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Studies in Central & East Asian Religions Volume 9 1996
Studies in Central & East Asian Religions Volume 9 1996 CONTENTS Articles Xu WENKAN: The Tokharians and Buddhism……………………………………………... 1 Peter SCHWEIGER: Schwarze Magie im tibetischen Buddhismus…………………….… 18 Franz-Karl EHRHARD: Political and Ritual Aspects of the Search for Himalayan Sacred Lands………………………………………………………………………………. 37 Gabrielle GOLDFUβ: Binding Sūtras and Modernity: The Life and Times of the Chinese Layman Yang Wenhui (1837–1911)………………………………………………. 54 Review Article Hubert DECLEER: Tibetan “Musical Offerings” (Mchod-rol): The Indispensable Guide... 75 Forum Lucia DOLCE: Esoteric Patterns in Nichiren’s Thought…………………………………. 89 Boudewijn WALRAVEN: The Rediscovery of Uisang’s Ch’udonggi…………………… 95 Per K. SØRENSEN: The Classification and Depositing of Books and Scriptures Kept in the National Library of Bhutan……………………………………………………….. 98 Henrik H. SØRENSEN: Seminar on the Zhiyi’s Mohe zhiguan in Leiden……………… 104 Reviews Schuyler Jones: Tibetan Nomads: Environment, Pastoral Economy and Material Culture (Per K. Sørensen)…………………………………………………………………. 106 [Ngag-dbang skal-ldan rgya-mtsho:] Shel dkar chos ’byung. History of the “White Crystal”. Religion and Politics of Southern La-stod. Translated by Pasang Wangdu and Hildegard Diemberger (Per K. Sørensen)………………………………………… 108 Blondeau, Anne-Marie and Steinkellner, Ernst (eds.): Reflections of the Mountains. Essays on the History and Social Meaning of the Cult in Tibet and the Himalayas (Per K. Sørensen)…………………………………………………………………………. 110 Wisdom of Buddha: The Saṃdhinirmocana Mahāyāna Sūtra (Essential Questions and Direct Answers for Realizing Enlightenment). Transl. by John Powers (Henrik H. Sørensen)………………………………………………. 112 Japanese Popular Deities in Prints and Paintings: A Catalogue of the Exhibition (Henrik H. Sørensen)…………………………………………………………………………. 113 Stephen F. Teiser, The Scripture on the Ten Kings and the Making of Purgatory in Medieval Chinese Buddhism (Henrik H. -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
A Cultural Envoy Who Should Not Be Forgotten
A Cultural Envoy Who Should Not Be Forgotten: American Sinologist Charles S. Gardner and His Chinese Collection by Li Wang In recent times, as the Sinology (Chinese Studies) attracts greater academic interest overseas outside of China, there is one pioneering figure in the discipline from the 20th century that is seldom mentioned and lacking in focused study. That figure is Charles Sidney Gardner (1900-1966), a noted Sinologist and former Harvard University professor who has become attached to Brown University Library since the 1960s. Gardner was not only an avid Chinese historian and bibliographer himself, but he also contributed to further learning by future scholars. As a devotee of Chinese traditional culture, especially ancient print books, in his later years, Gardner donated his entire collection, a total of more than 35,000 books and other literary materials, to Brown University. His generous donation then became the cornerstone of the Brown University’s East Asian Collection. Among the Chinese books donated, 9,000 volumes of these are thread-bound in the traditional Chinese-style and housed in engraved wooden bookcases, comprising the East Asian Collection’s most treasured works. My office is in the antique collections of the “Gardner Room.” In the early days of working in the East Asian Collection at Brown University, whenever I passed the bookcases upon bookcases of classical Chinese works, I was struck with a sense of admiration and curiosity for the devoted Sinologist that Gardner was. These books are of utmost cultural and research value and, therefore, should be publicized and promoted. In recent years, I have had the opportunity to oversee various research projects relating to Brown University’s rare Chinese books and gain further insight from publications of various memoirs and other overseas Sinology resources. -
