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FOR IMMEDIATE RELEASE Acclaimed DC Author Marita Golden Discusses DC's Alzheimer's Struggle Tickets Are Now on Sale
FOR IMMEDIATE RELEASE @dchistory Tuesday, September 19, 2017 MEDIA CONTACT: ● John Suau, [email protected], 202.249.3953 Acclaimed D.C. Author Marita Golden Discusses D.C.’s Alzheimer’s Struggle Tickets are now on sale: http://bit.ly/2h9Vgdy WASHINGTON, D.C.: ThE Historical SociEty of Washington, D.C., in partnErship with thE NewsEum, prEsEnts thE panEl discussion, “The Wide Circumference of Love and D.C.’s History with AlzhEimEr’s,” on Saturday, OctobEr 21, 1-2:30 pm at thE NEwsEum’s DocumEntary ThEater. FocusEd on compElling characters struggling with AlzhEimEr’s disEasE, GoldEn’s noVEl raisEs largEr issuEs of thE disproportionate impact of AlzhEimEr’s among African AmEricans. ThE panEl brings togEthEr acclaimEd Washington noVElist Marita GoldEn, author of The Wide Circumference of Love; Washington Post Magazine Editor Marcia Davis; StephaniE MonroE, dirEctor of Us Against AlzhEimEr’s; and Gary Williams, whosE family was fEaturEd in GoldEn’s Washington Post Magazine fEaturE, “A QuiEt DEspEration.” ThE panEl will bE modErated by historian Izetta Autumn MoblEy of thE Historical SociEty. ThE EVEnt will concludE with a book signing by thE author. “My noVEl The Wide Circumference of Love is in many ways an odE to Washington, D.C. my natiVE city, its drama, trauma, changE and EVolution oVEr thirty fiVE yEars, and sErVEs as thE backdrop for a story of loVE and family and faith,” said Marita GoldEn about hEr most rEcEnt book, which was rElEasEd in March, 2017. “I could not havE rEcrEated or honorEd my city on thE pagEs of thE noVEl without thE inValuablE rEsourcEs of thE Historical SociEty of Washington, D.C.” Marita GoldEn is thE author of 16 works of fiction and non-fiction, including Long Distance Life, After, and The Edge of Heaven. -
Annotated Selected Bibliography & Index for Teaching African
DOCUMENT RESUME ED 437 478 UD 033 273 AUTHOR Hilliard, Asa G. TITLE Annotated Selected Bibliography & Index for Teaching African-American Learners: Culturally Responsive Pedagogy Project. SPONS AGENCY American Association of Colleges for Teacher Education, Washington, DC.; Philip Morris Inc., New York, NY. PUB DATE 1997-00-00 NOTE 766p. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF04/PC31 Plus Postage. DESCRIPTORS *African Culture; African History; Annotated Bibliographies; Black Dialects; *Black Students; Blacks; *Cultural Awareness; Cultural Differences; Cultural Pluralism; Curriculum; Elementary Secondary Education; Higher Education; Linguistics; Literature; Mass Media; Political Science; Popular Culture; Preservice Teacher Education; Psychology; *Racial Bias; Racial Differences; School Administration; Special Education; Teaching Methods; Teaching Styles; United States History IDENTIFIERS *African Americans; Criminal Justice; Rites of Passage ABSTRACT This annotated bibliography and index presents nearly 2,000 references that are substantially unique to African or African American teaching and learning. Designed to support teacher education, the bibliography features references that were chosen if they were culturally relevant, recognized the African or African American experience, and drew from the cultural experience of African and African American people. References also had to contribute to the enhancement of teaching and learning, had to be based on empirical research, and had to employ rigorous scholarly analysis, -
Conference Director Alfred Bendixen Texas A&M University
