DOCSLIB.ORG

21 Days of Faith Day 1 the Big Idea "Jesus Believes in You!"

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
21 Days of Faith Day 1 the Big Idea 21 Days of Faith Day 1 The Big Idea "Jesus believes in you!" "Come, follow me," Jesus said, "and I will make you fishers of men." Matthew 4:19 (NIV) In Jesus’ day they had a saying, "may you be covered with the dust of your rabbi." Here in the 21st century the whole concept of following a rabbi is totally foreign to us, however, in Jesus’ day to have a rabbi invite you to follow him was the greatest honor one could ever experience. It was every person’s dream to have a great rabbi come by and invite them to follow him. These great teachers would go around looking for people they believed had what it took to be what they were and do what they were doing. I have dealt with every personality type imaginable in my many years of pastoral ministry and I have never met a single person who didn’t want and need affirmation. Having Jesus, the Rabbi, who in the words of scripture “went about doing good and healing all who were oppressed of the Devil,” say, "I believe you can successfully follow me and be what I am" was just unbelievable. So, think about this when you meditate today. This isn't just about you believing in Jesus, this is about Jesus believing in you. Jesus thinks you have what it takes to do be a lot more like him than you think. This really chokes me up because I know about all the bonehead things I have done and the sins I have committed. I am so unworthy to be covered “with the dust of my rabbi.” Do I expect your metamorphosis will be necessarily instantaneous? Of course not, but I know because of Christ love and power you are starting an amazing journey of transformation. Get this one thing straight, “you belong to Christ and he is happy with you.” You don’t work for grace, you work from grace. So start each day confessing that you are a child of God who shares the heavenly father with his son Jesus Christ. The door to this new relationship with God was opened up by Christ life and sealed by his death on the cross. Take a few seconds right now and pray that Jesus will show you what He is up to today, so you can follow Him and learn from Him. You will be glad you did. Grace & Peace, Pastor Phil 21 Days of Faith Day 2 The Big Idea: Jesus the judge who loves you We were those who ate and drank with Him after He rose from the dead. And He ordered us to preach everywhere and to testify that Jesus is ordained of God to be the judge of all -- the living and the dead. He is the one the prophets testified about, saying that everyone who believes in Him will have their sins forgiven through His name. Acts 10:41-42 You have probably never heard it taught that Jesus was ordained of God to be a judge; but that is what Simon Peter, one of Christ closest associates, understood. Now, you might very well be thinking, "I haven't done anything really bad, why would I need to stand before a judge?" That's a really good point. Most people I know make some attempt at being kind and helpful to others, but can any of us really look at the 10 commandments and say that we have never broken any of them. Of course, there are really more than 10 commandments, that's just an overview of what a Holy God expects. Here's an illustration that helps us to understand the futility of trying to get to heaven on the strength of our own goodness. Suppose a group of us decided we were going to swim from Boston Harbor to London. The most athletic among us would certainly outdistance the rest, but none of us would make it. That's the way it is with the high standards of a Holy God, none of us measure up. We all deserve judgment. The word gospel means, "good news". Now, here's the good news. Our judge is our savior. Don't make the mistake that so many people do, which is to say, "no one has a right to judge me". Pride will keep you out of the presence of the righteous judge. In fact, let me urge you to "rush to judgment". Be quick to admit that you have broken God’s laws, and let Him decide the seriousness of your offenses. The Bible says, "The person who keeps all of the laws except one is as guilty as the person who has broken all of God's laws". James 2:10. This simply tells us that there is as much mercy for the one who has broken all of the commandments as for the person who has only broken one. If you will bow (figuratively) before Christ and admit your failure to perfectly keep God's law, He will come down from the judge's bench put His arms around you and say, "all is forgiven". Let me close with a passage that illustrates my point. Then Jesus told this story to some who had great self-confidence and scorned everyone else: "Two men went to the Temple to pray. One was a Pharisee, and the other was a dishonest tax collector. The proud Pharisee stood by himself and prayed this prayer: `I thank you, God, that I am not a sinner like everyone else, especially like that tax collector over there! For I never cheat, I don't sin, I don't commit adultery, I fast twice a week, and I give you a tenth of my income.' "But the tax collector stood at a distance and dared not even lift his eyes to heaven as he prayed. Instead, he beat his chest in sorrow, saying, `O God, be merciful to me, for I am a