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Shakes in Love STUDYGUIDE
Study Guide for Educators Based on the screenplay by Marc Norman and Tom Stoppard Adapted for the stage by Lee Hall Lyrics by Carolyn Leigh Music by Paddy Cunneen This production of Shakespeare In Love is generously sponsored by: Emily and Dene Hurlbert Linda Stafford Burrows Ron and Mary Nanning Ron Tindall, RN Shakespeare in Love is presented by special arrangement with Samuel French Inc 1 Welcome to the Pacific Conservatory Theatre A NOTE TO THE TEACHER Thank you for bringing your students to the Pacific Conservatory Theatre at Allan Hancock College. Here are some helpful hints for your visit to the Marian Theatre. The top priority of our staff is to provide an enjoyable day of live theatre for you and your students. We offer you this study guide as a tool to prepare your students prior to the performance. SUGGESTIONS FOR STUDENT ETIQUETTE Note-able behavior is a vital part of theater for youth. Going to the theater is not a casual event. It is a special occasion. If students are prepared properly, it will be a memorable, educational experience they will remember for years. 1. Have students enter the theater in a single file. Chaperones should be one adult for every ten students. Our ushers will assist you with locating your seats. Please wait until the usher has seated your party before any rearranging of seats to avoid injury and confusion. While seated, teachers should space themselves so they are visible, between every groups of ten students. Teachers and adults must remain with their group during the entire performance. -
The Writer and Director
The writer and director Specific learning outcomes Students will: • understand the process of developing this script. • examine how a scene in the play has been developed by the director. • understand the writer’s purpose in developing this play • understand and be able to describe the features of Stoppard’s writing • identify key ideas in the play. [These learning outcomes relate to the Communication and Interpreting in Drama (CI) and Understanding Drama in Context (UC) strands in The Arts in the New Zealand Curriculum.] Tom Stoppard “If I wanted to change the world, the last thing I would do is write a play.” Tom Stoppard Tom Stoppard was born Tomas Straussler on 3 July 1937 in Zlín, Czech Republic. Stoppard’s father, Eugene Straussler, was a company physician whose Czech company sent the family to a branch factory in Singapore in 1938/39. After the Japanese invasion, his father stayed on and was killed in a prisoner of war camp, but Mrs Straussler and her two sons escaped to India, where she married a British officer, Kenneth Stoppard, in 1946. At the age of nine, Tom and his family went to live in England. Tom Stoppard (he assumed his stepfather’s surname) quit school at the age of 17 and started his career as a journalist in Bristol. He began to write plays in 1960 after moving to London. Travesties: The writer and director, page 1 Accessed from The Arts/Ngā Toi materials, www.tki.org.nz/r/arts/drama/travesties Stoppard’s bibliography of plays, radio dramas and film scripts is extensive. -
Programs to Our Community
We l c o m e t o Glorious greetings to you all! What a pair of pearls The Old Globe has in store for us this fall, as we kick off It’s an exciting time at The Old Globe. The our newly reconfigured Season 2003-04! 2003-04 season is beginning in the Old Globe Ahoy to the gifted Stan Theatre and the Cassius Carter Centre Stage, Wojewodski, who returns to us after while the final production of our triumphant serving as Dean of the Yale School of summer season plays the Lowell Davies Festival Drama and Artistic Director of the Yale Theatre. This summer San Diego theatregoers Repertory Theater, with his rousing pro- were treated to spectacular performances by duction of Tom Stoppard’s Rough Crossing. The celebrated André Globe artists to rave reviews. You may have seen Previn provides a few witty tunes for this art deco transatlantic the exceptional notice and rare west coast cruise which flounders in storms on the high seas as two play- review The New York Times gave our production of Julius Caesar. The wrights race against time to find an ending to their new musical, 2003-04 season is sure to continue The Old Globe tradition of theatri- The Cruise of the Dodo! Hilarious complications ensue as they try cal excellence beginning with Tom Stoppard’s hilarious Rough Crossing to mollify their fragile and jealous composer, while navigating the and the Olivier Award-winning Blue/Orange. treacherous romantic currents of their lead actors and an eager Of course, before we know it, the holiday season will be upon us, but hopeless ship’s steward. -
Guide to the Dr. Gerald N. Wachs Collection of Tom Stoppard 1967-2013