American Literature Association A Coalition of Societies Devoted to the Study of American Authors 25th Annual Conference on American Literature May 22-25, 2014 Hyatt Regency Washington on Capitol Hill Washington, D.C. (202-737-1234) Conference Director Alfred Bendixen Texas A&M University Final Version May 7, 2014 This on-line draft of the program is designed to provide information to participants in our 25th conference It is now too late to make additional corrections to the printed program but changes can be made to the on-line version. Please note that the printed program will be available at the conference. Audio-Visual Equipment: The program also lists the audio-visual equipment that has been requested for each panel. The ALA normally provides a digital projector and screen to those who have requested it at the time the panel or paper is submitted. Individuals will need to provide their own laptops and those using Macs are advised to bring along the proper cable/adaptor to hook up with the projector. Please note that we no longer provide vcrs or overhead projectors or tape players. Registration: Participants should have pre-registered for the conference by going to the website at www.alaconf.org and either completing on line-registration which allows you to pay with a credit card or completing the registration form and mailing it along with the appropriate check to the address indicated. Individuals may register at the conference with cash or a check, but please note that we will not be able to accept credit cards at the hotel. -
Daniel Green
Daniel Green Table of Contents Definitions Postmodern Confusions David Foster Wallace Jonathan Lethem George Saunders Sergio de la Pava Sources of the New—Sentences Gary Lutz Diane Williams Dawn Raffel Melanie Rae Thon Blind Alleys Perils of the Apocalypse Ben Marcus Conceptual Schemes Davis Schneiderman, Mark Danielewski Supersize It Joshua Cohen Jim Gauer Twice-Told Tales John Keene Gabriel Blackwell Dynamics of the Page Steve Tomasula Shelley Jackson Michael Joyce 1 DEFINITIONS In Art as Experience, the philosopher John Dewey describes a cycle in art and literary history whereby works initially thought to be too radically experimental ultimately are accepted as “classics” that themselves become objects of imitation: [T]he fruits of the new procedure are absorbed; they are naturalized and effect certain modifications of the old tradition. This period establishes the new aims and hence the new techniques as having “classic” validity, and is accompanied with a prestige that holds over into subsequent periods. Dewey’s notion that “new procedures” create “certain modifications of the old tradition” is strongly reminiscent of T.S. Eliot’s argument in “Tradition and the Individual Talent” that “existing monuments” form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new. -
How to Be a Great Writer
Occasional Papers ([on]) Practice & Form HOW TO BE A GREAT WRITER MARITA GOLDEN Welcome Table Press Pamphlet Series August 2012 Occasional Papers ([on]) Practice & Form The Welcome Table Press Occasional Papers on Practice & Form is a periodical pamphlet series featuring spoken essays that originated as talks delivered at symposia, conferences, and other gatherings where friends of the essay might be found. Welcome Table Press is a nonprofit, independent press dedicated to publishing and celebrating the essay, in all its forms. We are a 501(c)(3) run entirely by volunteers. Please visit us at: www.welcometablepress.org Editors: Kim Dana Kupperman Heather G. Simons Proofreader: Kate Gorton Marita Golden is an award-winning author of over a dozen works of fiction and nonfiction, the most recent of which is a collection of essays, Living Out Loud. A Writer’s Journey. Other books include the novels After and The Edge of Heaven and the memoirs Migrations of the Heart, Saving Our Sons, and Don’t Play in the Sun: One Woman’s Journey Through the Color Complex. She compiled the collection of interviews THE WORD: Black Writers Talk About the Transformative Power of Reading and Writing. She is the recipient of many awards, including the Barnes & Noble Writers for Writers Award presented through Poets & Writers and the Black Caucus of the American Library Association Fiction Award for her novel After. Golden is cofounder and President Emeritus of the Hurston/Wright Foundation. She has taught creative writing at many institutions and venues, including George Mason University and Virginia Commonwealth University. She is currently a faculty member at Fairfield University’s MFA program and the John Hopkins University writing program. -
