Digital Booklet

Total Page:16

File Type:pdf, Size:1020Kb

Digital Booklet 01/DOCTOR WHO (OPENING THEME) 02/CAR WASH, WITH KITLING 03/TIN CANS, STRAY CATS AND HORSES 04/CAT FOOD 05/WHERE IS EVERYONE? 06/TIN OPENER 07/PARK CHASE, AND THE ALIEN PLANET 08/AN UNEXPECTED PLEASURE 09/PLANET OF THE CHEETAH PEOPLE 10/TWO PINTS 11/PLAYING WITH FIRE 12/VALLEY OF CATS 13/THE LIVING PLANET 14/WE SHALL BECOME ANIMALS 15/ACE AND KARRA 16/GO HOME 17/I WILL BE FREE OF IT 18/COME HUNTING, SISTER 19/MIDGE AND THE BAD CAT MAN 20/ON HORSENDEN HILL 21/TOOTH AND CLAW 22/RUN FOR EVER 23/“...AND SOMEWHERE ELSE, THE TEA’S GETTING COLD” 24/DOCTOR WHO (CLOSING THEME) music by DOMINIC GLYNN I’ve always thought that incidental music must be a very hard thing for a composer to write. It must be discreet, unnoticeable in most places, and complement the storyline, whilst having an individual character and adding to the atmosphere of what’s on screen. Try turning the sound down on a horror movie and without the music, the acting becomes nonsensical, even comical. Dominic Glynn had written the music for my first story, Dragonfire, and for the much misunderstood and now at last appreciated story, The Happiness Patrol, but I think he really excels himself in Survival. His great skill is electronic sound and he was a true 80’s master of the genre, but what really stands out are the brilliantly played jangling guitar riffs reminiscent of Dire Straits, the drum beats, the atonal synth keyboard and the sparse downright weird atmosphere he creates. He even uses sounds which sound very much like the key-on-piano-wire trick the BBC Radiophonic Workshop used for the very first iconic Doctor Who theme tune. My favourite bit? The plinky plonky piano octaves, 9ths and 11ths (you can tell I did music A level!) followed by a beautiful flute melody, as Ace thinks she has just watched the demise of her beloved Doctor. Sophie Aldred (Ace) April 2017 CREDITS All tracks composed, arranged, performed and produced by DOMINIC GLYNN (MCPS / PRS) Guitar by DAVID HARDINGTON Except tracks 1 & 24 Doctor Who Theme composed by RON GRAINER Published by Warner/Chappell Music Arranged, performed and produced by KEFF McCULLOCH Album compiled, mastered and produced by MARK AYRES Executive Producers for Silva Screen Records Ltd: REYNOLD D’SILVA and DAVID STONER Sleeve Illustration: CLAYTON HICKMAN Album Artwork: STUART FORD BBC logo © BBC 1996. Doctor Who logo © BBC 2009. Licensed by BBC Worldwide Limited. 01/ 07/ 13/ 19/ DOCTOR WHO (OPENING THEME) PARK CHASE, AND THE ALIEN PLANET THE LIVING PLANET MIDGE AND THE BAD CAT MAN 0.54 4.58 2.25 2.54 02/ 08/ 14/ 20/ CAR WASH, WITH KITLING AN UNEXPECTED PLEASURE WE SHALL BECOME ANIMALS ON HORSENDEN HILL 0.51 2.35 1.03 4.22 03/ 09/ 15/ 21/ TIN CANS, STRAY CATS AND HORSES PLANET OF THE CHEETAH PEOPLE ACE AND KARRA TOOTH AND CLAW 2.50 1.50 1.37 1.47 04/ 10/ 16/ 22/ CAT FOOD TWO PINTS GO HOME RUN FOR EVER 1.06 0.36 4.45 0.52 05/ 11/ 17/ 23/ WHERE IS EVERYONE? PLAYING WITH FIRE I WILL BE FREE OF IT “...AND SOMEWHERE ELSE, THE TEA’S GETTING COLD” 2.39 2.04 0.54 0.23 06/ 12/ 18/ 24/ TIN OPENER VALLEY OF CATS COME HUNTING, SISTER DOCTOR WHO (CLOSING THEME) 0.48 3.56 3.15 1.13 DOCTOR WHO: SURVIVAL MUSIC BY DOMINIC GLYNN Ⓟ 1989 BBC Worldwide Limited. © 2017 BBC Worldwide Limited under exclusive licence to Silva Screen Records Limited. All rights reserved. Made in the E.U. SILED1537 .
