The West Coast

Total Page:16

File Type:pdf, Size:1020Kb

The West Coast sometimes hard to connect and keep up both. Now Sheila and I have less studying to do we should have more time. Will we move to Donegal one day? Never The Friel Sisters say never. Stranger things have happened but at the moment it is lovely to have the best of both worlds.” By Fiona Heywood Being very at home at the sessions, in whatever country, The Friel Sisters are excellent musicians. Sheila is an uilleann piper of note, Anna a first rate flute player and Clare a great he west coast And so it is with The Friel Sisters. The girls’ dad is from Kerrykeel, Having a foot in two worlds can fiddle player, although the girls Born and raised in Scotland but near Milford in County Donegal. be great, but it can be difficult at are quite at ease with swapping of Scotland and with their roots firmly in Donegal, All his family was from that area. times too. The pull of Donegal instruments and having a go at the Irish county these three sisters, Anna, Sheila He was born in Donegal but later is strong, but for the moment the others (OK, maybe not the T and Clare, play music and songs moved over to Glasgow. Their at least, The Friel Sisters seem pipes which Sheila says are like of Donegal have long gleaned from their family’s rich mother was born in Glasgow, happy to have Glasgow as a contrary octopus!). Together, and established links traditional repertoire. Living, but her family was originally from their base. “Glasgow is great,” they create a sound that could studying and working in Glasgow, Derrynamansher, near Crolly in Sheila says. “There are so many only be made by siblings, with an that are still very they have firm connections there, Co Donegal. Though still residing excellent musicians around. I incredibly natural easiness – it is evident and strong and yet, the music that oozes out in Glasgow, the Friels spend wish we could play more in as if the sets just fall together. And of them is predominantly from the much time in Donegal and they Glasgow; we don’t play there they appear to know just about in both places. In other side of the Irish Sea. They have renovated the family home enough. We will, but we have all the tunes going. Wherever famine times, many frequently travel between the two in Derrynamansher, a house been busy recently.” they are, whether in the busy – so much so that they are on first belonging to the girls’ great sessions of Ennis Trad Fest or the passionate about preserving “We do a couple of Scottish saw what Mairéad had written people left Donegal name terms with the ferry staff on granny – Cissie Mhor. This was a And indeed they have. Anna and Willie Clancy Summer School, or them. Clare tells us more. “At songs,” says Anna, “but our down and were killing themselves laughing as it looked so strange and emigrated to their routes! house that has been well used to Sheila have just finished degrees huddled in the corner of a session the moment our songs are mostly material is mostly Irish. We would music over the years. “Everyone in dentistry and have started in a local Donegal pub, the girls family songs, it is all Granny’s be interested in finding more on paper. The one we learned south west Scotland Having played together since used to go to play tunes in this working, while Clare is in the are completely at home and it songs and some that came from of the really old Scottish music from Granny was done all by ear – that is on the new CD so we will and many Scots childhood, they are gaining house,” Clare explains. “It has second year of a pharmacology would not be unusual for them to her brothers and sisters. They though.” more and more recognition as a great atmosphere. Dad is a and biochemistry degree, so be last out of the bar, such is their have been passed down to us - see how that goes.” settled in Donegal performers. Equally at home in builder so he renovated it all with she has plenty more hard work passion for playing. Mum taught us a lot of them. She “We are learning a few in Irish “It is nerve-wracking letting others during the plantations the session or on the stage, the help from some cousins. He ahead of her. On top of this is sings, but she would never let as well,” Sheila adds. “We don’t girls are now moving their musical tried to keep some of the same the constant travel to and from As well as being instrumentalists, anyone know - she is probably a speak it – it is one of our biggest hear it but Connie Mhary Mhicí of the early 17th careers forward with the release of design - there is a great view of Ireland, usually just for weekends, The Friel Sisters also sing, mostly better singer than any of us, but regrets – but because we spend Ó Gallchóir, a local singer from she will not do it. The songs are so much time in the Gaeltacht we Ranafast, came up the night century. People have their first album, the eponymous Mount Errigal from the bathroom all of which makes playing in the together in unison. Many of their The Friel Sisters. This release has window. We spend as much time vibrant Glasgow session scene songs are what they describe precious because they are family can understand a fair bit, though before we recorded it and went moved between the been a long time coming, and as possible in Derrynamansher - difficult. Anna explains: “It is as “family songs” and they are songs, they mean something to we are not really able to speak it through it to make sure it was perhaps wisely so. Rather than when we were building the house us.” Among them are songs like with confidence. But this is the all OK. So if Granny taught us it two ever since. So rush to produce a product (as it was every weekend but we have a slightly different version of Free next thing we are trying. We have and thinks it is fine and if Connie it is not uncommon many do), they have taken their been over a lot recently too – I And Easy learned from an old a few songs that we have learned thinks it is fine and Mairéad time, finely honing their skills and think in the past two months we auntie, Tír Chonaill and The Blue phonetically - Granny taught us thinks it is fine, then that is three to find thick Scottish developing their unique sound. have been in Glasgow for two Hills Of Antrim. some and Mairéad Ní Mhaonaigh heavyweights behind us who think accents in northern They have learned their craft and weekends.” taught us one as well. She sat it is OK.” fine-tuned it during the past years down and wrote it out phonetically Donegal and it is and now this release sees them and then showed us what it all Mairéad has been part of The Friel similarly common to come of age. meant. Some native speakers Sisters’ story for some time and they would count her among their find Glasgow people biggest influences. Living not whose roots are too far from their Donegal home, Mairéad has watched the Friels firmly in Ireland’s develop as musicians over the years. She says: “To have listened most northern county. to the growth and development The Living Tradition - Page 28 The Living Tradition - Page 29 View of Mount Errigal from the studio - courtesy of The Friel Sisters just gone to bed and rested our benefits. In this case, Clare, voices, but that’s too sensible. Anna and Sheila live together The CD is a true representation in Glasgow, socialise together of our music and our voices are in sessions and arrange, record never rested!!” and play music together. There must be times when this gets hard While the majority of the CD is and when the big smiles that are pure Friel, they are given a hand normally permanent features on in parts. Bodhrán player Seamus their lovely faces fade a bit. O’Kane put down a few tracks with them, as did Gearóid Mhaonaigh Do they fight? (Lots of laughter and Griogair Labhruidh on guitar. and sarcastic shouts of “of course But the vital thing for them was not!”) Sheila and Anna both look getting the tunes they play and the at Clare for some reason. Clare songs they sing preserved. explains it is because she is the peacemaker. “We never fight “That is the most important thing about music,” Sheila tells me, “but “…what is for us,” says Anna. “We have we would sometimes fight about never heard anyone else sing the singing. People who know innate and natural some of the songs we sing, like us really well can detect slight Tír Chonaill – we learned it from differences in our voices. Clare Granny. She learned it from is slightly sharper than the rest of comes out anyway someone up in the mountains. us, Anna slightly flatter and I am Only one other person has in between - I drift up and down. Clare approached us and said, ‘you’re When the three of us sing together - you cannot hold singing my song.’ So there are we level each other out I think, but only two people other than us that we sometimes fight over getting we know of that actually know the that level right.” it back.
Recommended publications
  • Living Tradition Connemara Article.Pdf
    Seán ‘ac Dhonncha influenced him greatly. He earned 1999 (Cló Iar-Chonnacht CICD140 a reputation as one of Ireland’s Rogha Amhrán). The references (Johnny Joe Pheaitsín – 1919-1996) finest traditional singers, and had to Loughrea, Portumna and a wide repertoire of songs in both the Shannon, however, would Irish and English. He won the suggest that the song might have Oireachtas Sean-Nós Competition originated in the east of County in 1953 and was awarded the Galway. One story tells that the ‘Gradam Shean-Nós Cois Life’ lovers’ plan to marry was opposed in 1995. He was the first singer by the girl’s family and that the to be recorded by Gael Linn on young couple eloped. Her family their series of 78rpm recordings pursued them and the poet made in 1957: these recordings are good his escape by swimming now available on Seoltaí Séide the Shannon river, leaving his (Gael Linn CEFCD184). Other beloved behind. He emigrated recordings include An Aill Bháin - to America and in his chagrin he The White Rock (Claddagh CC9) vowed to marry the first woman he and An Spailpín Fánach (Cló Iar- encountered there and so wound Chonnachta CICD006), plus tracks up marrying a ‘street woman’. on various compilations including, Grand Airs Of Connemara (Topic Seán sings a ‘macaronic’ 12T177), More Grand Airs Of version of the song, a version Connemara (Topic 12T202) and that is in both the Irish and A recent and important release on the Veteran Amhráin Ar An Sean-Nós (RTÉ CD English languages. Macaronic 185). songs seem to have gained label featuring the sean-nós singing of several currency during the 19th key singers from around Co.
