DOCSLIB.ORG

Accessible Common Alerting Protocol Radio Data System Demonstration: Gulf Coast States Final Report August 2014 1 TABLE of CONTENTS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Accessible Common Alerting Protocol Radio Data System Demonstration: Gulf Coast States Final Report August 2014 1 TABLE of CONTENTS Accessible Common Alerting Protocol Radio Data System Demonstration: Gulf Coast States Final Report August 2014 1 TABLE OF CONTENTS 1 TABLE OF CONTENTS ....................................................................................................................................................................... 2 2 ACKNOWLEDGEMENTS .................................................................................................................................................................... 5 3 EXECUTIVE SUMMARY ..................................................................................................................................................................... 6 4 INTRODUCTION .................................................................................................................................................................................. 8 5 METHODOLOGY.................................................................................................................................................................................. 9 6 TECHNICAL CONFIGURATIONS AND TESTING ..................................................................................................................... 10 6.1 Hardware, Ingest Software (INSO) and Software to Monitor INSO (WATCHINSO) ...................................................... 10 Hardware ................................................................................................................................................................................. 10 Source of Alert Messages ........................................................................................................................................................ 11 System Architecture ................................................................................................................................................................ 11 Monitor INSO (WATCHINSO) ................................................................................................................................................... 12 6.2 NPR Labs Emergency Alerting ODA ............................................................................................................................. 13 ODA Performance .................................................................................................................................................................... 13 6.3 The Modernized Emergency Alerting FM Radio Data System (RDS) Open Data Applications (ODA) ............................ 14 Description of RDS Signals ....................................................................................................................................................... 14 6.4 Satellite (SAT) Receiver ............................................................................................................................................... 15 Hardware ................................................................................................................................................................................. 15 Software .................................................................................................................................................................................. 15 6.5 Common Alerting Protocol Manager (CAPMAN) ......................................................................................................... 16 Overview ................................................................................................................................................................................. 16 CAPMAN Development ........................................................................................................................................................... 16 Hardware Implementation ...................................................................................................................................................... 17 Software Implementation in RAE ONE .................................................................................................................................... 17 RAE ONE Configuration ........................................................................................................................................................... 18 6.6 RDS Encoder ............................................................................................................................................................... 18 Hardware ................................................................................................................................................................................. 18 Software .................................................................................................................................................................................. 18 2 6.7 FM Transmitter ........................................................................................................................................................... 18 6.8 NIPPER ONE, the Accessible FM RDS Receiver ............................................................................................................ 19 Vendor Selection ..................................................................................................................................................................... 19 Radio Receiver Development .................................................................................................................................................. 19 Software .................................................................................................................................................................................. 21 6.9 Android Application .................................................................................................................................................... 21 Hardware ................................................................................................................................................................................. 21 Software .................................................................................................................................................................................. 22 Participant / End-User Setup ................................................................................................................................................... 22 6.10 Technical Tests ....................................................................................................................................................... 22 7 STATION SELECTION AND IMPLEMENTATION .................................................................................................................... 23 7.1 Station Selection and Analysis .................................................................................................................................... 23 7.2 Station Profiles ........................................................................................................................................................... 23 7.3 Station Implementation .............................................................................................................................................. 24 Overview ................................................................................................................................................................................. 24 Installation Procedures ............................................................................................................................................................ 24 Details of Installations at Stations ........................................................................................................................................... 26 7.4 Station Responses and Feedback ................................................................................................................................ 26 8 DEAF AND HARD-OF-HEARING PARTICIPANT EVALUATIONS ....................................................................................... 28 8.1 Participant Recruitment .............................................................................................................................................. 28 Recruitment Procedures.......................................................................................................................................................... 28 8.2 Setting Up Receivers And Tablets ............................................................................................................................... 28 8.3 Field Test .................................................................................................................................................................... 29 Participant Pool ....................................................................................................................................................................... 29 Coding Data ............................................................................................................................................................................. 29 Results ..................................................................................................................................................................................... 30 9 LESSONS LEARNED ........................................................................................................................................................................
