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THE CHEKHOV DREAMS a Play by John Mckinney Copyright © 2014
THE CHEKHOV DREAMS A play by John McKinney Copyright © 2014 by John McKinney 67 East 11St. Apt. #708 New York, NY 10003 (212) 598-9970 [email protected] ii CHARACTERS JEREMY Mid-30’s, affable, well-read, reclusive, a wounded soul. KATE Mid-30’s, beautiful, sophisticated, perceptive, deceased. CHRISSY Early 20’s, cute, upbeat, eager, passionate. EDDIE Late 30’s, jaded, decadent, addicted to just about everything. CHEKHOV Mid 40’s, wise, eccentric, crotchety, deceased. SETTING Time: The present. Place: New York City, various locations; A lake, various times and seasons. Author’s notes: This play was written as a dark romantic comedy, accent on the comedy. As such, the default tempo for the play should be brisk and lively, pausing or stopping only as necessary to reflect the deeper, more serious moments. Scene transitions should occur as smoothly as possible with a minimum of set and prop handling to ensure that the story keeps moving apace. In essence the play should avoid the trap of over-indulging in the darker currents of the story and becoming labored or ponderous. As this play explores two alternating states of mind – dreams and reality – it is intended that the design elements establish a distinctive motif for each. For example, there might be a magical, sparkling quality to the lighting to represent the water reflecting off of the lake in the dream scenes, while the real life apartment scenes might have a grittier, more somber feel especially as most of these scenes occur at night. Similarly, the dream scenes might be accompanied by a recurring ethereal theme, or “dreamscape,” which would shift in tone from light and magical to something more ominous, reflecting the main character’s psychological journey. -
"In These Perilous Times": Plague and Plague Policies in Early Modem Denmark
Medical History, 2003, 47: 413-450 "In These Perilous Times": Plague and Plague Policies in Early Modem Denmark PETER CHRISTENSEN* Plague has long since disappeared from Denmark. Why it did so remains a puzzle and is one of the themes of this article. More recently, and almost as puzzling, plague has also disappeared from Danish historiography. In the works of eighteenth-century historians the Black Death was described in considerable, if often imaginative, detail and the recurring plague outbreaks were mentioned regularly.' By the late nineteenth century this was no longer the case. The terrible mortality still guaranteed the Black Death a few lines in the history books, but there was practically no discussion ofthe causes nor ofthe possible short or long-term consequences. The rest ofthe plague cycle was almost completely ignored with the exception of the well-documented, but also isolated, 1711 outbreak in Copenhagen.2 The reason for this revision must be sought in the rise ofmodem historical scholarship in Denmark in the late nineteenth century. As in other countries, history had until then been the preserve of so-called antiquarians who had uncritically paraphrased chronicles and annals, sources which modem critical examination has proved to be biased, inaccurate and unreli- able. Now an emerging group of professional, academic historians, most of them mediev- alists incidentally, argued that henceforward the study of history should be based on solid, objective archival materials such as parish registers, laws, estate accounts, cadastral surveys, minutes, etc. Unfortunately, the sources relevant to the Black Death were sparse * Dr Peter Christensen, Department of History, ' For example, P F Suhm, Historie afDanmark, 14 University of Copenhagen, Njalsgade 102-2300 vols, Copenhagen, 1782-1828, vol. -
DONNIE BRASCO by Paul Attanasio Based on the Book, "Donnie Brasco," by Joseph D. Pistone with Richard Woodley REVISED