    [Show full text]
  • The Donegal District Lunatic Asylum
    ‘A WORLD APART’ – The Donegal District Lunatic Asylum Number of Registrar Name Where Chargable This exhibition curated by the Donegal County Museum and the Archives Service, Donegal County Council in association with the HSE was inspired by the ending of the provision of residential mental health services at the St. Conal’s Hospital site. The hospital has been an integral part of Letterkenny and County Donegal for 154 years. Often shrouded by mythology and stigma, the asylum fulfilled a necessary role in society but one that is currently undergoing radical change.This exhibition, by putting into context the earliest history of mental health services in Donegal hopes to raise public awareness of mental health. The exhibition is organised in conjunction with Little John Nee’s artist’s residency in An Grianan Theatre and his performance of “The Mental”. This project is supported by PEACE III Programme managed for the Special EU Programmes Body by Donegal County Council. Timeline This Timeline covers the period of the reforms in the mental health laws. 1745 - Dean Jonathan Swift: 1907 - Eugenics Education Society: On his death he left money for the building of Saint Patrick’s This Society was established to promote population control Hospital (opened 1757), the first in Ireland to measures on undesirable genetic traits, including mental treat mental health patients. defects. 1774 - An Act for Regulating Private Madhouses: 1908 Report by Royal Commission This act ruled that there should be inspections of asylums once on Care of Feeble-Minded a year at least, but unfortunately, this only covered London. 1913 Mental Deficiency Act: 1800 - Pressure for reform is growing: This Act established the Board of Control to replace the Lunacy This is sparked off by the terrible conditions in London’s Commission.
    [Show full text]
  • “Voice of Ireland”. Today Tommy Is One of Ireland’S Top Entertainers with Over 6.5 Million Youtube Hits and Over 3.5 Million Album Sales Worldwide
    TOMMY FLEMING BIOGRAPHY With his powerfully distinctive voice, Tommy Fleming has been described as the “Voice of Ireland”. Today Tommy is one of Ireland’s top entertainers with over 6.5 million YouTube hits and over 3.5 million album sales worldwide. The youngest of six children, Tommy was born in 1971 in Aclare, County Sligo. His natural singing ability was evident at a young age whilst participating in local talent competitions. While still at school, Tommy formed his first rock band, The Face of February, and embarked on gigging in local pubs. After leaving school Tommy joined a quartet, Jarog, gaining a legion of fans. However, despite this success, record companies weren’t exactly knocking on Tommy’s door. Then a chance encounter with renowned producer and composer Phil Coulter changed all that. In July 1993, Phil heard Tommy performing at a charity event in Westport, County Mayo. Within days Tommy was guesting with Phil and his orchestra at the Opera House (Cork), the National Concert Hall (Dublin) and The University Concert Hall (Limerick). Four months later he was playing to huge audiences across the US and Canada, culminating in two shows in the Boston Symphony Hall and the legendary Carnegie Hall in New York. Tommy’s career then took another leap forward when he was invited by Galway traditional group De Danann, to join them as lead vocalist, following in the footsteps of living legends as Mary Black, Maura O’Connell, Dolores Keane and Paul Brady. The collaboration lasted three years and introduced Tommy to a worldwide audience touring Australia, Hong Kong, China and the US.
    [Show full text]
  • Of ABBA 1 ABBA 1
    Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7.
