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The Mechanic the Secret World of the F1 Pitlane Marc 'Elvis' Priestley
ALLENDE AMIS ATWOOD AUSTEN BARNES BARRY BINET BOLAÑO BORGES BULGAKOV BURNSIDE BYATT CALVINO CARROLL CARTER CARVER CHANG CHATWIN COETZEE CONRAD DARWIN DE BERNIÈRES DE WAAL DIAMOND DI LAMPEDUSA DICKENS DOSTOEVSKY DOYLE ECO ENRIGHT FAULKNER FAULKS FIELDING FITZGERALD FOULDS FOWLES GIBBONS GRASS GREENE GROSSMAN HADDON HELLER HIGHSMITH HOUELLEBECQ HUXLEY ISHERWOOD JACOBSON JOHNSON JONES JOYCE KAFKA KENNEDY KNAUSGAARD KUSHNER LEE LENNON MAK MARÍAS MATTHIESSEN MAXWELL McCARTHY McEWAN MISHIMA MORRISON MUNRO MURAKAMI MURDOCH NADAS NÉMIROVSKY NIFFENEGGER OGAWA ONDAATJE OZ PASTERNAK PENROSE PEREC PETTERSON POLITKOVSKAYA PROUST PYNCHON REMARQUE RIVAS ROTH RUSHDIE SARAMAGO SCHAMA SEBALD SHUTE SNYDER SOLZHENITSYN STEVENSON STYRON TAN TANIZAKI THIONG’O THIRLWELL TVINTAGEHORPE BOOKS THU CATALOGUEBRON TOLSTOY TREMAIN TJULY–DECEMBERYLER VARGAS 2018 VONNEGUT WARHOL WELSH WESLEY WHEELER WIGGINS WILLIAMS WINTERSON WOLFE WOOLF WYLD YATES ZOLA ALLENDE AMIS ATWOOD AUSTEN BARNES BARRY BINET BOLAÑO BORGES BULGAKOV BURNSIDE BYATT CALVINO CARROLL CARTER CARVER CHANG CHATWIN COETZEE CONRAD DARWIN DE BERNIÈRES DE WAAL DIAMOND DI LAMPEDUSA DICKENS DOSTOEVSKY DOYLE ECO ENRIGHT FAULKNER FAULKS FIELDING FITZGERALD FOULDS FOWLES GIBBONS GRASS GREENE GROSSMAN HADDON HELLER HIGHSMITH HOUELLEBECQ HUXLEY ISHERWOOD JACOBSON JOHNSON JONES JOYCE KAFKA KENNEDY KNAUSGAARD KUSHNER LEE LENNON MAK MARÍAS MATTHIESSEN MAXWELL McCARTHY McEWAN MISHIMA MORRISON MUNRO MURAKAMI MURDOCH NADAS NÉMIROVSKY NIFFENEGGER OGAWA ONDAATJE OZ PASTERNAK PENROSE PEREC PETTERSON POLITKOVSKAYA PROUST PYNCHON -
Cinephilia Or the Uses of Disenchantment 2005
Repositorium für die Medienwissenschaft Thomas Elsaesser Cinephilia or the Uses of Disenchantment 2005 https://doi.org/10.25969/mediarep/11988 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Elsaesser, Thomas: Cinephilia or the Uses of Disenchantment. In: Marijke de Valck, Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press 2005, S. 27– 43. DOI: https://doi.org/10.25969/mediarep/11988. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0 Lizenz zur Verfügung Attribution - Non Commercial 3.0 License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0 https://creativecommons.org/licenses/by-nc/3.0 Cinephilia or the Uses of Disenchantment Thomas Elsaesser The Meaning and Memory of a Word It is hard to ignore that the word “cinephile” is a French coinage. Used as a noun in English, it designates someone who as easily emanates cachet as pre- tension, of the sort often associated with style items or fashion habits imported from France. As an adjective, however, “cinéphile” describes a state of mind and an emotion that, one the whole, has been seductive to a happy few while proving beneficial to film culture in general. The term “cinephilia,” finally, re- verberates with nostalgia and dedication, with longings and discrimination, and it evokes, at least to my generation, more than a passion for going to the movies, and only a little less than an entire attitude toward life. -
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
THE D.A.P. INTERNATIONAL CATALOGUE SPRING 2021 MATTHEW WONG: MOBY-DICK POSTCARDS ISBN 9781949172430 ISBN 9781949172508 Hbk, U.S