George Saunders' CV
George Saunders 214 Scott Avenue Syracuse, New York 13224 (315) 449-0290 [email protected] Education 1988 M.A., English, Emphasis in Creative Writing (Fiction), Syracuse University, Syracuse, New York. Workshop Instructors: Douglas Unger, Tobias Wolff 1981 B.S. Geophysical Engineering, Colorado School of Mines, Golden, Colorado Publications Books: The Braindead Megaphone (Essays), Riverhead Books, September, 2007. This book contains travel pieces on Dubai, Nepal, and the Mexican border, as well as a number of humorous essays and pieces on Twain and Esther Forbes. In Persuasion Nation (stories). Riverhead Books, April 2006. (Also appeared in U.K. as “The Brief and Frightening Reign of Phil,” bundled with the novella of that name.) Paperback released by Riverhead in Spring, 2007. A Bee Stung Me So I Killed All the Fish Riverhead Books, April 2006. This chapbook of non-fiction essays and humor pieces was published in a limited edition alongside the In Persuasion Nation collection. The Brief and Frightening Reign of Phil (Novella-Length Fable). Riverhead Books, September 2005. (In U.K., was packaged with In Persuasion Nation.) Pastoralia (Stories). Riverhead Books, May 2000. International rights sold in UK, France, Germany, Italy, Spain, Portugal, the Netherlands, Russia, and other countries. Selected stories also published in Sweden. Paperback redesign released by Riverhead, April 2006. The Very Persistent Gappers of Frip A children’s book, illustrated by Lane Smith. Random House/Villard, August 2000. International rights sold in U.K., Germany, the Netherlands, Italy, Taiwan, Japan, France, China, and other countries. Re-released in hardcover, April 2006, by McSweeney’s Books. CivilWarLand in Bad Decline Six stories and a novella. -
Thursday (Mar 21) | Track 1 : 12:00 PM- 2:00 PM
Thursday (Mar 21) | Track 1 : 12:00 PM- 2:00 PM 1.29 Teaching the Humanities Online (Workshop) Chair: Susan Ko, Lehman College-CUNY Chair: Richard Schumaker, City University of New York Location: Eastern Shore 1 Pedagogy & Professional 1.31 Lessons from Practice: Creating and Implementing a Successful Learning Community (Workshop) Chair: Terry Novak, Johnson and Wales University Location: Eastern Shore 3 Pedagogy & Professional 1.34 Undergraduate Research Forum and Workshop (Part 1) (Poster Presentations) Chair: Jennifer Mdurvwa, SUNY University at Buffalo Chair: Claire Sommers, Graduate Center, CUNY Location: Bella Vista A (Media Equipped) Pedagogy & Professional "The Role of the Sapphic Gaze in Post-Franco Spanish Lesbian Literature" Leah Headley, Hendrix College "Social Acceptance and Heroism in the Táin " Mikaela Schulz, SUNY University at Buffalo "Né maschile né femminile: come la lingua di genere neutro si accorda con la lingua italiana" Deion Dresser, Georgetown University "Woolf, Joyce, and Desire: Queering the Sexual Epiphany" Kayla Marasia, Washington and Jefferson College "Echoes and Poetry, Mosques and Modernity: A Passage to a Muslim-Indian Consciousness" Suna Cha, Georgetown University "Nick Joaquin’s Tropical Gothic and Why We Need Philippine English Literature" Megan Conley, University of Maryland College Park "Crossing the Linguistic Borderline: A Literary Translation of Shu Ting’s “The Last Elegy”" Yuxin Wen, University of Pennsylvania "World Languages at Rutgers: A Web Multimedia Project" Han Yan, Rutgers University "Interactions Between the Chinese and the Jewish Refugees in Shanghai During World War II" Qingyang Zhou, University of Pennsylvania "“A Vast Sum of Conditions”: Sexual Plot and Erotic Description in George Eliot’s Mill on the Floss" Derek Willie, University of Pennsylvania "Decoding Cultural Representations and Relations in Virtual Reality " Brenna Zanghi, University at Buffalo "D.H. -
Experimental Fiction Now