    [Show full text]
  • Donegal County Development Board Bord Forbartha Chontae Dhún Na Ngall
    Dún na nGall - pobail i d’teagmháil Donegal - community in touch ISSUE 11 MARCH 2011 / EAGRÁN 11 MARTA 2011 News 2 Donegal Business 7 Education and Learning 10 Social and Cultural 12 Donegal Community Links 15 Message From Mayor A Chara We are entering our 3rd month of 2011 as I lthough, Derry is my the language nor indeed of the welcome you to another edition of the e-zine. hometown and as the song place where that love was ignited. Here in Ireland we experienced one of the says, “the town I love so coldest arctic winters in years. It has been a very A trying time for Council Services and indeed for well”, for many years I’ve regarded I moved to London in the us all. Many of you will be getting geared up Donegal as like my spiritual home. mid sixties to try my hand in for a spring break and contemplating your St. Patrick’s day the music business. I lived in celebrations, for those of you who can travel home I would My earliest recollections of the Cricklewood, in North London encourage you to make the trip back to your native land. county are of endless summer and felt very disconnected – Unfortunately emigration has become a stark reality for many of our young people as unemployment continues to rise in days playing with my brothers and about as far from Lough Swilly Donegal. This is turn will result in many of our loved ones sisters on the beach at Lisfannon as I could imagine.
    [Show full text]
  • Concert & Dance Listings • Cd Reviews • Free Events
    CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona.
    [Show full text]
  • The Letterkenny & Burtonport Extension
    L.6. 3 < m \J . 3 - 53 PP NUI MAYNOOTH OlltcisiE na r.£ir55n,i m & ft uac THE LETTERKENNY & BURTONPORT EXTENSION RAILWAY 1903-47: ITS SOCIAL CONTEXT AND ENVIRONMENT by FRANK SW EENEY THESES FOR THE DEGREE OF PH. D. DEPARTMENT OF MODERN HISTORY NATIONAL UNIVERSITY OF IRELAND MAYNOOTH HEAD OF DEPARTMENT: Professor R. V. Comerford Supervisor of research: Professor R.V. Comerford October 2004 Volume 2 VOLUME 2 Chapter 7 In the shadow of the great war 1 Chapter 8 The War of Independence 60 Chapter 9 The Civil War 110 Chapter 10 Struggling under native rule 161 Chapter 11 Fighting decline and closure 222 Epilogue 281 Bibliography 286 Appendices 301 iv ILLUSTRATIONS VOLUME 2 Fig. 41 Special trains to and from the Letterkenny Hiring Fair 10 Fig. 42 School attendance in Gweedore and Cloughaneely 1918 12 Fig. 43 New fares Derry-Burtonport 1916 17 Fig. 44 Delays on Burtonport Extension 42 Fig. 45 Indictable offences committed in July 1920 in Co. Donegal 77 Fig. 46 Proposed wages and grades 114 Fig. 47 Irregular strongholds in Donegal 1922 127 Fig. 48 First count in Donegal General Election 1923 163 Fig. 49 Population trends 1911-1926 193 Fig. 50 Comparison of votes between 1923 and 1927 elections 204 Fig. 51 L&LSR receipts and expenses plus governments grants in 1920s 219 Fig. 52 New L&LSR timetable introduced in 1922 220 Fig. 53 Special trains to Dr McNeely’s consecration 1923 221 Fig. 54 Bus routes in the Rosses 1931 230 Fig. 55 Persons paid unemployment assistance 247 Fig.
