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Popular Culture and the Feminist Ideal: a Feminist Critique Of
Zendejas 1 Table of Contents Introduction………………………………………………………………………………………2 Background………………………………………………………………………………………7 Meet The Fabulous Foursome…………………..………………………………………………8 Origin……….......……………………………...……………………………………………......10 Method…………………………………………………………………………………………..14 Analysis...………………………………………………………………………………………..16 Conclusion…...………………………………………………………………………………….23 Work Cited..…………………………………………………………………………………….25 Zendejas 2 Popular Culture and the Feminist Ideal: A Feminist Critique of Home Box Office’s Sex and the City “You have no idea how many men I have had to sleep with to get this award,” was the opening line to Kim Cattrall’s Golden Globe Best Supporting Actress acceptance speech, for her performance in Sex and the City in 2003. The success of the series that led to her award is a direct correlation to the large crowds that the film attracted when it made its debut in 2008. What is astounding, is that in 2007 only five of the fifty top grossing movies in American had a woman as a lead character , so not surprisingly critics throughout the nation were stunned at the great success the film Sex and the City had on its opening weekend. While critics were astounded, loyal fans predicted the success. The popularity of the film may perhaps be indicative of the times . This film came three years after the season finale of the HBO series also titled, Sex and the City . The series began at the peak of an ambitious female generation, empowered by third wave, and post-modern feminist movements. It may be that the emergence of a series that features the lives of four New York City women whose motto is to “do it like a man,” is the reason for the incredible following the series has had since its public debut. -
The Representation of Gender Roles in the Media
The representation of gender roles in the media - An analysis of gender discourse in Sex and the City movies Therese Ottosson Xin Cheng Supervisor: Fredrik Sunnemark Examiner: Ann Towns Bachelor’s thesis in Political Science 15 ECTS Department of Economics and Informatics University West Spring term 2012 Abstract Media is a big part of people‘s everyday lives. It influences both how we see ourselves and the world to some extent. There are many different types of media, for example: television shows, movies, the radio, news papers, advertisements which are placed in random places and the internet. In these different forms of media, there are images of men and women, which are represented in different ways and with different characteristics. Research has been made on a lot of movies and television shows and this thesis will be adding to this vast amount of research by analyzing gender representation in the movies Sex and the City 1 and 2. By using discourse analysis, the results show different types of gender representation and whether the characters in Sex and the City challenge the patriarchal privilege. Assuming social constructivism, we believe that these images of gender representation in movies affect our perception of what a man or a woman is. Our results suggest that the characters do still follow the patriarchal privilege but some characters do on occasion challenge them. However the outcome is rarely successful. Keywords Discourse Analysis, Representation, Gender Roles, Film and Media, Sex and the City. 1 Table of Contents 1. Introduction ....................................................................................................................... 4 2. Literature Review .............................................................................................................. 7 3. Theoretical approach ........................................................................................................ -
The Impact of Social Media on a Movie's Financial Performance
