Thursday (Mar 21) | Track 1 : 12:00 PM- 2:00 PM

Total Page:16

File Type:pdf, Size:1020Kb

Thursday (Mar 21) | Track 1 : 12:00 PM- 2:00 PM Thursday (Mar 21) | Track 1 : 12:00 PM- 2:00 PM 1.29 Teaching the Humanities Online (Workshop) Chair: Susan Ko, Lehman College-CUNY Chair: Richard Schumaker, City University of New York Location: Eastern Shore 1 Pedagogy & Professional 1.31 Lessons from Practice: Creating and Implementing a Successful Learning Community (Workshop) Chair: Terry Novak, Johnson and Wales University Location: Eastern Shore 3 Pedagogy & Professional 1.34 Undergraduate Research Forum and Workshop (Part 1) (Poster Presentations) Chair: Jennifer Mdurvwa, SUNY University at Buffalo Chair: Claire Sommers, Graduate Center, CUNY Location: Bella Vista A (Media Equipped) Pedagogy & Professional "The Role of the Sapphic Gaze in Post-Franco Spanish Lesbian Literature" Leah Headley, Hendrix College "Social Acceptance and Heroism in the Táin " Mikaela Schulz, SUNY University at Buffalo "Né maschile né femminile: come la lingua di genere neutro si accorda con la lingua italiana" Deion Dresser, Georgetown University "Woolf, Joyce, and Desire: Queering the Sexual Epiphany" Kayla Marasia, Washington and Jefferson College "Echoes and Poetry, Mosques and Modernity: A Passage to a Muslim-Indian Consciousness" Suna Cha, Georgetown University "Nick Joaquin’s Tropical Gothic and Why We Need Philippine English Literature" Megan Conley, University of Maryland College Park "Crossing the Linguistic Borderline: A Literary Translation of Shu Ting’s “The Last Elegy”" Yuxin Wen, University of Pennsylvania "World Languages at Rutgers: A Web Multimedia Project" Han Yan, Rutgers University "Interactions Between the Chinese and the Jewish Refugees in Shanghai During World War II" Qingyang Zhou, University of Pennsylvania "“A Vast Sum of Conditions”: Sexual Plot and Erotic Description in George Eliot’s Mill on the Floss" Derek Willie, University of Pennsylvania "Decoding Cultural Representations and Relations in Virtual Reality " Brenna Zanghi, University at Buffalo "D.H. Lawrence and the Problem with the Pastoral" Callie O'Rourke, The New School "Finding Home: A Revision of Time Travel in Octavia Butler’s Kindred" Seanna Viechweg, Haverford College "Acting with Virtue: an Analysis of the Moral System in Amores Perros" Brendan Dufty, College of Wooster "The Importance of the Subjunctives in the French Language" Bryan (Mathieu) King, Georgetown University "Unspeakable: Classical Allusion and Homosexual Identity in E.M. Forster’s Maurice" Meghan ONeill, Grand Valley State University "World Languages at Rutgers: A Web Multimedia Project" Shuyu Chen, Rutgers University-New Brunswick "Practicing Reflexive Ethnography when Co-constructing the Identity of Syrian Refugee Women" Alicia Maners, Harding University "The Virgin, The Slave, and the Elusive Chinese Princess in the Italian Eye" Jianing Zhao, Princeton University "The Pressures of Pseudo-Motherhood in Eliot and Joyce" Holly Sauer, Washington and Jefferson College "Transformation, Identity, and the Eucharist in Marie de France's 'Lais'" Fernanda García-Oteyza, Eugene Lang College — The New School "Phenomenology, Sound, and the Function of the Finale in George Eliot’s Middlemarch" Cecily Chen, University of Pennsylvania "The Paradoxical Nature of Women Travel Writers: Transcending & Reinforcing Boundaries" Emma Scheve, University of Portland "Bury Your Gays: History, Usage, & Context" Haley Hulan, Grand Valley State University "Across the Sea, Upon the Stage: Early Modern Depictions of Immigrants" Shaun Nowicki, University at Buffalo 1.37 Powerfrauen: Integrating Women in German Language