DONNIE BRASCO by Paul Attanasio Based on the book, "Donnie Brasco," by Joseph D. Pistone with Richard Woodley REVISED DRAFT July 27, 1992 1 EXT. DAY. WASHINGTON, D.C. An AERIAL VIEW of the nation's capital, MOVING IN on the stolid limestone box of FBI HEADQUARTERS. Supered below: FBI HEADQUARTERS. WASHINGTON, D.C. 1981. CUT TO: 2 INT. DAY. FBI HEADQUARTERS A spacious corner OFFICE. American flag, FBI seal, and a plush c arpet-- Fed eral blue . CLENDON HOGUE, 40s, barrel chest, shrewd eyes over half-moon glasses, PRESIDES behind a vast desk. The impressive mien of earned authority. Before him: JULES BONOVOLONTA, late 40s, Green Beret veteran, SUPERVISOR, 140 pounds of pugnacity and gristle. Ex-street agent cramped by headquarters. PAT MARSHALL, late 30s, a CASE AGENT, compulsively organized, with haunted choirboy's eyes. CLARENCE LEBOW, early 40s. Assistant SECTION CHIEF. Brooks Brothers, heavy starch. LEBOW It's going down tonight. JULES Says who? A fucking wire. LEBOW A reliable wire. JULES A fiction writer. Hogue peruses SURVEILLANCE PHOTOS of Sonny Red and Sonny Black. Then reads the INFORMANT'S REPORT. MARSHALL is that the 209, sir? LEBOW There's going to be a war between Sonny Red and Sonny Black--it's all over the streets. JULES Clarence, you couldn't find the streets with an asphalt detector. (CONTINUED) 2. 2 CONTINUED: MARSHALL Sonny Black goes, everyone with him goes. JULES That's doesn't mean it's tonight. LEBOW Even if it's not tonight--and I ' m not saying it's not tonight--it could still be tonight because it could be any night. -
Penny Record Eedition
DOWN Outdoors KAZ’S ORANGE LIFE’S HUNTING & KORNER COUNTY HIGHWAY FISHING SPORTS FISHING Roy Dunn- Columnist Capt. Chuck Uzzle COMMENTARY Capt. Dickie Colburn Page 5 Section A Page 2 Section B Page 1 Section B Page 1 Section B The RecordTheRecordLive.com Vol. 60 No. 48 Distributed FREE To The Citizens of Bridge City and Orangefield Week of Wednesday, May 6, 2020 Mother’s Day dining out faces virus setback DAVE ROGERS will get in.” to 25% indoor occupancy shops and hair and nail sa- been slow, but it’s picking up fore Covid-19 made its way For The Record Prior to the outbreak of with tables no closer than six lons to reopen, under specif- day by day. to the U.S. He now has 10 coronavirus and the Cov- feet apart. ic guidelines, Friday, he left “People are still nervous working per day, because Mother’s Day is normally id-19 illness it carries, Rob- That’s through May 17, ac- May 18 as the opening date about going out,” he said. that’s all he needs. one of the busiest days of the ert’s could squeeze in as cording to his April 27 an- for gyms and exercise stu- Robert’s is open from 10:30 He expects that when year for Robert’s Meat Mar- many as 400 diners at a time. nouncement. dios. a.m. to 6 p.m. seven days a Phase 2 of the state’s reopen- ket and Steakhouse, Orange’s Ramirez was able to re- Although Abbott an- A few days into reopening week. -
Interior Plains Region Might Vary
124-155_Ch05_F4 2/1/07 7:30 PM Page 124 CHAPTER Interior Plains 5 Land of Open Skies n the late 1700s, explorer and mapmaker David Thompson I travelled west after exploring the Canadian Shield. He kept a journal as he travelled, and this is how he described the region that would be called the Interior Plains. What I now relate is of the great body of dry land at the east foot of the mountains, the northern part of the forests, and the southern part of the plains, through which roll the Bow and Saskatchewan Rivers with their many branches. The Bow River flows through the most pleasant of the plains, and is the great resort of the bison and the red deer. The snow of the glaciers of the mountains, which everywhere border the west side of these plains, furnish water to form many rivers. The rivers that roll through this immense unbroken body of land of plains and forests are beautifully distributed... The climate is good, the winters about five months, the summers are warm, and the autumn has many fine days. The soil is rich and deep... and agriculture will succeed... 124 124-155_Ch05_F4 2/1/07 7:30 PM Page 125 Canada: Our Stories Continue The Interior Plains is a large region that covers parts of ? Critical Inquiry TIP Manitoba, Saskatchewan, and Alberta, as well as parts of the Northwest Territories and Yukon Territory. This region is Retrieving fairly flat, with low hills. It has areas of grassland, wooded Look at graphs, maps, tables, charts, and parkland, and large northern forests. -