Undergraduate Economic Review Volume 9 Issue 1 Article 10 2012 Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Joshua J. Kaplan State University of New York at Geneseo, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/uer Part of the Economics Commons, and the Film and Media Studies Commons Recommended Citation Kaplan, Joshua J. (2012) "Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance," Undergraduate Economic Review: Vol. 9 : Iss. 1 , Article 10. Available at: https://digitalcommons.iwu.edu/uer/vol9/iss1/10 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Abstract This paper examines the impact of social media, specifically witterT , on the domestic gross box office revenue of 207 films released in the United States between 2009 and 2011. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
NEW MEXICO HISTORIC SITES in Honor of J
NEWS Local news and entertainment since 1969 Home Improvement Home is where Guide the heart is Inside 2020 New city manager HOME IMPROVEMENT inks contract FRIDAY, AUGUST 21, 2020 FRIDAY, AUGUST 21, 2020 I Volume 52, Number 34 I lascrucesbulletin.com page 3 NEWS 100 years of inspiration Tree-planting PHOTO COURTESY OF LESLIE time is near BERGLOFF, NEW MEXICO HISTORIC SITES In honor of J. Paul Taylor’s 100th birthday on Aug. 23, page 14 the New Mexico Department of Cultural Affairs (DCA), in partnership with Friends of the Taylor Family Monument and New Mexico Historic Sites, will present a virtual celebration beginning at 3:30 p.m. Sunday, Aug. 23, on A&E the DCA and Historic Sites Facebook pages or online at www.jpt100th.com. See the story on page 12. Local potter gives back to community page 21 SENIORS Las Cruces author publishes new book page 27 2 | FRIDAY, AUGUST 21, 2020 NEWS LAS CRUCES BULLETIN LAS CRUCES BULLETIN NEWS FRIDAY, AUGUST 21, 2020 | 3 New city manager to start Sept. 8 By MIKE COOK city administrator in 2012 the Eagles’ 2004 National While serving as Eagle manager, Stuart Ed (who Las Cruces Bulletin and resigned that position Football Conference Mountain city adminis- resigned April 22, 2019), to accept the job in Las champion team, which trator, Pili also served as earned, the mayor said. Ifo Pili is expected to Cruces. lost Superbowl XXXIX to district administrator for The increase is necessary, begin his duties as the Eagle Mountain is the Patriots, 24-21. the Unified Fire Service Miyagishima said, “to get new Las Cruces city man- located about 800 miles Pili has earned both Area and was an adjunct what we feel is a highly ager on Tuesday, Sept. -
A FEMINIST CULTURAL STUDY of IDENTITY, HAIR LOSS, and CHEMOTHERAPY by Céline Guillerm a Dissertation Submitted to the Faculty
A FEMINIST CULTURAL STUDY OF IDENTITY, HAIR LOSS, AND CHEMOTHERAPY by Céline Guillerm A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, Florida December 2015 Copyright 2015 by Céline Guillerm ii ACKNOWLEDGMENTS The seed of this dissertation was planted during my first year enrolled as a doctoral student, when I was diagnosed with Hodgkin’s Lymphoma. The following year, I met Dr. Scodari when I took her course in “Feminist Cultural Studies.” Her class was truly a revelation and she became my mentor. Therefore, I would like to express my sincere and deepest gratitude to Dr. Scodari for her expert guidance and support throughout my research. I am forever grateful for her patience and encouragement, and for always being available. I also would like to thank Dr. Munson and Dr. Blattner for serving on my committee. Thank you for believing in me and encouraging me all these years. Finally, I would like to thank my parents, my sisters, my nieces and my nephew, my grandmother, my uncle, and my dear friends for their love and support. I love you. iv ABSTRACT Author: Céline Guillerm Title: A Feminist Cultural Study of Identity, Hair Loss, and Chemotherapy Institution: Florida Atlantic University Dissertation Advisor: Dr. Christine Scodari Degree: Doctor of Philosophy Year: 2015 The main aim of this dissertation is to discuss the way women negotiate the cultural meaning of hair loss, alopecia, as a result of undergoing chemotherapy, and to understand, accordingly, how cancer’s cultural effects regarding women can be deeply different from those of men. -