EXPERIMENTAL FICTION NOW Daniel Green Table of Contents Definitions 1 Postmodern Confusions David Foster Wallace 6 Jonathan Lethem 15 George Saunders 18 Sergio de la Pava 24 Sources of the New—Sentences Gary Lutz 27 Diane Williams 30 Dawn Raffel 35 Melanie Rae Thon 39 Blind Alleys Perils of the Apocalypse Matthew Sharpe, Steve Erickson 43 Ben Marcus 46 Conceptual Schemes: Davis Schneiderman, Mark Danielewski 50 Supersize It (Joshua Cohen) 57 Twice-Told Tales John Keene 62 Gabriel Blackwell 67 Dynamics of the Page (Steve Tomasula) 70 1 DEFINITIONS In Art as Experience, the philosopher John Dewey describes a cycle in art and literary history whereby works initially thought to be too radically experimental ultimately are accepted as “classics” that themselves become objects of imitation: [T]he fruits of the new procedure are absorbed; they are naturalized and effect certain modifications of the old tradition. This period establishes the new aims and hence the new techniques as having “classic” validity, and is accompanied with a prestige that holds over into subsequent periods. Dewey’s notion that “new procedures” create “certain modifications of the old tradition” is strongly reminiscent of T.S. Eliot’s argument in “Tradition and the Individual Talent” that “existing monuments” form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new. -
ACLA 2017 | Utrecht University
Annual Meeting of the American Comparative Literature Association ACLA 2017 | Utrecht University TABLE OF CONTENTS Welcome and Acknowledgments ...............................................................................................4 Welcome from Utrecht Mayor’s Office .....................................................................................6 General Information ................................................................................................................... 7 Conference Schedule ................................................................................................................. 14 Biographies of Keynote Speakers ............................................................................................ 18 Film Screening, Video Installation and VR Poetry ............................................................... 19 Pre-Conference Workshops ...................................................................................................... 21 Stream Listings ..........................................................................................................................26 Seminars in Detail (Stream A, B, C, and Split Stream) ........................................................42 Index......................................................................................................................................... 228 CFP ACLA 2018 Announcement ...........................................................................................253 Maps of Utrecht .......................................................................................................................254 -
SPRING 2019 Coursebook
SCHOOL COLUMBIA UNIVERSITY OF THE ARTS SPRING 2019 Coursebook Workshops Seminars Lectures Master Classes Updated: February 13, 2019 TABLE OF CONTENTS LIST OF COURSES BY DAY AND TIME WORKSHOPS 1 SEMINARS 2 LECTURES 5 MASTER CLASSES 6 COURSE DESCRIPTIONS SEMINARS 7 Translations Workshops 24 Hybrid Forms Lab 26 LECTURES 27 MASTER CLASSES 31 SPECIAL PROJECTS WORKSHOP 41 WORKSHOPS FICTION – OPEN (6 points) FICTION – THESIS (9 points)* Lynn Steger Strong Sam Lipsyte Tue., 10am-1pm Mon., 12:05pm-3:05pm Charles Bock Joshua Furst Tue., 12:05pm-3:05pm Mon., 3:10pm-6:10pm Paul La Farge Rivka Galchen Tue., 5:15pm-8:15pm Mon., 3:10pm-6:10pm Eli Gottlieb Ben Marcus Wed., 12:35pm-3:35pm Tue., 1:05pm-4:05pm Gary Shteyngart Binnie Kirshenbaum Wed., 3:40pm-6:40pm Wed., 3:40pm-6:40pm Anelise Chen Paul Beatty Fri., 10am-1pm Thu., 1:05pm-4:05pm Elissa Schappell Thu., 1:35pm-4:35pm Ben Metcalf Thu., 4:40pm-7:40pm POETRY – OPEN (6 points) NONFICTION – OPEN (6 points) Lynn Melnick Leslie Jamison Mon., 12:05pm-3:05pm Mon., 10am-1pm Major Jackson Morgan Jerkins Tue., 10am-1pm Mon., 10am-1pm Mark Bibbins Phillip Lopate Fri., 1:10pm-4:10pm Mon, 1:05pm-4:05pm Lis Harris POETRY – THESIS (9 points)* Tue., 1:05pm-4:05pm Richard Locke Alan Gilbert Tue., 2:10pm-5:10pm Tue., 4:30pm-7:30pm Michael Greenberg Dorothea Lasky Tue., 4:15pm-7:15pm Tue., 4:30pm-7:30pm Meghan Daum Timothy Donnelly Wed., 12:35pm-3:35pm Thu., 4:10pm-7:10pm Mitchell Jackson Shane McCrae Thu., 10am-1pm Thu., 10am-1pm *Second-Years only SEMINARS ——MONDAY—— ——TUESDAY—— Rob Spillman (FI) Monica Ferrell -