    [Show full text]
  • Causeway Coastal Route Und Wild Atlantic
    Vor VORAB- DRUCK druck!!!DRUCK Vorabdruck aus der kommenden Buchreihe über Irlands spektakuläre Küstenstraßen. Die Causeway Coastal Route und der Wild Atlantic Way Band 1: VVVon Belfast über den Giant’s Causeway bis zur Donegal Bay... Weitere Bände folgen… (Infos auf Seite 3 + 130 in diesem (gelben) Teil und an vielen Stellen in diesem Jahrbuch.) Der Wild Atlantik Way – — 1 — 3 ij115-CCR-WAW _S 001-130 _rs-korrigiert.pmd1 13.04.2015, 22:14 • 1 Fáilte Ireland, Tourism Ireland und das Northern Ireland Tourist Board. EDITORIAL Alle diese Einträge zusammen wurden hier übernommen, manchmal aktuali- siert. Liebe Irlandfreundinnen, • 1 Eine neue, englischsprachige (ausschließlich die Republik Irland umfas- sende) Broschürenversion aus dem Herbst 2014, wohl in Kleinstauflage ge- liebe Irlandfreunde! druckt und durchweg unbekannt in Irland). • 1 Eine deutschsprachige Webseite, auf die uns niemand aufmerksam mach- te, weder in Irland noch hier – wir sind fast nur zufällig darüber gestolpert: www.ireland.com/de-de/wild-atlantic-way. Schade, denn fast alle Unter- Eine schöne Bescherung! seiten sind nur in Englisch – und führen zu erstaunlich nichtssagenden, ande- In beider Wortsinn. 150 „Secrets“ des Wild Atlantic Way wurden uns im Jahr ren Webseiten, Werbeeinträgen und dergleichen. 2013 in Irland präsentiert, verteilt auf die komplette Westküste der Republik. Wir haben sie in unserer ersten (vergriffenen) Küstenstraßen-Broschüre so • 2 Informationen und Beiträge aus dem Magazin irland journal (www.irland- gut wie unverändert vorgestellt, aber gleich, politisch korrekt(er) kombiniert journal.de) mit der Causeway Coastal Route. Und plötzlich, im weiteren Verlauf von 2014, • 3 aus: Harald Raykowski, Hermann Rasche: Literarischer Führer Irland (insel tauchen wieder rund 150 Secrets auf, jetzt taschenbuch) Taschenbuch – 2010, Restexemplare im www.irish-shop.de.
    [Show full text]
  • Operator's Name
    Operator's Name Trade Name Address 1 Address 2 Address 3 Address 4 County Licence No Route No Licence Type Issue Date Expiry Date Origin Destination Adrian Furlong Furlong Coach & Bus Hire 95 Sandyford Road Dundrum Dublin 16 18182 Venue 05/07/2018 04/07/2019 Clayton Hotel Marlay Park Punchestown Adrian Furlong Furlong Coach & Bus Hire 95 Sandyford Road Dundrum Dublin 16 18039 Venue 25/04/2018 24/04/2019 Red Cow Hotel Racecourse Adrian Furlong Furlong Coach & Bus Hire 95 Sandyford Road Dundrum Dublin 16 17008 Specific Targeted 09/02/2017 08/02/2020 Dublin Johnny Foxes Adrian Rhattigan Rhattigan Hire 1 Palace Road Elphin Co. Roscommon 15014 GMI09 Commuter 30/03/2015 29/03/2021 Elphin Galway Aidan Geraghty Geraghty Travel Trien Castlerea Co Roscommon 17209 864 Interurban Multi Stop 24/08/2017 23/08/2020 Sligo Galway Aidan Geraghty Geraghty Travel Trien Castlerea Co Roscommon 17030 NUG13 Commuter 28/03/2017 27/03/2020 Carrigallen Galway Aidan Geraghty Geraghty Travel Trien Castlerea Co Roscommon 17003 UL16 Commuter 20/01/2017 19/01/2020 Strokestown Limerick Aidan Geraghty Geraghty Travel Trien Castlerea Co Roscommon 17002 UL15 Commuter 16/01/2017 15/01/2020 Tubbercurry Limerick Alan Gielty Achill Coaches Dooagh Achill Co. Mayo 18193 Specific Targeted 22/07/2018 21/07/2021 Westport Achill Island Andrew Fennell Andy's of Naas 23 Gleann na Riogh Grove Naas Co. Kildare 18172 Venue 29/06/2018 28/06/2019 Naas Marlay Park Andrew Fennell Andy's of Naas 23 Gleann na Riogh Grove Naas Co. Kildare 18144 Venue 14/06/2018 13/06/2019 Naas RDS Andrew Fennell Andy's of Naas 23 Gleann na Riogh Grove Naas Co.