Tax Credits Issued
TAX CREDITS ISSUED TOTAL APPLICANT CREDIT PRODUCTION NAME APPLICANT ADDRESS Curious Holdings LLC dba Curious Pictures Dan Zanes Show Pilot 440 Lafayette Street, 6th floor New York, N.Y. 10003 New York New York Productions, Inc. Good Shepherd 10 East Lee Street, Suite 2705 Baltimore, MD 21202 Forever the Film LLC Never Forever 180 Varick Street, Ste. 1002 New York, N.Y. 10014 c/o Trevanna Post, Inc. 161 Avenue of the Americas, #902 New Pretty Good Productions, Inc Win Win York, N.Y. 10013 Prime Film Production, LLC Prime 10850 Wilshire Blvd.,6th floor, Los Angeles, CA. 90024 The Ten Film, LLC Ten 6 East 39th Street, New York, N.Y. 10016 Fast Lane Productions Inc, dba FILMAURO Christmas (Natale) in NY 9623 Charleville Blvd. Beverly Hills, CA 90212 Girl in the Park, LLC Girl in the Park 9242 Beverly Blvd., Suite 200 Beverly Hills, CA 90210 57th & Irving The Cake Eaters LLC Cake Eaters 19 W 21st Street, Suite 706 New York, N.Y. 10010 c/o River Road Entertainment 60 South 6th Street, Suite 4050 FURTHEFILM, LLC Fur Minneapolis, MN 55402 Freedomland Productions, Inc. Freedomland 2900 West Olympic Blvd. 2nd floor Santa Monica, CA 90404 Griffin & Phoenix Productions LLC Griffin and Phoenix 9420 Wilshire Blvd., Suite 250 Beverly Hills, CA 90212 Reason For Leaving LP Wreck, The 601 W. 26th St. Suite 1255, New York, N.Y. 10001 Eric Nadler Transbeman 10 Jay Street, #204, Brooklyn, New York 11201 Gregory Lamberson Slime City Massacre 1824 Kensington Avenue, Cheektowaga, N.Y. 14215 Whitest Kids You Know Season 4; Whitest Kids You Know Season 3; Whitest Kids You L.C Incorporated $987,780 Know Season 5 c/o GRF LLP, 360 Hamilton Ave, #100 White Plains, NY 10601 Persona Films Inc. -
Creating Images for Hollywood Classics Vicki James Yiannias
Creating Images for Hollywood Classics Vicki James Yiannias From the time of silent films, the images of American cinema have reflected the environment of their time. The sounds, sites, costumes, makeup, and movements on the screen reinforce the norms of the era, but also give a taste of social changes in their early phases. Most popular attention has been focused on actors, who when influential are labeled stars, even if their talent is limited. More recently some directors also have become “bankable” as stars of their own kind. Still under-appreciated by most filmgoers are the critical behind-the scenes roles by others in the filmmaking team. Greeks who have carved some legendary spaces in their respective specialties are not widely celebrated, even by the Greek American public. Six such individuals are Jack Pierce, make-up and special effects artist; Hermes Pan, choreographer; Dean Tavoularis, production designer; and Theoni Aldredge, Patricia Field, and Mary Zophres, three extraordinary costumer designers. From Frankenstein to Mister Ed Special effects and makeup genius Jack Pierce (1889-1968) is one of the great innovators in Hollywood history. His masterly conceived monsters and creatures created for Hollywood horror classics such as Frankenstein (1931), Dracula 1931), The Mummy (1932), and Wolf Man (1941) are still terrifying, and their influence on popular culture, continues on a grand scale. Yiannis Peter Piccoulas (1889-1968) was born in Porto Cheli, Ermionida, in the Peloponnese. His father was a shepherd (likely to have been originally from the village of Valtestsi).1 In 1902, when he was just thirteen, Piccoulas left his family to come to America in search of a better life. -
Camilla Huey