THE D.A.P. INTERNATIONAL CATALOGUE SPRING 2021 MATTHEW WONG: MOBY-DICK POSTCARDS ISBN 9781949172430 ISBN 9781949172508 Hbk, U.S. $35.00 GBP £30.00 Clth, U.S. $35.00 GBP £30.00 Karma Books, New York Karma Books, New York Territory: WORLD Territory: WORLD ON EDWARD HICKS THE MAYOR OF LEIPZIG Installation shot from the exhibition Pastel, curated by Nicolas Party. Photograph by Hilary Pecis. ISBN 9781646570065 ISBN 9781949172478 From Pastel, published by The FLAG Art Foundation, New York. See page 124. Hbk, U.S. $35.00 GBP £30.00 Recent Releases Hbk, U.S. $20.00 GBP £17.50 Lucia|Marquand Karma Books, New York Territory: WORLD from D.A.P. Territory: WORLD Featured Releases 2 Spring Highlights 36 Photography 38 CATALOG EDITOR Thomas Evans Art 42 Design 59 DESIGNER Architecture 62 Martha Ormiston COPYWRITING Specialty Books 66 Arthur Cañedo, Thomas Evans, Emilia Copeland Titus, Madeline Weisburg Art 68 IMAGE PRODUCTION Photography 78 Joey Gonnella PRINTING Backlist Highlights 79 Short Run Press Limited TANTRA SONG ISBN 9780979956270 DANNY LYON: Hbk, U.S. $39.95 GBP £35.00 AMERICAN BLOOD Siglio ISBN 9781949172454 FRONT COVER: Emil Bisttram, Creative Forces, 1936. Oil on canvas, 36 x 27". Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. From Another World: The Transcendental Painting Group, published by DelMonico Books/Crocker Art Museum. See page 4. BACK COVER: Flores & Prats, cross-section through lightwells, Cultural Centre Casal Balaguer, Palma de Mallorca. Territory: WORLD Hbk, U.S. $35.00 GBP £30.00 From Thought by Hand: The Architecture of Flores & Prats, published by Arquine. -
Litterature Francaise Contemporaine
MASTER ’S PROGRAMME ETUDES FRANCOPHONES 2DYEAR OF STUDY, 1ST SEMESTER COURSE TITLE LITTERATURE FRANCAISE CONTEMPORAINE COURSE CODE COURSE TYPE full attendance COURSE LEVEL 2nd cycle (master’sdegree) YEAR OF STUDY, SEMESTER 2dyear of study,1stsemester NUMBER OF ECTS CREDITS NUMBER OF HOURS PER WEEK 2 lecture hours+ 1 seminar hour NAME OF LECTURE HOLDER Simona MODREANU NAME OF SEMINAR HOLDER ………….. PREREQUISITES Advanced level of French A GENERAL AND COURSE-SPECIFIC COMPETENCES General competences: → Identification of the marks of critical discourse on French literature, as opposed to literary discourse; → Identification of the main moments of European and especially French culture that reflect the idea of modernity; → Indentification of the marks of the modern and contemporary dramatic discourse, as opposed to the literary discourse in prose and poetry; → Identification of the stakes of critical and theoretical discourse, as well as of the modern dramatic one, according to the historical and cultural context in which the main studied currents appear; → Interpretative competences in reading the studied texts and competence of cultural analysis in context. Course-specific competences: → Skills of interpretation of texts; → Skills to identify the cultural models present in the studied texts; → Cultural expression skills and competences; B LEARNING OUTCOMES → Reading and interpretation skills of theoretical texts that is the main argument for the existence of a literary French metadiscourse → Understanding the interaction between literature and culture in modern and contemporary society and the possibility of applying this in connection with other types of cultural content; C LECTURE CONTENT Introduction; preliminary considerations Characteristics; evolutions of contemporary French literature. The novel - the dominant genre. -
1 Matt Phillips, 'French Studies: Literature, 2000 to the Present Day
