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Knitting Patterns for Men Qsftfout; 7 Free Knitting Patterns for Men
qsftfout; 7 free knitting patterns for men qsftfout; 7 free knitting patterns for men 1 2 3 5 4 6 7 1 Old Way Gansey 5 Striped Pullover Ann Budd Norah Gaughan 2 Charcoal Ribbed Cardigan 6 Nicholas’s Fingerless Kate Kuckro Gloves 3 Basketweave Scarf Sandi Wiseheart Ann Budd 7 Woven Bands Pullover 4 Rhapsody In Tweed Hana Jason Kathy Zimmerman qsftfout; 7 free knitting patterns for men WELCOME to this, the sixth in our series of free eBooks from Knitting Daily! Next is Rhapsody in Tweed, a mock turtleneck by Kathy Zimmerman that hap- We’ve covered socks, lace, gifts for babies, cardigans for women, and patterns pens to be one of my personal all-time favorite “guy patterns.” Strong knot- for beginners, so it's high time that the men amongst us had their turn. like cables climb up the front and back of the sweater, while cabled ribs form a perfect backdrop on sleeves and sides. This one ought to come with a full So, guys: This one’s for you—seven free knitting patterns for men! disclosure clause: Warning! This Sweater Will Be Considered Stealable By The Since I am not a guy myself, I did a little extra research this time: I asked some Nearest Chilly Female. of my favorite men what kind of sweaters they liked to wear—and what kind For those of you looking for a little color—but not a lot of color—how about No- they didn’t. I also consulted the results of the Knitting Daily survey I did last year rah Gaughan’s Striped Pullover? This one’s deceptive: It looks a bit like stranded where I asked you men to vote on various aspects of what you looked for in colorwork, but it’s not—it's a simple slip-stitch pattern that knits up quickly and The Perfect Manly Sweater. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
2017 Annual Report 2017 NATIONAL GALLERY of IRELAND
National Gallery of Ireland Gallery of National Annual Report 2017 Annual Report 2017 Annual Report nationalgallery.ie Annual Report 2017 Annual Report 2017 NATIONAL GALLERY OF IRELAND 02 ANNUAL REPORT 2017 Our mission is to care for, interpret, develop and showcase art in a way that makes the National Gallery of Ireland an exciting place to encounter art. We aim to provide an outstanding experience that inspires an interest in and an appreciation of art for all. We are dedicated to bringing people and their art together. 03 NATIONAL GALLERY OF IRELAND 04 ANNUAL REPORT 2017 Contents Introducion 06 Chair’s Foreword 06 Director’s Review 10 Year at a Glance 2017 14 Development & Fundraising 20 Friends of the National Gallery of Ireland 26 The Reopening 15 June 2017 34 Collections & Research 51 Acquisition Highlights 52 Exhibitions & Publications 66 Conservation & Photography 84 Library & Archives 90 Public Engagement 97 Education 100 Visitor Experience 108 Digital Engagement 112 Press & Communications 118 Corporate Services 123 IT Department 126 HR Department 128 Retail 130 Events 132 Images & Licensing Department 134 Operations Department 138 Board of Governors & Guardians 140 Financial Statements 143 Appendices 185 Appendix 01 \ Acquisitions 2017 186 Appendix 02 \ Loans 2017 196 Appendix 03 \ Conservation 2017 199 05 NATIONAL GALLERY OF IRELAND Chair’s Foreword The Gallery took a major step forward with the reopening, on 15 June 2017, of the refurbished historic wings. The permanent collection was presented in a new chronological display, following extensive conservation work and logistical efforts to prepare all aspects of the Gallery and its collections for the reopening. -
Circa 125 Contemporary Visual Culture in Ireland Autumn 2008 | ¤7.50 £5 Us$12 | Issn 0263-9475
CIRCA 125 CONTEMPORARY VISUAL CULTURE IN IRELAND AUTUMN 2008 | ¤7.50 £5 US$12 | ISSN 0263-9475 c . ISSN 0263-9475 Contemporary visual culture in circa Ireland ____________________________ ____________________________ 2 Editor Subscriptions Peter FitzGerald For our subscription rates please see bookmark, or visit Administration/ Advertising www.recirca.com where you can Barbara Knezevic subscribe online. ____________________________ Board Circa is concerned with visual Graham Gosling (Chair), Mark culture. We welcome comment, Garry, Georgina Jackson, Isabel proposals and written Nolan, John Nolan, Hugh contributions. Please contact Mulholland, Brian Redmond the editor for more details, or consult our website ____________________________ www.recirca.com Opinions Contributing editors expressed in this magazine Brian Kennedy, Luke Gibbons are those of the