Load more

Recommended publications
  • Educational Electronic Information Dissemination and Broadcast
    DOCUMENT RESUME EM 009 266 ED 055 419 Singh, Jai P.; Morgan, RobertP. AUTHOR Dissemination and TITLE Educational Electronic Information Broadcast Services: History,Current Infrastructure and Public BroadcastingRequirements. INSTITUTION Washington Univ., St. Louis, Mo. SPONS AGENCY National Aeronautics and SpaceAdministration, Washington, D.C. REPORT NO IN-71/3 PUB DATE 9 Aug 71 NOTE 91p. EDRS PRICE MF-$0.65 HC-$3.29 *Broadcast Industry; DESCRIPTORS Audiovisual Communication; Broadcast Television; CableTelevision; Closed Circuit Television; *CommunicationSatellites; Dial Access Information Systems;Educational Television; Fixed Service Television;*Information Dissemination; Information Networks; InformationRetrieval; Information Services; InformationSystems; *Instructional Television; Radio;*Telecommunication; Television National Public IDENTIFIERS Corporation for Public Broadcasting; Radio; Public BroadcastingServices ABSTRACT This memorandum describesthe results of a study on electronic educational informationdissemination and broadcast services in the United States.Included are detailed discussionsof (both in terms the historical developmentand current infrastructure of organization and physicalplant) of the followingservices: educational radio and televisionbroadcasting, instructional information retieval (dial access) television fixed services (ITFS), The television, and closed-circuit,responsive, and cable television. creation of the Corporation forPublic Broadcasting, thePublic Broadcasting Service, and NationalPublic 1,tadio have
    [Show full text]
  • Warburton, John Henry. (2010). Picture Radio
    ! ∀# ∃ !∃%& ∋ ! (()(∗( Picture Radio: Will pictures, with the change to digital, transform radio? John Henry Warburton Master of Philosophy Southampton Solent University Faculty of Media, Arts and Society July 2010 Tutor Mike Richards 3 of 3 Picture Radio: Will pictures, with the change to digital, transform radio? By John Henry Warburton Abstract This work looking at radio over the last 80 years and digital radio today will consider picture radio, one way that the recently introduced DAB1 terrestrial digital radio could be used. Chapter one considers the radio history including early picture radio and television, plus shows how radio has come from the crystal set, with one pair of headphones, to the mains powered wireless with built in speakers. These radios became the main family entertainment in the home until television takes over that role in the mid 1950s. Then radio changed to a portable medium with the coming of transistor radios, to become the personal entertainment medium it is today. Chapter two and three considers the new terrestrial digital mediums of DAB and DRM2 plus how it works, what it is capable of plus a look at some of the other digital radio platforms. Chapter four examines how sound is perceived by the listener and that radio broadcasters will need to understand the relationship between sound and vision. We receive sound and then make pictures in the mind but to make sense of sound we need codes to know what it is and make sense of it. Chapter five will critically examine the issues of commercial success in radio and where pictures could help improve the radio experience as there are some things that radio is restricted to as a sound only medium.
    [Show full text]
  • Federal Communications Commission
    FEDERAL COMMUNICATIONS COMMISSION WIRELESS TELECOMMUNICATIONS BUREAU FEE FILING GUIDE EFFECTIVE September 10, 2002 UNIVERSAL LICENSING SYSTEM ~218-219 MHz SERVICE ~LAND MOBILE RADIO SERVICE ~AIRCRAFT RADIO SERVICE ~LOCAL TELEVISION TRANSMISSION ~AMATEUR RADIO SERVICE ~MARINE COAST RADIO SERVICE ~AVIATION GROUND RADIO SERVICE ~OFFSHORE RADIOTELEPHONE ~BROADCAST AUXILIARY RADIO ~PAGING AND RADIOTELEPHONE ~CELLULAR RADIOTELEPHONE ~POINT-TO-POINT MICROWAVE – ~COMMERCIAL RADIO OPERATORS COMMON CARRIER & PRIVATE ~DIGITAL ELECTRONIC MESSAGE - ~RURAL RADIOTELEPHONE COMMONCARRIER & PRIVATE ~SHIP RADIO SERVICE ~GENERAL MOBILE RADIO SERVICE OTHER ~MULTIPOINT DISTRIBUTION SERVICE & ~COMPARATIVE HEARING This is an unofficial compilation of the radio services and requests for FCC actions that are subject to fees. The public should consult the Commission's Rules as set out in Title 47 of the Code of Federal Regulations (CFR) for application filing requirements. Further information on fees may be obtained in Part 1, Subpart G of the CFR or in the Commission's official decision implementing the Congressional Schedule of Charges. This decision is published in the FCC Record or may be purchased from the Commission's current copy contractor. The fee amounts contained in this guide are subject to review annually and may result in changes to these amounts. The FCC will issue a notice to reflect any changes. PART A IMPORTANT NOTICE OF CHANGE: The Remittance Advice 159 has been revised to accept payer and applicant FCC Registration Numbers (FRN). Effective December 3, 2001, the use of the FCC Registration Number (FRN) is now mandatory. Failure to register or include an FRN on your FCC Form 159 will result in your application being returned as unprocessable.
