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Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
LEE-DISSERTATION-2018.Pdf
Copyright by Kyung Sun Lee 2018 The Dissertation Committee for Kyung Sun Lee Certifies that this is the approved version of the following Dissertation: Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea Committee: Karin G. Wilkins, Supervisor Joseph Straubhaar Sharon Strover Robert Oppenheim James Pamment Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea by Kyung Sun Lee Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2018 Dedication To my dad, who inspired me to pursue the life of a scholar. Our time together was far too short, but you live on in my heart. Acknowledgements In the course of my dissertation journey, I have benefitted from many people and institutions to whom I would like to express my sincere gratitude. My utmost gratitude goes to my supervisor, Dr. Karin Wilkins. I came to the Department of Radio-Television-Film nearly ten years ago to explore the intersections of critical studies, communications, and development. Since then, she has helped me to mature as a scholar, encouraging me to ask incisive questions, to confront them methodically, and articulate evidence systematically. Her enthusiastic support for my dissertation project gave me the courage to challenge myself and persevere through difficult circumstances. Oftentimes, my project was sustained by her unrelenting passion and confidence in my work. It is not only her intellectual influence, but her kindness and genuine concern for her students to which I am most indebted. -
European Journal of American Studies, 12-4
European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). -
Penny Record Eedition
DOWN Outdoors KAZ’S ORANGE LIFE’S HUNTING & KORNER COUNTY HIGHWAY FISHING SPORTS FISHING Roy Dunn- Columnist Capt. Chuck Uzzle COMMENTARY Capt. Dickie Colburn Page 5 Section A Page 2 Section B Page 1 Section B Page 1 Section B The RecordTheRecordLive.com Vol. 60 No. 48 Distributed FREE To The Citizens of Bridge City and Orangefield Week of Wednesday, May 6, 2020 Mother’s Day dining out faces virus setback DAVE ROGERS will get in.” to 25% indoor occupancy shops and hair and nail sa- been slow, but it’s picking up fore Covid-19 made its way For The Record Prior to the outbreak of with tables no closer than six lons to reopen, under specif- day by day. to the U.S. He now has 10 coronavirus and the Cov- feet apart. ic guidelines, Friday, he left “People are still nervous working per day, because Mother’s Day is normally id-19 illness it carries, Rob- That’s through May 17, ac- May 18 as the opening date about going out,” he said. that’s all he needs. one of the busiest days of the ert’s could squeeze in as cording to his April 27 an- for gyms and exercise stu- Robert’s is open from 10:30 He expects that when year for Robert’s Meat Mar- many as 400 diners at a time. nouncement. dios. a.m. to 6 p.m. seven days a Phase 2 of the state’s reopen- ket and Steakhouse, Orange’s Ramirez was able to re- Although Abbott an- A few days into reopening week. -
Album Cover (1.876Mb)
MG Y-1009 BOURBON STREET BOB SCOBEY AND Lizzy· MILES Music from Bourbon Street is another way of saying Of the 12 selections, half contain vocals by the redoubt- music from the heart of New Orleans' lusty French Quarter able. Lizzie Miles, a blues shouter in the old tradition. Miss -in a word, New Orleans-flavored Dixieland music. (And Miles goes back a few years - she'll be 62 next time around the purists can argue whether such categorizing is too rigid.) - and she sings with a soaringly positive vigor. ("Lizzie In any case it happens to be one of life's smaller ironies that Miles makes Sophie Tucker sound like Shirley Temple," is one of the foremost exponents of this music around today is Scobey's turn of descriptive phrase.) Another phrase to Bob Scobey-who has never set foot on Bourbon Street; describe Lizzie Miles stems from a Down Beat critic who who hasn't, in fact, ever been near the city of New Orleans. wrote of her "honest, ungimmicked artistry." On one of the The closest that Scobey has ever come to hitting the Delta tunes here, "Tiger Rag", the lyrics are Miss Miles' own - country is the time he landed in Memphis at age 6. As this lyrics of any sort being a rarity on this venerable song. There's is written, Scobey says he has hopes of working soon in a an interesting side to another vocal on the Miles list - Buddy New Orleans club; meanwhile, as Scobey phrases it, "I feel as Bolden's "Make Me a Pallet on the Floor". -
Inte Bara Bögarnas Fest” En Queer Kulturstudie Av Melodifestivalen
