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Symposium Programme
Singing a Song in a Foreign Land a celebration of music by émigré composers Symposium 21-23 February 2014 and The Eranda Foundation Supported by the Culture Programme of the European Union Royal College of Music, London | www.rcm.ac.uk/singingasong Follow the project on the RCM website: www.rcm.ac.uk/singingasong Singing a Song in a Foreign Land: Symposium Schedule FRIDAY 21 FEBRUARY 10.00am Welcome by Colin Lawson, RCM Director Introduction by Norbert Meyn, project curator & Volker Ahmels, coordinator of the EU funded ESTHER project 10.30-11.30am Session 1. Chair: Norbert Meyn (RCM) Singing a Song in a Foreign Land: The cultural impact on Britain of the “Hitler Émigrés” Daniel Snowman (Institute of Historical Research, University of London) 11.30am Tea & Coffee 12.00-1.30pm Session 2. Chair: Amanda Glauert (RCM) From somebody to nobody overnight – Berthold Goldschmidt’s battle for recognition Bernard Keeffe The Shock of Exile: Hans Keller – the re-making of a Viennese musician Alison Garnham (King’s College, London) Keeping Memories Alive: The story of Anita Lasker-Wallfisch and Peter Wallfisch Volker Ahmels (Festival Verfemte Musik Schwerin) talks to Anita Lasker-Wallfisch 1.30pm Lunch 2.30-4.00pm Session 3. Chair: Daniel Snowman Xenophobia and protectionism: attitudes to the arrival of Austro-German refugee musicians in the UK during the 1930s Erik Levi (Royal Holloway) Elena Gerhardt (1883-1961) – the extraordinary emigration of the Lieder-singer from Leipzig Jutta Raab Hansen “Productive as I never was before”: Robert Kahn in England Steffen Fahl 4.00pm Tea & Coffee 4.30-5.30pm Session 4. -
The History of Women in Jazz in Britain
The history of jazz in Britain has been scrutinised in notable publications including Parsonage (2005) The Evolution of Jazz in Britain, 1880-1935 , McKay (2005) Circular Breathing: The Cultural Politics of Jazz in Britain , Simons (2006) Black British Swing and Moore (forthcoming 2007) Inside British Jazz . This body of literature provides a useful basis for specific consideration of the role of women in British jazz. This area is almost completely unresearched but notable exceptions to this trend include Jen Wilson’s work (in her dissertation entitled Syncopated Ladies: British Jazzwomen 1880-1995 and their Influence on Popular Culture ) and George McKay’s chapter ‘From “Male Music” to Feminist Improvising’ in Circular Breathing . Therefore, this chapter will provide a necessarily selective overview of British women in jazz, and offer some limited exploration of the critical issues raised. It is hoped that this will provide a stimulus for more detailed research in the future. Any consideration of this topic must necessarily foreground Ivy Benson 1, who played a fundamental role in encouraging and inspiring female jazz musicians in Britain through her various ‘all-girl’ bands. Benson was born in Yorkshire in 1913 and learned the piano from the age of five. She was something of a child prodigy, performing on Children’s Hour for the British Broadcasting Corporation (BBC) at the age of nine. She also appeared under the name of ‘Baby Benson’ at Working Men’s Clubs (private social clubs founded in the nineteenth century in industrial areas of Great Britain, particularly in the North, with the aim of providing recreation and education for working class men and their families). -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Issue #102 April
April 2018 April 102 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Big John Carter © Paul Harris Hylda Sims © Paul Harris A couple of the stars of our Last Hurrah for Skiffle on January 28th, courtesy of Paul Harris. Check out the full review by Ken Major starting on Page 10 We Get The Skiffles Keith Talks Twice as Much Tony Papard Gets All Historical We “borrow” more stuff from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 The Keith Woods Editorial Tales From The Woods magazine will make publishing history when the online and in print magazine launches two new platforms for the long established roots music and social scene publication. For the first time anywhere in the world, TFTW magazine will be published in Morse and semaphore alongside the more technical methods of reaching its international readership. A team of trained semaphore users and Morse code specialists will assemble in fields just below the Greenwich Observatory on the first Sunday in April to transmit the contents of the magazine, letter by letter, to recipients on Floor 12 of the Canada Tower. The magazine will be clearly visible across the whole of Canary Wharf. Publisher Keith Woods said: "We sought and were rewarded when we asked local Bromley scouts who had been awarded their communication badges if they would co-operate in this project, and they leapt at the chance to put their skills to this unusual, and ground-breaking experiment." Morse, invented and named by Samuel Morse in the USA, was the first long distance communication method, in which electricity carried by wires was interrupted in long or short bursts. -
Radio 4 Extra Listings for 2 – 8 June 2018 Page 1 of 10 SATURDAY 02 JUNE 2018 Mary Braddon