1 Matt Phillips, ‘French Studies: Literature, 2000 to the Present Day’, Year’s Work in Modern Language Studies, 80 (2020), 209–260 DOI for published version: https://doi.org/10.1163/22224297-08001010 [TT] Literature, 2000 to the Present Day [A] Matt Phillips, Royal Holloway, University of London This survey covers the years 2017 and 2018 [H2]1. General Alexandre Gefen, Réparer le monde: la littérature française face au XXIe siècle, Corti, 2017, 392 pp., argues that contemporary French literature has undergone a therapeutic turn, with both writing and reading now conceived in terms of healing, helping, and doing good. G. defends this thesis with extraordinary thoroughness as he examines the turn’s various guises: as objects of literature’s care here feature the self and its fractures; trauma, both individual and collective; illness, mental and physical; mourning and forgetfulness, personal and historical; and endangered bonds, with humans and beyond, on local and global scales. This amounts to what G. calls a new ‘paradigme clinique’ and, like any paradigm shift, this one appears replete with contradictions, tensions, and opponents, not least owing to the residual influence of preceding paradigms; G.’s analysis is especially impressive when unpicking the ways in which contemporary writers negotiate their sustained attachments to a formal, intransitive conception of literature, and/or more overtly revolutionary political projects. His thesis is supported by an enviable breadth of reference: G. lays out the diverse intellectual, technological, and socioeconomic histories at work in this development, and touches on close to 200 contemporary writers. Given the broad, synthetic nature of the work’s endeavour, individual writers/works are rarely discussed for longer than a page, and though G.’s commentary is always insightful, specialists on particular authors or social/historical trends will surely find much to work with and against here. -
Pdf (Acceso El
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by EPrints Complutense UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA TESIS DOCTORAL Intertextualidad, dialogismo y poética cognitiva en la novela contemporánea: Bernardo Carvalho, Eduardo Lago y Mario Bellatín MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Daniel Arrieta Domínguez Director Antonio Garrido Domínguez Madrid, 2015 © Daniel Arrieta Domínguez, 2015 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA DOCTORADO EN ESTUDIOS LITERARIOS INTERTEXTUALIDAD, DIALOGISMO Y POÉTICA COGNITIVA EN LA NOVE LA CONTEMPORÁNEA: BERNARDO CARVALHO, E DUARDO LAGO Y MARIO BELLATÍN DANIEL ARRIETA DOMÍNGUEZ TESIS DE DOCTORADO DIRIGIDA POR EL PROFE SOR DOCTOR ANTONIO GARRIDO DOMÍNGUEZ 2 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA PHD. PROGRAM IN LITERARY STUDIES INTERTEXTUALITY , DIALOGISM AND COGNIT IVE POETICS IN THE CONTEMPORARY NOVEL: BERNARDO CARVALHO, E DUARDO LAGO AND MARIO BELLATÍN DANIEL ARRIETA DOMÍNGUEZ PHD DISSERTATION ADVISED BY PROFESSOR ANTONIO GARRIDO DOMÍNGUEZ 3 4 A mis padres 5 6 ÍNDICE Página SUMMARY (English)…………………………………………………..………… 11 I. INTRODUCCIÓN………………………………………………………... 15 1. DEL PROCESO Y AGRADECIMIENTOS…………………………………… 17 2. HIPÓTESIS DE PARTIDA Y OBJETIVOS…………………………………… 20 3. METODOLOGÍA Y ORGANIZACIÓN……………………………………… 23 4. AUTORES, CAMPOS LITERARIOS Y ESTADO DE LA CUESTIÓN…………… 27 4.1. Bernardo Carvalho…………………………………………….. 27 4.2. Eduardo Lago………………………………………………….. 37 4.3. Mario Bellatín…………………………………………………. 44 II. MODELO TEÓRICO…………………………………………………….. 49 1. EL DIALOGISMO BAJTINIANO COMO PRECURSOR DEL CONCEPTO DE INTERTEXTUALIDAD…………………………………………………… 51 2. DE LAS INFLUENCIAS Y REPERTORIOS LITERARIOS A LA TRANSTEXTUALIDAD………………………………………………….. 58 3. POÉTICA COGNITIVA, GÉNEROS LITERARIOS E INTERTEXTUALIDAD…… 69 7 III. O SOL SE PÕE EM SÃO PAULO: DIÁLOGOS INTERTEXTUALES ENTRE ANTÍPODAS GEOGRÁFICAS Y CULTURALES…………… 85 1. -
History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena
NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). -
Recommended Reading: Latin America
Recommended Reading: Latin America In our busy lives, it is hard to carve out time to read. Yet, if you are able to invest the time to read about the region where you travel, it pays off by deepening the significance of your travel seminar experience. We have compiled the following selection of book titles for you to help you get started. Many titles are staff recommendations. Titles are organized by the topics listed below. Happy reading! Bolivia Latin American Current Affairs Cuba Latin American History El Salvador Globalization Guatemala Indigenous Americans Honduras Religion / Spirituality Mexico U.S.-Mexico Border Nicaragua U.S. Policy in Central & Latin America Women & Feminism Film Literature Testimonials Latin American Current Affairs Aid, Power and Privatization: The Politics of Telecommunication Reform in Central America by Benedicte Bull Northampton, MA.: Edward Elgar Publishing, 2005; ISBN: 1845421744. A comparative study of privatization and reform of telecommunications in Costa Rica, Guatemala and Honduras. The focus is on political and institutional capacity to conduct the reforms, and the role of the World Bank and the Inter-American Development Bank (IDB) in supporting the processes at various stages. Gaviotas: A Village to Reinvent the World by Alan Weisman, Chelsea Green Publishing Company, 1998. Journalist Weisman tells the story of a remarkable and diverse group of individuals (engineers, biologists, botanists, agriculturists, sociologists, musicians, artists, doctors, teachers, and students) who helped a Colombian village evolve into a very real, socially viable, and self-sufficient community for the future. Latin American Popular Culture: An Introduction, edited by William Beezley and Linda Curcio-Nagy, Scholarly Resources, 2000. -
Eduardo Galeano – ¡Presente!
Eduardo Galeano – ¡Presente! Eduardo Galeano, the world-renowned leftist Uruguayan journalist and writer made famous with the publication in 1971 of his book The Open Veins of Latin America: Five Centuries of the Pillage of a Continent, died today at the age of 74 in Montevideo, Uruguay, where he lived. Long admired as a journalist, with his three-volume Memory of Fire in 1982, Galeano also became known as a writer of non-fiction prose who might be compared to writers of fiction such as Gabriel García Márquez, author of the novel One Hundred Years of Solitude or Isabel Allende who wrote House of the Spirits. Like their novels, his trilogy captures the real spirit of Latin America’s magical history. Born Eduardo Germán María Hughes Galeano in Montevideo on September 3, 1940, Galeano began his career as a journalist in the early 1960s working as a correspondent for Sol and then as an editor for Marcha, which published such writers as Mario Vargas Llosa and Mario Benedetti. When a rightwing military coup took power in Uruguay in 1973, Galeano was jailed and subsequently went into exile, first in Argentina, where he edited Crisis, and then in Spain where he wrote his trilogy Memory of Fire (Genesis, Faces and Masks, and Century of the Wind). Memory of Fire mixed history and journalism in vignettes and biographical sketches written in a creative prose style that reminded American readers of John Dos Passos’ 1930s classic U.SA. triology (The 42nd Parallel, 1919, and The Big Money). Open Veins of Latin America was a detailed, systematic, and sustained attack on European and U.S. -
FOR IMMEDIATE RELEASE Acclaimed DC Author Marita Golden Discusses DC's Alzheimer's Struggle Tickets Are Now on Sale