sinner.' I tell you, this sinner, not the Pharisee, returned home justified before God. For the proud will be humbled, but the humble will be honored." Luke 18:14 21 DAYS OF FAITH Day 3 I hope are growing in you faith. Today we continue to talk about who Jesus is. Christ is the cornerstone of Christianity. Without Christ there would be no Christianity. Now, I don't pretend to understand all the complexities of God's plan but that still doesn't allow me to simply dismiss it. Do we refuse to turn on the lights because we don't understand the concept of electricity? Of course not; we simply enjoy the benefits of electrical current, content in knowing that the people who need to understand are available when we need them. Today I want to talk to you about why Jesus Christ died on the cross. THE BIG IDEA: Our debt is paid. Jesus was given to die for our sins, and He was raised from the dead to make us right with God. Romans 4:25 (NCV) You may have heard this story in a recent message I preached, but I think it bears repeating. A couple years ago I was reading to my daughter Elyse, she was 5 year old. We read about the death, burial and resurrection of Jesus Christ. Elyse wanted to know why Jesus had to die. I explained to her that, Jesus had to die to pay the penalty for our sins. I could tell that this wasn't making a lot of sense to her, so I pointed to the reading lamp beside us. I said, "Elyse if you were to break that lamp I would forgive you, but that wouldn't replace the lamp. I would have to go out and buy a new lamp with my money since you don't have that kind of money." I went on to explain to her that she does not have the power to get that kind of money. I told her, that’s why Jesus had to die. Someone had to pay for the damage that Adam and Eve's sin had inflicted; plus the damage that we add with our own sin. You and I cannot possibly fathom the anarchy and sinfulness of what Adam and Eve did when they turned their back on God and gave the control of the world that God had created over to Satan. Basically, God had given them authority over creation in return for their friendship and worship; instead they made an agreement with an imposter to no longer need God and to no longer honor Him as God. They bought into the universal lie that they could be God. Now, it's easy to say, “Why didn't God just forgive them?”, but can you think of any civil society where there is no penalty for breaking the law. When laws are broken, whether they be civil law or God's law a sentence must be meted out. The criminals don't get to set the sentence, the judges and lawmakers do. Read Genesis chapter 1 thru 3 to refresh yourself on what we call, "The Fall." Have you seen the movie, "The Passion of the Christ"? If you did, wasn't there something inside of you that said, "This man Jesus, He did a noble, loving and necessary thing when He died on the Cross." Now, I know that everyone doesn't agree that we need a savior; in fact, you may be struggling with that concept yourself.
Load more

Recommended publications
  • By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
    A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
    [Show full text]
  • Song & Music in the Movement
    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Race, Technology, and Theology in the Emergence of Christian Rap Music
    Pneuma 33 (2011) 200-217 brill.nl/pneu “It’s Not the Beat, but It’s the Word that Sets the People Free”: Race, Technology, and Theology in the Emergence of Christian Rap Music Josef Sorett Assistant Professor of Religion and African-American Studies, Columbia University, New York [email protected] Abstract In an effort to address lacunae in the literature on hip hop, as well as to explore the role of new music and media in Pentecostal traditions, this essay examines rap music within the narra- tives of American religious history. Specifically, through an engagement with the life, ministry, and music of Stephen Wiley — who recorded the first commercially-released Christian rap song in 1985 — this essay offers an account of hip hop as a window into the intersections of religion, race, and media near the end of the twentieth century. It shows that the cultural and theological traditions of Pentecostalism were central to Wiley’s understanding of the significance of racial ideology and technology in his rap ministry. Additionally, Wiley’s story helps to iden- tify a theological, cultural, and technological terrain that is shared, if contested, by mainline Protestant, neo-Pentecostal, and Word of Faith Christians during a historical moment that has been described as post-denominational. Keywords Christian hip hop, Stephen Wiley, Word of Faith, racial ideology Over the past two decades a growing body of research on hip hop music and culture has taken shape. More often than not, the inquiries in this emerging literature have located hip hop (or rap) in the traditions of African American cultural (literary and musical) expression.1 Within this corpus, little attention 1 The two seminal works in the field of hip hop studies are Tricia Rose’sBlack Noise: Rap Music and Black Culture in Contemporary America (Middletown, CT: Wesleyan Press, 1993); Houston Baker’s Black Studies, Rap, and the Academy (Chicago: University of Chicago Press, 1993).