University of Chicago Library Guide to the Dr. Gerald N. Wachs Collection of Tom Stoppard 1967-2013 © 2017 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Biographical Note 3 Scope Note 4 Related Resources 5 Subject Headings 5 INVENTORY 5 Series I: Correspondence 5 Series II: Tom Stoppard: A Bibliographical History 6 Series III: Plays, Films, and Radio Productions 8 Series IV: Other Writings 13 Series V: Photographs 14 Series VI: Oversize 14 Descriptive Summary Identifier ICU.SPCL.WACHS Title Wachs, Dr. Gerald N. Collection of Tom Stoppard Date 1967-2013 Size 7 linear feet (11 boxes, 1 oversize folder) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract The Dr. Gerald N. Wachs Collection contains materials relating to the production of Tom Stoppard’s plays on stage and screen – including advertising, playbills, reviews, and ephemera – and cards, letters, and photographs signed by Stoppard. Of particular note are drafts and working copies of scripts and screenplays, and first run programs. Also included are materials which were used in the preparation of Gerald Wachs’ Tom Stoppard bibliography, published by Oak Knoll Press in 2010 as Tom Stoppard: A Bibliographical History. Information on Use Access The collection is open for research. Citation When quoting material from this collection, the preferred citation is: Wachs, Dr. Gerald N. Collection of Tom Stoppard, [Box #, Folder #], Special Collections Research Center, University of Chicago Library. Biographical Note Gerald N. Wachs, M.D. (1937-2013) was a doctor and dermatologist from Millburn, New Jersey. -
Tom Stoppard Writer
Tom Stoppard Writer Please send all permissions and press requests to [email protected] Agents St John Donald Associate Agent Jonny Jones [email protected] +44 (0) 20 3214 0928 Anthony Jones Associate Agent Danielle Walker [email protected] +44 (0) 20 3214 0858 Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits Film Production Company Notes United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] ANNA KARENINA Working Title/Universal/Focus Screenplay from the novel by 2012 Features Tolstoy Directed by Joe Wright Produced by Tim Bevan, Paul Webster with Keira Knightley, Jude Law, Aaron Taylor-Johnson *Nominated for Outstanding British Film, BAFTA 2013 ENIGMA Intermedia/Paramount Screenplay from the novel by 2001 Robert Harris Directed by Michael Apted Produced by Mick Jagger, Lorne Michaels with Kate Winslet, Dougray Scott, Saffron Burrows VATEL Legende/Miramax English adaptation 2000 Directed by Roland Joffe Produced by Alain Goldman with Uma Thurman, Gerard Depardieu, Tom Roth United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] SHAKESPEARE IN LOVE Miramax Screenplay from Marc Norman 1998 Directed by John Madden Produced by Donna Gigliotti, David Parfitt, Harvey Weinstein, Edward Zwick with Gwyneth Paltrow and Joseph Fiennes * Winner of a South Bank Show Award for Cinema 2000 * Winner of Best Screenplay, Evening Standard -
The Cambridge Companion to Tom Stoppard Edited by Katherine E
Cambridge University Press 0521645921 - The Cambridge Companion to Tom Stoppard Edited by Katherine E. Kelly Excerpt More information PAUL DELANEY Chronology 1937 Stoppard born Tomásˇ Straüssler (3 July), the second son of Eugen and Martha Straüssler in Zlín, Czechoslovakia, where his father was a physician for Bata, a shoe manufacturer. 1939 The day the Nazis invade Czechoslovakia (14 March), the Straüsslers leave Zlín, with other Jewish doctors who worked for Bata, to go to Singapore. 1942 Briefly attends an English convent school in Singapore. When women and children are evacuated prior to the Japanese inva- sion, four-year-old Tomásˇalong with his mother and brother leaves for India; his father remains behind and is killed. 1943–46 Attends an English-speaking boarding school run by American Methodists in Darjeeling; his mother serves as manager of the local Bata shoe shop. 1945 Mother marries Kenneth Stoppard, a British Army major (November). 1946 Family moves to England (February) and three weeks later Major Stoppard adopts his two stepsons, giving them his surname; Tommy Straüssler becomes Tom Stoppard. 1946–51 Attends the Dolphin School, Nottinghamshire. 1951–54 Attends the Pocklington School, Yorkshire. 1950 Stoppard family moves to Bristol. 1954–58 Stoppard becomes a journalist on the Western Daily Press. Kenneth Tynan serves as drama critic on the Observer. 1954–60 Stoppard attends productions at the Bristol Old Vic. 1955 First British production, directed by Peter Hall, of Samuel Beckett’s Waiting for Godot, which Stoppard cites as the cat- alyst for modern British drama. 1956 The Royal Court production of John Osborne’s Look Back in Anger acclaimed by critic Kenneth Tynan. -
Stoppard's Theatricality