Recommended publications
  • Thursday 14 December 2017 of Music
    @DigiCatapult • @ahrcpress • #newsounds DIGITAL CATAPULT www.ceprogramme.com 101 EUSTON ROAD, LONDON NW1 2RA EXPLORING INTERSECTIONS OF MUSIC AND TECHNOLOGY THURSDAY 14 DECEMBER 2017 HACKOUSTIC ARTISTS : in the breakout space IMMERSIVE EXPERIENCES : in Immersive Lab PROGRAMME : all times approximate Sam Battle – LookMumNoComputer : Synth Bike 3.0 Kinicho – 3D Audio 12.00 Lunch: Immersive experiences + Hackoustic artists Force of nature and extreme sound hacker Sam Battle, aka ‘The Wolf Takes A Walk In The Dark, Dark Wood’ was commisioned by Unity LookMumNoComputer, is bringing his astonishing ‘Synth Bike 3.0’ for you to have Theatre Liverpool and written by composer Patrick Dineen. The composition and 1.00 – 1.30 Welcome and introductions a go on. Take a ride and make some tunes! arrangement makes full use of Sympan’s spatial capabilities to take the listener Digital Catapult : Jeremy Silver [email protected] • patreon.com/lookmumnocomputer on a kinetic musical journey through the wood. AHRC : Andrew Chitty www.kinicho.com Fred Deakin : What is Immersive? Kuljit Bhamra : Evolution of the Tabla Drum Kuljit is a musician, performer and record producer. A pioneer of the British Lee Mason – VR Authoring 1.30 – 2.50 Session One Bhangra sound and tabla player in Hollywood movie soundtracks, he is currently Exploring a mixed reality ‘snow globe’ concept using 3D printed VR sculptures on a mission to demystify Indian music. Together with his team at Keda Music, and Unity. All of Lee’s 3D assets are created in VR via Google Blocks, Tilt Brush Applied Soundscaping he is developing tools and systems to make Indian drumming more accessible.
    [Show full text]
  • Back from the Fourth Dimension Paddy Kingsland
    Back From The Fourth Dimension Paddy Kingsland Posted: April 22, 2014 robinthefog.com/2014/04/22/back-from-the-fourth-dimension-paddy-kingsland/ As promised, following last week’s report for BBC World Service, here is the first of four interviews with the veterans of the Radiophonic Workshop, the ‘Godfathers of British Electronic Music’, now reformed and touring their collection of vintage analogue equipment and classic radiophonic works to rapturous reception. They’ll be featured in the order I interviewed them two weeks ago at the University of Chichester, so we’re starting with synthesiser legend Paddy Kingsland; the man who definitely put the ‘funk’ into radiophonics. Best known for The Fourth Dimension LP (essentially a Kingsland solo album), he has a string of classic BBC themes to his name, as well as providing incidental music for such classics as Hitchhiker’s Guide to the Galaxy, Dr. Who and many more. Paddy has also recorded solo albums, made library music and jingles for KPM and worked alongside composers such as Michael Nyman. His signature sound is melodic synthesiser workouts with a strong rhythmic back-bone and the track ‘Vespucci’ is a highlight of their revived set-list. This interview, slightly truncated here, took place in the artist’s green room at Chichester University; with moderate interruptions from the air conditioning... ! PK: I worked at the Radiophonic Workshop for the BBC between 1970 and 1981, which is quite a long time ago now. Of course I’ve done quite a lot of other things since then, but more recently I was approached by some other friends who worked at the BBC Radiophonic Workshop and was asked if I‘d be interested in doing some gigs with them – some live events.
    [Show full text]
  • Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
    Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled.