A Study on the Uicheon's Hwaeom Thought in the Collected
A Study on the Uicheon’s Hwaeom Thought in the Collected Writings of the National Preceptor Daegak* Ae Soon Chang (Ven. Kye Hwan)2 Abstract Many scholars have undertaken studies on the works of Uicheon (義天, 1055-1101 CE), the results of which demonstrate considerable achievements. While these studies have clearly revealed Uicheon’s unique Buddhist frame of reference, there are still points which are contentious concerning research assumptions, especially their estimation of Uicheon’s Huayan thought (華嚴思想) in the ‘Combined Study of Essential Nature and Characteristic’ (性相兼學) and the ‘Combined Practice of Scriptural Study and Meditation’ (敎觀並修). Their error of judgment in this case is due to the fact that Uicheon had always valued Hwaeom thought as the foundation for all Buddhist teachings and the source for all Buddhist philosophical thought. In Ae Soon Chang is a professor of Department of Buddhist Studies at Dongguk Univ. (Seoul) ([email protected]) * This study is supported by Brain Korea 21 Buddhist Studies in a Global Era, Dongguk Univ. This article is an abridged version of “Hwaeom Thought of Uicheon” listed in the Bojosasang: Journal of Bojo Jinul’s Thought, vol. 11, pp. 9-37. (Seoul: 1998) International Journal of Buddhist Thought & Culture February 2011, vol. 16, pp. 55-68. ⓒ 2011 International Association for Buddhist Thought & Culture The day of submission: 2010.12.21 / Completion of review: 2011.1.12 / Final decision for acceptance: 2011.1.26 56 Ae Soon Chang (Ven. Kye Hwan): A Study on the Uicheon’s Hwaeom Thought fact, ‘Combined Practice of Scriptural Study and Meditation’ is testament to his overriding belief in the superiority of Hwaeom thought. -
Taoism and Chinese Religion
www.quirinpress.com @QuirinPress Quirin Press Release “It is largely thanks to [Maspero’s] pioneer work in the fields of Chinese religion, anthropology, linguistics and history that China’s contribution to the achievement of man could first be reviewed on terms of parity with those of other civilizations. “To the question whether his discoveries, opinions and interpretations have been outdated by the subsequent thirty years’ research, it may be answered that leading scholars still rely with the utmost confidence on his writings as a framework whose validity has outdated their most recent findings, and whose detail has in many cases not been bettered.” — Michael Loewe, University of Cambridge (from the sleeve notes to the original 1981 edition.) Taoism and Chinese Religion Revised Edition by Henri Maspero Translated by Frank A. Kierman, Jr. Price for pb & E-book: $ 96.56 USD | €74.00 EUR | £ 58.40 GBP | $ 99.99 AUD Publication date: Sep. 2014 Paperback (Sep. 2015 E-book) Size: xli + 689 pages | 6 x 9 in. / 234 x 156 mm. | 2.339 lb / 1060 gm Formats available: Perfect Bound (pb) & E-book Series: Quirin Pinyin Updated Editions (QPUE) ISBN 13: 978-1-922169-04-4 Paper | 978-1-922169-05-1 E-book (Sep 2015) … one of the greatest attractions of Maspero’s writings in this volume (and one that will endure even when our own researches eventually make us better informed than he was on every topic upon which he touched), is the invaluable picture disclosed to us of a mature sinologist remarkable for his broad erudition and penetrating insight confronting a field of research completely untouched by earlier scholars. -
Report Title Raabe, Wilhelm Karl = Corvinus, Jakob (Pseud.)
