Spring 2015 Volume 31 #1 British Columbia Honey Producers
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Šablona -- Závěrečná Práce
Ohebnost zvuku ve filmové tvorbě Davida Lynche Ann Kuznetzova Bakalářská práce 2020 ABSTRAKT Tato práce se zaměřuje na analýzu zvukové tvorby Davida Lynche, především filmové, na příkladu jeho audiovizuálních děl Mazací hlava, Příběh Alvina Straighta, Inland Empire a jejich srovnání. Zabývá se způsobem ztvárnění idejí a určením charakteru zvukové tvorby Davida Lynche. Hlavním cílem je zjistit, do jaké míry je podstatná a v čem spočívá její určující dominantní vlastnost – ohebnost, a také prozkoumat vliv jiných druhů umění, osob, prostředí a událostí, které tvůrce dovedly k vlastnímu uměleckému sebevyjádření prostřednictvím zvuku. Obsahuje také rozhovor se zvukovým inženýrem Johnem Neffem, který se podělil o svoji zkušenost ze spolupráce s Lynchem. Klíčová slova: David Lynch, filmový zvuk, filmová hudba, Mazací hlava, Příběh Alvina Straighta, Inland Empire, Angelo Badalamenti, Alan Splet, Dean Hurley, John Neff ABSTRACT This Bachelor thesis focuses on the soundtrack in the cinematography of David Lynch with its primary goal of analyzing and comparing films of his authorship, in particular Eraserhead, The Straight Story, and Inland Empire. This thesis examines David Lynch’s creative process and establish the essence of his sound design. The aim is to determine wherein lies – and how major of a role plays – the dominant characteristic of David Lynch’s work, its versatility, as well as to explore how the environment, society, and different fields of art influenced the filmmaker in his own artistic expression through the language of sound. To further help answering those questions, an interview with a sound engineer, John Neff, was conducted, in which he talked about his experience of collaborating with David Lynch on several projects. -
A L'exterior Del Panteó Dels Contistes Nord-Americans
ara DISSABTE, 3 DE JUNY DEL 2017 61 araara llegim EL LLIBRE DE LA SETMANA A l’exterior del panteó dels contistes nord-americans Res defineix més te, donen obres noves i diferents. proposi desconcertar el lector o es- PERFIL nítidament el ca- N’hi ha, però, que no són prou forts tampar-li una ocurrència en plena PERE ràcter i l’obra d’un o valents per resistir les inèrcies que cara? LA ANTONI creador que la re- els coaccionen i per entendre que, a Nascuda al barri del Bronx al si NORD-AMERICANA PONS lació que manté ells, els escau de fer un tipus d’art o de d’una família jueva d’origen rus –els GRACE PALEY amb aquells que literatura més connectat amb les lli- seus pares van haver d’emigrar l’han precedit: çons del passat. La majoria dels que d’Ucraïna pels seus posicionaments (1922-2007) VA què coneix i què ignora de la tradició, no ho entenen s’extravien en la antitsaristes–, la vida de Paley va es- PUBLICAR TRES què n’assumeix i què en rebutja. Ai- impostura. tar marcada per la seva condició de RECULLS DE xò és particularment cert en les èpo- dona (d’esposa, de mare i d’escripto- Convencionalment moderna CONTES QUE ques que l’experimentalisme i ra en un món literari eminentment l’afany de superar el passat semblen Tot això ve a tomb per dir que la TOTS ELS masculí), per una vocació literària EDICIONS DE 1984 imposar-se com a condicions impe- contista i poeta nord-americana CONTES de maduració lenta i poc prolífica RECUPERA EN UN ratives per a la creativitat. -
SWR2 Musikpassagen
