DOCSLIB.ORG

DOCUM4T RESUMR1 the Units, Which Are Arranged Inaflogical Ordei of Pres Tation, Are Riticism4 and the Shape F Film to Com . Each

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DOCUM4T RESUMR1 the Units, Which Are Arranged Inaflogical Ordei of Pres Tation, Are Riticism4 and the Shape F Film to Com . Each DOCUM4T RESUMR1 ED 140 313 S 203 425 ="" AUTHOR Dana, Jane; 'Zimmerman, LaNette . TITDE A Resource Unit in Film. Htlletin No. 7087. .INSTITUTION Wisconsin State Dept..of Public Instruction, r Madison. IRONS. AGENCY Office -Of E-adcation (DHEW),, Washington, D.C. RUB tATE [76] NOTE 49p, . EBBS PRICE, MF-$0.83 HC-$2.06 Plus Postage. -DESCRIPTORS Curricjalum GuideS; *Film 'C'xititism; Film Industry; *Film proZuction; *Films; *Fi1m'Study4:Learning Activities; Secondary Education .a \--ABSTRACT The Units ot fils-in this 'curritulu f. guiaemay he used in sequence or as.needed tostrengthen.filmuill'es already, being taught. Since it was designed tc 9ffe4rranges of .4440e for A. variety- cf teachers, this resource guidecontains more-than an..individual teacher is likely to use inapatticular unit or course.i'Topies,of the units, which are arranged inaflogicalordei of prestation, are the nature of film, the tools"of film, thefilmmaking exp ielice, the forms of film, riticism4 and the shape f film to com. Each, - unit contains.% list of instrctional objectiveS,a'cont0 lists of learning activitie"s nd instructional assessment.pr and ieferences. (JM) . Documents acquired by ERIC include many'informalunpublished * materials not available frota-othersodrces.: ERIC makes every effort * to 'obtain the best copyavailable. NeVertVeless, items.of marginal * reproducibilityaroften.encountere'd and this affects the gUality .* of tbe 14crcfiche an hardcopy reprodubtlons ER/C makes available . * 'virahe..fRIC Document ReproductionServiice (EDRS) .EDRS is not * reSponsible for the q ality ofthe origiral document. Reproductions *., '* supplied by EDRS are the best that ca5(be made from the original. *******t*************************************************************** - LI S. DEPARTMENT OF HEALTH, EDUCA-110N-11,WiLFARE . NATIONAL INSTITUTE 00 EDUCATION , THIS OOCUMEN.T . HAS BEE REPRO. DUCE?) -,EXACT.LY AS. RECEI ED BROM THE PERSON OR ORGANIZATI ORIGIN- ATING IT POINTS OF VrEW ORPIN-IONS 4 STATTO DO.NOT NECESSARILY REPRt- .4 SENT OFFICIAL NATIONAL INSTITUTE OF . EDUCATION POSITION OR PC1LICY 1441'.;.44 IN FILM - aaf by JarilAna;0, Edgewood High School Madison . and , LaNette Zimmerman Sun Prairie High School ,Sun Prairie 1 ;published. by, , Wistcmsin DePartment of Public Instructioii Barbara Thompson, Ph.D., Sta_te Superintendent . e "PERMISSION TO REPRODUCE THIS COPY- RIGHTED MATERIAL HAS BEEN GRANTED BY Wisconsin Dept. of Public'Instruction TO ERIC AND ORGANIZATIONS OPERATING UNDERAGREEMENTSWITh THE NATIONAL IN STITUTE OF EDUCATION. FURTHER REPRO. DUCTION OUTSIDE THE ERIC SYSTEM RE MIRES PERMISSION DF _THE COPYRIGHT * This project was supported in part bY funds under .1/4he nationaldefense &education act of 1958, Title III-A, as amended---P.L. 85-864, the U.S. Officeof Education, and the Department of Health,. Education, and Welfare. However,the opinions ex- pressed herein do not necessarily reflect the position or policyof the IS.§, Office of Education, and no official endorsement by the U.S. OfficeofEducation should 'be inferred.. ,Bulletin No. 7087 A f=\11 TABLE OF CONTENTS ACKNOWLEDGE*NTSij FOREWORD ,v INTRODUCTION vii . I--Ar Nature of Film .; 1 , 'UNIT IIThe Tool's of Film: , UNIT IIIThe ,Film.Making.Experience ..16 4 UNIT IVThe Forms of Film 26 UNIT VFi\m Criticism 31 .UNIT yIThe Shap'e of, Film to Come 39 4. ACKNOWLEDGEMENTS/ ..,. 