    [Show full text]
  • Radiowaves Will Be Featuring Stories About WPR and WPT's History of Innovation and Impact on Public Broadcasting Nationally
    ON AIR & ONLINE FEBRUARY 2017 Final Forte WPR at 100 Meet Alex Hall Centennial Events Internships & Fellowships Featured Photo Earlier this month, WPR's To the Best of Our Knowledge explored the relationship between love WPR Next" Initiative Explores New Program Ideas and evolution at a sold- out live show in Madison, We often get asked, "Where does WPR come up with ideas for its sponsored by the Center programs?" First and foremost, we're inspired by you, our listeners for Humans in Nature. and neighbors around the state. During our 100th year, we're looking Excerpts from the show, to create the public radio programs of the future with a new initiative which included storyteller called WPR Next. Dasha Kelly Hamilton (pictured), will be We're going to try out a few new show ideas focused on science, broadcast nationally on pop culture, life in Wisconsin, and more. You can help our producers the show later this month. develop these ideas by telling us what interests you about these topics. Sound Bites Do you love science? What interests you most ---- do you wonder about new research in genetics, life on other planets, or ice cover on Winter Pledge Drive the Great Lakes? What about pop culture? What makes a great Begins February 21 book, movie or piece of music, and who would you like to hear WPR's winter interviewed? How about life in Wisconsin? What do you want to membership drive is know about our state's culture and history? What other topics would February 21 through 25.
    [Show full text]
  • Thesis a Uses and Gratification Study of Public Radio Audiences
    THESIS A USES AND GRATIFICATION STUDY OF PUBLIC RADIO AUDIENCES Submitted by Scott D. Bluebond Speech and Theatre Arts Department In partial fulfillment of the requirements for the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring, 1982 COLORADO STATE UNIVERSITY April 8, 1982 WE HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER OUR SUPERVISION BY Scott David Bluebond ENTITLED A USES AND GRATIFICATIONS STUDY OF PUBLIC RADIO AUDIENCES BE ACCEPTED AS FULFILLING IN PART REQUIREMENTS FOR THE DEGREE OF Master of Arts Committee on Graduate Work ABSTRACT OF THESIS A USES AND GRATIFICATION STUDY OF PUBLIC RADIO AUDIENCES This thesis sought to find out why people listen to public radio. The uses and gratifications data gathering approach was implemented for public radio audiences. Questionnaires were sent out to 389 listener/contrib­ utors of public radio in northern Colorado. KCSU-FM in Fort Collins and KUNC-FM in Greeley agreed to provide such lists of listener/contributors. One hundred ninety-two completed questionnaires were returned and provided the sample base for the study. The respondents indicated they used public radio primarily for its news, its special programming, and/or because it is entertaining. Her/his least likely reasons for using public radio are for diversion and/or to trans­ mit culture from one generation to the next. The remain­ ing uses and gratifications categories included in the study indicate moderate reasons for using public radio. Various limitations of the study possibly tempered the results. These included the sample used and the method used to analyze the data. Conducting the research necessary for completion of this study made evident the fact that more i i i research needs to be done to improve the uses and gratifica- tions approach to audience analysis.
