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Morgan Hayes, Including a Performance Diary and News of Recent Works, May Be Found At
Stainer & Bell CONTENTS Biographical Note .............................................................2 Music for Orchestra ..........................................................5 Music for String Orchestra ................................................6 Ensemble Works ...............................................................6 Works for Solo Instrument and Ensemble .......................10 Works for Flexible Instrumentation .................................11 Instrumental Chamber Music .........................................12 Works for Solo Piano .......................................................14 Choral Works ..................................................................16 Vocal Chamber Music .....................................................16 Works for Solo Voice .......................................................17 Discography....................................................................17 Alphabetical List of Works...............................................19 Ordering Information ......................................................20 Further information about the music of Morgan Hayes, including a performance diary and news of recent works, may be found at www.stainer.co.uk/hayes.html Cover design: Joe Lau August 2019 1 Morgan Hayes Born in 1973, Morgan Hayes reflects the cultural pluralism of his generation in his open and relaxed attitude to many kinds of musical expression. At the same time, he has pursued a single-minded artistic vision that has won him admirers from among the ranks -
Programme Artikulationen 2017
Programme ARTikulationen 2017 Introduction 2 Research Festival Programme 4 Thursday, 5 October 2017 6 Friday, 6 October 2017 29 Saturday, 7 October 2017 43 Further Doctoral Researchers (Dr. artium), Internal Supervisors and External Advisors 51 Artistic Doctoral School: Team 68 Venues and Public Transport 69 Credits 70 Contact and Partners 71 1 Introduction ARTikulationen. A Festival of Artistic Research (Graz, 5–7 October 2017) Artistic research is currently a much-talked about and highly innovative field of know- ledge creation which combines artistic with academic practice. One of its central features is ambitious artistic experiments exploring musical and other questions, systematically bringing them into dialogue with reflection, analysis and other academic approaches. ARTikulationen, a two-and-a-half day festival of artistic research that has been running under that name since 2016, organised by the Artistic Doctoral School (KWDS) of the Uni- versity of Music and Performing Arts Graz (KUG), expands the pioneering format deve- loped by Ulf Bästlein and Wolfgang Hattinger in 2010, in which the particular moment of artistic research – namely audible results, which come about through a dynamic between art and scholarship that is rooted in methodology – becomes something the audience can understand and experience. In Alfred Brendel, Georg Friedrich Haas and George Lewis, the festival brings three world- famous and influential personalities and thinkers from the world of music to Graz as key- note speakers. George Lewis will combine his lecture with a version of his piece for soloist and interactive grand piano. The presentations at ARTikulationen encompass many different formats such as keynotes, lecture recitals, guest talks, poster presentations and a round table on practices in artistic research. -
Rediscover Northern Ireland Report Philip Hammond Creative Director
