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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
Nysba Spring 2020 | Vol
NYSBA SPRING 2020 | VOL. 31 | NO. 2 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association In This Issue n A Case of “Creative Destruction”: Takeaways from the 5Pointz Graffiti Dispute n The American Actress, the English Duchess, and the Privacy Litigation n The Battle Against the Bots: The Legislative Fight Against Ticket Bots ....and more www.nysba.org/EASL NEW YORK STATE BAR ASSOCIATION In The Arena: A Sports Law Handbook Co-sponsored by the New York State Bar Association and the Entertainment, Arts and Sports Law Section As the world of professional athletics has become more competitive and the issues more complex, so has the need for more reliable representation in the field of sports law. Written by dozens of sports law attorneys and medical professionals, In the Arena: A Sports Law Handbook is a reflection of the multiple issues that face athletes and the attorneys who represent them. Included in this book are chapters on representing professional athletes, NCAA enforcement, advertising, sponsorship, intellectual property rights, doping, concussion-related issues, Title IX and dozens of useful appendices. Table of Contents Intellectual Property Rights and Endorsement Agreements How Trademark Protection Intersects with the Athlete’s EDITORS Right of Publicity Elissa D. Hecker, Esq. Collective Bargaining in the Big Three David Krell, Esq. Agency Law Sports, Torts and Criminal Law PRODUCT INFO AND PRICES 2013 | 539 pages Role of Advertising and Sponsorship in the Business of Sports PN: 4002 (Print) Doping in Sport: A Historical and Current Perspective PN: 4002E (E-Book) Athlete Concussion-Related Issues Non-Members $80 Concussions—From a Neuropsychological and Medical Perspective NYSBA Members $65 In-Arena Giveaways: Sweepstakes Law Basics and Compliance Issues Order multiple titles to take advantage of our low flat Navigating the NCAA Enforcement Process rate shipping charge of $5.95 per order, regardless of the number of items shipped. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Pilot Season
Portland State University PDXScholar University Honors Theses University Honors College Spring 2014 Pilot Season Kelly Cousineau Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Cousineau, Kelly, "Pilot Season" (2014). University Honors Theses. Paper 43. https://doi.org/10.15760/honors.77 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pilot Season by Kelly Cousineau An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Film Thesis Adviser William Tate Portland State University 2014 Abstract In the 1930s, two historical figures pioneered the cinematic movement into color technology and theory: Technicolor CEO Herbert Kalmus and Color Director Natalie Kalmus. Through strict licensing policies and creative branding, the husband-and-wife duo led Technicolor in the aesthetic revolution of colorizing Hollywood. However, Technicolor's enormous success, beginning in 1938 with The Wizard of Oz, followed decades of duress on the company. Studios had been reluctant to adopt color due to its high costs and Natalie's commanding presence on set represented a threat to those within the industry who demanded creative license. The discrimination that Natalie faced, while undoubtedly linked to her gender, was more systemically linked to her symbolic representation of Technicolor itself and its transformation of the industry from one based on black-and-white photography to a highly sanctioned world of color photography. -
Rupert Power ACO, GBCT | Crew Profile | Gravycrew
Gravy Crew Ltd. t. +44 (0) 203 696 4600 e. [email protected] Diary Management Service Rupert Power ACO, GBCT Camera / Steadicam Owner-Operator Rupert is an experienced Camera & Steadicam Operator working on Features, TV Drama, TV Comedy, Commercials and Music productions. Experienced with remote heads, geared heads, steadicam and happy to light second unit. Steadicam owner/operator. Feature Films (Selection) Production Director / DOP Production Company Additional Information A Christmas Number 1. Chris Cottam / Catherine Sky Original Cinema Camera Operator Derry Last Night In Soho Edgar Wright / Oliver Big Smoke Pictures Ltd. Camera & Steadicam 2nd Unit Curtis BSC Muscle Gerard Johnson / Stuart Muscle Films Ltd. B Camera & Steadicam Bentley Sulphur & White Julian Jarrold / Felix UME 9 LTD / AMG B Camera & Steadicam Wiedemann International Cordelia Adrian Shergold / Tony StudioPow Steadicam Operator dailies Slater-Ling 90 Minutes Simon Baker /Dom Bartels 90 Minutes Productions Steadicam Operator Sing Street John Carney /Yaron Cosmo Films Steadicam / Crane Op Orbach Legacy David Fairbanks, Marc Legacy Productions Steadicam Operator Small /Aaron Reid The Possibilities are Endless Ed Lovelace, James Hall Pulse Films Steadicam Operator /Richard Stewart Hyena Gerard Johnson /Ben No 9 Films Steadicam Operator Kracun Fair Game Doug Liman /Robbie River Road Entertainment Steadicam Operator Baumgartner Angus, Thongs & Snogging Gurinder Chadha / Dick High Command Steadicam Operator Pope BSC Shifty Rani Creevy /Ed Wild Dudlowe Films Steadicam Operator -
Turns to Affect in Feminist Film Theory 97 Anu Koivunen Sound and Feminist Modernity in Black Women’S Film Narratives 111 Geetha Ramanathan