000 OOS for Congregation 8-1-2021
Unitarian Universalist Church Of Silver Spring Online Worship Order of Service Sunday, August 1, 2021 When All Is Lost Led by Rev. Ashley Burczak, UUCSS Community Minister The Rev. Kristin Grassel Schmidt, Minister Michael Holmes, Music Director Maggie Hayes, President, Board of Trustees Lindsay Cowett, Religious Education Coordinator Philip Browne, Communications Administrator Prelude: Brand New Day / Sting / Call of the Dream, Bob Hirshon, solo / 8/6/2017 Happy as the Sun / Tyrone Wells / The UUkes (Audrey Engdahl & Deborah Thornton) / 6/23/2013 Three Little Birds / Bob Marley / Wendy Lanxner & Steve Wilmarth / 6/5/2011 Feelin’ Good / Leslie Bricusse & Anthony Newley / Call of the Dream, Deborah Thornton, solo / 8/6/2017 You’ve Got a Friend / Carole King / Wendy Lanxner & Dean Carrigan / 6/26/2016 I Still Haven’t Found What I’m Looking For / U2 / Bob Hirshon, lead vocal / 6/8/2019 (Ashley’s Ordination) Easy Silence / Martie Maguire, Natalie Maines, Emily Robison, Dan Wilson / The Distance Learners, Maria Paoletti, Jacob Howley, Anna Molpus, & Jeremy Holt / 2/14/2021 Deep Peace / Gwyneth Walker / UUCSS Folk Ensemble / 2/26/2012 Welcome (Jeffrey Noel-Nosbaum, Worship Associate) Chalice Lighting (Jeffrey Noel-Nosbaum, Worship Associate) We light this flame as a symbol of new life enlightening our way, as a symbol of the warmth in every human heart. Let the lighting of this flame rekindle in us the inner light of hope, of peace, of love. Congregational Commitment (Jeffrey Noel-Nosbaum, Worship Associate) (Excerpt: Preamble of UUCSS Congregational Constitution) As we gather here for worship, We pledge ourselves to the endless search for truth; To the right of each to believe as mind, heart, and conscience dictate; To accept the responsibility this freedom commands; And to implement our belief in the essential worth and dignity of every human being. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Morris, Brown Top Charts Brandy Clark Makes A Personal >page 4 Statement On The Record Nashville Works Toward Recovery Ten seconds into Brandy Clark’s Your Life Is a Record, a the listener to an expectant conclusion of what turns out to be >page 9 languid grunting tone emerges, unconventionally planting a breakup album, released by Warner on March 6. “The Past a baritone sax into the opening moments of what’s ostensibly Is the Past,” she declares in that glassy finale, with fragile a country album. guitar arpeggios supporting a It’s a tad mysterious. In transitional journey into some Dan + Shay Launch context, it could be a bassoon or unknown future. Putting that Arena Tour a bass clarinet — Clark thought upbeat sentiment at the end >page 10 it was a cello the first time she of the project rather than the heard it — but it reveals to the beginning was one of the few listener that Your Life Is a Record, places where she dug in her heels produced by Jay Joyce (Eric with the label. Current News: Church, Miranda Lambert), “I wanted it that way because Just LeDoux It is not quite like either of the to me, ‘The Past Is the Past’ is >page 10 previous records the award- bittersweet, but it’s hopeful,” winning singer-songwriter has she explains. “It’s like, ‘OK, we’ve launched in the marketplace. gone through all this and I’m still Makin’ Tracks: “I said to Jay when I heard sad about it, but I’m letting you Pardi’s Strait Talk that baritone sax thing, ‘Man, go.’ And I’m driving away — like, >page 14 I know this is crazy ’cause it’s a I literally feel like I’m in the car slow, sad song. -
Las Dixie Chicks Triunfan En Los Grammy Los Red Hot Chili Peppers Y Mary J