REDISCOVER NORTHERN IRELAND REPORT PHILIP HAMMOND CREATIVE DIRECTOR CHAPTER I Introduction and Quotations 3 – 9 CHAPTER II Backgrounds and Contexts 10 – 36 The appointment of the Creative Director Programme and timetable of Rediscover Northern Ireland Rationale for the content and timescale The budget The role of the Creative Director in Washington DC The Washington Experience from the Creative Director’s viewpoint. The challenges in Washington The Northern Ireland Bureau Publicity in Washington for Rediscover Northern Ireland Rediscover Northern Ireland Website Audiences at Rediscover Northern Ireland Events Conclusion – Strengths/Weaknesses/Potential Legacies CHAPTER III Artist Statistics 37 – 41 CHAPTER IV Event Statistics 42 – 45 CHAPTER V Chronological Collection of Reports 2005 – 07 46 – 140 November 05 December 05 February 06 March 07 July 06 September 06 January 07 CHAPTER VI Podcasts 141 – 166 16th March 2007 31st March 2007 14th April 2007 1st May 2007 7th May 2007 26th May 2007 7th June 2007 16th June 2007 28th June 2007 1 CHAPTER VII RNI Event Analyses 167 - 425 Community Mural Anacostia 170 Community Poetry and Photography Anacostia 177 Arts Critics Exchange Programme 194 Brian Irvine Ensemble 221 Brian Irvine Residency in SAIL 233 Cahoots NI Residency at Edge Fest 243 Healthcare Project 252 Camerata Ireland 258 Comic Book Artist Residency in SAIL 264 Comtemporary Popular Music Series 269 Craft Exhibition 273 Drama Residency at Catholic University 278 Drama Production: Scenes from the Big Picture 282 Film at American Film -
THE MUSIC DREAMLAND QUARTET (1997, Revised in 2006)
Music by Fozié Majd (b.1938) and Amir Mahyar Tafreshipour (b.1974) Dreamland (for string quartet) (Majd) 20:57 1 I. Lento 6:10 2 II Delicamente e cantado 14:46 3 Pendar (for solo violin) (Tafreshipour) 6:44 4 Broken Times (for string quartet) (Tafreshipour) 9:38 Farãghi (In Absentia) (for violin and cello) (Majd) 21:10 5 I Mesto, molto lento 14:10 6 II Animato, ma non troppo allegro, relentlessy 6:59 Total playing time: 58:29 Darragh Morgan, violin (all tracks) Patrick Savage, violin (tracks 1-2, 4) Fiona Winning, viola (tracks 1-2, 4) Deidre Cooper, cello (tracks 1-2, 4-6) THE MUSIC DREAMLAND QUARTET (1997, revised in 2006) Dreamland is in two movements; the first acting as a lento introduction to the second movement which is designated as “Delicatamente e cantando,” – delicate with a singing lilt. The opening theme of the second movement is a predominant cyclic or ever-returning factor, assuming various transformations, also present in the finale “lento espressivo” section, as an undercurrent to the expressive romantic melody of the first violin. The thematic materials often evoke a certain mood or feeling associated with the Iranian Dastgah music, and include the use of microtones. In the title “Dreamland,” dream is meant to be understood as “maya” or illusion. Dreamland had its premiere in New York in May 2008, performed by members of the Bãrbad Chamber Orchestra, with Cyrus Beroukhim as its first violin, and Rãmin Heydarbeygi as its music director. Majd PENDAR for violin (2017) Pendar is a series of compositions for solo instruments. -
The Ethical Record Vol
ISSN 0014-1690 The Ethical Record Vol. 98 No. 4 El April 1993 THE STORY OF THE SOCIETY Nicholas Walter 3 THE POLITICS OF SIMONE WEIL: THEORY • AND PRACTICE Christopher Hampton 10 TOYNBEE HALL: SELF- SERVING OR ACCOUNTABLE? Prof. Gerald Vinten 14 SOCIAL CHANGE Margaret Chisman 16 VIEWPOINTS M Neocleous, P Cadogan, Alireza. 16 SCIENCE AND THE EDITORIAL — HIGH HUMANIST HOPES GENERAL READER Peter Reales 21 In our 200 year progress from dissident congregation to humanist society, we have shed, ATHEIST ASSOCIATION? along with the dogmas of religion, its symbols Harry Whitby 24 and trappings too. Nevertheless, the apparently ephemeral event of the release of 200 balloons ATTACKS ON SCIENCE - on the 14th February 1993 can perhaps be seen in retrospect as a symbolic act. GOOD AND BAD ColM Mills 25 The event was the brainchild of Michael SHOULD HUMANISTS Newman; he felt the need to commemorate the PLAY DICE? bicentenary in a more graphic way than could be Ronald Skene 29 done by speeches alone. As we stood in Red Lion Square, watching the balloons soar ever ETHICAL SOCIETY higher over London, some of us may have been EVENTS 31 moved to wonder... Could those balloons, imprinted with SPES — FREETHOUGHT — 1793-1993 and gradually diffusing over the capital, symbolise the 'dissemination of ethical principles' for which the Society still stands and for which the world has such sore need? SOUTH PLACE ETHICAL SOCIETY Conway Hall Humanist Centre 25 Red Lion Square, London WC1R 4RL. Telephone: 071-831 7723 Trustees Louise Booker, John Brown, Anthony Chapman, Peter Heales, Don Liversedge, Ray Lovecy, Ian MacKillop, Barbara Smoker, Harry Stopes-Roe. -