'hie Wisconsin, Department of Public Instruction and the Wisamsin Commu- nication AsSociation wish to express appreciation for the timo, support, and assistance of the following in producing pis curriculum unit: ... * * * * * * Ms. Jane Dard and Ms. LaNette Zimmerman, Authorg *sconsin Communication Association _film Resource Committee TOny Goldberg, UniverSity of Wisconsin-SteVens point, Chairpers6n Jane Dana, Edgewood Sigh School, MAison LaNette Zimmerman, Sun iDrairie ,High Schotil, Sun Prairie . * * * * * * Wisconsin .Communication Association Editorial Advisory Committee Richard Barnes, University of Wisconsin-Milwaukee Chatles Brown, D.C. Everest Iiigh School, Schofield William Davidson; University of,Wisconsin-Stevens Point Shardl Parish, Memorial High School, Madison ' Sharon Sohner, Hamilton High School, Sussex Rbn Allen, University ofWis,consinTkadison, Co-chairperson Mary klein, Department of Public Instruction, Co-chairperson a To4viroli1i \ $eriessecof rots in \This pUblication.on fthb4 IAtreil'eN /41.1 .1sittlenc-Fleeprarrte,msclellliteet of public. the communication arto lAiall) t;,,i. IlY the icons.' o Litdcatlon ation. , histction in cooperaV V ' '` Associ . P \, . foal .inicati il units'in intO'vrs at v Qo d tei 4. and. ,- Ad itional lip 'b7 'r4C1i0' an > Visioll, puilie addreSs are plavfirdIcol ueyears. '. , 1:"Itire\ plin alldlz joignea-to mtet the is' Tust unit of the oeraes on- 14 needs of secondary te0Arslazthe.evtlifounlu4hoil ::-0 whq h4ve resP 1 sibilities for teaching vithi# 4. f . Ofich.ed. 08;306T:tit' so qiiree,ti binder The film resource unit ,i P 1 the thus allowing for adtOgscr0nsekts pr tio4 teacher finds necessary. , ..\ , p any goth the authors andtill6Dtrnbt/0)-71.1b.eInwoctionitQcome athj. t° 'esollree, suggestions or reactioT0 - d INTRODUCTION With' increasing fre-quency, film courses and units Teachers new to the 4lisbipline df may be are finding their way into the currieula or Wis- surprised by the depth and range lof the content consin secondary sChools..The purpose of this re- in this curriculum, liowevei-, a' resource curricu- source curriculum is to pFovide a wealth ofinfor-; him 'shoOki contain more thaa an individual t'each-. rdation from which teachers may. draw as they er is likely .to utilize in a particularUnit or course. devise instructional programs 'in filmfor* their Its.cprnpwheisiveness is designed tit) offer rdnges ,students. 4 - of el-mice fgr- a variety of teachers. The units in this curricultitn are arranged in Although film courses are _increasing in fre what we consider a natural, ad* ofpresents.tian...- quency in the 'stateof Wisconsin, the iridivi ual The first tinit, "The Nature 'of Film," considers film teachbr .is still very xnuch the pioneer. W ile various approaches to-'ilie stUdy of filmas tech-s, this resourç curriculum offers 4 generalhat. of the terrain, teach. teacher must take a path con= nical phenomenon, as industry, ,as art, and as re- . flection and shaper of values.. The. second unit, sistent ocal exigencies. "The Tools of Film," in considering the mechanics When film rmiking equipment is ar a mini- . , of film making equipment,. invites students to ex- mural, teacher will find it necessary to chnose periment with the medium as they develop"hands- .basic film production experiences fromthe cul-- on". familiarity with. technical potentialities and i riculum while Saving, complex experiences for d,'4101 'limitations.The .third unit, `-',The .FilM Making time when,more sophistiCated equipinent can be Experience,' moves from the equipment of the budgeted and purchased. .medium tothe aesthetic employmentI that equipment.The fourth and fifthunit ,"The 'The. acquisition of 'filn'Is for study -nuly also, Forms of Film" and "Film Criticism," provii e for constitUte; a problem for teachers new to the the exploration-,of sp cific form or genre (of film discip,line. The films suggested in the eurriculuen. and for the critical andlysis of filfhs against criteria are generally availablethrough public libraries, of technical and social ignificance. The final unit, at little br no cost, ari'd through_university bureilus 1' "The Shape, of Film to Come," invites the 'student of taudio`VisUal inStruction at nominal fees. HoW- to Araw. on" knowledge of the past,iand,fainiliarity ever, some of thesefilins must be ordered thronglf with the present, in speculating about the skillful rental houses at Commercial. prices.Information and imaginative use of film in the future:,. 