FOR IMMEDIATE RELEASE @dchistory Tuesday, September 19, 2017 MEDIA CONTACT: ● John Suau, [email protected], 202.249.3953 Acclaimed D.C. Author Marita Golden Discusses D.C.’s Alzheimer’s Struggle Tickets are now on sale: http://bit.ly/2h9Vgdy WASHINGTON, D.C.: ThE Historical SociEty of Washington, D.C., in partnErship with thE NewsEum, prEsEnts thE panEl discussion, “The Wide Circumference of Love and D.C.’s History with AlzhEimEr’s,” on Saturday, OctobEr 21, 1-2:30 pm at thE NEwsEum’s DocumEntary ThEater. FocusEd on compElling characters struggling with AlzhEimEr’s disEasE, GoldEn’s noVEl raisEs largEr issuEs of thE disproportionate impact of AlzhEimEr’s among African AmEricans. ThE panEl brings togEthEr acclaimEd Washington noVElist Marita GoldEn, author of The Wide Circumference of Love; Washington Post Magazine Editor Marcia Davis; StephaniE MonroE, dirEctor of Us Against AlzhEimEr’s; and Gary Williams, whosE family was fEaturEd in GoldEn’s Washington Post Magazine fEaturE, “A QuiEt DEspEration.” ThE panEl will bE modErated by historian Izetta Autumn MoblEy of thE Historical SociEty. ThE EVEnt will concludE with a book signing by thE author. “My noVEl The Wide Circumference of Love is in many ways an odE to Washington, D.C. my natiVE city, its drama, trauma, changE and EVolution oVEr thirty fiVE yEars, and sErVEs as thE backdrop for a story of loVE and family and faith,” said Marita GoldEn about hEr most rEcEnt book, which was rElEasEd in March, 2017. “I could not havE rEcrEated or honorEd my city on thE pagEs of thE noVEl without thE inValuablE rEsourcEs of thE Historical SociEty of Washington, D.C.” Marita GoldEn is thE author of 16 works of fiction and non-fiction, including Long Distance Life, After, and The Edge of Heaven. -
Celebrating Afropolitan Identities? Contemporary African World Literatures in English
Anglia 2017; 135(1): 159–185 Birgit Neumann* and Gabriele Rippl Celebrating Afropolitan Identities? Contemporary African World Literatures in English DOI 10.1515/anglia-2017-0010 Abstract: Against the background of today’s debate on Afropolitanism, this article discusses three contemporary African novels as instances of world literatures, focusing on their creative modelling of open, non-Eurocentric worlds in motion. Taking existing research in the field of world literature into account, we argue that the affective and effective uniqueness of world literatures only comes to the fore when considering their distinct power to creatively make worlds. We suggest understanding world literatures in terms of their capacity to create open, poly- centric worlds, which enmesh diverse places, multiple temporalities, situated practices and locally grounded experiences into open networks of reciprocal change. In theorizing world literatures as pluralized and multiple, we also try to overcome the privileging of western literature. The final section negotiates how these imaginative worlds interact, intersect and possibly collide with that world which is configured by labelling, marketing and canonizing a specific text as ‘world literature’. 1 “Being African in the World” In the last fifteen years or so a considerable number of diasporic African litera- tures have made their entry into the world literary space, reminding us once again of the complex and volatile dynamics underlying the making of world literatures. Comprising authors as diverse as Teju Cole, Taiye Selasi (born Taiye Tuakli- Wosornu), Chimamanda Ngozi Adichie, NoViolet Bulawayo and Dinaw Mengestu, these “young and creative cosmopolitan African immigrants” (Hassan 2012: 3) have readily been subsumed by critics under the label ‘Afropolitan’.