and Culture Curriculum (Workshop) Chair: Christopher Gwin, University of Pennsylvania Chair: Margaret Gonglewski, George Washington University Location: Mezzanine Room 1 German & Pedagogy & Professional 1.39 How the Song of the Summer Can Become the Learning Tool of the School Year (Workshop) Chair: Chris Jacobs, Temple University Location: Mezzanine Room 3 Pedagogy & Professional Thursday (Mar 21) | Track 2 : 2:15 PM- 4:15 PM 2.3 Supermodernidad, Hipermodernidad o Neomodernidad en la literatura contemporánea hispana Chair: Sergio Restrepo, Catholic University of America Location: Magnolia 1 (Media Equipped) Spanish/Portuguese "Límites y bricolaje corporal en Muerto después de muerto de Javier González Cárdenas" Nidia Reyes, University of Maryland "Construyendo un realismo counter hegemonic dentro del romanticismo capitalista español" Kiana Gonzalez-Cedeno, Michigan State University "Fantasmas del presente: ghostology del más acá en Patria de Fernando Aramburu" Nelida Devesa-Gomez, University of Maryland University College "La política del secreto y la posverdad como característica neutra en Berta Isla de Javier Marías" Sergio Restrepo, Catholic University of America 2.4 Trans-nationalizing Identity and Space in The Orient: 19th-century Women’s Travel Writing (Roundtable) Chair: Nilgun Anadolu-Okur, Temple University Location: Magnolia 2 (Media Equipped) Women's and Gender Studies & Comparative Literature "Women Travelers from East to West are in Between" Rima Abdallah, MTSU "Constantinople in Woolf’s Diaries and Orlando " Hediye Ozkan, Indiana University of Pennsylvania "Internationalizing the Orient in the City of the Sultan: Julia Pardoe in Istanbul" Nilgun Anadolu- Okur, Temple University "Mainly East or Mainly Empire: The Travel Writing of Harriet Martineau and Mrs. Alec Tweedie" Josephine McQuail, Tennessee Technological University "'Orienting' Trans-national Identity: British Propriety and Margaret Brooke, White Ranee of Sarawak" Elizabeth Robertson, Drake University "The Trans- as an Aesthetic Category: A Study of Isabelle Eberhadt’s Notes de Route" Manon Soulet, University of Maryland College Park "Counterpoint, Representation and Travelogue in Alexander William Kinglak's Eothen" Tayseer Abu Odeh, Arab Open University 2.5 Sovereignty and Early Modern Literary Representation (Seminar) Chair: Neal Klomp, Michigan State University Chair: Sandra Logan, Michigan State University Location: Presidential Board Room (Media Equipped) British & Interdisciplinary Humanities "Every Tongue Brings in a Several Tale: The Complicated Kingship of Shakespeare's Henry V" Angeline Morris, Duquesne University "Henry VI, Sovereign Authority, and the Commonweal" Sandra Logan, Michigan State University "The King’s Highway: Political Commentary in John Bunyan’s The Pilgrim’s Progress, Part 1" Martha Russell, Old Dominion University "The Murder of a King: Death and Disintegration in Edward II" Brendan Canfield, Tufts University "(En)Gendering Monsters and Tyrants: Failed Fathers and Kings in Early Modern Spanish Literature" Bryan Betancur, Bronx Community College-CUNY "Poetical to be Political: James VI’s Essayes of a Prentise and 16th-century Sovereignty" Emelye Keyser, University of Virginia "Questioning Kingship: Christopher Marlowe’s Edward II and the King’s Two Bodies" Maria Maza, Pennsylvania State University University Park "'Show them my servant Death': Plague-Sovereigns’ Destructive Rule" Neal Klomp, Michigan State University "All the Water in the Rough, Rude Sea: Responsibility of Ruler and Nation in Richard II" Brittany Rebarchik, Loyola University Chicago "Hamlet as the Dispossession of Plato's Philosopher-King" Erich