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE __________________________________________________________________________ SWR2 Musikpassagen Im Irrgarten der Psyche Die Musik in den Filmen von David Lynch Von Harry Lachner Sendung: Sonntag, 5. Februar 2017, 23.03 Uhr Redaktion: Anette Sidhu-Ingenhoff Produktion: SWR 2017 __________________________________________________________________________ Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. __________________________________________________________________________ Service: Mitschnitte aller Sendungen der Redaktion SWR2 Musikpassagen sind auf CD erhältlich beim SWR Mitschnittdienst in Baden-Baden zum Preis von 12,50 Euro. Bestellungen über Telefon: 07221/929-26030 Bestellungen per E-Mail: [email protected] __________________________________________________________________________ Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de ----------- Musik: Pinky's Dream - The Remixes #2 ----------- Das Kino bedeutet eine totale Umkehrung von Werten, eine vollständige Umwälzung von -
Gilles Deleuze En Dos Films De David Lynch
MÀSTER D’ESTUDIS AVANÇATS EN HISTÒRIA DE L’ART TRABAJO DE FIN DE MÁSTER CURSO: 2019/2020 «DEL RECUERDO A LOS SUEÑOS» GILLES DELEUZE EN DOS FILMS DE DAVID LYNCH Apellidos y nombre: Romero López, Marta NIUB: 17512084 Tutor: Dr. José Enrique Monterde Lozoya 1 Índice 1. Introducción _____________________________________________________________ 3 2. Aproximación a Gilles Deleuze ______________________________________________ 6 2.1. Contra la imagen dogmática del pensamiento _____________________________ 6 2.2. El pensamiento cinematográfico deleuziano _____________________________ 14 2.2.1. La imagen-tiempo y la imagen-movimiento _________________________ 21 3. Aproximación a David Lynch _______________________________________________ 25 3.1. Artista renacentista posmoderno _______________________________________ 25 3.2. Características y etapas _____________________________________________ 37 3.3. Influencias: surrealismo, Romanticismo americano, noir __________________ 47 4. David Lynch y Gilles Deleuze ______________________________________________ 55 4.1. Tener una idea en cine _____________________________________________ 55 4.2. David Lynch y el pensamiento cinematográfico _________________________ 57 4.3. La presencia de la filosofía cinematográfica de Gilles Deleuze en la filmografía de David Lynch ____________________________________________ 63 4.4. Una aproximación a la imagen-recuerdo y al «sueño implicado» en Carretera perdida y Mulholland Drive ____________________________________________ 70 4.4.1. El fracaso de la imagen-recuerdo -
David Lynch: Elephant Man (1980, 124 Min.) Online Versions of the Goldenrod Handouts Have Color Images & Hot Links
October 30, 2018 (XXXVII:10) David Lynch: Elephant Man (1980, 124 min.) Online versions of The Goldenrod Handouts have color images & hot links: http://csac.buffalo.edu/goldenrodhandouts.html DIRECTED BY David Lynch WRITING screenplay by Christopher De Vore, Eric Bergren, and David Lynch; Frederick Treves (book) (as Sir Frederick Treves), Ashley Montagu (in part on the book "The Elephant Man: A Study in Human Dignity") PRODUCED BY Stuart Cornfeld (executive producer), Jonathan Sanger (producer), and Mel Brooks (executive producer, uncredited) MUSIC John Morris CINEMATOGRAPHY Freddie Francis (director of photography) FILM EDITING Anne V. Coates PRODUCTION DESIGN Stuart Craig ART DIRECTION Robert Cartwright SET DECORATION Hugh Scaife COSTUME DESIGN Patricia Norris MAKEUP DEPARTMENT hairdressers: Paula Gillespie and Stephanie Kaye; makeup artists: Beryl Lerman and Michael Morris; makeup application: 'Elephant Man' / makeup supervisor: Wally Schneiderman; makeup creator: 'Elephant Man' / makeup designer: 'Elephant Man': Christopher Tucker The film received eight nominations at the 1981Academy Awards: Best Picture: Jonathan Sanger; Best Actor in a Leading Role: John Hurt; Best Director: David Lynch; Best Writing, Screenplay Based on Material from