St John's Smith Square
ST JOHN’S SMITH SQUARE 2015/16 SEASON Discover a musical landmark Patron HRH The Duchess of Cornwall 2015/16 SEASON CONTENTS WELCOME TO ST JOHN’S SMITH SQUARE —— —— 01 Welcome 102 School concerts Whether you’re already a friend, or As renovation begins at Southbank 02 Season Overview 105 Discover more discovering us for the first time, I trust Centre, we welcome residencies from the 02 Orchestral Performance 106 St John’s history you’ll enjoy a rewarding and stimulating Orchestra of the Age of Enlightenment 03 Choral & Vocal Music 108 Join us experience combining inspirational and London Sinfonietta, world-class 03 Opera 109 Subscription packages music, delicious food and good company performers from their International Piano 04 Period Instruments 110 Booking information in the fabulous grandeur of this historic Series and International Chamber Music 05 Regular Series 111 How to find us building – the UK’s only baroque Series, and a mid-summer performance 06 New Music 112 Footstool Restaurant concert venue. from the Philharmonia Orchestra. 07 Young Artists’ Scheme This is our first annual season brochure We’re proud of our reputation for quality 08 Festivals – a season that features more than 250 and friendly service, and welcome the 09 Southbank Centre concerts, numerous world premieres and thoughts of our visitors. So, if you have 10 Listings countless talented musicians. We’re also any comments, please let me know and discussing further exciting projects, so I’ll gladly discuss them with you. please keep an eye on our What’s On I look forward to welcoming you to guides or sign up to our e-newsletter. -
Full Text (PDF)
Catalogue ISEA2009 15th International Symposium on Electronic Art 23 August – 1 September 2009 Island of Ireland New Catalogue.indd 1 21/8/09 09:53:43 Copyright © Individual Authors Published by: Interface, University of Ulster ISBN: 978-1-905902-04-0 Copyright notice: All rights reserved by individual authors; no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of the publisher. Individual authors of papers and presentations are soleyl responsible for all materials submitted for this publication. The publisher does not warrant or assume any legal responsibilities for the publication’s content. All opinions expressed in this publication are of the authors and do not reflect those of the publishers. Editorial Team: Kerstin Mey, Grainne Loughran, Cherie Driver Printed by: Graham and Heslip Printer Ltd Design and Layout by Ardmore Advertising Corporate Design by Terry Quigley Web Design: Mark Cullen New Catalogue.indd 2 19/8/09 15:41:49 Contents Acknowledgements .....................................................................................4 Foreword ......................................................................................................6 ISEA2009: The Exhibition Kathy Rae Huffman ......................................................................................7 Ormeau Baths Gallery .................................................................................11 -
The Fidelio Trio Winter Chamber Music Festival at St Patrick's