    [Show full text]
  • Orthia & Morgain 2016 the Gendered Culture of Scientific Competence
    CULTURE OF SCIENTIFIC COMPETENCE 1 The Gendered Culture of Scientific Competence: A Study of Scientist Characters in Doctor Who 1963-2013 Lindy A. Orthia and Rachel Morgain The Australian National University Author Note Lindy A. Orthia, Australian National Centre for the Public Awareness of Science, The Australian National University; Rachel Morgain, School of Culture, History and Language, College of Asia and the Pacific, The Australian National University. Thanks to Emlyn Williams for statistical advice, and two anonymous peer reviewers for their useful suggestions. Address correspondence concerning this manuscript to Lindy A. Orthia, Australian National Centre for the Public Awareness of Science, The Australian National University, Peter Baume Building 42A, Acton ACT 2601, Australia. Email: [email protected] Published in Sex Roles. Final publication available at Springer via http://dx.doi.org/10.1007/s11199-016-0597-y CULTURE OF SCIENTIFIC COMPETENCE 2 Abstract The present study examines the relationship between gender and scientific competence in fictional representations of scientists in the British science fiction television program Doctor Who. Previous studies of fictional scientists have argued that women are often depicted as less scientifically capable than men, but these have largely taken a simple demographic approach or focused exclusively on female scientist characters. By examining both male and female scientists (n = 222) depicted over the first 50 years of Doctor Who, our study shows that, although male scientists significantly outnumbered female scientists in all but the most recent decade, both genders have consistently been depicted as equally competent in scientific matters. However, an in-depth analysis of several characters depicted as extremely scientifically non-credible found that their behavior, appearance, and relations were universally marked by more subtle violations of gender expectations.
    [Show full text]
  • Digital Booklet
    ORIGINAL TELEVISION SCORE ADDITIONAL CUES FOR 4-PART VERSION 01 Doctor Who - Opening Theme (The Five Doctors) 0.36 34 End of Episode 1 (Sarah Falls) 0.11 02 New Console 0.24 35 End of Episode 2 (Cybermen III variation) 0.13 03 The Eye of Orion 0.57 36 End of Episode 3 (Nothing to Fear) 0.09 04 Cosmic Angst 1.18 05 Melting Icebergs 0.40 37 The Five Doctors Special Edition: Prologue (Premix) 1.22 06 Great Balls of Fire 1.02 07 My Other Selves 0.38 08 No Coordinates 0.26 09 Bus Stop 0.23 10 No Where, No Time 0.31 11 Dalek Alley and The Death Zone 3.00 12 Hand in the Wall 0.21 13 Who Are You? 1.04 14 The Dark Tower / My Best Enemy 1.24 15 The Game of Rassilon 0.18 16 Cybermen I 0.22 17 Below 0.29 18 Cybermen II 0.58 19 The Castellan Accused / Cybermen III 0.34 20 Raston Robot 0.24 21 Not the Mind Probe 0.10 22 Where There’s a Wind, There’s a Way 0.43 23 Cybermen vs Raston Robot 2.02 24 Above and Between 1.41 25 As Easy as Pi 0.23 26 Phantoms 1.41 27 The Tomb of Rassilon 0.24 28 Killing You Once Was Never Enough 0.39 29 Oh, Borusa 1.21 30 Mindlock 1.12 31 Immortality 1.18 32 Doctor Who Closing Theme - The Five Doctors Edit 1.19 33 Death Zone Atmosphere 3.51 SPECIAL EDITION SCORE 56 The Game of Rassilon (Special Edition) 0.17 57 Cybermen I (Special Edition) 0.22 38 Doctor Who - Opening Theme (The Five Doctors Special Edition) 0.35 58 Below (Special Edition) 0.43 39 The Five Doctors Special Edition: Prologue 1.17 59 Cybermen II (Special Edition) 1.12 40 The Eye of Orion / Cosmic Angst (Special Edition) 2.22 60 The Castellan Accused / Cybermen
    [Show full text]
  • Happy Birthday Doctor Who! the Light at the End Celebrate with Our Multi-Doctor Adventure!
    WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES HAPPY BIRTHDAY DOCTOR WHO! THE LIGHT AT THE END CELEBRATE WITH OUR MULTI-DOCTOR ADVENTURE! PLUS! ALL YOU NEED TO KNOW ABOUT OUR VARIOUS ANNIVERSARY RELEASES… ISSUE 57 • NOVEMBER 2013 VORTEX MAGAZINE | PAGE 1 VORTEX MAGAZINE | PAGE 2 Welcome to Big Finish! We love stories and we make great full-cast audio drama and audiobooks you can buy on CD and/or download Our audio productions are based on much-loved TV series like Doctor Who, Dark Shadows, Blake’s 7, Stargate and Highlander as well as classic characters such as Sherlock Holmes, The Phantom of the Opera and Dorian Gray, plus original creations such as Graceless and The Adventures of Bernice Summerfield. We publish a growing number of books (non-fiction, novels and short stories) from new and established authors. You can access a video guide to the site by clicking here. Subscribers get more at bigfinish.com! If you subscribe, depending on the range you subscribe to, you get free audiobooks, PDFs of scripts, extra behind-the-scenes material, a bonus release and discounts. www.bigfinish.com @bigfinish /thebigfinish VORTEX MAGAZINE | PAGE 3 VORTEX MAGAZINE | PAGE 4 EDITORIAL ISSUE 57 • NOVEMBER 2013 o, The Light at the End is out. Didn’t expect that, did you? You could have heard the mass exhaling of Big Finish employees S across the country when I clicked the ‘yes’ button for that (until the website also exhaled and gave up for a time – huge thanks SNEAK PREVIEWS to the Hughes Media web team for dealing with that so efficiently).
    [Show full text]
  • SYLVESTER Mccoy ANDREW SMITH
    ISSUE 41 • JULY 2012 NOT FOR RESALE FREE! THE BIG FINISH MAGAZINE SAVING THE 1960s... ONE THREAT AT A TIME! PLUS! SYLVESTER McCOY PAST, PRESENT, FUTURE AND HOBBITS! ANDREW SMITH THE FULL CIRCLE AUTHOR TALKS SONTARANS! SNEAK PREVIEWS AND WHISPERS EDITORIAL In the depths of darkest Wales, producer omeone once told me that Dalek Empire – still available, Scott Handcock is currently pulling folks! – (That’s enough hard sell – Ed) was my ‘concept together a brand new audio horror S album’, and I think they were sort of right. I wrote, series. Based on the classic novel directed, sound designed and composed the music for it. by Oscar Wilde, The Confessions of Now, although my executive producer-ish duties prevent me from Dorian Gray will explore the life of the taking on big sound design and music projects, I’m proud to say that infamous immortal beyond the book, the new Eighth Doctor box set Dark Eyes feels very much like my right through to the present day. latest concept album. “It’s a premise I’ve been developing Barnaby Edwards, Alan Barnes and I worked so hard and had so for a couple of years,” explains Scott, much fun creating the Eighth Doctor and Lucie adventures, and it “and I’m thrilled we’re finally getting the was my exciting and heart-rending honour to bring that four-series chance to make it. Jason Haigh-Ellery storyline to a close with To the Death (which has just won the DWM and Nick Briggs have been behind it all poll, I’m surprised and thrilled to report!).
    [Show full text]
  • Doctor Who 1 Doctor Who
    Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC.
    [Show full text]
  • Doctor Who, Steampunk, and the Victorian Christmas Mcmurtry, LG
    Doctor Who, Steampunk, and the Victorian Christmas McMurtry, LG Title Doctor Who, Steampunk, and the Victorian Christmas Authors McMurtry, LG Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/44368/ Published Date 2013 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Leslie McMurtry Swansea University Doctor Who, Steampunk, and the Victorian Christmas “It’s everywhere these days, isn’t it? Anime, Doctor Who, novel after novel involving clockwork and airships.” --Catherynne M. Valente1 Introduction It seems nearly every article or essay on Neo-Victorianism must, by tradition, begin with a defence of the discipline and an explanation of what is currently encompassed by the term— or, more likely, what is not. Since at least 2008 and the launch of the interdisciplinary journal Neo-Victorian Studies, scholars have been grappling with a catch-all definition for the term. Though it is appropriate that Mark Llewellyn should note in his 2008 “What Is Neo-Victorian Studies?” that “in bookstores and TV guides all around us what we see is the ‘nostalgic tug’ that the (quasi-) Victorian exerts on the mainstream,” Imelda Whelehan is right to suggest that the novel is the supreme and legitimizing source2.