chapter 6 Stoppard’s Theatricality I am quite hot on the theatricality of theatre.1 stoppard ∵ Part of Stoppard’s impulse for dramatic plenitude is his awareness of the need for theatrical impact – ‘One is judged as a writer on the strength of what one manages to bring off theatrically’.2 For him there is no doubt that he is pro- ducing an event, not a text.3 ‘This distinction I’m trying to make between the text and the event. It’s very easy to talk about one’s plays as though they were texts whereas what they really are are attempts to transcribe an event which hasn’t happened yet. The text is a means towards an event’.4 There can be few playwrights who are more aware, in a practical sense, of both the constraints imposed and the possibilities offered by the respective media of the stage, in particular, and radio,5 television and film. The result with Stoppard is almost always a spectacle of some sorts,6 although he has been accused of ‘intellectual window dressing’.7 1 Stoppard, in an interview with Melvyn Bragg, ‘The South Bank Show’ in P. Delaney (ed), Tom Stoppard in Conversation, page 118. 2 extract from Ronald Hayman, Tom Stoppard, 4th edition in T. Bareham (ed), Tom Stoppard: Rosencrantz and Guildenstern are Dead, Jumpers & Travesties, page 29. 3 William Demastes describes Stoppard as, ‘the consummate entertainer’. – W. Demastes, The Cambridge Introduction to Tom Stoppard, page 2. 4 Stoppard, in an interview with K. Kelly and W. Demastes, ‘The Playwright and the Professors: An Interview With Tom Stoppard’ in South Central Review, Volume 11, Number 4, Winter 1994. -
An Analysis of the Function of Love in the Works of Tom Stoppard and C.S
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses Summer 8-2012 Mind the Gap: An Analysis of the Function of Love in the Works of Tom Stoppard and C.S. Lewis. Jacqueline C. Lawler Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the American Literature Commons, Comparative Literature Commons, Dramatic Literature, Criticism and Theory Commons, English Language and Literature Commons, Modern Literature Commons, and the Playwriting Commons Lawler, Jacqueline C., "Mind the Gap: An Analysis of the Function of Love in the Works of Tom Stoppard and C.S. Lewis." (2012). Pell Scholars and Senior Theses. 85. https://digitalcommons.salve.edu/pell_theses/85 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Introduction In comparing C.S. Lewis’s The Four Loves to Tom Stoppard’s plays The Real Thing , The Invention of Love , Rock and Roll and Arcadia , the connection between their theories of love becomes apparent: the Christian Lewis and the agnostic Stoppard are bridged by the idea of the natural law which is most clearly manifested by love. Clive Staples (C.S.) Lewis was born on November 29, 1898 in Belfast. Though Lewis had a happy childhood overall, his mother passed away from cancer when he was only ten years old. -
Tribhuvan University Homosexuality in Tom Stoppard's the Invention of Love a Thesis Submitted to the Faculty of Humanities
Tribhuvan University Homosexuality in Tom Stoppard’s The Invention of Love A Thesis submitted to the Faculty of Humanities and Social Science, Department of English, Ratna Rajyalaxmi Campus, in partial Fulfillment of the Requirements For the Degree of Master of Arts in English By Kamal Pulami Magar T.U Regd. No: 6-2-712-2-2007 Exam Roll No: 400321/ 2068-69 August 2018 Declaration I hereby declare that the thesis entitled Homosexuality in Tom Stoppard’s the Invention of Love is original work carried out as a Master’s student to submit at the Department of English, Ratna Rajyalaxmi Campus accepted to the extent that assistence from Others in the thesis’s design and conception or in presentation style, and linguistic Expressions are duly acknowledged. All the sources used for the thesis have been fully and properly citied. It contains no Materials with to a sustantial extent has been accepted for the award of any other Degree at Tribhuvan University or any other educational institution, except where due Acknowledgement is made in the thesis paper ________________ Kamal Pulami Magar August 2018 Tribhuvan University Faculty of Humanities and Social Sciences Letter of Approval This Thesis Entitled “Homosexuality in Tom Stoppard’s The Invention of Love” Submitted to the Department of English, Ratna Rajyalaxmi Campus, by Mr. Kamal Pulami Magar, has been approved by the undersigned members of the Research Committee. ……………………… Janak Paudel Supervisor ……………………… External examiner ……………………… Mr. Pradip Sharma Head Department of English Date: ……………… Acknowledgements I would like to express my sincere gratitude to Mr. Janak Paudel, the supervisor of my thesis whose guidance has helped me to complete a thesis. -
Feb. 2013 Spotlight