”Inte bara bögarnas fest” En queer kulturstudie av Melodifestivalen Institutionen för etnologi, religionshistoria och genusvetenskap Examensarbete 30 HP Mastersprogrammet i genusvetenskap 120 HP Vårterminen 2018 Författare: Olle Jilkén Handledare: Kalle Berggren Abstract Uppsatsen undersöker hur TV-programmet Melodifestivalen förhåller sig till sin homokulturella status genom att studera programmets heteronormativa ramar och porträttering av queerhet. Det teoretiska ramverket grundar sig i representationsteori, kulturstudier, gaystudier och queerteori. Analysen resulterar i att de heteronormativa ramarna framställer heterosexualitet som en given norm i programmet. Detta uppvisas bland annat av en implicit heterosexuell manlig blick som sexualiserar kvinnokroppar och ser avklädda män, queerhet och femininitet som något komiskt. Detta komplicerar tidigare studiers bild av melodifestivaler som huvudsakligen investerade och accepterande av queera subjekt. Den queera representationen består främst av homosexuella män. Den homosexuellt manliga identiteten görs inte enhetlig och bryter mot heteronormativa ideal i olika grad. Några sätt som den homosexuellt manliga identiteten porträtteras är artificiell, feminin, icke-monogam, barnslig och investerad i schlager. Analysen påpekar att programmet har queert innehåll trots dess kommersiella framställning och normativa ideal. Nyckelord: Melodifestivalen, schlager, genusvetenskap, homokultur, gaystudier, bögkultur, heteronormativitet. Innehållsförteckning 1. En älskad och hatad ”homofilfestival” 1 -
000 OOS for Congregation 8-1-2021
Unitarian Universalist Church Of Silver Spring Online Worship Order of Service Sunday, August 1, 2021 When All Is Lost Led by Rev. Ashley Burczak, UUCSS Community Minister The Rev. Kristin Grassel Schmidt, Minister Michael Holmes, Music Director Maggie Hayes, President, Board of Trustees Lindsay Cowett, Religious Education Coordinator Philip Browne, Communications Administrator Prelude: Brand New Day / Sting / Call of the Dream, Bob Hirshon, solo / 8/6/2017 Happy as the Sun / Tyrone Wells / The UUkes (Audrey Engdahl & Deborah Thornton) / 6/23/2013 Three Little Birds / Bob Marley / Wendy Lanxner & Steve Wilmarth / 6/5/2011 Feelin’ Good / Leslie Bricusse & Anthony Newley / Call of the Dream, Deborah Thornton, solo / 8/6/2017 You’ve Got a Friend / Carole King / Wendy Lanxner & Dean Carrigan / 6/26/2016 I Still Haven’t Found What I’m Looking For / U2 / Bob Hirshon, lead vocal / 6/8/2019 (Ashley’s Ordination) Easy Silence / Martie Maguire, Natalie Maines, Emily Robison, Dan Wilson / The Distance Learners, Maria Paoletti, Jacob Howley, Anna Molpus, & Jeremy Holt / 2/14/2021 Deep Peace / Gwyneth Walker / UUCSS Folk Ensemble / 2/26/2012 Welcome (Jeffrey Noel-Nosbaum, Worship Associate) Chalice Lighting (Jeffrey Noel-Nosbaum, Worship Associate) We light this flame as a symbol of new life enlightening our way, as a symbol of the warmth in every human heart. Let the lighting of this flame rekindle in us the inner light of hope, of peace, of love. Congregational Commitment (Jeffrey Noel-Nosbaum, Worship Associate) (Excerpt: Preamble of UUCSS Congregational Constitution) As we gather here for worship, We pledge ourselves to the endless search for truth; To the right of each to believe as mind, heart, and conscience dictate; To accept the responsibility this freedom commands; And to implement our belief in the essential worth and dignity of every human being. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Morris, Brown Top Charts Brandy Clark Makes A Personal >page 4 Statement On The Record Nashville Works Toward Recovery Ten seconds into Brandy Clark’s Your Life Is a Record, a the listener to an expectant conclusion of what turns out to be >page 9 languid grunting tone emerges, unconventionally planting a breakup album, released by Warner on March 6. “The Past a baritone sax into the opening moments of what’s ostensibly Is the Past,” she declares in that glassy finale, with fragile a country album. guitar arpeggios supporting a It’s a tad mysterious. In transitional journey into some Dan + Shay Launch context, it could be a bassoon or unknown future. Putting that Arena Tour a bass clarinet — Clark thought upbeat sentiment at the end >page 10 it was a cello the first time she of the project rather than the heard it — but it reveals to the beginning was one of the few listener that Your Life Is a Record, places where she dug in her heels produced by Jay Joyce (Eric with the label. Current News: Church, Miranda Lambert), “I wanted it that way because Just LeDoux It is not quite like either of the to me, ‘The Past Is the Past’ is >page 10 previous records the award- bittersweet, but it’s hopeful,” winning singer-songwriter has she explains. “It’s like, ‘OK, we’ve launched in the marketplace. gone through all this and I’m still Makin’ Tracks: “I said to Jay when I heard sad about it, but I’m letting you Pardi’s Strait Talk that baritone sax thing, ‘Man, go.’ And I’m driving away — like, >page 14 I know this is crazy ’cause it’s a I literally feel like I’m in the car slow, sad song. -
Las Dixie Chicks Triunfan En Los Grammy Los Red Hot Chili Peppers Y Mary J