'regarding filni.distribution iS-often ayailablefrorn 1 city libraries and nearby university media centers. Sortie teachers 'may wish to lisethis 'Material, Teachers on limited budgets may Wadily substi- in the sequence in which it is presented in the re- . tute available fiims for anY of those suggested in .source curriculuni.- In these cases, theteacher may draw 'frorh the:list of instructionalobjee- the currisculum.. tives, the content outline,.and the list of learning Since Win is a cornPlex Phenomenon in a stage activities.and instructional assessment procedue of rapid iclevlopment, teachers mii.§j seize, every those which seem most useful in adopting he":opportunity to grow knowledge thFough profes- itsof instruction to . particular instructio4. 1 -sional meetings, inserviceor7s-ops, on Campus _Zquirements. ., study, and professional reading. Wehipe that, this 'ilseful for thdse teachers Other teachers May wish to usf these materia 'curriculum will pKove to strengthen units already being taught. who have taken the time and effort to explore this scope of materials offered in this resource cut- exciting medium. 'riculum is such that a range of options are avail- 1 able to the teacher in making decision's about- Jane , course design infilm._ dNette Zi meridan t.C2k UNlrf ONE THE NATUREOP' FILM ' -.- . Film is big busipcss.. From the director to the Introdkictoey 'Statcmcrt local theater projectionist, film involves a vast in- There is an area in the Itynatt mind (or heart) dustry. The student should comc to see film as. which can be reacked only- through ci tmly a mass rm!dium which involves many fieople through that cinema 'which is always aTake, iri production, distribution,
Load more

Recommended publications
  • Movie and Video Reviews Conroe, TX 77384 936-273-7390
    LSC - Montgomery Library 3200 College Park Dr. Bldg. F Movie and Video Reviews Conroe, TX 77384 http://www.lonestar.edu/library 936-273-7390 Reference Books REF PN 1992.95 .B6 Bowker’s Complete Video Directory REF PN 1992.95 .V554 VideoHound’s Golden Movie Retriever REF PN 1993.45 .B49 2001 The Film Studies Dictionary REF PN 1993.45 .H27 2004 Halliwell’s Film Guide REF PN 1993.45 .K34 1998 The Film Encyclopedia REF PN 1993.9 .G43 1996 The Encyclopedia of Movie Awards REF PN 1993.92 .M38 1995 Oscar A to Z REF PN 1995 .M252 2001 Magill’s Cinema Annual 2001 REF PN 1995.9 .F67 V37 Variety Movie Guide REF PN 1995.9 .H3 P36 1995 The Encyclopedia of Martial Arts Movies REF PN 1995.9 .H6 M85 2002 Horror Films of the 1970s REF PN 1995.9 .N34 S12 1995 Blacks in Black and White: A Source Book on Black Films REF PN 1997.85 .T544 2001 The Encyclopedia of Stage Plays into Film REF PN 1998 .A1 D36 1996 Film and Video on the Internet Circulating Books PN 1993.5 .A1 F525 2001 Film: the Critics Choice PN 1993.5 .A1 N38 1998 Movies: A Crash Course PN 1995 .O93 1998 The Oxford Guide to Film Studies PN 1995.9 .C36 B49 1999 Beyond the Stars: Studies in American Popular Film PN 1995.9 .H53 D66 2002 The Holocaust in American film PN 1995.9 .H44 M44 2004 The Medieval Hero on Screen PN 1995.9 .L6 W37 1999 Unlikely Couples: Movie Romance as Social Criticism PN 1995.9 .N4 R59 2000 Reel Racism: Confronting Hollywood’s Construction of Afro-American Culture PN 1995.9 .N49 S25 2001 Celluloid Skyline: New York and the Movies PN 1995.9 .P6 R44 1998 Reelpolitik: Political
    [Show full text]
  • University International
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
    [Show full text]
  • Mary in Film
    PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas
    [Show full text]
  • THE Permanent Crisis of FILM Criticism
    mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem­ the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author­ N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo­ C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter­ film criticism since its origins. net amateurs and the lack of authorita­ of tive critics, many journalists and acade­ Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, co­editor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis­ tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory.