    [Show full text]
  • The United States Vs Billie Holiday
    THE UNITED STATES VS BILLIE HOLIDAY Screenplay by Suzan-Lori Parks Based on the Book, “Chasing the Scream” by Johann Hari FINAL PICTURE SCRIPT OVER BLACK: IN 1937, A BILL TO FINALLY BAN THE LYNCHING OF AFRICAN- AMERICANS WAS CONSIDERED BY THE SENATE. IT DID NOT PASS. BILLIE HOLIDAY ROSE TO FAME IN PART DUE TO HER SONG STRANGE FRUIT, A LYRICAL, HORRIFYING DESCRIPTION OF A LYNCHING. FADE IN: NEW YORK CITY MAY 3, 1957 A1 INT. TBD JANKY APARTMENT/RADIO STATION - NIGHT A1 BILLIE, strung out, but dressed to the nines, forces a smile as she sits for an interview with REGINALD LORD DEVINE - an aging white gossip columnist. Think Skip E. Lowe. MISS FREDDY, her devoted stylist, stands by watching. Reginald grabs an item from his bar, sets it on his desk next to the recorder, then places the microphone on top of it. REGINALD DEVINE I’m going to put this up here so I can get both of us. Reginald then starts recording. Reginald and Billie both have drinks. REGINALD DEVINE (CONT'D) My next guest has played Broadway. She’s sold out Carnegie Hall. She played in Hollywood movies opposite the likes of Louis Armstrong. I am Reginald Lord Devine - and oh my god. Oh my god. I can’t believe we have the opportunity to interview, as I live and breathe, the legend, the lady, my hero - Miss Billie Holiday, Miss Lady Day. Which do you prefer, honey? FREDDY She’d prefer you pay her her money first. Reginald grabs the cash from his desk drawer, hands it over to Freddy.
    [Show full text]
  • WHY WOULD ANYONE GO to CHURCH? a Young Community’S Quest to Reclaim Church for Good
    WHY WOULD ANYONE GO TO CHURCH? A Young Community’s Quest to Reclaim Church for Good KEVIN MAKINS C Kevin Makins, Why Would Anyone Go to Church? Baker Books, a division of Baker Publishing Group, © 2020. Used by permission. _Makins_WhyChurch_KA_bb.indd 5 3/11/20 2:28 PM 20 21 22 23 24 25 26 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data is on file at the Library of Con- gress, Washington, DC. Library of Congress Cataloging- in- Publication Control Number: 0000000000 © 2020 by Kevin Makins Published by Baker Books a division of Baker Publishing Group PO Box 6287, Grand Rapids, MI 49516-6287 www.bakerbooks.com Printed in the United States of America All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— for example, electronic, photo- copy, recording— without the prior written permission of the publisher. The only exception is brief quotations in printed reviews. Library of Congress Cataloging- in- Publication Data Names: Makins, Kevin, 1986– author. Title: Why would anyone go to church? : a young community’s quest to reclaim church for good / Kevin Makins. Description: Grand Rapids, Michigan : Baker Books, a division of Baker Publishing Group, 2020. | Includes bibliographical references. Identifiers: LCCN 2019055544 | ISBN 9781540900005 (paperback) Subjects: LCSH: Church development, New. | Church. | Eucharist Church (Hamilton, Ont.) | Hamilton (Ont.)—Church history. Classification: LCC BV652.24 .M345 2020 | DDC 253—dc23 LC record available at https://lccn.loc.gov/2019055544 Unless otherwise indicated, Scripture quotations are from the New Revised Standard Version of the Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America.