26 | Cultura Diario del AltoAragón - Martes, 13 de febrero de 2007 Las Dixie Chicks triunfan en los Grammy Los Red Hot Chili Peppers y Mary J. Blige fueron los otros dos grandes galardonados de la noche de la música OTR/PRESS CIENTO OCHO CATEGORÍAS, Aguilera como Mejor Interpre- 500 CANDIDATOS tación Pop con ‘Ain’t no other LOS ÁNGELES/MADRID.- Al- man’; Madonna al Mejor Album go se mueve en Estados Unidos. Los más de 500 candidatos Dance/Electrónico con ‘Confes- Si en 2003 la industria discográ- que concurrían a los premios sions on a dance floor’; los Black fica callaba ante el boicot que más importantes de la música Eyed Peas con la Mejor Interpre- sufrieron las Dixie Chicks por justifican que en la gala sólo se tación de Grupo Pop con ‘My sus comentarios contra la po- repartan algunos y que muchos humps’; Beyoncé y su ‘B’day’ al lítica hacia Irak del presidente de los nominados se enteren de Mejor Album Contemporáneo; George Bush, la 49 edición de su victoria o de su fracaso horas o Justin Timberlake y el rape- los Grammy ha supuesto la re- antes de la misma. Así, el pre- ro T.I. por el tema ‘My love’ en dención y sacralización del trío mio al Mejor Album Latino de la categoría de Mejor Colabora- texano. Emily Robinson, Nata- Pop, compartido por Ricardo ción de Rap. lie Maine y Marti Maguire fue- Arjona (‘Adentro’) y Julieta Ve- Uno de los momentos estela- ron las grandes vencedoras de la negas (‘Limón y Sal’), o el de res de la gala fue la subida al es- gala que se celebró en el estadio Mejor Album Latino de Rock cenario de The Police, 25 años Staples de Los Ángeles, acapa- o Alternativo, para Maná por después de su último concierto rando los principales premios ‘Amar es combatir’, se supieron y casi 30 después de la aparición entre los cinco galardones que antes de que diera comienzo la de uno de sus grandes éxitos recogieron. -
Somalis in Oslo
Somalis-cover-final-OSLO_Layout 1 2013.12.04. 12:40 Page 1 AT HOME IN EUROPE SOMALIS SOMALIS IN Minority communities – whether Muslim, migrant or Roma – continue to come under OSLO intense scrutiny in Europe today. This complex situation presents Europe with one its greatest challenges: how to ensure equal rights in an environment of rapidly expanding diversity. IN OSLO At Home in Europe, part of the Open Society Initiative for Europe, Open Society Foundations, is a research and advocacy initiative which works to advance equality and social justice for minority and marginalised groups excluded from the mainstream of civil, political, economic, and, cultural life in Western Europe. Somalis in European Cities Muslims in EU Cities was the project’s first comparative research series which examined the position of Muslims in 11 cities in the European Union. Somalis in European cities follows from the findings emerging from the Muslims in EU Cities reports and offers the experiences and challenges faced by Somalis across seven cities in Europe. The research aims to capture the everyday, lived experiences as well as the type and degree of engagement policymakers have initiated with their Somali and minority constituents. somalis-oslo_incover-publish-2013-1209_publish.qxd 2013.12.09. 14:45 Page 1 Somalis in Oslo At Home in Europe somalis-oslo_incover-publish-2013-1209_publish.qxd 2013.12.09. 14:45 Page 2 ©2013 Open Society Foundations This publication is available as a pdf on the Open Society Foundations website under a Creative Commons license that allows copying and distributing the publication, only in its entirety, as long as it is attributed to the Open Society Foundations and used for noncommercial educational or public policy purposes. -
Townhall.Com::Dixie Chicks, Dissent, and "Whacked" Paranoia::By Jon
Townhall.com::Dixie Chicks, dissent, and "whacked" paranoia::By Jon ... http://www.townhall.com/Columnists/JonSanders/2007/02/13/dixie_chic... Email Address What's Hot | Search Login | About Us | Sitemap Blog | Talk Radio Online | Columnists | Your Blogs | The News | Photos | The Funnies | Books & Movies | Issues | Sign Up | Radio Schedule | Action Center | Home Mike Gallagher | Mary Katharine Ham | Hugh Hewitt | Michael Medved | Michael Barone | Bruce Bartlett | Tony Blankley | Kevin McCullough | Dennis Prager | More [+] Bill Bennett • Mike Gallagher • Dennis Prager • Michael Medved • Hugh Hewitt Listen Now To 990 AM WNTP! ON THE BLOG NOW: Dixie Chicks, dissent, Email It and "whacked" paranoia Updated at 3:20 PM Print It By Jon Sanders Hillary's Campaign Poster, II Tuesday, February 13, 2007 Take Action Updated: 2:42 PM 02/13/07 Send an email to Jon Sanders Maliki "wises up" will