    [Show full text]
  • THE 51St ANNUAL NEW YORK EMMY® AWARD NOMINATIONS
    THE 53RD ANNUAL NEW YORK EMMY® AWARD NOMINATIONS ANNOUNCED THIS MORNING! MSG Network Gets the Most Nominations with 64 New York, NY – Thursday, February 25, 2010. The 53rd Annual New York Emmy® Award nominations took place this morning at the studios of CUNY-TV. Hosting the announcement was Jacqueline Gonzalez, Executive Director, NY NATAS. Presenting the nominees were Shelly Palmer, Host of Digital Life with Shelly Palmer and President of NY NATAS; Emmy® Award-winner Marvin Scott, Senior Correspondent, PIX News at 10, and Anchor, PIX News Closeup, WPIX-TV; Emmy® Award-winner John Bathke, Reporter, News 12 New Jersey; and Emmy® Award-winner Virginia Huie, Reporter, News 12 Long Island. The New York Emmy® Awards has evolved to honor the craft of television regardless of the delivery platform. 2010 marks our third year accepting advanced media entries (original content created for broadband and portable delivery). This year all of our advanced media entries were rolled into our broadcast categories truly making this the year of recognizing outstanding achievement in television the art form not television the platform. We continue to celebrate excellence in our industry honoring the best video storytelling. Congratulations to all honored nominees! Total Number of Nominated Entries MSG Network 64 ChinaDoingBusiness.com 2 WXTV Univision 41 35 Epicurious.com 2 News 12 Connecticut 33 News 10 Now 2 WNBC-TV 32 ShellyPalmer.com 2 YES Network 27 SUAthletics.com 2 (MLB Productions for YES - 5) YESNetwork.com 2 SNY 24 Amazon.com 1 News 12 Long Island
    [Show full text]
  • Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
    Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] ​ www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, ​ 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Contemporary Maghrebi-French Cinema and Its Audiences
    Postcolonial Popcorn: Contemporary Maghrebi-French Cinema and its Audiences by Alexander Hastie A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy Department of Geography The University of Sheffield December 2017 Abstract This thesis is a study of popular contemporary postcolonial cinema, through readings of three recent Maghrebi-French films. The research is comprised of the films Days of Glory (2006), Outside the Law (2010) and Free Men (2011), which narrate unfamiliar colonial stories in familiar ways. The films are a significant part of a cultural and commercial ‘shift’ toward more mainstream filmmaking in France, and therefore provide a fascinating and complex point of entry into the study of popular postcolonial cinema. By incorporating the popular into the postcolonial, the primary contribution of this thesis is that it extends the scope of postcolonial cultural criticism, in order to highlight how such an engagement functions to interrupt hegemonic imaginaries of colonial space, memory and gender. Informed by a postcolonial critique, this thesis deploys textual analysis in order to investigate how the films are textually constituted across and through different cultural frameworks, questioning what this means for conceptualising postcolonialism. Primarily investigating the ways in which the films rewrite colonial histories using the genre conventions of Hollywood, this thesis attends to issues pertinent to postcolonial France. The thesis therefore identifies some of the key relationships to space that are narrated throughout the films, in which geographies of belonging and exclusion for Maghrebi- French people are articulated through popular aesthetics. An important part of articulating place is memory, and so this thesis also examines how occluded memories are mobilised and energised at the intersection with more familiar historical imaginaries, showing how this multidirectional relationship works to situate colonial histories in ways that are disruptive of World War Two imaginaries.