Freiberger, Jacksonville University 2.6 Spaces between Fiction and Nonfiction in Literatures of Witness (Seminar) Chair: Ann Reading, Indiana University of Pennsylvania Chair: Lisa Propst, Clarkson University Location: Magnolia 3 (Media Equipped) Anglophone & Comparative Literature "Empire, Allegory, and Truth: J. M. Coetzee's Waiting for the Barbarians" Deepa Jani, State University of New York Old Westbury "Bearing Witness to Injustice: From Empathy to Accountability" Lisa Propst, Clarkson University "Witnessing Forgotten Moments: Issues of News in Jhumpa Lahiri’s The Lowland" Ann Reading, Indiana University of Pennsylvania "Records of Revolt: William Apess's Radical Documentary Style" Alex Streim, Johns Hopkins University "The Subversion of Historical Memory in Eduardo Galeano’s “Memories and Dysmemories”" Louise Detwiler, Salisbury University "La Noche and the Boundaries of Truth: Reading Poniatowska Skeptically" Jeffrey Peer, Graduate Center, CUNY "Objective Witnesses[?]: Animating the Inanimate in Harry Parker’s The Anatomy of a Soldier (2016)" Bassam Sidiki, University of Michigan "Reclaiming the Past in Les Jours Kaya by Carl de Souza and Le Silence des Chagos by Shenaz Patel" Divisha Chummun, University of New Hampshire 2.7 Le racisme dans les littératures française et francophone (Part 1) (Seminar) Chair: Ruth Malka, Université McGill Location: Camellia 1 (Media Equipped) French and Francophone "La représentation mythique des arabo-berbères en Algérie coloniale (1850's-1900's)" Majid Embarech, University of Nice Sophia-Antipolis "Le racisme dans les récits des voyageurs français en Afrique coloniale " Aboubacar Abdoulwahidou Maiga, Université des Lettres et des Sciences Humaines de Bamako (Mali) "Dévoilement ou dissimulation : une étude du Guide Michelin Algérie Sahara 1956" Jacqueline Sarro, Tulane University "Métissage, humanisme et universalisme: Du Discours sur le colonialisme au roman métis" Stephanie Diane Tsakeu Mazan, University of Virginia "Narrating and Naturalizing Racism: Edgar La Selve and the Haitian Connection" Bastien Craipain, University of Chicago "The Pervasive Black Racial Stereotypes in the French Comic Series Astérix" Marion Duval, The College of Wooster "Rhétorique africaine contre rhétorique française dans Le Lieutenant de Kouta" Edgard Sankara, University of Delaware "Image et formes du racisme colonial
Recommended publications
  • The Mechanic the Secret World of the F1 Pitlane Marc 'Elvis' Priestley
    ALLENDE AMIS ATWOOD AUSTEN BARNES BARRY BINET BOLAÑO BORGES BULGAKOV BURNSIDE BYATT CALVINO CARROLL CARTER CARVER CHANG CHATWIN COETZEE CONRAD DARWIN DE BERNIÈRES DE WAAL DIAMOND DI LAMPEDUSA DICKENS DOSTOEVSKY DOYLE ECO ENRIGHT FAULKNER FAULKS FIELDING FITZGERALD FOULDS FOWLES GIBBONS GRASS GREENE GROSSMAN HADDON HELLER HIGHSMITH HOUELLEBECQ HUXLEY ISHERWOOD JACOBSON JOHNSON JONES JOYCE KAFKA KENNEDY KNAUSGAARD KUSHNER LEE LENNON MAK MARÍAS MATTHIESSEN MAXWELL McCARTHY McEWAN MISHIMA MORRISON MUNRO MURAKAMI MURDOCH NADAS NÉMIROVSKY NIFFENEGGER OGAWA ONDAATJE OZ PASTERNAK PENROSE PEREC PETTERSON POLITKOVSKAYA PROUST PYNCHON REMARQUE RIVAS ROTH RUSHDIE SARAMAGO SCHAMA SEBALD SHUTE SNYDER SOLZHENITSYN STEVENSON STYRON TAN TANIZAKI THIONG’O THIRLWELL TVINTAGEHORPE BOOKS THU CATALOGUEBRON TOLSTOY TREMAIN TJULY–DECEMBERYLER VARGAS 2018 VONNEGUT WARHOL WELSH WESLEY WHEELER WIGGINS WILLIAMS WINTERSON WOLFE WOOLF WYLD YATES ZOLA ALLENDE AMIS ATWOOD AUSTEN BARNES BARRY BINET BOLAÑO BORGES BULGAKOV BURNSIDE BYATT CALVINO CARROLL CARTER CARVER CHANG CHATWIN COETZEE CONRAD DARWIN DE BERNIÈRES DE WAAL DIAMOND DI LAMPEDUSA DICKENS DOSTOEVSKY DOYLE ECO ENRIGHT FAULKNER FAULKS FIELDING FITZGERALD FOULDS FOWLES GIBBONS GRASS GREENE GROSSMAN HADDON HELLER HIGHSMITH HOUELLEBECQ HUXLEY ISHERWOOD JACOBSON JOHNSON JONES JOYCE KAFKA KENNEDY KNAUSGAARD KUSHNER LEE LENNON MAK MARÍAS MATTHIESSEN MAXWELL McCARTHY McEWAN MISHIMA MORRISON MUNRO MURAKAMI MURDOCH NADAS NÉMIROVSKY NIFFENEGGER OGAWA ONDAATJE OZ PASTERNAK PENROSE PEREC PETTERSON POLITKOVSKAYA PROUST PYNCHON