CAMILLA HUEY FILM Sex and the City 2 Special Couture Projects & Costume Construction New Line Cinema Director: Michael Patrick King Producers: M.P. King, John P. Melfi, Sarah Jessica Parker, Darren Star Designer: Patricia Field & Molly Rogers, Asst. Cast: Sarah Jessica Parker, Kristin Davis, Kim Cattrall, Cynthia Nixon Confessions of a Shopaholic Special Projects & Costume Construction Touchstone Pictures Director: P.J. Hogan Producer: Jerry Bruckheimer Designer: Patricia Field & Molly Rogers, Asst. Cast: Isla Fisher, Krysten Ritter, Joan Cusack Sex and the City Special Couture Projects & Costume Construction New Line Cinema Director: Michael Patrick King Producers: M.P. King, John P. Melfi, Sarah Jessica Parker, Darren Star Designer: Patricia Field & Molly Rogers, Asst. Cast: Sarah Jessica Parker, Kristin Davis, Kim Cattrall, Cynthia Nixon The Devil Wears Prada Special Couture Projects & Costume Construction 20th Centruy Fox Director: David Frankel Producer: Wendy Finerman Designer: Patricia Field & Molly Rogers, Asst. Cast: Meryl Streep, Anne Hathaway, Emily Blunt Day On Fire Costume Designer Lodestar Director: Jay Anania Producer: William Fisch, Larry Rattner, Susan P Rosgers, Ten Travis Cast: Carmen Chaplin, Olympia Dukakis, Judy Kuhn, Alyssa Sutherland Issaquena Costume Designer Alluvial Films Director: Lance Hammer Producers: Lance Hammer, Emily Lundin Cast: Katie Allen, Oriana Carpenter, Biana Chapman The Guru Marisa Tomei’s Wardrobe & Turbans Universal Pictures Director: Daisy von Scherler Mayer Producer: Tim Bevan, Eric Fellner, Michael London Designer: Michael Clancey & Pilar Limosner, Asst. Cast: Heather Graham, Marisa Tomei, Christine Baranski My Best Friend’s Wedding Lobster & Waitress Costumes Tristan Pictures Director: P.J. Hogan Producer: Ronald Bass & Jerry Zucker Designer: Jeffrey Kurland Cast: Julia Roberts, Dermot Mulroney, Cameron Diaz, Rupert Everrett. -
Women's Independence in the Characters of Bushnell's
WOMEN’S INDEPENDENCE IN THE CHARACTERS OF BUSHNELL’S SEX AND THE CITY—A FILM ANALYSIS A THESIS Presented as Partial Fulfillment of the Requirement for the Attainment of a Sarjana Sastra Degree in English Language and Literature Written By: Seruni Eka Novita Sari 08211144011 ENGLISH LANGUAGE AND LITERATURE STUDY PROGRAM FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2015 PERNYATAAN Saya yang bertandatangan di bawah ini: Nama : Seruni Eka Novita Sari NIM : 08211144011 Program Studi : Bahasa dan Sastra Inggris Fakultas : Bahasa dan Seni Menyatakan bahwa karya ilmiah ini adalah hasil pekerjaan saya sendiri. Dan sepanjang pengetahuan saya, karya ini tidak berisi materi yang dituliskan oleh orang lain kecuali bagian-bagian tertentu yang saya ambil sebagai acuan yang mengikuti tata cara dan etika penulisan karya ilmiah yang lazim. Apabila terbukti bahwa pernyataan ini tidak benar, maka hal ini sepenuhnya menjadi tanggung jawab saya. Yogyakarta, 17th September 2015 Seruni Eka Novita Sari iii MOTTOS Dream, Believe, and make it happen. (Agnes Monica) Oh yes I am wise, But it’s wisdom born of pain. Yes I pay the price, but look how much I gained. If I have to, I can do anything. I am strong—I am invincible—I am woman. (Helen Reddy song—I am woman) Love is the label that never goes out of style. (Carrie in Sex and the City) iv DEDICATIONS I dedicate this Thesis to: 1. My Mother Almh. Hj. Sri Moerwani, Dra. 2. My Father Alm. Rudi Bambang,Drs. 3. My Grandparents Haji and Hajah Soedjilin Pawiro Soekarno 4. My entire family in Jogja, Bandung, Jakarta and Surabaya. -
Video-Windows-Grosse
THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3 -
Nothing Less Than Perfect: Female Celebrity, Ageing and Hyper-Scrutiny in the Gossip Industry
CORE Metadata, citation and similar papers at core.ac.uk ProvidedThis by Universityarticle of wasSalford Institutionaldownloaded Repository by: [Univ of Salford] On: 15 May 2012, At: 04:17 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Celebrity Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rcel20 Nothing less than perfect: female celebrity, ageing and hyper-scrutiny in the gossip industry Kirsty Fairclough a a School of Media, Music and Performance, University of Salford, Salford, UK Available online: 17 Feb 2012 To cite this article: Kirsty Fairclough (2012): Nothing less than perfect: female celebrity, ageing and hyper-scrutiny in the gossip industry, Celebrity Studies, 3:1, 90-103 To link to this article: http://dx.doi.org/10.1080/19392397.2012.644723 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and- conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.