    [Show full text]
  • A Reel Or a Raw Deal for Women in the Film Biz?
    A Reel or a Raw Deal for Women in the Film Biz? Danielle Cliche1 1. Introduction Helen Fielding’s character, Bridget Jones, is supposed to typify a young, unmarried 30-something professional women of the 21st Century. Whether this is really the case, is debatable. What is not typical, however, is the recognition the film version of Fielding’s novel and its director, Sharon Maguire, have achieved. In the Focus 2005 World Film Market Trends2, Sharon Maguire and her film, “Bridget Jones’s Diary”, are listed as receiving the highest cumulative admissions in Europe for a European film from the years 1996-2004. In this Top 20 list, only one other female director appears, Beeban Kidron and her follow-up film Bridget Jones: The Edge of Reason; which coincidentally attracted the highest number of admissions in Eu- rope for a European film in the year 2004. Over the past 15 months, the Culture Biz team has been writing another type of Diary. In 455 days, they recorded the status of women working as creators and managers in the film business in Austria, Finland, Germany and Portugal. Their first entry starts with an overview of their domestic film industries and with an ac- count of the number of women working in the film business over the past ten years. Have the scales increased or decreased? In the months that followed, they recorded the number of women being trained and eventually working as profes- sionals in the “super creative core3” of the business: as directors, producers, edi- tors, scriptwriters and cinematographers of feature, short and documentary films.
    [Show full text]
  • Npr's Tiny Desk Concert Series: Vocalities of Outrage and Acts of Gaiety
    University of New Mexico UNM Digital Repository Music ETDs Electronic Theses and Dissertations Fall 11-15-2019 NPR'S TINY DESK CONCERT SERIES: VOCALITIES OF OUTRAGE AND ACTS OF GAIETY Aubrie M. Powell University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/mus_etds Part of the Music Commons Recommended Citation Powell, Aubrie M.. "NPR'S TINY DESK CONCERT SERIES: VOCALITIES OF OUTRAGE AND ACTS OF GAIETY." (2019). https://digitalrepository.unm.edu/mus_etds/30 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Music ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. Candidate Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: , Chairperson NPR’S TINY DESK CONCERT SERIES: VOCALITIES OF OUTRAGE AND ACTS OF GAIETY by AUBRIE POWELL B.M., Music Composition, Baldwin Wallace Conservatory of Music, 2015 M.M., Music Composition, University of Missouri-Kansas City Conservatory of Music and Dance, 2017 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music Music The University of New Mexico Albuquerque, New Mexico December, 2019 ii ACKNOWLEDGEMENTS I would like to thank my advisor, Dr. Ana R. Alonso-Minutti, for her supervision of my research and invaluable assistance in the writing of this thesis. Her guidance and wisdom helped the thesis take shape through discussions of a variety of relevant topics.