    [Show full text]
  • OASIS Response to NSTC Request for Feedback on Standard Practices
    OASIS RESPONSE TO NSTC REQUEST FOR FEEDBACK ON STANDARDS PRACTICES OASIS (Organization for the Advancement of Structured Information Standards) is pleased to respond to the request from the National Science and Technology Council's Sub-Committee on Standards published at 75 FR 76397 (2010), and extended by 76 FR 3877 (2011), for feedback and observations regarding the effectiveness of Federal agencies' participation in the development and implementation of standards and conformity assessment activities and programs. We have advised our own members about the Federal Register inquiry, in case they wish to respond. Of course, their opinions are their own, and this response does not represent the views of any members, but only the observations of OASIS professional staff. I. RESPONDENT'S BACKGROUND OASIS is one of the largest and oldest global open data standards consortia, founded in 1993 as SGML Open. OASIS has over 5000 active participants representing about 600 member organizations and individual members in over 80 countries. We host widely-used standards in multiple fields including • cybersecurity & access control (such as WS-Security, SAML, XACML, KMIP, DSS & XSPA) [/1], • office documents and smart semantic documents (such as OpenDocument, DITA, DocBook & CMIS) [/2], and • electronic commerce (including SOA and web services, such as BPEL, ebXML, WS-ReliableMessaging & the WS-Transaction standards) [/3] among other areas. Various specific vertical industries also fulfill their open standards requirements by initiating OASIS projects, resulting in mission-specific standards such as • UBL and Business Document Exchange (for e-procurement) [/4], • CAP and EDML (for emergency first-responder notifications) [/5], and • LegalXML (for electronic court filing data)[/6].
    [Show full text]
  • Listening Patterns – 2 About the Study Creating the Format Groups
    SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004.
    [Show full text]
  • Ed Phelps Logs His 1,000 DTV Station Using Just Himself and His DTV Box. No Autologger Needed
    The Magazine for TV and FM DXers October 2020 The Official Publication of the Worldwide TV-FM DX Association Being in the right place at just the right time… WKMJ RF 34 Ed Phelps logs his 1,000th DTV Station using just himself and his DTV Box. No autologger needed. THE VHF-UHF DIGEST The Worldwide TV-FM DX Association Serving the TV, FM, 30-50mhz Utility and Weather Radio DXer since 1968 THE VHF-UHF DIGEST IS THE OFFICIAL PUBLICATION OF THE WORLDWIDE TV-FM DX ASSOCIATION DEDICATED TO THE OBSERVATION AND STUDY OF THE PROPAGATION OF LONG DISTANCE TELEVISION AND FM BROADCASTING SIGNALS AT VHF AND UHF. WTFDA IS GOVERNED BY A BOARD OF DIRECTORS: DOUG SMITH, SAUL CHERNOS, KEITH MCGINNIS, JAMES THOMAS AND MIKE BUGAJ Treasurer: Keith McGinnis wtfda.org/info Webmaster: Tim McVey Forum Site Administrator: Chris Cervantez Creative Director: Saul Chernos Editorial Staff: Jeff Kruszka, Keith McGinnis, Fred Nordquist, Nick Langan, Doug Smith, John Zondlo and Mike Bugaj The WTFDA Board of Directors Doug Smith Saul Chernos James Thomas Keith McGinnis Mike Bugaj [email protected] [email protected] [email protected] [email protected] [email protected] Renewals by mail: Send to WTFDA, P.O. Box 501, Somersville, CT 06072. Check or MO for $10 payable to WTFDA. Renewals by Paypal: Send your dues ($10USD) from the Paypal website to [email protected] or go to https://www.paypal.me/WTFDA and type 10.00 or 20.00 for two years in the box. Our WTFDA.org website webmaster is Tim McVey, [email protected].
    [Show full text]
  • Peter Novelli Peternovelli.Com
    Peter Novelli peternovelli.com Guitarist / singer / songwriter Peter Novelli is based in New Orleans. The Peter Novelli Band plays Louisiana roots and blues, a blend of blues-rock-R&B-funk with some zydeco-cajun influences. Novelli’s CD Louisiana Roots & Blues (June 12 release) with his core rhythm section Darryl White (drums, formerly w/ Tab Benoit and Chris Thomas King), Chris Chew (bass, North Mississippi Allstars), Joe Krown (B3 and piano, formerly w/ late Gatemouth Brown), and special guests Chubby Carrier (Grammy-winning zydeco accordionist), Chris Thomas King (lap slide guitar, Grammy “Oh Brother, Where Art Thou”), Shamarr Allen (trumpet) and Elaine and Lisa Foster on vocals. Novelli’s debut CD, produced by bassist David Hyde, hit the charts within a month of release and gathered widespread critical acclaim. His originals, with a few selected covers, made a journey through Louisiana-American blues-roots music. Guests include Dr. John, Paul Barrere, Augie Meyers, the late Gatemouth Brown’s rhythm section, and top Lousiana musicians. The CD includes an historical Tribute To Slim Harpo, with members of Harpo’s band including James Johnson, and interviews with Johnson, the late Raful Neal and “Big” Johnny Thomassie. Novelli started violin at age 6, picked up guitar at 14 after hearing a BB King record. The intensity, passion and raw emotional content of some of the blues masters (black and white, American and British) stuck in his ear and that is what drives him to this day. He likes to combine this feel with harmonic ideas of jazz, the relentless groove of zydeco, and just about any cool and unusual style of music or rhythm that works.
