (1980). The interaction of financial practices, critical judgement and professional ethics in London West End theatre management 1843-1899. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/7681/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] THE INTERACTION OF FINANCIAL PRACTICES, CRITICAL JUDGEMENT AND PROFESSIONAL ETHICS IN LONDON WEST END THEATRE MANAGEMENT 1843 - 1899. John Morley Pick, M. A. Thesis submitted for the Degree of Doctor of Philosophy in the City University, London. Research undertaken in the Centre for Arts and Related Studies (Arts Administration Studies). October 1980, 1 TABLE OF CONTENTS Acknowledgements 4 Abstract 5 One. Introduction: the Nature of Theatre Management 1843-1899 6 1: a The characteristics of managers 9 1: b Professional Ethics 11 1: c Managerial Objectives 15 1: d Sources and methodology 17 Two. -
MARJORIE BEEBE—Ian
#10 silent comedy, slapstick, music hall. CONTENTS 3 DVD news 4Lost STAN LAUREL footage resurfaces 5 Comedy classes with Britain’s greatest screen co- median, WILL HAY 15 Sennett’s comedienne MARJORIE BEEBE—Ian 19 Did STAN LAUREL & LUPINO LANE almost form a team? 20 Revelations and rarities : LAUREL & HARDY, RAYMOND GRIFFITH, WALTER FORDE & more make appearances at Kennington Bioscope’s SILENT LAUGHTER SATURDAY 25The final part of our examination of CHARLEY CHASE’s career with a look at his films from 1934-40 31 SCREENING NOTES/DVD reviews: Exploring British Comedies of the 1930s . MORE ‘ACCIDENTALLY CRITERION PRESERVED’ GEMS COLLECTION MAKES UK DEBUT Ben Model’s Undercrank productions continues to be a wonderful source of rare silent comedies. Ben has two new DVDs, one out now and another due WITH HAROLD for Autumn release. ‘FOUND AT MOSTLY LOST’, presents a selection of pre- LLOYD viously lost films identified at the ‘Mostly Lost’ event at the Library of Con- gress. Amongst the most interesting are Snub Pollard’s ‘15 MINUTES’ , The celebrated Criterion Collec- George Ovey in ‘JERRY’S PERFECT DAY’, Jimmie Adams in ‘GRIEF’, Monty tion BluRays have begun being Banks in ‘IN AND OUT’ and Hank Mann in ‘THE NICKEL SNATCHER’/ ‘FOUND released in the UK, starting AT MOSTLY LOST is available now; more information is at with Harold Lloyd’s ‘SPEEDY’. www.undercrankproductions.com Extra features include a com- mentary, plus documentaries The 4th volume of the ‘ACCIDENTALLY PRESERVED’ series, showcasing on Lloyd’s making of the film ‘orphaned’ films, many of which only survive in a single print, is due soon. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
Lupino Lane Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Lupino Lane 电影 串行 (大全) Trust the Navy https://zh.listvote.com/lists/film/movies/trust-the-navy-19818492/actors Love Lies https://zh.listvote.com/lists/film/movies/love-lies-19894044/actors Ship Mates https://zh.listvote.com/lists/film/movies/ship-mates-18729910/actors Buying a Gun https://zh.listvote.com/lists/film/movies/buying-a-gun-20004489/actors Purely Circumstantial https://zh.listvote.com/lists/film/movies/purely-circumstantial-20802998/actors My Old Duchess https://zh.listvote.com/lists/film/movies/my-old-duchess-12126410/actors Joyland https://zh.listvote.com/lists/film/movies/joyland-18642019/actors Privates Beware https://zh.listvote.com/lists/film/movies/privates-beware-18711809/actors Be My King https://zh.listvote.com/lists/film/movies/be-my-king-18713280/actors Fandango https://zh.listvote.com/lists/film/movies/fandango-18713281/actors Fisticuffs https://zh.listvote.com/lists/film/movies/fisticuffs-18713282/actors Hectic Days https://zh.listvote.com/lists/film/movies/hectic-days-18713283/actors Only Me https://zh.listvote.com/lists/film/movies/only-me-18713284/actors Roaming Romeo https://zh.listvote.com/lists/film/movies/roaming-romeo-18713285/actors Good Night Nurse https://zh.listvote.com/lists/film/movies/good-night-nurse-18729908/actors Summer Saps https://zh.listvote.com/lists/film/movies/summer-saps-18729911/actors The Innocents of Chicago https://zh.listvote.com/lists/film/movies/the-innocents-of-chicago-19798658/actors Never Trouble Trouble https://zh.listvote.com/lists/film/movies/never-trouble-trouble-19894702/actors