Another Medium: Christopher De Vore, Eric Bergren, David Lynch; Best Art Direction-Set Decoration: Stuart Craig, Robert Cartwright, Hugh Scaife; Best Costume Design: Patricia Norris; Best Film Editing: Anne V. Coates; Best Music, Original Score: John Morris. CAST Anthony Hopkins...Frederick Treves John Hurt...John Merrick Alfie Curtis...Milkman Anne Bancroft...Mrs. Kendal Bernadette Milnes...1st Fighting Woman John Gielgud...Carr Gomm Brenda Kempner...2nd Fighting Woman Wendy Hiller...Mothershead Carol Harrison ...Tart (as Carole Harrison) Freddie Jones ...Bytes Hugh Manning...Broadneck Michael Elphick...Night Porter Dennis Burgess...1st Committee Man Hannah Gordon...Mrs. -
August 2010 Volume 26 #3 BRITISH COLUMBIA HONEY PRODUCERS
August 2010 Volume 26 #3 Promoting and Encouraging Beekeeping in British Columbia since 1920 BCHPA Website: www.bcbeekeepers.com BRITISH COLUMB IA H ONEY PRODUC ERS' A SSOC IATION Publications Mail Sales Agreement No.40828130 Inside: • McCutcheon Book Launch • Island Quarantine Challenged • IPM Defined • In Vitro Larval Rearing • Winter Mortalities Surveyed • Chef Walt’s Araxi Recipe • Affording CHC Honey bee swarm on double rake • Cranbrook Speaker Profiles Photo by Susan Steidle of Prince George • Day of the Honey Bee Photos • Formic Acid Use Primer • Grade Twos Love Bees To: • More Education this Fall • Super Mover Blueprint • Regional Reps Speak Up • Baumgartner’s Legacy • Olympic Beekeeper AGM VOLUME 26, #3 AUGUST 2010 1 What’s abuzz…letter from the editor Books are the bees which carry the quickening pollen from way into the spotlight? Another one to another mind. group of honey bee converts is Ms. ~ James Russell Lowell 1819-1891 Davis’ Grade Two class who visited John and Louise Hoyrup’s apiary Besides beekeeping, it’s more likely than not that many of at 150 Mile House. Few things are our fondest memories of summer involve some holiday time, more rewarding than sharing the often accompanied by a good book. Back porches, beaches, wonder of bees with a bunch of and sleeping bags equipped with flashlights are the launching kids! pads from where we can escape into another world. Chef James Walt is passionate For the past decade there’s been no escaping an onerous about using fine quality, locally task that fell upon the shoulders of former BC Provincial produced ingredients in his kitchen. -
College of Arts
College of Arts CURRICULUM VITAE Name: JAMES HARLEY Department or School: SCHOOL OF FINE ART AND MUSIC Office Number: MACKINNON 214 Extension: 52989 Email: [email protected] 1. General Information A. Education 1994 D.Mus. Faculty of Music, McGill University (attended 1988-94) 1988 Post-graduate studies Chopin Academy of Music, Warsaw (attended 1987-88, no degree granted) 1987 MA studies Université de Paris I (attended 1985-87, degree not completed) 1985 Advanced studies Royal Academy of Music, London (attended 1983-85, no degree granted) 1983 Composition studies Paul Patterson, London (attended 1982-83, private studies, no degree granted) 1982 B.Mus. (magna cum laude) Western Washington University (attended 1977-82) B. Academic Appointments at the University of Guelph 2007 Associate Professor 2005 Tenure (at rank of Assistant Professor) 2004 Assistant Professor C. Academic Appointments or Related Experience Prior to Appointment at the University of Guelph 2005 Leave of Absence (unpaid) Minnesota State University Moorhead 2004 Leave of Absence (unpaid) MSUM 2004 Associate Professor MSUM 2004 Tenure MSUM 2001 Assistant Professor (tenure-track) MSUM 1999 Assistant Professor (CL) MSUM 1997 Researcher University of Southern California 1997 Lecturer (sessional) USC 1997 Lecturer (sessional) California Institute of the Arts 1995 Assistant Professor (CL) Wilfrid Laurier University 1989 Lecturer (sessional) McGill University D. Awards, Honours, Grants 2010 Ontario Arts Council, Music Commission grants, new works for Ensemble Transmission (Montreal) -