European Film Studies Mutations and Appropriations in THE KEY DEBATES FEMINISMS Laura Mulvey and 5 Anna Backman Rogers (eds.) Amsterdam University Press Feminisms The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Feminisms Diversity, Difference, and Multiplicity in Contemporary Film Cultures Edited by Laura Mulvey and Anna Backman Rogers Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). Cover design: Neon, design and communications | Sabine Mannel Lay-out: japes, Amsterdam Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 676 7 e-isbn 978 90 4852 363 4 doi 10.5117/9789089646767 nur 670 © L. Mulvey, A. Backman Rogers / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Editorial 9 Preface 10 Acknowledgments 15 Introduction: 1970s Feminist Film Theory and the Obsolescent Object 17 Laura Mulvey PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s) -
Lista Distribuidores Correccion
• 12 Yard Productions • Alex Bowen Producciones • 2929 Entertainment • All3media International • 3DD Enterteinment • Allegro Pictures • 9 Story Enterprises • Alley Cat Films • A&E Channel Home Video • Alliance Atlantos Releasing • Aardman • Alphablocks Limited • Abduction Films • Altadena Film • Acacia • AMC Networks (Walking Dead Only) • ACC Action Concept Cinema • American Cinema Independent • ACI • American Portrait Films • Acorn Group • Andrea Films • Acorn Media • Andres Wood Producciones • Actaeon Films • Anglia Television • Action Concept • Animal Planet Video • Action Concept • Animalia Productions • Action Concept Film and Stuntproduktion • Annapurna Productions • Action Image • Apollo Media Filmmanagement • Adness Entertainment • Arte France • After Dark Films • Artemis Films • Ager Film • Associated Television • AIM Group • Athena • Akkord Film Produktion • Atlantic 2000 • Alain Siritzky Productions • Atlantic Productions • Alameda Films • August Entertaiment • Alcine Pictures • AV Pictures • Alcon Entertainment • AWOL Animation • Berlin Amimation Film • Best Film and Video • Best Picture Show • Betty TV • B & B Company • Beyond International • Baby Cow Productions • Big Bright House of Tunes • Bandai Visual • Big Idea Entertainment • Banjiay Internartional • Big Light Productions • Bankside Films • Big Talk Productions • Bard Entertainment • Billy Graham Evangelistic Association / World Wide • Bardel Distribution • Pictures • BBC Worldwide • Bio Channel • BBL Distribution • BKN International • BBP Music Publishing c/o Black -
Congressional Record—Senate S2006
S2006 CONGRESSIONAL RECORD — SENATE March 24, 2020 well as the efficacy—how well does it The reason we are here tonight is Those 1,700 restaurants and bars, in work?—over the course of several that we are both upset that people are this bill, if we pass it, can go to a cred- weeks. still talking about adding to the bill 48 it union or a bank. You can borrow We have some other amazing, mir- hours after having been on the 5-yard money to pay your employees up to acle drugs. They are called monoclonal line. We may be on the 1-yard line, but, $8,000. You can borrow money to pay antibodies. That is the technical term apparently, there are 20 people on de- the rent, pay yourself as the owner, for them. When you take that drug, it fense when we need to get the ball in and we will forgive it and make it a provides protection against the the end zone. grant for 6 or 8 weeks. That will change coronavirus so that you don’t even get I am just begging of my colleagues everybody’s life all over South Caro- the COVID–19 disease. who have worked very hard—and I am lina. Here is the challenge, Senator GRA- not being critical as much as I am It is time to change people’s lives. It HAM. We have to be operating on par- being insistent—because enough is is time to stop negotiating. It is time allel paths right now to make sure we enough. -
Popular Culture and the Feminist Ideal: a Feminist Critique Of
Zendejas 1 Table of Contents Introduction………………………………………………………………………………………2 Background………………………………………………………………………………………7 Meet The Fabulous Foursome…………………..………………………………………………8 Origin……….......……………………………...……………………………………………......10 Method…………………………………………………………………………………………..14 Analysis...………………………………………………………………………………………..16 Conclusion…...………………………………………………………………………………….23 Work Cited..…………………………………………………………………………………….25 Zendejas 2 Popular Culture and the Feminist Ideal: A Feminist Critique of Home Box Office’s Sex and the City “You have no idea how many men I have had to sleep with to get this award,” was the opening line to Kim Cattrall’s Golden Globe Best Supporting Actress acceptance speech, for her performance in Sex and the City in 2003. The success of the series that led to her award is a direct correlation to the large crowds that the film attracted when it made its debut in 2008. What is astounding, is that in 2007 only five of the fifty top grossing movies in American had a woman as a lead character , so not surprisingly critics throughout the nation were stunned at the great success the film Sex and the City had on its opening weekend. While critics were astounded, loyal fans predicted the success. The popularity of the film may perhaps be indicative of the times . This film came three years after the season finale of the HBO series also titled, Sex and the City . The series began at the peak of an ambitious female generation, empowered by third wave, and post-modern feminist movements. It may be that the emergence of a series that features the lives of four New York City women whose motto is to “do it like a man,” is the reason for the incredible following the series has had since its public debut. -
Où Va France 2 ?
