Remembering Genius Londinii: London Writers and the Spirit of the City

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Remembering Genius Londinii: London Writers and the Spirit of the City Susanna Suomela Remembering genius Londinii: London writers and the spirit of the city Department of Philosophy, History, Culture and Art Studies University of Helsinki Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in lecture room 1 of Metsätalo, Unioninkatu 40, on the 25th of May, 2018 at 12 o’clock. Copyright © Susanna Suomela 2018 ISBN 978-951-51-4227-6 (paperback) ISBN 978-951-51-4228-3 (PDF) Cover: Photograph by courtesy of myfreetextures.com Image editing and cover design: Susanna Suomela http://ethesis.helsinki.fi Helsinki, 2018 Unigrafia The question remains: How can place, plain old place, be so powerful in matters of memory? In what does the power of place for memory consist? We have seen Aristotle driven to speak of a place's "active influence", its "distinct potencies". Similarly, the Romans posited a "genius loci", an indwelling spirit, for each significant place [- -]. In English, we still speak of "the spirit of a place", and ascribe to particular places attractive or re- pelling forces far beyond what their position in geo- graphic space or historic time might indicate. —Edward Casey: Remembering One of these days I will write about London, & how it takes up the private life & carries on, without any ef- fort. —Virginia Woolf: Diary, 5 May 1924 The city is time made visible. —Yi-Fu Tuan: Space, Time, Place: A Humanistic Frame Abstract Abstract The subject of my doctoral dissertation Remembering genius Londinii: Lon- don novelists and the spirit of the city is the role of memory in the recogni- tion of genius loci, as presented in the novels of four London authors: in Peter Ackroyd’s The House of Doctor Dee (1993), Dan Leno and the Lime- house Golem (1994), and Three Brothers (2013), in Maureen Duffy’s Capital (1975), in Michael Moorcock’s Mother London (1988), and in Zadie Smith’s White Teeth (2000). My analysis of the novels is premised on the proposi- tion that in order to come into contact with the spirit of a certain place, we need to examine the crossroads of place and memory in its different forms. The central interpretive concept of my dissertation, genius loci, is strongly interdisciplinary, having together with a closely related concept, sense of place, inspired scholars in various fields of study. I shall approach the subject mainly via the ideas of phenomenologically disposed human- istic geography and environmental psychology, while staying within the context of literary research. The readings of the novels are organized thematically to expose the formation of genius Londinii from different angles, varying in the interre- lationship of place and memory and the impact of individual versus col- lective perspective. The first three chapters focus on the novels of Peter Ackroyd, Maureen Duffy, and Michael Moorcock, examining the evolution of genius loci in a city with immemorial layers of past, in a city serving as i Remembering genius Londinii a place of growth, and in a city threatened by a collective crisis. The fourth chapter rounds off the analysis by focusing on the spirit of the city from the perspective of London’s substantial immigrant population and, along with a thematic reading of Zadie Smith’s novel, discusses the feasibility of the main premise of this study in defining genius Londinii when per- sonal or collective memories – or both – lie elsewhere. ii Acknowledgements Acknowledgements While the prolonged duration of this particular dissertation process has incontestably exceeded all academic recommendations — to speak noth- ing of non-academic ones — it has also brought about a whole host of peo- ple to thank for their support and encouragement over the years. First, I would like to express my warmest gratitude to my supervisors Prof. Heta Pyrhönen and Emeritus Prof. Hannu Riikonen for both their val- uable help and their admirable patience with an archetypal eternal stu- dent. I would also like to thank Prof. Klaus Brax who bravely took on the role of an adjunct supervisor during the last phase of the process and of- fered several incisive suggestions. I am also very grateful to my pre-exam- iners, Prof. Julian Wolfreys (University of Portsmouth) and Prof. Sebastian Groes (University of Wolverhampton), for their reassuring comments, which brightened the finishing stage of the process. Over the years, many others have also offered useful criticism and sug- gestions as well as invaluable encouragement. PhD Kirsti Simonsuuri’s acute observations on an early draft of my work were vital for the evolu- tion of the thesis towards its final form. Docent Anna Kuismin has been a supporting mentor and friend since my far-off MA studies; warm thanks to her and her husband Leo