authors, not ____________________________ necessarily those of the Board. Assistants Circa is an equal-opportunities Gemma Carroll, Sarah O’Brien, employer. Copyright © Circa Madeline Meehan, Kasia Murphy, 2008 Amanda Dyson, Simone Crowley ____________________________ ____________________________ Contacts Designed/produced by Circa Peter Maybury 43 / 44 Temple Bar www.softsleeper.com Dublin 2 Ireland Printed by W & G Baird Ltd, tel / fax (+353 1) 679 7388 Belfast [email protected] www.recirca.com Printed on 115gsm + 250gsm Arctic the Matt ____________________________ ____________________________ c ____________________________ ____________________________ CIRCA 125 AUTUMN 2008 3 Editorial 26 | Letters 28 | Update 30 | Features 32 | Reviews 66 | Project 107 | (front cover) Ben Craig degree-show installation 2008 courtesy the artist Culture night 2008 c . Circa video screening Circa screens the selected videos from the open submission Curated by Lee Welch, artist and co-director of Four Gallery, Dublin, videos will be shown in the Atrium of Temple Bar Gallery and Studios, Dublin on 19 September 2008. -
LCV List by Title.Xlsx
AUTHOR TITLE DESCRIPTION ISSUE YEAR PG Lambousy, Greg 100 Years of Interpreting Louisiana The Louisiana State Museum celebrates its centennial Fall 2006 8 A preview of an exhibition at the Louisiana State Museum 1815 Overtures upon the bicentennial of the Battle of New Orleans in 2015 Winter 2012 48 LEH 1993 Media Catalog A Guide to LA video documentaries Winter 1992 45 LEH 1996 Media Catalog A guide to LA video documentaries Winter 1995 57 2000 - 2001 LEH Media Catalog A comprehensive annotated listing of all LEH-funded films Spring 2000 79 Contains details on how to apply for humanities project, 2002-2003 Media Catalog Newview Orleansfilms, etc. photographer Syndey Byrd is honored as the Spring 2002 80 second recipient of the Michael P. Smith Award for Byrd, Syndey 2010 Humanities Photographer of the Year: Syndey Byrd PhotoDocumentary essay of Photography Katrina-related devastation and advance Spring 2010 26 notice of a forthcoming exhibit at the Louisiana State Young, Donn 40 Days and 40 Nights Archives Spring 2008 66 A "beautiful banner" reflects the history of pre-Civil War New A Civil War-era banner purchased on eBay ultimately finds Smith, Arthur Orleans a home at the Louisiana State Museum Spring 2011 76 LEH offers educators chance for lifelong learning via Upshaw, Martha Burns A Beacon of Learning: Summer Teacher Institutes Summer Teachers Institute Fall 1998 88 Kemp, John R. A Brush Most Modern The life and work of N.O. modernist painter Paul Ninas Summer 2000 12 N.O. artist Phil Sandusky documents the ravages of Kemp, John R. -
2008 Journal Troy Annual Conference of the United Methodist
2008 Journal Troy Annual Conference of The United Methodist Church Bishop Susan W. Hassinger, President Troy Conference Mission Statement The mission of Troy Annual Conference is to Congregational Significance provide, equip, and resource lay and clergy leaders for the purpose of helping churches make, nurture, We affirm the worth and importance of each local and send forth disciples of Jesus Christ and congregation where faith is lived and proclaimed in connect congregations with ministries around the word, song, and deed. world. Our Wesleyan Heritage Our Vision Statement We believe in our Wesleyan Heritage with its “Fix your attention on God. You’ll be transformed theology of grace, its spirituality of heart, and its from the inside out.” Romans 12:2, The Message traditions of accountability which grounds us in the scriptures and calls us to embody both the Core Values undergirding our ministry journey inward (spiritual formation) and the Recognizing the inherent tension of living as journey outward (helping to meet the needs of Christians in an increasingly complex world which others) as the bedrock of our lived faith. often places us at odds with values of our culture, Servant Leadership the following statements lift up and affirm core beliefs we hold in common which will guide our We value the call to be servants in and to the world planning in shaping the future of our Conference. as expressed and made visible in the person of Jesus Christ. Divine Revelation Our Connection We affirm the Christian revelation of a loving, triune God: We rejoice in our United Methodist connection which joins us in a common vision and a shared ● who invites us into relationship and calls us to ministry to the world. -
Strule Café | Music | Jazz