    [Show full text]
  • Cinephilia Or the Uses of Disenchantment 2005
    Repositorium für die Medienwissenschaft Thomas Elsaesser Cinephilia or the Uses of Disenchantment 2005 https://doi.org/10.25969/mediarep/11988 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Elsaesser, Thomas: Cinephilia or the Uses of Disenchantment. In: Marijke de Valck, Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press 2005, S. 27– 43. DOI: https://doi.org/10.25969/mediarep/11988. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0 Lizenz zur Verfügung Attribution - Non Commercial 3.0 License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0 https://creativecommons.org/licenses/by-nc/3.0 Cinephilia or the Uses of Disenchantment Thomas Elsaesser The Meaning and Memory of a Word It is hard to ignore that the word “cinephile” is a French coinage. Used as a noun in English, it designates someone who as easily emanates cachet as pre- tension, of the sort often associated with style items or fashion habits imported from France. As an adjective, however, “cinéphile” describes a state of mind and an emotion that, one the whole, has been seductive to a happy few while proving beneficial to film culture in general. The term “cinephilia,” finally, re- verberates with nostalgia and dedication, with longings and discrimination, and it evokes, at least to my generation, more than a passion for going to the movies, and only a little less than an entire attitude toward life.
    [Show full text]
  • Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved.
    [Show full text]
  • THE D.A.P. INTERNATIONAL CATALOGUE SPRING 2021 MATTHEW WONG: MOBY-DICK​ POSTCARDS​ ISBN 9781949172430 ISBN 9781949172508 Hbk, U.S
    THE D.A.P. INTERNATIONAL CATALOGUE SPRING 2021 MATTHEW WONG: MOBY-DICK POSTCARDS ISBN 9781949172430 ISBN 9781949172508 Hbk, U.S. $35.00 GBP £30.00 Clth, U.S. $35.00 GBP £30.00 Karma Books, New York Karma Books, New York Territory: WORLD Territory: WORLD ON EDWARD HICKS THE MAYOR OF LEIPZIG Installation shot from the exhibition Pastel, curated by Nicolas Party. Photograph by Hilary Pecis. ISBN 9781646570065 ISBN 9781949172478 From Pastel, published by The FLAG Art Foundation, New York. See page 124. Hbk, U.S. $35.00 GBP £30.00 Recent Releases Hbk, U.S. $20.00 GBP £17.50 Lucia|Marquand Karma Books, New York Territory: WORLD from D.A.P. Territory: WORLD Featured Releases 2 Spring Highlights 36 Photography 38 CATALOG EDITOR Thomas Evans Art 42 Design 59 DESIGNER Architecture 62 Martha Ormiston COPYWRITING Specialty Books 66 Arthur Cañedo, Thomas Evans, Emilia Copeland Titus, Madeline Weisburg Art 68 IMAGE PRODUCTION Photography 78 Joey Gonnella PRINTING Backlist Highlights 79 Short Run Press Limited TANTRA SONG ISBN 9780979956270 DANNY LYON: Hbk, U.S. $39.95 GBP £35.00 AMERICAN BLOOD Siglio ISBN 9781949172454 FRONT COVER: Emil Bisttram, Creative Forces, 1936. Oil on canvas, 36 x 27". Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. From Another World: The Transcendental Painting Group, published by DelMonico Books/Crocker Art Museum. See page 4. BACK COVER: Flores & Prats, cross-section through lightwells, Cultural Centre Casal Balaguer, Palma de Mallorca. Territory: WORLD Hbk, U.S. $35.00 GBP £30.00 From Thought by Hand: The Architecture of Flores & Prats, published by Arquine.