also for their hospitality and many inspiring con- versations over dinner. Due to the length of the process, I have also been iii Remembering genius Londinii able to benefit from the discernment of several generations of doctoral stu- dents in the Comparative Literature Research Seminar and I want to thank them all most warmly. In addition, the seminar sessions instructed by vis- iting scholars have offered some extra food for thought, for which I want to express sincere thanks to Emeritus Prof. Christopher Prendergast, Dean Suzanne Keen, and Prof. Susan Elizabeth Sweeney. Lotte Troupp offered invaluable help in linguistical matters as well as important suggestions concerning the content of my thesis, for which I want to warmly thank her. I am also grateful to all the students in my courses over the years for their refreshing comments and questions. Many thanks also to Kenneth Quek, whose revision of my thesis helped in smoothing out the edges of my Eng- lish. The research grants of the Finnish Cultural Foundation, the Ella and Georg Ehrnrooth Foundation, and the Oskar Öflund Foundation, as well as the dissertation completion grant of the University of Helsinki provided important financial support for the writing of this thesis during various stages of the process, for which I am deeply grateful. Undoubtedly the greatest joy of my literary studies has been the amount of fun and inspiring friends it has brought to my life. I would like to warmly thank them all for friendship and to offer special thanks to Sari Kivistö for support and eloquentia correspondentiae, to Janna Kantola for showing how to be resilient in the face of hardship, to Mia Kankimäki for literary inspiration and encouragement, to Anne Latikka for invaluable peer support in thesis writing, and to Kaisu Ala-Reini for croquis compan- ionship. Equally precious has been the company and support of friends met elsewhere, and I specifically wish to thank Outi Lapatto-Reiniluoto for lively and invigorating conversations over the decades, Outi Lepola for peer support in photographic pursuits, and Leena Maristo for stimulating zoological discussions. iv Acknowledgements I have also been blessed with an army of inspiring and supporting rel- atives, who have also been considerate enough not to ask too many ques- tions concerning the status of my thesis over the years. My mother Terttu and my late father Päivö encouraged us children to search for answers to all kinds of questions in the bulging bookshelves of my pre-Internet child- hood home, for which I am eternally grateful. The brotherly teasing as well as whole-hearted encouragement by my elder and younger brothers, Jouni and Hartti, have also acted as important spices in the dissertation process, a warm thank you to you both! (I did not retire as a doctoral student after all!) I also want to thank my parents-in-law Tuula Lukkarinen and Jussi Pulkkinen with their respective spouses Hannu Lukkarinen and Liivia Klaus for showing a supportive attitude over the years. Special thanks to Jussi for the comfortable and deliciously yellow office chair, without which the long hours of the writing process would have been even more agoniz- ing. I would also like to send grateful thoughts to my late grandparents — wherever they are at the moment — who have all in different ways had an effect on the formation of this thesis. From my maternal grandparents I learnt the love of place and of a certain Tavastian island in particular, whereas my paternal grandparents — who happened to love the same lake landscape — passed down to their children and grandchildren the love of literature, art, and music as well as an academic thirst for knowledge. Dur- ing the most strenuous phases of the dissertation process I often thought about two young women, Gurli and Göta — my paternal grandmother and her sister — who began their studies at the Imperial Alexander University of Finland, shortly before its name changed to the University of Helsinki, and who graduated, respectively, as a teacher of biology and geography and as a Doctor of Medicine and Surgery at a time when women were only v Remembering genius Londinii beginning to find their academic opportunities. Their determination con- tinues to be a great inspiration. However, my warmest thanks go to my hairy four- and two-legged home team. Over the years, five feline friends have acted as domestic su- pervisors of my work, correcting my typing and teaching me to play with the mouse. After Popo, Oliver, and Lissu, Saima and Nipa have now jointly inherited the important position of the Resident Study Cat. Thanks guys, bonus tuna coming your way! Finally, the greatest thanks go to my hus- band Janne Pulkkinen, without whose loving support, priceless sense of humour, and bodhisattva-like patience the dissertation process would
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