    [Show full text]
  • BRT Past Schedule 2004
    Join Our Mailing List! 2004 Past Schedule current schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule 2008 past schedule 2007 past schedule 2006 past schedule Partial programming support provided by the John H. Chafee Blackstone River Valley National Heritage Corridor Commission JANUARY Saturday, January 10, 8 PM, $12.00 Atwater-Donnelly Aubrey Atwater and Elwood Donnelly return to present an enthralling concert of traditional American and Celtic American folk songs, a cappella pieces, hymns, dance tunes, and original works. Elwood and Aubrey blend unusual harmonies and play guitar, Appalachian mountain dulcimer, Irish tin whistle, harmonica, banjo, bones, spoons and other musical surprises. Their performance is appealing to all ages, and with humor, audience participation, and a highly relaxed stage presence, Aubrey and Elwood explain song origins to give more relevance to the material. Aubrey and Elwood met as volunteers at the Stone Soup Coffeehouse in Providence and formed a duo in the fall of 1987. They perform widely in the Northeast and other parts of the United States and Great Britain and their recordings receive international airplay. Atwater and Donnelly have performed and researched folk music extensively in New England, Ireland, England, Prince Edward Island, the Ozarks, and Appalachia. They recently released a new recording called "And Then I'm Going Home: Atwater- Donnelly Live," which was recorded at the Blackstone River Theatre and other R.I. coffeehouses in 2000. Sunday, January 11, 2-5 PM, $6.00 Irish Ceili and Set Dance Partial support provided by the Rhode Island State Council on the Arts.
    [Show full text]
  • IMRO Annual Report 2007
    IMRO ANNUAL REPORT & ACCOUNTS 2007 Cover IMRO.indd 1 07/08/2008 10:50:57 IMRO ANNUAL REPORT & ACCOUNTS 2007 Title Page IMRO 1 30/07/2008 1 3:11:55 Blank Page IMRO 1 30/07/2008 1 3:07:51 IMRO BOARD OF DIRECTORS: Keith Donald (Cathaoirleach), Paul Brady, Philip Flynn, Eddie Joyce, Johnny Lappin, Steve Lindsey (UK), Donagh Long, Eleanor McEvoy, Charlie McGettigan, Christy Moore, James Morris, CREDITS Michael O’Riordan, Niall Toner. PRODUCTION MANAGER: Mairin Sheehy CONTRIBUTORS: Jackie Hayden, Greg McAteer, Colm O’Hare, Peter Murphy DESIGN & PRODUCTION: Hot Press, 13 Trinity Street, Dublin 2. ART DIRECTOR: David Keane ADDITIONAL DESIGN: Graham Keogh PRODUCTION CO-ORDINATOR: Anne Marie Conlon 3 Credits IMRO 1 30/07/2008 1 3:13:14 Blank Page IMRO 1 30/07/2008 1 3:08:22 6 TAKING IMRO TO HEART KEITH DONALD tells us about his plans for his term as IMRO Chairman. 9 FINANCIAL HIGHLIGHTS IN 2007 10 IMRO WELCOMES NEW CEO VICTOR FINN We talk to newly-appointed CEO, VICTOR FINN about the future of the CONTENTS organisation. 12 NEWS REVIEW A look at the music news that made headlines over the last year. 15 IMRO MOVING AHEAD Publishers MICHAEL O’RIORDAN, PETER BARDON and STEVE LINDSEY share their views on the challenges and opportunities facing Irish music. 18 THE SONGWRITERS’ PERSPECTIVE PAUL BRADY and ELEANOR MCEVOY on the trials and tribulations of being a modern-day songwriter. 20 ONCE UPON A TIME GLEN HANSARD and MARKETA IRGLOVA talk about the life-changing experience of winning an Oscar in March 2008.
    [Show full text]
  • A Field Guide to Irish Music
    A Field Guide to Irish Music Rosanne Santucci Table of Contents Table of Contents ............................................................................................................. 2 About Irish Music .............................................................................................................. 3 Guitar Chords ................................................................................................................... 7 Where to Listen ................................................................................................................ 8 Where to Learn ............................................................................................................... 10 Tunes .............................................................................................................................. 11 About This Book I wrote this out of sympathy for anyone who’s interested in playing Irish traditional music but has no idea where or how to start; in other words, someone like me as of a few years ago. I didn’t know what a session was like, and I didn’t understand why tunes sounded painfully lame when I played them verbatim off the page. One lazy summer day, I Googled “Boston Irish session” and found out about the early session at the Green Briar in Brighton. After mustering up my courage, I showed up and sat there, ears open and flute in my lap, every week for months until the tunes started to sink in and I saw what other players did to breathe life into them. Gradually I branched out to other sessions,
    [Show full text]