    [Show full text]
  • Litterature Francaise Contemporaine
    MASTER ’S PROGRAMME ETUDES FRANCOPHONES 2DYEAR OF STUDY, 1ST SEMESTER COURSE TITLE LITTERATURE FRANCAISE CONTEMPORAINE COURSE CODE COURSE TYPE full attendance COURSE LEVEL 2nd cycle (master’sdegree) YEAR OF STUDY, SEMESTER 2dyear of study,1stsemester NUMBER OF ECTS CREDITS NUMBER OF HOURS PER WEEK 2 lecture hours+ 1 seminar hour NAME OF LECTURE HOLDER Simona MODREANU NAME OF SEMINAR HOLDER ………….. PREREQUISITES Advanced level of French A GENERAL AND COURSE-SPECIFIC COMPETENCES General competences: → Identification of the marks of critical discourse on French literature, as opposed to literary discourse; → Identification of the main moments of European and especially French culture that reflect the idea of modernity; → Indentification of the marks of the modern and contemporary dramatic discourse, as opposed to the literary discourse in prose and poetry; → Identification of the stakes of critical and theoretical discourse, as well as of the modern dramatic one, according to the historical and cultural context in which the main studied currents appear; → Interpretative competences in reading the studied texts and competence of cultural analysis in context. Course-specific competences: → Skills of interpretation of texts; → Skills to identify the cultural models present in the studied texts; → Cultural expression skills and competences; B LEARNING OUTCOMES → Reading and interpretation skills of theoretical texts that is the main argument for the existence of a literary French metadiscourse → Understanding the interaction between literature and culture in modern and contemporary society and the possibility of applying this in connection with other types of cultural content; C LECTURE CONTENT Introduction; preliminary considerations Characteristics; evolutions of contemporary French literature. The novel - the dominant genre.
    [Show full text]
  • 1 Matt Phillips, 'French Studies: Literature, 2000 to the Present Day
    1 Matt Phillips, ‘French Studies: Literature, 2000 to the Present Day’, Year’s Work in Modern Language Studies, 80 (2020), 209–260 DOI for published version: https://doi.org/10.1163/22224297-08001010 [TT] Literature, 2000 to the Present Day [A] Matt Phillips, Royal Holloway, University of London This survey covers the years 2017 and 2018 [H2]1. General Alexandre Gefen, Réparer le monde: la littérature française face au XXIe siècle, Corti, 2017, 392 pp., argues that contemporary French literature has undergone a therapeutic turn, with both writing and reading now conceived in terms of healing, helping, and doing good. G. defends this thesis with extraordinary thoroughness as he examines the turn’s various guises: as objects of literature’s care here feature the self and its fractures; trauma, both individual and collective; illness, mental and physical; mourning and forgetfulness, personal and historical; and endangered bonds, with humans and beyond, on local and global scales. This amounts to what G. calls a new ‘paradigme clinique’ and, like any paradigm shift, this one appears replete with contradictions, tensions, and opponents, not least owing to the residual influence of preceding paradigms; G.’s analysis is especially impressive when unpicking the ways in which contemporary writers negotiate their sustained attachments to a formal, intransitive conception of literature, and/or more overtly revolutionary political projects. His thesis is supported by an enviable breadth of reference: G. lays out the diverse intellectual, technological, and socioeconomic histories at work in this development, and touches on close to 200 contemporary writers. Given the broad, synthetic nature of the work’s endeavour, individual writers/works are rarely discussed for longer than a page, and though G.’s commentary is always insightful, specialists on particular authors or social/historical trends will surely find much to work with and against here.