Strule Arts Centre 2020SPRING PROGRAMME struleartscentre.co.uk Contact Us Strule Arts Centre Keep connected: Townhall Square Omagh Facebook Co. Tyrone StruleArtsCentre N. Ireland BT78 1BL Twitter @StruleArts www.struleartscentre.co.uk Email: Box Office +44 (0) 28 8224 7831 [email protected] Opening Hours: Monday – Saturday 9.30am – 5.00pm On evenings of performances the Box Office will remain open until 8.30pm. For Sunday performances the Box Office will open one hour before the performance starts. 2 Strule Arts Centre | Spring Programme 2020 JMG Promotions Presents Declan Nerney with Special Guest Sean Wilson Friday 3 January | 8pm | £21.50 Auditorium | Music | Country Declan Nerney hails from Drumlish in the Co Longford and has been at the forefront of Irish Country music now for several decades, known near and far for his energetic showmanship with the unique “Nerney” big band sound that has rightfully carved his name right at the top of showbiz. To date Declan has appeared on over 50 Tv shows and has won countless accolades and awards along his glittering career which is going as strong today as it was from the day he first began. He’s playing to packed dance halls and theatres on a weekly basis and has legions of fans all over the World . Some of his biggest hit songs include “Stop The World”, “The Marquee In Drumlish” and “The Three Way Love affair”. So for a toe tapping night of classic Country a Declan Nerney show is the only show in town! Joining Declan on the tour will be Sean Wilson and Tony Mac. -
NGI Annual Report2001
G ailearaí n áisiúnTa na h É irean n n aTional G aller y of i reland T uarascáil B hlianTúil 2007 a nnual r eporT 2007 Gailearaí náisiúnTa na hÉireann Bunaíodh Gailearaí náisiúnta na hÉireann le hacht parlaiminte i 1854 agus d’oscail sé don phobal i 1864. sealbhaíonn an gailearaí thart ar 13,000 earra: os cionn 2,500 olaphictiúr, agus 10,000 saothar i meáin éagsúla lena n-áirítear uiscedhathanna, tar - raingtí, priontaí agus dealbhóireacht. réimsíonn dátaí na saothar ón gceathrú haois déag chuig an lá atá inniu ann agus i gcoitinne léirítear forbairt na mór-scoileanna péinteála san eoraip: scoileanna na Breataine, na hollainne, pléimeannach, na Fraince, na hiodáile, na spáinne agus na hísiltíre, á gcomhlánú ag bailiúchán cuimsitheach d’ealaín na hÉireann. Ráiteas Misin an cuspóir atá ag Gailearaí náisiúnta na hÉireann ná chun an bailiúchán náisiúnta a thaispeáint, a chaomhnú, a riaradh, a léirmhíniú agus a fhorbairt; taitneamh agus meas na hamharcealaíona a fheabhsú agus saol cultúrtha, ealaíne agus intleachtúil na glúine eiseach agus na glúine todhchaíocha a shaibhriú. The naTional Gallery oF ireland The national Gallery of ireland was founded by an act of parliament in 1854 and opened to the public in 1864. it houses some 13,000 items: over 2,500 oil paintings, and 10,000 works in different media including watercolours, drawings, prints and sculpture. The works range in date from the fourteenth century to the present day and broadly represent the development of the major european schools of painting: British, dutch, Flemish, French, German, italian, spanish and netherlands, complemented by a comprehensive collection of irish art. -
Series 500 Free Patterns
Series 500 FREE knitting patterns Mindego Mitts Directions: Designed for WEBS by Cat Bordhi CO 48 sts and join in the Rnd, being careful not to twist the cast-on edge. (24 sts on each needle) Mark start of Rnd. Short mittens: start with Rnd 19. Long mittens, wrist-warmers, and fingerless mitts: start with Rnd 1. Rnds 1-3: Repeat (p1, k2, p1) to end. Rnd 4: Repeat BIND 6 times. Rnds 5-9: Repeat (p1, k2, p1) to end. Rnds 10-15: Repeat Rnds 4-9. Rnd 16: Repeat BIND twice, p1, k2, p2, k2, p1, repeat BIND twice, p1, k2, p2, k2, p1. Size: Rnds 17-21: Repeat (p1, k2, p1) to end. women's average; Long mittens are 12.5” long, short Wristwarmers only: mittens are 9.5” long. Fingerless mitts are 11” long and Repeat Rnds 4-21 once more, then Rnds 4-13 once more. wrist-warmers are 8” long. Bind off. Materials: Mittens and fingerless mitts only: 2 (wrist-warmers), 3 (mittens and fingerless mitts) balls Set-up for thumb gusset: Valley Yarns Valley Superwash (100% extrafine merino, Rnds 22-26: Repeat Rnds 4-8. 50g/109 yds) Rnd 27: Purl 1, k2, p2, k2, p1, place new start of Rnd 2 US size 7 circular needles – 24” long marker here (do not move needle intersection; start of Rnd is now 8 sts past start of this needle). Repeat (p1, k2, p1) Gauge: to new start of Rnd marker. 20 sts and 28 rows = 4” (10 cm) in stockinette stitch in the Rnd 28: Repeat BIND twice, BIND once but end with m1p, Rnd p1, BIND once but start with p1, m1p, repeat BIND twice. -