Radio 4 Extra Listings for 2 – 8 June 2018 Page 1 of 10 SATURDAY 02 JUNE 2018 Mary Braddon ...... Hattie Morahan Kenneth Williams continues his autobiography. Lucy, Lady Audley ...... Charlotte Emmerson Abridged in ten-parts by David H Godfrey SAT 00:00 William Gibson - Burning Chrome (b007jqv3) Robert Audley ...... Alex Wyndham Producer: Pamela Howe Episode 2 Sir Michael Audley ...... Sam Dale First broadcast on BBC Radio 4 in September 1985. Bobby Quine and Automatic Jack set up the cyberspace burn on George Talboys ...... Joseph Kloska SAT 07:50 Leonard Rossiter - In a Nutshell (b00sj9yy) the House of Blue Lights - their last big score. Read by Adam Luke Marks ...... Benjamin Askew New York, New York Sims. Directed by Julie Beckett and Fiona Kelcher. "I got myself wedged on a train, and immediately it left the When not jacking into the matrix to hack corporate mainframes SAT 02:45 Book of the Week (b02x5qpx) station a knife-fight began, apparently to the death..." for shady clients, Bobby Quine and Automatic Jack are hanging Charles Timoney - An Englishman Aboard, Episode 5 A snapshot from the 1980s of the unique American city out in the Gentleman Loser trying to figure out a way of pulling Charles Timoney is an English writer, with a French wife, living recalled by Leonard Rossiter. off that one big score to make them rich. But industrial in France. Written by Barry Pilton. espionage is a dangerous business, especially after deciding to After showing a group of friends the rowing boat he has spent Producer: Louise Purslow rip off Chrome, the most ruthless figure in the local mob the last six months building, Charles - possibly unwisely - First broadcast on BBC Radio 3 in February 1981. -
George Chisholm
1 The TROMBONE of GEORGE CHISHOLM Solographer: Jan Evensmo Last update: March 9, 2020 2 Born: Glasgow, Scotland, March 29, 1915 Died: Milton Keynes, England, Dec. 8, 1997 Introduction: We played again and again the marvellous Benny Carter session from Holland in 1937 with Coleman Hawkins. Then we realized that there was a great trombone player in there of British origin! Glad now to realize we had identified perhaps the best vintage trombone player on this side of the Atlantic! History: He took up trombone as a teenager after hearing Jack Teagarden. In 1936 he went to London with Teddy Joyce and played in clubs, notably the Nest Club, where the following year he took part in a jam session with Fats Waller, Coleman Hawkins and Benny Carter. Carter took him to Holland with a band that recorded eight titles for Decca (1937), and he played and recorded with Bert Ambrose’s orchestra in 1937-39. Chisholm was much in demand for session work; among his recordings was one with Waller for HMV in 1938. After joining the RAF he played in the all-star dance orchestra best known as the Squadronaires (1939-50). He was a member of the BBC Radio Show Band (1950-55) and played in Wally Stott’s orchestra in the “Goon Show” radio series, then performed with Jack Parnell and in musical shows until 1965. He continued to play jazz into the 1980s, both as a soloist – notably with Keith Smith’s Hefty Jazz – and with his own band, the Gentlemen of Jazz, in pubs, clubs and festivals. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pick, J.M. (1980). The interaction of financial practices, critical judgement and professional ethics in London West End theatre management 1843-1899. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/7681/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] THE INTERACTION OF FINANCIAL PRACTICES, CRITICAL JUDGEMENT AND PROFESSIONAL ETHICS IN LONDON WEST END THEATRE MANAGEMENT 1843 - 1899. John Morley Pick, M. A. Thesis submitted for the Degree of Doctor of Philosophy in the City University, London. Research undertaken in the Centre for Arts and Related Studies (Arts Administration Studies). October 1980, 1 TABLE OF CONTENTS Acknowledgements 4 Abstract 5 One. Introduction: the Nature of Theatre Management 1843-1899 6 1: a The characteristics of managers 9 1: b Professional Ethics 11 1: c Managerial Objectives 15 1: d Sources and methodology 17 Two. -
Lyrics and Music
Soundtrack for a New Jerusalem Lyrics and Music By Lily Meadow Foster and Toliver Myers EDITED by Peter Daniel The 70th Anniversary of the National Health Service 1 Jerusalem 1916 England does not have a national anthem, however unofficially the beautiful Jerusalem hymn is seen as such by many English people. Jerusalem was originally written as a preface poem by William Blake to his work on Milton written in 1804, the lyrics were added to music written by Hubert Parry in 1916 during the gloom of WWI when an uplifting new English hymn was well received and needed. Blake was in- spired by the mythical story Jesus, accompanied by Joseph of Arimathea, once came to England. This developed its major theme that of creating a heaven on earth in En- galnd, a fairer more equal country that would abolish the exploitation of working people that was seen in the ‘dark Satin mills’ of the Industrial revolution. The song was gifted by Hubert Parry to the Suffragette movement who were inspired by this vi- sion of equality. 2 Jerusalem William Blake lyrics Hubert Parry Music 1916 And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among those dark Satanic Mills? Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight Nor shall my sword sleep in my hand Till we have built Jerusalem In England's green and pleasant Land Hubert Parry 1916 Words by William Blake 1804 3 Jerusalem 1916 4 Jerusalem 1916 5 Jerusalem 1916 William Blake imagined a time when Britain would be a fairer more equal society. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Lupino Lane Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Lupino Lane 电影 串行 (大全) Trust the Navy https://zh.listvote.com/lists/film/movies/trust-the-navy-19818492/actors Love Lies https://zh.listvote.com/lists/film/movies/love-lies-19894044/actors Ship Mates https://zh.listvote.com/lists/film/movies/ship-mates-18729910/actors Buying a Gun https://zh.listvote.com/lists/film/movies/buying-a-gun-20004489/actors Purely Circumstantial https://zh.listvote.com/lists/film/movies/purely-circumstantial-20802998/actors My Old Duchess https://zh.listvote.com/lists/film/movies/my-old-duchess-12126410/actors Joyland https://zh.listvote.com/lists/film/movies/joyland-18642019/actors Privates Beware https://zh.listvote.com/lists/film/movies/privates-beware-18711809/actors Be My King https://zh.listvote.com/lists/film/movies/be-my-king-18713280/actors Fandango https://zh.listvote.com/lists/film/movies/fandango-18713281/actors Fisticuffs https://zh.listvote.com/lists/film/movies/fisticuffs-18713282/actors Hectic Days https://zh.listvote.com/lists/film/movies/hectic-days-18713283/actors Only Me https://zh.listvote.com/lists/film/movies/only-me-18713284/actors Roaming Romeo https://zh.listvote.com/lists/film/movies/roaming-romeo-18713285/actors Good Night Nurse https://zh.listvote.com/lists/film/movies/good-night-nurse-18729908/actors Summer Saps https://zh.listvote.com/lists/film/movies/summer-saps-18729911/actors The Innocents of Chicago https://zh.listvote.com/lists/film/movies/the-innocents-of-chicago-19798658/actors Never Trouble Trouble https://zh.listvote.com/lists/film/movies/never-trouble-trouble-19894702/actors -
Rights Catalogue Spring 2016 Jacaranda Books Art Music Ltd Is a Fresh and Exciting New Independent Publishing House Based in London
Rights catalogue Spring 2016 Jacaranda Books Art Music Ltd is a fresh and exciting new independent publishing house based in London. We publish adult fiction and non- fiction, including illustrated books, across linguistic, racial, gender and cultural boundaries – books in many ways as cosmopolitan as our city. Through our publishing, we directly address the ongoing lack of diversity in the industry today, and seek to enrich the landscape from boardroom to bookshelf. We aim to bring authors and books that represent the cultural, heritage and ethnic variety that can be found in London, with a particular interest in works related to Africa, the Caribbean, and African America. At the heart of our publishing strategy is one core element: a love of outstanding, thought-provoking work. We believe that a wealth of unheard, under-represented voices exist globally and are ready to be discovered. It is our mission to create the space for those voices to be seen and heard by new readers. Valerie Brandes Founder and Publisher Jacaranda 2 RADIO SUNRISE ANIETIE ISONG JANUARY 2017 Literary fiction, Satire Binding: B-format paperback Extent: 160 pp Price: £7.99 Rights: World ‘Never cover an assignment without collecting a brown ANIETIE ISONG started his career as a journalist envelope,’ Boniface had said. ‘It is a real life saver for all with Radio Nigeria, in Lagos. His short stories have journalists in this country.’ been published in journals and broadcast on the BBC and Radio Nigeria. He won several awards, Ifiok, a young journalist working for the government including the Commonwealth Short Story Award in radio station in Lagos, aspires to always do the right 2000 and the Remember Oluwale Writing Prize in thing but the odds seem to be stacked against him. -
June 2017 Janua Welcome to a New Year of New Books!
NEW TITLES JANUARY - JUNE 2017 WELCOME TO A NEW YEAR OF NEW BOOKS! As we move through the remnants of 2016, a look back on the past year might inspire the well-worn adage, “you couldn’t make this stuff up”. The world looks forward to the next few years with anxious hearts and minds. While in 2016 truth may be stranger than fiction, at Jacaranda we enter 2017 with a stellar list of uniquely brilliant and illuminating tales. Whether debut voices, or veteran our authors take us from the darkly funny world of Nigerian satire with Anietie Isong’s RADIO SUNRISE, through the stifling exacting world of Tokyo motherhood, with Rahdika Jha’s exquisite novel, MY BEAUTIFUL SHADOW. Starkly evocative landscapes and searing observations of human cruelty and kindness make this work a stand out feature title for the spring. As we move into the summer, we slip into azure, warm Caribbean waters with two genre fiction offerings: Paula Lennon’sMURDER IN MONTEGO BAY, a crime procedural set in the heart of this famed Jamaican holiday destination and Rasheda Malcolm’s SWIMMING WITH FISHES, a very traditional romantic novel enlivened by its Caribbean setting. These offerings promise a new flavour to well-used recipes, new perspectives on old traditions, and bright new voices in the publishing arena. To say we at Jacaranda are excited about our publishing for next year would be a great understatement; we are ecstatic and sincerely hope you will be too. Valerie Brandes Founder and Publisher Jacaranda 2 CONTENTS P.3 NEW RELEASES Cosmogramma Radio Sunrise Dancing the