David Lynch the Big Dream 2013 Flaczip
David Lynch - The Big Dream (2013) FLAC.zip David Lynch - The Big Dream (2013) FLAC.zip 1 / 3 2 / 3 College football and college sports news headlines from the Atlanta Journal-Constitution.. Legendary multimedia artist David Lynch returns with the follow-up to Crazy Clown Time, his acclaimed 2011 solo debut. The album sees Lynch returning to.. The police identified the man as David Toaff. Lynch is one of the biggest names in WWE right now, and a key part in a flourishing women's wrestling scene.. 10 Jun 2013 - 6 min - Uploaded by DAVIDLYNCHSUNDAYBESTBuy The Big Dream Super Deluxe At Sunday Best . David Lynch & Lykke Li - I'm Waiting .. 13. srpen 2018 . Free czech torrent tracker. Nzev: David Lynch - The Big Dream (2013)[FLAC]; Kategorie: Hudba .. 10 Jul 2013 . David Lynch delivers a new album of "modern blues" following up 2011's . Cat No: SBESTLP61 Release date: 10 July 2013 Label: Sunday Best Genre: . MP3; FLAC; WAV . David Lynch The Big Dream (Deluxe Edition) Sunday Best Indie / . The package will be delivered by your national postal service.. Sign in. Main menu.. zip rar archive album David Lynch - The Big Dream download mp3 flac wma.. 27 Jan 2014 . The Big Dream (Super Deluxe Edition). David Lynch. Released: 27 . Up Next:David Lynch - Making 'The Big Dream' (Documentary) (2013).. David Lynch The Big Dream (Deluxe Edition) (2013) [FLAC] Release: 2013 Track: 19 (2CD) Unknown Rip Format: FLAC (Track) No Cue, No Log Size:.. December 2013 . The original 12 track album The Big Dream sees Lynch primarily writing and recording with producer Dean Hurley at . -
ISSN 2084-4999 1,23 Zł (23%#14 VAT) Wrzesień 2013 Dźwięk
ISSN 2084-4999 1,23 zł (23%#14 VAT) wrzesień 2013 Dźwięk: Obraz: Słowo: Interakcje: Redaktor naczelny Tadeusz Bisewski Korekta Redakcja Wydawnictwo EKWITA Kamil Downarowicz www.ekwita.pl Karolina Joisan Maciej Kaczmarski Ana Matusevic Wydawca numer 14 Jakub Milszewski Alterpop Media s.c. wrzesień 2013 Agnieszka Młynarczyk ul. Śląska 35/37 ISSN 2084-4999 Wojciech Onyśków 81-310 Gdynia WYPRÓBUJ NOWY, NIEZWYKLE FUNKCJONALNY ALTERPOP.PL PREMIERY płytowe #blues #elektronika #rock David Lynch The Big Dream ******* Flirt Davida Lyncha z muzyką jest niemal tak długi, jak z kinem. Twór- ca Twin Peaks był współautorem so- undtracku do Głowy do wycierania, swojego pełnometrażowego debiutu (a także do kilku następnych filmów). Pisał teksty i produkował utwory dla Julee Cruise i Jocelyn Montgomery. Grał na gitarze w projekcie BlueBob i współpracował z naszym rodakiem Markiem Żebrowskim na ambientowej płycie Polish Night. Przed dwoma laty Lynch wydał solowy debiut zatytułowa- ny Crazy Clown Time. Była to dziwaczna mieszanka rocka, elektroniki i muzyki tanecznej. Teraz muzykujący reżyser powraca z kolejnym albumem. Zgodnie z tytułem, The Big Dream wypełnia oni- ryczna muzyka będąca uwspółcześnio- ną wersją bluesa. Są więc typowe dla tej konwencji sekwencje akordów, są przestrzenne brzmienia wyrazistych gi- tar, jest nawet przeróbka The Ballad of Hollis Brown, starej piosenki Boba Dy- lana. Lynch okrasza każdy utwór swoim nosowym wokalem, który dobrze pasu- je do muzyki. Jest to oczywiście blues w wydaniu białego ekscentryka, toteż ◄ klikaj numer strony, aby wracać do spisu treści album nie reprezentuje tradycyjnej szkoły gatunku i fani B.B. Kinga mogą być zawiedzeni. Z czasem do utworów wkrada się też monotonia. A jednak po The Big Dream zdecydowanie warto sięgnąć, choćby dlatego że w pewnym sensie jest to muzyczny ekwiwalent nie- zwykłych filmowych dokonań Lyncha.