The Theatre Arts Management Shop at Catawba College Shuford School of Performing Arts Presents: MC EPPTHE HOUSE: SPOTLIGHT CATAWBA COLLEGE 2300 West Innes St. February 2013 Vol 19, No. 4 www.catawba.edu/theatrearts Salisbury, NC 28144 TELEPHONE (704) 637-4481 EMAIL THEATREARTS @CATAWBA.EDU Co-Editor: Sydney Berk Ringing in the New Year with some [email protected] Co-Editor: incredible shows! Verity Pryor-Harden [email protected] START OFF 2013 WITH QUALITY THEATRE UPCOMING PRODUCTION: REFERENCES TO SALVADOR DALI MAKE ME HOT Student directed by senior Sydney Berk, this contemporary, poetic drama tells of the conflict between dreams and reality. Continued on Page 2 UPCOMING PRODUCTION: ROSENCRANTZ AND GUILDENSTERN ARE DEAD Greg Stoughton & Verity Pryor-Harden in References to Salvador Dali Make Me Hot (Photography by Tracy Ratliff) Directed by Dr. Beth Homan, the comedy by Tom Stoppard comes to life in our staged reading. Continued on Page 4 THE LIFE OF GALILEO GOES TO KCACTF One of six shows out of over 200 applicants invited to compete in the Kennedy Center American College Theatre Festival, the cast and crew of The The Life of Galileo goes to KCACTF (Photography by Rosencrantz & Guildenstern Life of Galileo get prepped to compete. Sean Meyers) Continued on Page 6 ALUMNI OF THE MONTH: TAYLOR HOHMAN Meet our Catawba Theatre Alumni of the Month! Continued on Page 7 Like us on Facebook: /catawbatheatre | Follow us on Twitter: @CatawbaTheatre | Follow us on Instagram: @catawbatheatre THE SPOTLIGHT PAGE2 References to Salvador Dali Make Me Hot Beginning February 6th, References to Salvador get a look into Gabriela’s struggle with her Cast & Crew Dali Make Me Hot, a steamy piece of magical husband, who has been broken by a realism by José Rivera, will seduce audiences in true carnivorous war. -
HAPGOOD by Tom Stoppard Directed by Howard Davies Designed by Ashley Martin Davis
Press Release: Friday 30 October 2015 Hampstead Theatre presents HAPGOOD By Tom Stoppard Directed by Howard Davies Designed by Ashley Martin Davis 4 December 2015 – 16 January 2016 Press Night Wednesday 9 December at 7pm Hampstead Theatre announces the full casting for Tom Stoppard’s play Hapgood, which previews from Friday 4 December 2015. Directed by Howard Davies, the full cast features Lisa Dillon, who will take the title role, Gary Beadle, Joe Evans, Edward Hancock, Gerald Kyd, Tim McMullan and Alec Newman. Child actors Adam Cansfield and Sasha Gray complete the cast. “I can’t remember which side I’m supposed to be working for, and it is not in fact necessary for me to know…” London 1988. The Cold War is approaching its endgame and somebody in spymaster Elizabeth Hapgood’s network is leaking secrets. Is her star Double Agent a Triple? The trap she sets becomes a hall of mirrors in which betrayal is personal and treachery a trick of the light. Lisa Dillon plays Hapgood. She trained at RADA and her theatre credits include The Roaring Girl, The Taming Of The Shrew, Othello (RSC), Happy New (Trafalgar Studios), Birthday (The Royal Court), Design For Living, A Flea In Her Ear (Old Vic), The Knot Of The Heart, When The Rain Stops Falling, A Period Of Adjustment, Hedda Gabler (Almeida), Under The Blue Sky, Private Lives (West End), Present Laughter, The Hour We Knew Nothing Of Each Other (National Theatre), The Master Builder (West End) and Iphigenia (Sheffield). Film and television credits include Suffragette, The Beat Beneath My Feet, Bright Young Things, Stan Lee’s Lucky Man (Sky), Black Work, The Jury (ITV), Dirk Gently (BBC3), Cranford, Hawking and Cambridge Spies (BBC). -
Stoppard Gone Wilde: the Invention of Identity
Stoppard Gone Wilde: The Invention of Identity Emily C. Giglierano A thesis presented to the Department of English in partial fulfillment of the requirements for the degree of Bachelor of Arts with Honors Mount Holyoke College South Hadley, Massachusetts 5 May 2006 ACKNOWLEDGMENTS I would like to thank the following people for their ideas, discussions, feedback, and myriad contributions of time and energy that helped this thesis come into being. First and foremost, my thesis committee members, – Mary Jo Salter and Heidi Holder of the English Department, and Paula Alekson of the Theater Department – guided me through the writing process, offered helpful feedback, and helped me to articulate the thousand and one complicated things to say about Stoppard. Two people were responsible for planting the seeds of my interest in Stoppard. Peter Berek , my academic advisor in the English department since first year, and the professor who introduced me to Travesties . Two years later, Advanced Studies in England tutor Jonathan Hope took his contemporary literature class to see Arcadia at the Bristol Old Vic, which re-kindled I’d like to thank my classmates in the Spring 2005 seminar “In & Around Tom Stoppard,” taught by Professor Salter, for thirteen weeks of stimulating discussion and a variety of ways to think about Stoppard’s works. A special thank-you is due to one member of the class: Ariel Franklin , whose brilliant Speaking, Arguing, and Writing mentor skills and general enthusiasm for Stoppard were instrumental during the final stages of the project. Similarly, conversations with Jessie Doernberger helped immeasurably during the fall semester and the early phase of writing.