    [Show full text]
  • Hip Hop As Oral Literature Patrick M
    Bates College SCARAB Honors Theses Capstone Projects Spring 5-2016 "That's the Way We Flow": Hip Hop as Oral Literature Patrick M. Smith Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Smith, Patrick M., ""That's the Way We Flow": Hip Hop as Oral Literature" (2016). Honors Theses. 177. http://scarab.bates.edu/honorstheses/177 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “That’s the Way We Flow”: Hip Hop as Oral Literature An Honor Thesis Presented to The Faculty of the Program of African American Studies Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts by Patrick Miller Smith Lewiston, Maine 3/28/16 2 Acknowledgments I would like to thank all of my Bates Professors for all of their help during my career at Bates College. Specifically, I would like to thank my thesis advisor, Professor Sue Houchins, for all her hard work, helping me wrestle with this thesis, and for being a source of friendship and guidance since I first met her. Professor Nero, I would also like to send a big thank you to you, you have inspired me countless times and have pushed me since day one. Professors Rubin, Chapman, Jensen, and Carnegie, thank you all very much, each of you helped me on my way to this point and I am very grateful for your guidance.
    [Show full text]
  • Tyler Perry and the Rhetoric of Madea: Contrasting Performances of Perry’S Leading Lady As She Appears on Stage and Screen
    religions Article Tyler Perry and the Rhetoric of Madea: Contrasting Performances of Perry’s Leading Lady as She Appears on Stage and Screen Katherine Whitfield 1 and Andre E. Johnson 2,* 1 Formation for Ministry, Memphis Theological Seminary, Memphis, TN 38104, USA 2 Communication and Film, University of Memphis, Memphis, TN 38152, USA * Correspondence: [email protected]; Tel.: +1-(901)-678-2565 Received: 15 May 2019; Accepted: 10 July 2019; Published: 16 July 2019 Abstract: In this essay, we will explore the variances in Madea’s character and presence on stage and on screen in both productions of Tyler Perry’s Madea Goes to Jail: The Play and Madea Goes to Jail. Specifically, we examine the multiple and varying ways in which the character of Madea performs for different audiences by examining how the roles of violence, religion and wisdom operate on stage and screen. Exploring the subtle—and at times, not-so-subtle—ways in which Madea’s performances differ from stage to screen, we suggest that Madea also performs as a text that Perry then uses to impart different messages to audiences of both stage and screen. Keywords: Tyler Perry; rhetoric; media; film; theater; black studies; popular culture 1. Introduction Industry leaders recognize Tyler Perry as one of the most successful Black entertainers of all time.1 As the first African American to own a major film studio, Perry has also realized success as an actor, playwright, filmmaker and producer. Even those who have never seen a Tyler Perry production will likely recognize his name as synonymous with that of his signature character, Madea.
    [Show full text]
  • City of Angels
    ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D.
    [Show full text]
  • “Go Tell It on the Mountain” // Isaiah 52:7 // Carols
    While shepherds kept their watching, Over silent flocks by night, “Go Tell It On the Mountain” // Behold throughout the heavens, There shone a holy light: Isaiah 52:7 // Carols Go, Tell It On The Mountain, Over the hills and everywhere; Go, Tell It On The Mountain, That Jesus Christ is born. Intro The shepherds feared and trembled, When lo! above the earth, Rang A bunch of y’all gave me a hard time because came out and sang the out the angel chorus, That hailed our Savior's birth: first Carol. Are you going to do that, J.D.? So, here goes (Brandon…) Down in a lowly manger, the humble Christ was born, and God sent us DPAC salvation, that blessed Christmas morn – Why DPAC? 2 reasons… A) It's good for us a church to have times where people from all He made me a watchman, upon the city wall; and if I am a Christian, I of our campuses can be together in a service; and am the least of all – B) A special event can provide the perfect catalyst for inviting someone to something different from church. Surveys Go, Tell It On The Mountain, Over the hills and everywhere; consistently show that Christmas and Easter are the two times Go, Tell It On The Mountain, That Jesus Christ is born of year that the majority of unchurched people are willing to go to church, and we want to capitalize on that. The song appears to be based on two primary passages of Scripture: First, (obviously), the story of the shepherds in Luke 2; and second, Isa Tickets are gone to some services.