The Fidelio Trio ARTISTS-IN-RESIDENCE 2014/15 Music Department St Patrick’s College, Drumcondra The Fidelio Trio Darragh Morgan (violin) | Mary Dullea (piano) | Adi Tal (cello) Concert Schedule 2014/15 Wednesday 1 October 2014 Wednesday 25 February 2015 Lunchtime Concert Series Evening Concert St Patrick’s College, 1.15 pm Auditorium, St Patrick’s College, 7.30 pm Mozart – Piano Trio in B flat major K502 Fauré – Piano Trio Op. 120 Michael Nyman – Time Will Pronounce John Buckley – Piano Trio Judith Weir – Piano Trio Two (Irish premiere) Friday - Sunday 5 - 7 December 2014 Schoenberg (arr. Steuermann) – Verklärte Nacht Fidelio Trio Winter Chamber Music Festival at Belvedere House, St Patrick’s College Wednesday 15 April 2015 The Fidelio Trio with Nicholas Daniel (oboe) and Lunchtime Concert Series Meghan Cassidy (viola) (see inset for festival details) St Patrick’s College, 1.15 pm Dorothy Ker – Channel (World premiere) Wednesday 10 December 2014 Mozart – Piano Trio in E major K 542 Lunchtime Concert Series St Patrick’s College, 1.15 pm Wednesday 8 July 2015 Mendelssohn - Variations Concertantes Evening Concert Suk - Ballade & Serenade Auditorium, St Patrick’s College, 7.30 pm John Adams - Road Movies Martin O’Leary – Bluescape Liszt arr. Saint-Saens – Orphée (Poeme Symphonique) Wednesday 21 January 2015 Chausson – Piano Trio in G minor Op. 3 Lunchtime Concert Series St Patrick’s College, 1.15 pm Benedict Schlepper-Connolly – Ekstase II (Irish premiere) Mark Bowden – Airs No Oceans Keep (Irish premiere) Percy Grainger – Colonial Song Free Admission to all concerts The Fidelio Trio Winter Chamber Music Festival at St Patrick’s College 5-7 December 2014 Darragh Morgan (violin) Mary Dullea (piano) Adi Tal (cello) Nicholas Daniel (oboe) Meghan Cassidy (viola) We are delighted to announce our second Fidelio Trio Winter Chamber Music Festival at St Patrick’s College where we have continued to enjoy a wonderful artistic residency since 2012. -
New on Naxos | FEBRUARY 2014 the Complete Rossini Overtures by Christian Benda and the Prague Sinfonia Orchestra
NEWThe World’s O LeadingN ClassicalNAXO Music LabelS FEBRUARY 2014 This Month’s Other Highlights © 2014 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | FEBRUARY 2014 The Complete Rossini Overtures by Christian Benda and the Prague Sinfonia Orchestra Rossini’s ceaseless wit and invention are best exemplified in his series of operas. His colourful orchestration and command of both comic and tragic elements can be savoured in Naxos’s complete series of symphonic overtures, either in four standard CD volumes or the spectacular sonics of the two Blu-ray Audio discs. Complete Overtures, Volume 1 La gazza ladra • Semiramide • Elisabetta, Regina d’Inghilterra (Il barbiere di Siviglia) Otello • Le siège de Corinthe • Sinfonia in D ‘al Conventello’ • Ermione 7 47313 09337 3 La gazza ladra (The Thieving Magpie) is perhaps one of the world’s most popular concert openers. The overture for Elisabetta, Regina d’Inghilterra was used again a year later by Rossini for Il barbiere di Siviglia. “an admirable start to what looks like being a very desirable series” – MusicWeb International 8.570933 Complete Overtures, Volume 2 Guillaume Tell • Eduardo e Cristina • L’inganno felice • La scala di seta Demetrio e Polibio • Il Signor Bruschino • Sinfonia di Bologna • Sigismondo 7 47313 09347 2 8.572735 Playing Time: 55:31 Guillaume Tell, with its overture in four movements, includes a scene for five solo cellos. La scala di seta (The Silken Ladder), one of his most popular pieces, opens with an overture of charm and élan. -
Download Alfred Wallis: Artist and Mariner, Robert Jones, Halsgrove
Alfred Wallis: Artist and Mariner, Robert Jones, Halsgrove Press, 2001, 1841140724, 9781841140728, . DOWNLOAD HERE Alfred Wallis Primitive, Sven Berlin, Aug 1, 2007, , 144 pages. On a visit to St. Ives in the 1920s, the artists Ben Nicholson and Christopher Wood chanced upon a reclusive, semi-literate fisherman living in poverty and spending his time .... Colour and Light in Oils , Nicholas Verrall, Jun 15, 2008, Art, 128 pages. Through an array of demonstrations and inspirational images, a respected and successful painter reveals all his secrets for depicting light and mood, and bringing out the rich .... Shipshape , James Dodds, Nov 1, 2001, Art, 130 pages. Alan Cotton On a Knife Edge, Jenny Pery, Sep 1, 2003, , 144 pages. Alfred Wallis , Matthew Gale, 1998, Biography & Autobiography, 80 pages. Alfred Wallis (1855-1942) spent most of his life as a dealer in marine supplies and it was only at the age of 70 that he took up painting "for company" after the