    [Show full text]
  • Tuscaloosa, Alabama
    CREATIVE COMMUNITY TUSCALOOSA, ALABAMA DANCE LITERATURE MUSIC THEATRE • Drishti • Alabama Heritage Magazine • Alabama Public Radio (WUAL) • Stillman College Fine Arts Department • Actor’s Charitable Theatre • Druid City Ballet • Improbable Fictions • Alabama Blues Project • The University of Alabama Community Music School • The Rude Mechanicals • Numerous Dance Schools available to the public • Nano Fiction • Alabama Choir School • The University of Alabama Opera Theatre • The University of Alabama Department of Theatre and Dance • The Dance Initiative • Poetry Out Loud • Chamber Music Tuscaloosa • The University of Alabama School of Music • Theatre Tuscaloosa • The University of Alabama Department of Theatre and Dance • The University of Alabama English Department-Creative Writing • City of Tuscaloosa Arts and Entertainment • Tuscaloosa City Schools Fine Arts • Tuscaloosa Children’s Theatre • Tuscaloosa City Schools Fine Arts • The University of Alabama Press Tuscaloosa Amphitheater Strings in Schools • Tuscaloosa City Schools Fine Arts • Tuscaloosa Community Dancers • Crimson Pride Chorus • Tuscaloosa County Schools Fine Arts • Tuscaloosa County Schools Fine Arts • Prentice Concert Chorale • Tuscaloosa Symphony Orchestra • Tuscaloosa Theatre Troupe VISUAL ART • Shelton State Community College Fine Arts Department • Art Garage • United States Federal Court House Murals • Bama Theatre’s Junior League Gallery • The University of Alabama Department of Art and Art History MUSEUMS & HISTORIC PLACES • Betak Frangoulis Art Gallery Paul R. Jones
    [Show full text]
  • 2010 Npr Annual Report About | 02
    2010 NPR ANNUAL REPORT ABOUT | 02 NPR NEWS | 03 NPR PROGRAMS | 06 TABLE OF CONTENTS NPR MUSIC | 08 NPR DIGITAL MEDIA | 10 NPR AUDIENCE | 12 NPR FINANCIALS | 14 NPR CORPORATE TEAM | 16 NPR BOARD OF DIRECTORS | 17 NPR TRUSTEES | 18 NPR AWARDS | 19 NPR MEMBER STATIONS | 20 NPR CORPORATE SPONSORS | 25 ENDNOTES | 28 In a year of audience highs, new programming partnerships with NPR Member Stations, and extraordinary journalism, NPR held firm to the journalistic standards and excellence that have been hallmarks of the organization since our founding. It was a year of re-doubled focus on our primary goal: to be an essential news source and public service to the millions of individuals who make public radio part of their daily lives. We’ve learned from our challenges and remained firm in our commitment to fact-based journalism and cultural offerings that enrich our nation. We thank all those who make NPR possible. 2010 NPR ANNUAL REPORT | 02 NPR NEWS While covering the latest developments in each day’s news both at home and abroad, NPR News remained dedicated to delving deeply into the most crucial stories of the year. © NPR 2010 by John Poole The Grand Trunk Road is one of South Asia’s oldest and longest major roads. For centuries, it has linked the eastern and western regions of the Indian subcontinent, running from Bengal, across north India, into Peshawar, Pakistan. Horses, donkeys, and pedestrians compete with huge trucks, cars, motorcycles, rickshaws, and bicycles along the highway, a commercial route that is dotted with areas of activity right off the road: truck stops, farmer’s stands, bus stops, and all kinds of commercial activity.
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]