    [Show full text]
  • Patiently Waiting 50 Cent [Intro: 50 Cent] Hey Em, You Know You're My
    Patiently Waiting 50 Cent [Intro: 50 Cent] Hey Em, you know you're my favorite white boy, right? I owe you for this one [Hook: 50 Cent] I been patiently waiting for a track to explode on You can stunt if you want and your ass'll get rolled on If it feels like my flow's been hot for so long If you thinking I'mma fuckin' fall off, you're so wrong [Verse 1: 50 Cent] I'm innocent in my head like a baby born dead, destination heaven Sit and politic with passengers from 9/11 The Lord's blessings leave me lyrically inclined Shit, I ain't even got to try to shine God's the seamstress that tailor fitted my pain I got scriptures in my brain, I could spit at your dame Straight out the good book, look, niggas is shook 50 fear no man, warrior, swing swords like Conan Picture me, pen in hand writing lines knowing the Source'll quote it When I die, they'll read this and say a genius wrote it I grew up without my pops, should that make me bitter? I caught cases I copped out, does that make me a quitter? In this white man's world I'm similar to a squirrel Looking for a slut with a nice butt to get a nut If I get shot today my phone'll stop ringing again These industry niggas ain't friends, they know how to pretend [Hook: 50 Cent] I been patiently waiting for a track to explode on You can stunt if you want and your ass'll get rolled on If it feels like my flow's been hot for so long If you thinking I'mma fuckin' fall off, you're so wrong I been patiently waiting for a track to explode on You can stunt if you want and your ass'll get rolled on If it feels
    [Show full text]
  • Snoop Dogg Snoop Dogg Mp3, Flac, Wma
    Snoop Dogg Snoop Dogg mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Snoop Dogg Country: US Released: 2000 MP3 version RAR size: 1120 mb FLAC version RAR size: 1282 mb WMA version RAR size: 1300 mb Rating: 4.3 Votes: 289 Other Formats: XM MMF MP1 MPC DXD AUD APE Tracklist Hide Credits Doggystyle 1 Bathtub 2 G Funk Intro 3 Gin & Juice 4 Tha Shiznit 5 Lodi Dodi 6 Murder Was The Case 7 Serial Killa 8 Who Am I (What's My Name) 9 For All My Niggaz & Bitches 10 Aint No Fun (If The Homies Cant Have None) 11 Doggy Dogg World 12 Gz And Hustlas 13 Pump Pump Tha Doggfather 14 Intro 15 Doggfather 16 Ride 4 Me 17 Up Jump Tha Boogie 18 Freestyle Conversation 19 When I Grow Up 20 Gold Rush 21 Snoop Bounce 22 (Tear 'Em Off) Me & My Doggz 23 You Thought 24 Vapors 25 Groupie 26 2001 27 Sixx Minutes Da Game Is To Be Sold, Not To Be Told 28 Snoop World 29 I Can't Take The Heat 30 Woof! 31 Gin & Juice II 32 Show Me Love 33 Hustle And Ball 34 Don't Let Go 35 Tru Tank Dogs 36 Whatcha Gon Do 37 Still A G Thang 38 20 Dollars To My Name 39 D.O.G.'s Get Lonely 2 40 Ain't Nut'in Personal 41 DP Gangsta 42 Game Of Life 43 See Ya When I Get There 44 Pay For P 45 Picture This 46 Doggz Gonna Get Ya 47 Hoes, Money (Clout) 48 Get Bout It (Rowdy) No Limit Top Dogg 49 Dolomite Intro 50 Buck 'Em 51 Trust Me 52 My Heat Goes Boom 53 Dolomite 54 Snoopafella 55 In Love With A Thug 56 G Bedtime Stories 57 Down 4 My N's 58 Betta Days 59 Something Bout Yo Bidness 60 B Please 61 Doin' Too Much 62 Gangsta Ride 63 Ghetto Symphony 64 Party With A D.P.G.
    [Show full text]