26 | Cultura Diario del AltoAragón - Martes, 13 de febrero de 2007 Las Dixie Chicks triunfan en los Grammy Los Red Hot Chili Peppers y Mary J. Blige fueron los otros dos grandes galardonados de la noche de la música OTR/PRESS CIENTO OCHO CATEGORÍAS, Aguilera como Mejor Interpre- 500 CANDIDATOS tación Pop con ‘Ain’t no other LOS ÁNGELES/MADRID.- Al- man’; Madonna al Mejor Album go se mueve en Estados Unidos. Los más de 500 candidatos Dance/Electrónico con ‘Confes- Si en 2003 la industria discográ- que concurrían a los premios sions on a dance floor’; los Black fica callaba ante el boicot que más importantes de la música Eyed Peas con la Mejor Interpre- sufrieron las Dixie Chicks por justifican que en la gala sólo se tación de Grupo Pop con ‘My sus comentarios contra la po- repartan algunos y que muchos humps’; Beyoncé y su ‘B’day’ al lítica hacia Irak del presidente de los nominados se enteren de Mejor Album Contemporáneo; George Bush, la 49 edición de su victoria o de su fracaso horas o Justin Timberlake y el rape- los Grammy ha supuesto la re- antes de la misma. Así, el pre- ro T.I. por el tema ‘My love’ en dención y sacralización del trío mio al Mejor Album Latino de la categoría de Mejor Colabora- texano. Emily Robinson, Nata- Pop, compartido por Ricardo ción de Rap. lie Maine y Marti Maguire fue- Arjona (‘Adentro’) y Julieta Ve- Uno de los momentos estela- ron las grandes vencedoras de la negas (‘Limón y Sal’), o el de res de la gala fue la subida al es- gala que se celebró en el estadio Mejor Album Latino de Rock cenario de The Police, 25 años Staples de Los Ángeles, acapa- o Alternativo, para Maná por después de su último concierto rando los principales premios ‘Amar es combatir’, se supieron y casi 30 después de la aparición entre los cinco galardones que antes de que diera comienzo la de uno de sus grandes éxitos recogieron. -
Townhall.Com::Dixie Chicks, Dissent, and "Whacked" Paranoia::By Jon
Townhall.com::Dixie Chicks, dissent, and "whacked" paranoia::By Jon ... http://www.townhall.com/Columnists/JonSanders/2007/02/13/dixie_chic... Email Address What's Hot | Search Login | About Us | Sitemap Blog | Talk Radio Online | Columnists | Your Blogs | The News | Photos | The Funnies | Books & Movies | Issues | Sign Up | Radio Schedule | Action Center | Home Mike Gallagher | Mary Katharine Ham | Hugh Hewitt | Michael Medved | Michael Barone | Bruce Bartlett | Tony Blankley | Kevin McCullough | Dennis Prager | More [+] Bill Bennett • Mike Gallagher • Dennis Prager • Michael Medved • Hugh Hewitt Listen Now To 990 AM WNTP! ON THE BLOG NOW: Dixie Chicks, dissent, Email It and "whacked" paranoia Updated at 3:20 PM Print It By Jon Sanders Hillary's Campaign Poster, II Tuesday, February 13, 2007 Take Action Updated: 2:42 PM 02/13/07 Send an email to Jon Sanders Maliki "wises up" will shut borders with Iran and Syria! nmlkj Yes nmlkj No Updated: 1:26 PM 02/13/07 Read Article & Comments (133) Trackbacks(0) Post Your Comments I Knew Bushitler Couldn't Really Love His Wife nmlkj Yes nmlkj No Updated: 1:08 PM 02/13/07 "I think people are paranoid" was how former Grateful Dead member God Is on Everybody's Side Mickey Hart's comments to Reuters began. Hart was speaking about this Updated: 12:36 PM 02/13/07 year's Grammy Awards and the Dixie Chicks. Then he provided a sterling nmlkj Yes nmlkji No Iran WILL HAVE nukes says example of that very paranoia. EU document... Updated: 12:34 PM 02/13/07 "I think that if they speak out, they think they're gonna get whacked by the government. -
Copyright by Lisa Renee Foster 2006 the Dissertation Committee for Lisa Renee Foster Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Lisa Renee Foster 2006 The Dissertation Committee for Lisa Renee Foster Certifies that this is the approved version of the following dissertation: Music, Publics, and Protest: The Cultivation of Democratic Nationalism in Post-9/11 America Committee: Dana Cloud, Supervisor Barry Brummett Richard Cherwitz Sharon Jarvis Mary Celeste Kearney Music, Publics, and Protest: The Cultivation of Democratic Nationalism in Post-9/11 America by Lisa Renee Foster, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2006 Dedication To tolerant and loving workers everywhere… Acknowledgements I owe the outcome of this process to the assistance of many people. My family, friends, mentors, and colleagues, have been invaluable assets to my personal and intellectual growth. I would like to thank first my advisor, Dana Cloud. Her questions have guided me, her commitments inspired me, and her love has kept me motivated to carry on my own curiosities. I am happy to forever call you my mentor and friend. I am also indebted to my committee: Barry Brummett, Rick Cherwitz, Sharon Jarvis, and Mary Celeste Kearney. All of these scholars have shown immense kindness to me, and in the process, spurred me to better and more interesting questions. In addition, I owe many thanks to Alan DeSantis, Rosa Eberly, Ron Greene, Susan Morgan and Tyler Harrison, for their mentoring advice and support. My colleagues and friends are an inherent component of the thoughts within this dissertation. -
Top Radio 21 Martie 2013
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