shut borders with Iran and Syria! nmlkj Yes nmlkj No Updated: 1:26 PM 02/13/07 Read Article & Comments (133) Trackbacks(0) Post Your Comments I Knew Bushitler Couldn't Really Love His Wife nmlkj Yes nmlkj No Updated: 1:08 PM 02/13/07 "I think people are paranoid" was how former Grateful Dead member God Is on Everybody's Side Mickey Hart's comments to Reuters began. Hart was speaking about this Updated: 12:36 PM 02/13/07 year's Grammy Awards and the Dixie Chicks. Then he provided a sterling nmlkj Yes nmlkji No Iran WILL HAVE nukes says example of that very paranoia. EU document... Updated: 12:34 PM 02/13/07 "I think that if they speak out, they think they're gonna get whacked by the government. -
Copyright by Lisa Renee Foster 2006 the Dissertation Committee for Lisa Renee Foster Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Lisa Renee Foster 2006 The Dissertation Committee for Lisa Renee Foster Certifies that this is the approved version of the following dissertation: Music, Publics, and Protest: The Cultivation of Democratic Nationalism in Post-9/11 America Committee: Dana Cloud, Supervisor Barry Brummett Richard Cherwitz Sharon Jarvis Mary Celeste Kearney Music, Publics, and Protest: The Cultivation of Democratic Nationalism in Post-9/11 America by Lisa Renee Foster, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2006 Dedication To tolerant and loving workers everywhere… Acknowledgements I owe the outcome of this process to the assistance of many people. My family, friends, mentors, and colleagues, have been invaluable assets to my personal and intellectual growth. I would like to thank first my advisor, Dana Cloud. Her questions have guided me, her commitments inspired me, and her love has kept me motivated to carry on my own curiosities. I am happy to forever call you my mentor and friend. I am also indebted to my committee: Barry Brummett, Rick Cherwitz, Sharon Jarvis, and Mary Celeste Kearney. All of these scholars have shown immense kindness to me, and in the process, spurred me to better and more interesting questions. In addition, I owe many thanks to Alan DeSantis, Rosa Eberly, Ron Greene, Susan Morgan and Tyler Harrison, for their mentoring advice and support. My colleagues and friends are an inherent component of the thoughts within this dissertation. -
Mercurian Vol. 3, No
The Mercurian A Theatrical Translation Review Volume 3, Number 1 Editor: Adam Versényi The Mercurian is named for Mercury who, if he had known it, was/is the patron god of theatrical translators, those intrepid souls possessed of eloquence, feats of skill, messengers not between the gods but between cultures, traders in images, nimble and dexterous linguistic thieves. Like the metal mercury, theatrical translators are capable of absorbing other metals, forming amalgams. As in ancient chemistry, the mercurian is one of the five elementary “principles” of which all material substances are compounded, otherwise known as “spirit”. The theatrical translator is sprightly, lively, potentially volatile, sometimes inconstant, witty, an ideal guide or conductor on the road. The Mercurian publishes translations of plays and performance pieces from any language into English. The Mercurian also welcomes theoretical pieces about theatrical translation, rants, manifestos, and position papers pertaining to translation for the theatre, as well as production histories of theatrical translations. Submissions should be sent to: Adam Versényi at [email protected] or by snail mail: Adam Versényi, Department of Dramatic Art, CB# 3230, The University of North Carolina at Chapel Hill, Chapel Hill, NC 27599-3230. For translations of plays or performance pieces, unless the material is in the public domain, please send proof of permission to translate from the playwright or original creator of the piece. Since one of the primary objects of The Mercurian is to move translated pieces into production, no translations of plays or performance pieces will be published unless the translator can certify that he/she has had an opportunity to hear the translation performed in either a reading or another production-oriented venue.