Sophie Bramly La fondatrice du site Secondsexe.com, dédié au plaisir féminin, produit une collection de courts métrages pour 1 Canal+. Portrait. PAGE 4 Mesrine A l’occasion de la sortie en salles de « L’Instinct de mort », TV&Radio retour sur le parcours Du lundi 20 octobre de l’ex-ennemi public n˚1. PAGE 23 au dimanche 26 octobre Où va France 2 ? Dirty Sexy Money Casting prestigieux pour cette série américaine politiquement incorrecte qui débarque sur Canal+. PAGE 19 L’expédition RTL La station lance une série de grands reportages sur l’état de la planète. Première Audience destination : l’Alaska. PAGE 35 en baisse et nouveaux magazines bâclés, la chaîne vit une rentrée délicate. PAGES 2 ET 3 Dessin de Sylvie Serprix ; Michel Monteaux pour « Le Monde » ; La Petite Reine ; ABC ; RTL. - CAHIER DU « MONDE » DATÉ DIMANCHE 19 - LUNDI 20 OCTOBRE 2008, Nº 19823. NE PEUT ÊTRE VENDU SÉPARÉMENT - 2 Le Monde Dimanche 19 - Lundi 20 octobre 2008 DOSSIER Une prérentrée tumultueuse pour France 2 Bousculée par la suppression de la publicité après 20 heures annoncée pour le 5 janvier 2009, la chaîne amiral de France Télévisions a enregistré en septembre sa plus faible audience. Tandis que la plupart des nouveaux magazines, mis à l’antenne dans la précipitation, n’ont pas convaincu le public RANCE 2 «à la Courbet en remplacement de Lau- 31 octobre. Au-delà, Patrice Duha- peine ». « Vendredi rent Ruquier pour animer la case mel, parle de « changements noir » pour France 2. de l’avant-« JT» ? « Service maxi- lourds » pour une émission « qui « Dérapage » dans le mum », le magazine de consom- n’a pas tenu ses promesses ». -
The Representation of Gender Roles in the Media
The representation of gender roles in the media - An analysis of gender discourse in Sex and the City movies Therese Ottosson Xin Cheng Supervisor: Fredrik Sunnemark Examiner: Ann Towns Bachelor’s thesis in Political Science 15 ECTS Department of Economics and Informatics University West Spring term 2012 Abstract Media is a big part of people‘s everyday lives. It influences both how we see ourselves and the world to some extent. There are many different types of media, for example: television shows, movies, the radio, news papers, advertisements which are placed in random places and the internet. In these different forms of media, there are images of men and women, which are represented in different ways and with different characteristics. Research has been made on a lot of movies and television shows and this thesis will be adding to this vast amount of research by analyzing gender representation in the movies Sex and the City 1 and 2. By using discourse analysis, the results show different types of gender representation and whether the characters in Sex and the City challenge the patriarchal privilege. Assuming social constructivism, we believe that these images of gender representation in movies affect our perception of what a man or a woman is. Our results suggest that the characters do still follow the patriarchal privilege but some characters do on occasion challenge them. However the outcome is rarely successful. Keywords Discourse Analysis, Representation, Gender Roles, Film and Media, Sex and the City. 1 Table of Contents 1. Introduction ....................................................................................................................... 4 2. Literature Review .............................................................................................................. 7 3. Theoretical approach ........................................................................................................