    [Show full text]
  • Pdf (Acceso El
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by EPrints Complutense UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA TESIS DOCTORAL Intertextualidad, dialogismo y poética cognitiva en la novela contemporánea: Bernardo Carvalho, Eduardo Lago y Mario Bellatín MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Daniel Arrieta Domínguez Director Antonio Garrido Domínguez Madrid, 2015 © Daniel Arrieta Domínguez, 2015 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA DOCTORADO EN ESTUDIOS LITERARIOS INTERTEXTUALIDAD, DIALOGISMO Y POÉTICA COGNITIVA EN LA NOVE LA CONTEMPORÁNEA: BERNARDO CARVALHO, E DUARDO LAGO Y MARIO BELLATÍN DANIEL ARRIETA DOMÍNGUEZ TESIS DE DOCTORADO DIRIGIDA POR EL PROFE SOR DOCTOR ANTONIO GARRIDO DOMÍNGUEZ 2 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA PHD. PROGRAM IN LITERARY STUDIES INTERTEXTUALITY , DIALOGISM AND COGNIT IVE POETICS IN THE CONTEMPORARY NOVEL: BERNARDO CARVALHO, E DUARDO LAGO AND MARIO BELLATÍN DANIEL ARRIETA DOMÍNGUEZ PHD DISSERTATION ADVISED BY PROFESSOR ANTONIO GARRIDO DOMÍNGUEZ 3 4 A mis padres 5 6 ÍNDICE Página SUMMARY (English)…………………………………………………..………… 11 I. INTRODUCCIÓN………………………………………………………... 15 1. DEL PROCESO Y AGRADECIMIENTOS…………………………………… 17 2. HIPÓTESIS DE PARTIDA Y OBJETIVOS…………………………………… 20 3. METODOLOGÍA Y ORGANIZACIÓN……………………………………… 23 4. AUTORES, CAMPOS LITERARIOS Y ESTADO DE LA CUESTIÓN…………… 27 4.1. Bernardo Carvalho…………………………………………….. 27 4.2. Eduardo Lago………………………………………………….. 37 4.3. Mario Bellatín…………………………………………………. 44 II. MODELO TEÓRICO…………………………………………………….. 49 1. EL DIALOGISMO BAJTINIANO COMO PRECURSOR DEL CONCEPTO DE INTERTEXTUALIDAD…………………………………………………… 51 2. DE LAS INFLUENCIAS Y REPERTORIOS LITERARIOS A LA TRANSTEXTUALIDAD………………………………………………….. 58 3. POÉTICA COGNITIVA, GÉNEROS LITERARIOS E INTERTEXTUALIDAD…… 69 7 III. O SOL SE PÕE EM SÃO PAULO: DIÁLOGOS INTERTEXTUALES ENTRE ANTÍPODAS GEOGRÁFICAS Y CULTURALES…………… 85 1.
    [Show full text]
  • History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena
    NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996).
    [Show full text]
  • Recommended Reading: Latin America
    Recommended Reading: Latin America In our busy lives, it is hard to carve out time to read. Yet, if you are able to invest the time to read about the region where you travel, it pays off by deepening the significance of your travel seminar experience. We have compiled the following selection of book titles for you to help you get started. Many titles are staff recommendations. Titles are organized by the topics listed below. Happy reading! Bolivia Latin American Current Affairs Cuba Latin American History El Salvador Globalization Guatemala Indigenous Americans Honduras Religion / Spirituality Mexico U.S.-Mexico Border Nicaragua U.S. Policy in Central & Latin America Women & Feminism Film Literature Testimonials Latin American Current Affairs Aid, Power and Privatization: The Politics of Telecommunication Reform in Central America by Benedicte Bull Northampton, MA.: Edward Elgar Publishing, 2005; ISBN: 1845421744. A comparative study of privatization and reform of telecommunications in Costa Rica, Guatemala and Honduras. The focus is on political and institutional capacity to conduct the reforms, and the role of the World Bank and the Inter-American Development Bank (IDB) in supporting the processes at various stages. Gaviotas: A Village to Reinvent the World by Alan Weisman, Chelsea Green Publishing Company, 1998. Journalist Weisman tells the story of a remarkable and diverse group of individuals (engineers, biologists, botanists, agriculturists, sociologists, musicians, artists, doctors, teachers, and students) who helped a Colombian village evolve into a very real, socially viable, and self-sufficient community for the future. Latin American Popular Culture: An Introduction, edited by William Beezley and Linda Curcio-Nagy, Scholarly Resources, 2000.
    [Show full text]
  • Eduardo Galeano – ¡Presente!
    Eduardo Galeano – ¡Presente! Eduardo Galeano, the world-renowned leftist Uruguayan journalist and writer made famous with the publication in 1971 of his book The Open Veins of Latin America: Five Centuries of the Pillage of a Continent, died today at the age of 74 in Montevideo, Uruguay, where he lived. Long admired as a journalist, with his three-volume Memory of Fire in 1982, Galeano also became known as a writer of non-fiction prose who might be compared to writers of fiction such as Gabriel García Márquez, author of the novel One Hundred Years of Solitude or Isabel Allende who wrote House of the Spirits. Like their novels, his trilogy captures the real spirit of Latin America’s magical history. Born Eduardo Germán María Hughes Galeano in Montevideo on September 3, 1940, Galeano began his career as a journalist in the early 1960s working as a correspondent for Sol and then as an editor for Marcha, which published such writers as Mario Vargas Llosa and Mario Benedetti. When a rightwing military coup took power in Uruguay in 1973, Galeano was jailed and subsequently went into exile, first in Argentina, where he edited Crisis, and then in Spain where he wrote his trilogy Memory of Fire (Genesis, Faces and Masks, and Century of the Wind). Memory of Fire mixed history and journalism in vignettes and biographical sketches written in a creative prose style that reminded American readers of John Dos Passos’ 1930s classic U.SA. triology (The 42nd Parallel, 1919, and The Big Money). Open Veins of Latin America was a detailed, systematic, and sustained attack on European and U.S.