death of his .... Postmodernism , Eleanor Heartney, 2001, Philosophy, 80 pages. This work examines the ways in which the term "Postmodernism" has been used and abused within the contemporary art world. It explores the paradox at the heart of Postmodernism .... Barbara Hepworth works in the Tate Gallery Collection and the Barbara Hepworth Museum, St Ives, Matthew Gale, Chris Stephens, 1999, Art, 296 pages. Barbara Hepworth (1903-1975) is internationally acclaimed as one of the major sculptors of the mid-20th century. Initially a carver of hard woods and stones, she diversified .... Two painters works by Alfred Wallis and James Dixon, Matthew Gale, Richard Ingleby, 1999, Art, 128 pages. -
NMC D258 Buckley Booklet (Itunes)
2 3 LINDA BUCKLEY FROM OCEAN’S FLOOR Ó Íochtar Mara (From Ocean’s Floor) 1 I Fil Duine (Gráinne speaks of Diarmuit) 4’28 2 II Cridhe lán do smuaintighthibh (A heart made full of thought) 5'14 3 III Gealach agus Grian (Sun and Moon) 6’11 4 IV Áimhréidh (Entanglement) 5’53 Iarla Ó’Lionáird voice · Crash Ensemble · Linda Buckley electronics 5 Fridur 12’02 Isabelle O’Connell piano · Linda Buckley electronics 6 Discordia 11’17 Joby Burgess percussion (canna sonora) · Linda Buckley electronics 7 Haza 14’29 ConTempo Quartet ConTempo Quartet · Linda Buckley electronics Bogdan Sofei violin Ingrid Nicola violin 8 Kyrie 9’50 Linda Buckley voice & electronics Andreea Banciu viola Adrian Mantu cello 9 Exploding Stars 8’17 Darragh Morgan violin · Linda Buckley electronics Crash Ensemble Ciaran McCabe violin Total timing 78’17 Maria Ryan violin Lisa Dowdall viola Kate Ellis cello photo © Olesya Zdorovetska 2 How to introduce Linda Buckley’s music? is both local and international. Born in 1979, life and in Ó Íochtar Mara (2015), the most derived from the sound of one of the milking Perhaps it helps to begin with a conclusion, the youngest of nine children, she grew up on substantial work on this album, she draws on machines on the Buckley farm) and the second something the late Bob Gilmore wrote about her parents’ farm on the Old Head of Kinsale this legacy. She is a practitioner of sean nós, underscored by long notes in the strings. In the her work in 2008. For Gilmore what made Linda in County Cork. -
Think Again. Think You Know Irish Music?
Think you know Irish Music? Think Again. Music from Ireland: New Music Now TABLE OF CONTENTS 1 Contemporary Music Centre Contemporary Music Centre, Ireland presents a snapshot of the diverse 2 Association of Irish Composers and vibrant musical landscape on 3 Alex Pectu Colan the island of Ireland. This includes information on ensembles and 4 Cassiopeia Winds soloists based in Ireland who are 5 Chamber Choir Ireland fully engaged in the performance and promotion of works by living 6 Concorde Ensemble artists, and are ambassadors for the 7 Crash Ensemble works of Irish composers both at 8 crOw home and internationally. 9 Dublin Sound Lab Say hello to the Contemporary Music 10 Elizabeth Hilliard Centre, Ireland at the IAMIC stand no. 17, with promotional materials 11 Ergodos and showcase CDs available at the 12 Fidelio Trio stand. 13 Gavin Brennan 14 Hard Rain Soloist Ensemble Contact www.cmc.ie Director Evonne Ferguson 15 Kate Ellis Email [email protected] Twitter @CMCIreland 16 Kirkos Ensemble Facebook facebook.com/CMCIreland 17 Michelle O’Rourke 18 Paul Roe 19 Quiet Music Ensemble 20 Seán Mac Erlaine 21 Sonic Vigil 22 Sylvia O Brien 23 William Dowdall Contemporary Music Centre The Contemporary Music Centre is the information centre for contemporary music from the island of Ireland. We document, develop and promote contemporary music from the island of Ireland. Our library and sound archive houses the scores, recordings and related materials of approximately two hundred composers at our base in Dublin and online at www.cmc.ie. We aim to create and facilitate opportunities for composers and performers in the performance of contemporary music and to develop an audience for and participation in contemporary music in Ireland and for Irish contemporary music abroad.