    [Show full text]
  • 2015 Annual Report NPR 2015 Annual Report
    MORE IMPACT IN MORE PLACES 2015 Annual Report NPR 2015 Annual Report Table of Contents 2 14 Impact At Home NPR Takes The Stage 16 6 New Approaches, Impact Abroad New Audiences 18 10 Looking Forward Online And On The Go To 2016 12 19 The Podcast Comes Of Age 2015 Financials Photo Credits: Page 1: Stephen Voss; Page 2: Daniel Zwerdling; Page 3: Ariel Zambelich; Page 4: David Gilkey, Mary McLain; Page 5: Kainaz Amaria; Page 6: John W. Poole; Page 8: David Gilkey; Alison Meuse; Page 9: John W. Poole; Kainaz Amaria; Page 11: Getty Images; Page 12. John W. Poole; Page 14: Sid Hastings; Sylvie Rosokoff; Page 15: Eileen Koteras Elibol, Sylvie Rosokoff, Ebru Yildiz; Page 17: Sylvie Rosokoff; Page 18: Clockwise from bottom: Getty Images, David Gilkey, Sylvie Rosokoff 1 Dear Friends, What a year it has been! As we close the book on 2015, I look back proudly on all that NPR has accomplished. We grew broadcast audiences for Morning Edition and All Things Considered on stations across the country and reached new audiences through new multiplatform offerings including Invisibilia, Hidden Brain and our NPR Politics Podcast. Our news division was recognized with some of the highest honors in broadcasting, including two Alfred I. duPont Columbia University Awards, a George Foster Peabody Award and three Edward R. Murrow Awards from the Radio Television Digital News Association. And for our As you may have noticed, our signature afternoon multichannel reach, NPR was named one of the top program is now sporting some new, but familiar, 10 agile U.S.
    [Show full text]
  • The 2020 New York Emmy® Award Nominees
    The 2020 New York Emmy® Award Nominees THE 63rdANNUAL NEW YORK EMMY® AWARD NOMINATIONS ANNOUNCED THIS MORNING! New York, NY – Tuesday, February 25, 2020. The 63rd Annual New York Emmy® Award nominations took place this morning at the studios of (CUNY-TV). Hosting the announcement was NJ Burkett, President, NY NATAS. Presenting the nominees were Emmy® Award-nominee Liliana Ayende, Weather Anchor (Univision 41); Emmy® Award-winner Janice Huff, Chief Meteorologist, (WNBC-TV); Emmy® Award-winner Virginia Huie, Reporter, (News 12 Long Island); and Emmy® Award-winner Marvin Scott, Senior Correspondent, (WPIX-TV). Total Number of Nominated Entries WNJU Telemundo 47 68 News 12 Digital 2 MSG Network 40 New York City College of Technology - CUNY 2 Spectrum News NY1 - News 38 New York Football Giants 2 WPIX-TV 38 NET-TV 2 WXTV Univision 41 - News 36 Spectrum News Rochester 2 WNBC-TV News 29 WJLP-TV 2 YES Network 27 WLIW 21 2 News 12 Westchester 26 WRGB CBS 6 2 SNY 25 WSKG 2 Newsday 23 WSYR-TV, Syracuse, NY 2 WCBS-TV 20 WTEN-TV 2 New York Jets 19 4th Coast Productions 1 WABC-TV 19 ba_sk 1 News 12 Long Island 17 BronxNet 1 CUNY-TV 16 Brooklyn Free Speech 1 WNYW FOX 5 15 DeSales Media Group - NET TV 1 THIRTEEN 11 Diva Communications, Inc. 1 News 12 New Jersey 10 Ember Music Productions 1 WXTV Univision 41 - Promotions 9 Hollywoodland Productions 1 New York Yankees 8 John Gore Organization 1 NYC Media 8 Kean University 1 Mac Premo, Inc 7 LCM247 1 News 12 Connecticut 6 Manhattan College 1 Pegula Sports and Entertainment 6 Maroonhorizon Media 1 WRNN-TV 6 Miracle on 42nd Street, Inc.
    [Show full text]