    [Show full text]
  • FOR IMMEDIATE RELEASE Acclaimed DC Author Marita Golden Discusses DC's Alzheimer's Struggle Tickets Are Now on Sale
    FOR IMMEDIATE RELEASE @dchistory Tuesday, September 19, 2017 MEDIA CONTACT: ● John Suau, [email protected], 202.249.3953 Acclaimed D.C. Author Marita Golden Discusses D.C.’s Alzheimer’s Struggle Tickets are now on sale: http://bit.ly/2h9Vgdy WASHINGTON, D.C.: ThE Historical SociEty of Washington, D.C., in partnErship with thE NewsEum, prEsEnts thE panEl discussion, “The Wide Circumference of Love and D.C.’s History with AlzhEimEr’s,” on Saturday, OctobEr 21, 1-2:30 pm at thE NEwsEum’s DocumEntary ThEater. FocusEd on compElling characters struggling with AlzhEimEr’s disEasE, GoldEn’s noVEl raisEs largEr issuEs of thE disproportionate impact of AlzhEimEr’s among African AmEricans. ThE panEl brings togEthEr acclaimEd Washington noVElist Marita GoldEn, author of The Wide Circumference of Love; Washington Post Magazine Editor Marcia Davis; StephaniE MonroE, dirEctor of Us Against AlzhEimEr’s; and Gary Williams, whosE family was fEaturEd in GoldEn’s Washington Post Magazine fEaturE, “A QuiEt DEspEration.” ThE panEl will bE modErated by historian Izetta Autumn MoblEy of thE Historical SociEty. ThE EVEnt will concludE with a book signing by thE author. “My noVEl The Wide Circumference of Love is in many ways an odE to Washington, D.C. my natiVE city, its drama, trauma, changE and EVolution oVEr thirty fiVE yEars, and sErVEs as thE backdrop for a story of loVE and family and faith,” said Marita GoldEn about hEr most rEcEnt book, which was rElEasEd in March, 2017. “I could not havE rEcrEated or honorEd my city on thE pagEs of thE noVEl without thE inValuablE rEsourcEs of thE Historical SociEty of Washington, D.C.” Marita GoldEn is thE author of 16 works of fiction and non-fiction, including Long Distance Life, After, and The Edge of Heaven.
    [Show full text]
  • Celebrating Afropolitan Identities? Contemporary African World Literatures in English
    Anglia 2017; 135(1): 159–185 Birgit Neumann* and Gabriele Rippl Celebrating Afropolitan Identities? Contemporary African World Literatures in English DOI 10.1515/anglia-2017-0010 Abstract: Against the background of today’s debate on Afropolitanism, this article discusses three contemporary African novels as instances of world literatures, focusing on their creative modelling of open, non-Eurocentric worlds in motion. Taking existing research in the field of world literature into account, we argue that the affective and effective uniqueness of world literatures only comes to the fore when considering their distinct power to creatively make worlds. We suggest understanding world literatures in terms of their capacity to create open, poly- centric worlds, which enmesh diverse places, multiple temporalities, situated practices and locally grounded experiences into open networks of reciprocal change. In theorizing world literatures as pluralized and multiple, we also try to overcome the privileging of western literature. The final section negotiates how these imaginative worlds interact, intersect and possibly collide with that world which is configured by labelling, marketing and canonizing a specific text as ‘world literature’. 1 “Being African in the World” In the last fifteen years or so a considerable number of diasporic African litera- tures have made their entry into the world literary space, reminding us once again of the complex and volatile dynamics underlying the making of world literatures. Comprising authors as diverse as Teju Cole, Taiye Selasi (born Taiye Tuakli- Wosornu), Chimamanda Ngozi Adichie, NoViolet Bulawayo and Dinaw Mengestu, these “young and creative cosmopolitan African immigrants” (Hassan 2012: 3) have readily been subsumed by critics under the label ‘Afropolitan’.
    [Show full text]