1930'S-Influenced Designs Ruffle Sleeve Pullover. Knit.Wear: 2011, 77, 86-90 1940'S-Influenced Designs Ingrid Pullover
Knit.wear Index Through knit.wear Spring/Summer 2017 The first issue of knit.wear magazine appeared in 2011. This index includes all of the special knit.wear issues of Knits magazine before knit.wear became its own publication in 2016. It also includes knit.purl and knit.wear Wool Studio magazines. In 2014, knit.wear briefly became knit.purl, and then returned to being knit.wear. Early knit.wear and knit.purl issues dated with simply the year are indexed as such. As knit.wear developed, abbreviations for the issue’s date started being used. These have changed frequency over the first years, and can be deciphered as shown below. Issue abbreviations: F = Fall FW = Fall/Winter W = Winter Sp = Spring Sp/Su = Spring/Summer Su = Summer To find an article, translate the issue/year/page abbreviations (for example, “Fitted jacket with cables. Knit.wear: 2011, 38, 45- 47” as Knit.wear, 2011 issue, pages 38 and 45-47.) For Wool Studio issues, full information for a pattern is in two pieces: overviews for a pattern appear in the Gallery publication and the pattern itself appears in the Collection publication. To find these patterns, translate the issue/year/page abbreviations (for example, “Provincetown pullover. Knit.wear Wool Studio: W16, Gallery 10-13, Collection 6-10” as Knit.wear Wool Studio, Winter 2016, pages 10-13 in the Gallery publication, and pages 6-10 for the pattern itself in the Collection publication.) Names: the index is being corrected over time to include first names instead of initials. These corrections will happen gradually as more records are corrected. -
160 Years of Art and Design Princess Royal Visits Sports Centre
Issue 31 AUTUMN 2009 The magazine for alumni and friends of the University 160 years of Art of Ulster and Design Princess Royal Visits Sports Centre University News Events and Reunions People Arts Sport Supported by http://alumni.ulster.ac.uk 2 11 15 19 30 31 ISSUE 31 | AUTUMN 2009 A WORD FROM THE EDITOR contents Welcome to issue 31 of The Ulster Graduate. university news I hope that you enjoy reading this issue, which covers a range of articles and stories about the University, its staff University News 2 and our alumni. We are highlighting the 160th anniversary Honorary Graduates 9 of the School of Art and Design, which we are celebrating this year. A whole range of activities and events have been taking place, culminating in a major retrospective exhibition innovation at Ormeau Baths Gallery in Belfast from 3 December 2009 to 31 January 2010. We are delighted that as part of the Ulster Leads Health Technology Drive 10 exhibition we will be holding a private viewing and reunion Alumni Angel Network 10 for alumni from the School on 10 December 2009 Ulster Company Secures Software Deal in US 11 (see page 14 for more information). Assess…Innovate…Succeed 11 As the new academic year starts, we are pleased to be able to tell you that Ulster is a more popular choice than development and alumni news ever, with a 6.4% increase in applications for entry this September. Ulster was ranked 55 in the Sunday Times Convocation Student of the Year 12 University Guide 2010, up from 61 last year. -
The Art of Charles H. Reinike : Lagniappes of Louisiana's
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2013 The ra t of Charles H. Reinike : lagniappes of Louisiana's landscapes and people Lauren J. Barnett Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Barnett, Lauren J., "The ra t of Charles H. Reinike : lagniappes of Louisiana's landscapes and people" (2013). LSU Master's Theses. 430. https://digitalcommons.lsu.edu/gradschool_theses/430 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE ART OF CHARLES H. REINIKE: LAGNIAPPES OF LOUISIANA’S LANDSCAPES AND PEOPLE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Lauren J. Barnett B.A., University of Florida, 2011 May 2013 ACKNOWLEDGMENTS This thesis would not have been possible without the support and guidance of the Reinike family, whose ambitions to preserve the legacy of Charles H. Reinike are extraordinary. Gretchen Reinike Eppling has not only been there to offer a wealth of information regarding the life and art of her father, but she has also become a dear friend to me throughout this process. Her brother, Charles Reinike III has also provided much assistance and inspiration, along with his wife, Edna, and daughter, Vera.