FOR IMMEDIATE RELEASE Acclaimed D.C. Author Marita Golden
FOR IMMEDIATE RELEASE @dchistory Tuesday, September 19, 2017 MEDIA CONTACT: ● John Suau, [email protected], 202.249.3953 Acclaimed D.C. Author Marita Golden Discusses D.C.’s Alzheimer’s Struggle Tickets are now on sale: http://bit.ly/2h9Vgdy WASHINGTON, D.C.: ThE Historical SociEty of Washington, D.C., in partnErship with thE NEwsEum, prEsEnts thE panEl discussion, “The Wide Circumference of Love and D.C.’s History with AlzhEimEr’s,” on Saturday, OctobEr 21, 1-2:30 pm at thE NEwsEum’s DocumEntary ThEater. FocusEd on compElling characters struggling with AlzhEimEr’s disEasE, GoldEn’s noVEl raisEs largEr issuEs of thE disproportionate impact of AlzhEimEr’s among African AmEricans. ThE panEl brings togEthEr acclaimEd Washington noVElist Marita GoldEn, author of The Wide Circumference of Love; Washington Post Magazine Editor Marcia Davis; StephaniE MonroE, dirEctor of Us Against AlzhEimEr’s; and Gary Williams, whosE family was fEaturEd in GoldEn’s Washington Post Magazine fEaturE, “A QuiEt DEspEration.” ThE panEl will bE modErated by historian Izetta Autumn MoblEy of thE Historical SociEty. ThE EVEnt will concludE with a book signing by thE author. “My noVEl The Wide Circumference of Love is in many ways an odE to Washington, D.C. my natiVE city, its drama, trauma, changE and EVolution oVEr thirty fiVE yEars, and sErVEs as thE backdrop for a story of loVE and family and faith,” said Marita GoldEn about hEr most rEcEnt book, which was rElEasEd in March, 2017. “I could not havE rEcrEated or honorEd my city on thE pagEs of thE noVEl without thE inValuablE rEsourcEs of thE Historical SociEty of Washington, D.C.” Marita GoldEn is thE author of 16 works of fiction and non-fiction, including Long Distance Life, After, and The Edge of Heaven. -
In the American Vein: 1945-1975 a Dissertation SUBMITTED to THE
In the American Vein: 1945-1975 A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Andrew Marzoni IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Siobhan S. Craig, Maria Damon May 2015 © Andrew Marzoni 2015 i Acknowledgements I am foremost grateful to the Department of English and the Graduate School at the University of Minnesota for academic and financial support. Special thanks are due to my committee members: Shevvy Craig, Maria Damon, Paula Rabinowitz, Charlie Sugnet, and Christophe Wall-Romana. I am thankful to my colleagues at the University of Minnesota, and especially those involved in the Theory Reading Group: Joe Hughes, Robb St. Lawrence, Wes Burdine, Mike Rowe, Stephen McCulloch, Hyeryung Hwang, and Valerie Bherer. Poet-friends like Aaron Apps, Carrie Lorig, Mary Chen, and Elisabeth Workman cannot go without mention, nor can Cultural Studies frenemies and members of the Moving Image Studies Interdisciplinary Graduate Group: Brendan McGillicuddy, Andrea Gyenge, Stacy Douglas, and Sara Saljoughi. Other past-and- present graduate students and faculty members at the University of Minnesota such as Rembert Hueser, Verena Mund, Nuruddin Farah, Tony Brown, Katherine Scheil, Laurie Ouellette, Elaine Auyoung, Eric Daigre, Isaac Butler, Dan Hassoun, Annemarie Lawless, Eric Brownell, Ben Utter, Dana Meade Cason, Will Kanyusik, Adam Schrag, and Sara Jo Cohen have all proved influential to the ongoing consolidation of my ideas, as have friends in New York (David Comer Kidd, especially) and New Orleans. Thanks to Alys George, Sue Richardson, Rebecca Housel, and Adrian Switzer for inviting me to present my research at various conferences, and thanks to S.E.