    [Show full text]
  • Gold-En Music: the New Series of Doctor Who by Robin Lapasha January 2006 (Copyright © L
    Gold-en Music: the New Series of Doctor Who by Robin LaPasha January 2006 (Copyright © L. Robin C. LaPasha. All Rights Reserved.) When Doctor Who returned to television, the BBC advertised the show with a particularly punchy trailer including a fireball special effect, and Christopher Eccleston saying of the new series: “It’s not quiet, it’s not safe, and it’s not calm.” The same can be said for the music by Murray Gold. It’s not quiet; the music is not occasional or ‘incidental’—it’s an integral layer. Melody and dialogue happen at the same time. It’s not safe; there are over 30 identifiable musical motifs in the first 13 episodes. Half of the motifs are used in more than one episode, and most actively support story arcs. You can’t create that many pieces of musical composition over 10 hours of broadcast and get them all completely right. There are a few missteps. It’s not calm; the styles used stretch from Euro-technopop to opera, Philip Glass to Latin dance. It’s not the same as the old Doctor Who music, and it is wonderful. Scoring Who There are four types of music presented in Doctor Who in its 21st century incarnation. The first is the overall series theme, functionally the same as its initial creation in 1963. The general frame of the theme as devised by Ron Grainer, Delia Darbyshire, and the BBC Radiophonic Workshop is so recognizable by people all over the world—including many who have never watched the show—that there would be no possibility of changing the melody; interpretation is restricted to instrumentation and percussion choices and the resulting mood choices highlighted by each re-mix.
    [Show full text]
  • Delia Derbyshire: the Myths and the Legendary Tapes, Caroline Catz Delia Derbyshire: the Myths and the Legendary Tapes
    British Art Studies May 2019 British Art Studies Issue 12, published 31 May 2019 Cover image: Margaret Mellis, Red Flower (detail), 1958, oil on board, 39.4 x 39.1 cm. Collection of Museums Sheffield (VIS.4951).. Digital image courtesy of the estate of Margaret Mellis. Photo courtesy of Museums Sheffied (All rightseserved). r PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents Delia Derbyshire: The Myths and the Legendary Tapes, Caroline Catz Delia Derbyshire: The Myths and the Legendary Tapes Caroline Catz Authors Cite as Caroline Catz, "Delia Derbyshire: The Myths and the Legendary Tapes", British Art Studies, Issue 12, https://dx.doi.org/10.17658/issn.2058-5462/ issue-12/ccatz Caroline Catz is an actor, director, and writer.
    [Show full text]
  • Dragon Magazine #116
    D RAGON 1 Magazine Issue #116 SPECIAL ATTRACTION Vol. XI, No. 7 December 1986 9 MARITIME ADVENTURES: Oceans of gaming information Publisher 10 High Seas Margaret M. Foy Mike Cook Ships, from life boats to the glorious tall sails Editor 28 Children of the Deep Todd Mossburg Roger E. Moore Aquatic elves in the AD&D® game Assistant editor Fiction editor 38 The Dragons Bestiary Robin Jenkins Patrick Lucien Marine life as the readers imagine it Price 46 Hello, Your Majesty? Craig Barrett Editorial assistants By ship or by pigeon, the mail must go through Marilyn Favaro Georgia Moore Eileen Lucas Debbie Poutsch 52 High Seas in 3-D Dennis Kauth A 25-mm sailing craft for maritime quests Art director Roger Raupp OTHER FEATURES Production staff Linda Bakk Gloria Habriga 32 The Ecology of the Minotaur Anthony Gerard Betty Elmore Kim Lindau The unusual tale of a lone survivor Carolyn Vanderbilt 36 Readers Surprise James A. Gollata Advertising Subscriptions Our favorite double take of the month Mary Parkinson Pat Schulz 54 Rogue Stones and Gemjumping Ed Greenwood The perfect holiday gift for trouble-prone mages Creative editors Ed Greenwood Jeff Grubb 58 By Tooth and Claw Gregory W. Detwiler Never laugh at hyaenas, and other wild advice Contributing artists 66 High Ones, Ancient Ones Michael DeWolfe and Galan Akin Peter Botsis Sue Weller Playing High Ones in the ELFQUEST® game world Roger Raupp Jim Holloway David Trampier Larry Elmore 69 The Role of Computers Hartley and Pattie Lesser James A. Gollata Dennis Kauth Dragonfire II and Bard’s Tale pass the test Wendi Pini Robert Maurus 80 The Marvel®-Phile Jeff Grubb Bruce Simpson Joseph Pillsbury Dont get caught in the Crossfire Diesel Mark Saunders Francis Mao Gustave Doré 84 Doctor Who? Margaret Weis and Michael P.
    [Show full text]