Report Title - p. 1 of 672 Report Title Raabe, Wilhelm Karl = Corvinus, Jakob (Pseud.) (Eschershausen 1831-1910 Braunschweig) : Schriftsteller Biographie 1870 Raabe, Wilhelm Karl. Der Schüdderump [ID D15996]. Ingrid Schuster : Raabe verwendet im Roman den chinesischen Gartenpavillon als bezugsreiches Symbol für die zwei Hauptpersonen, der Ritter von Glaubigernd und das Fräulein von St. Trouin, sowie Chinoiserien in Adelaide von St. Trouins Zimmer. [Schu4:S. 162-168] Bibliographie : Autor 1870 Raabe, Wilhelm Karl. Der Schüdderump. In : Westermann's Jahrbuch der Illustrirten deutschen Monatshefte ; Bd. 27, N.F. Bd. 11, Oct.1869-März 1870. [Schu4] 1985 [Raabe, Wilhelm]. Que xiang chun qiu. Wang Kecheng yi. (Shanghai : Yi wen chu ban she, 1985). Übersetzung von Raabe, Wilhelm. Die Chronik der Sperlingsgasse. Hrsg. von Jakob Corvinus. (Berlin : Stage, 1857). [ZhaYi2,WC] 1997 [Raabe, Wilhelm Karl]. Hun xi yue shan. Weilian Labei zhu ; Wang Kecheng yi. (Shanghai : Shanghai yi wen chu ban she, 1997). Übersetzung von Raabe, Wilhelm Karl. Abu Telfan : oder, Die Heimkehr vom Mondgebirge : Roman. (Köln : Atlas-Verlag, 1867). [WC] Raaschou, Peter Theodor (Dänemark 1862-1924 Shanghai) : Diplomat Biographie 1907-1908 Peter Theodor Raaschou ist Konsul des dänischen Konsulats in Shanghai. [Who2] 1909-1917 Peter Theodor Raaschou ist Generalkonsul des dänischen Konsulats in Shanghai. 1917 ist er Senior Konsul. [Who2] Raasloff, Waldemar Rudolf (1815-1883) : Dänischer Politiker, General Biographie 1863 Dritte dänische diplomatische Mission nach China durch Waldemar Rudolf Raasloff. [BroK1] Rabban Bar Sauma (ca. 1220-1294) : Türkisch-mongolischer Mönch, Nestorianer Bibliographie : erwähnt in 1992 Rossabi, Morris. Voyager from Xanadu : Rabban Sauma and the first journey from China to the West. (Tokyo ; New York, N.Y. -
Skilful Means: a Concept in Mahayana Buddhism, Second Edition
SMA01C 2 11/21/03, 10:48 AM SKILFUL MEANS ‘Skilful means’ is the key principle of the great tradition of Mahayana Buddhism. First set out extensively in the Lotus Sutra, it originates in the Buddha’s compassionate project for helping others to transcend the cease- less round of birth and death. His strategies or interventions are ‘skilful means’—devices which lead into enlightenment and nirvana. Michael Pye’s clear and engaging introductory guide presents the meaning of skilful means in the formative writings, traces its antecedents in the legends of early Buddhism and explores links both with the Theravada tradition and later Japanese Buddhism. First published in 1978, the book remains the best explanation of this dynamic philosophy, which is essential for any com- plete understanding of Buddhism. Michael Pye is Professor of the Study of Religions at Marburg Univer- sity, and author of Emerging from Meditation (1990), The Buddha (1981) and the Macmillan Dictionary of Religion (1993). He is a former President of the International Association for the History of Religions (1995–2000), and has taught at the Universities of Lancaster and Leeds. SMA01C 1 11/21/03, 10:48 AM SMA01C 2 11/21/03, 10:48 AM SKILFUL MEANS A Concept in Mahayana Buddhism Second Edition MICHAEL PYE SMA01C 3 11/21/03, 10:48 AM First published in 1978 by Gerald Duckworth & Co. Ltd. The Old Piano Factory, 43 Gloucester Crescent, London NW1 This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” This edition published 2003 by Routledge 11 New Fetter Lane, London, EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 2003 Routledge All rights reserved. -
Master Wonhyo: an Overview of His Life and Teachings
Master Wonhyo An Overview of His Life and Teachings 1 Published by Diamond Sutra Recitation Group Publisher Kim, Jae-Woong Author Jeong, Byeong-Jo Printed and Bound by Samjung Munhwasa Chungjeong-ro 37-18, Seodaemun-gu, Seoul First print, December 2010 ISBN: 978-0-9797263-7-8 Note on Romanization The Romanization of Korean words in this book follows the McCune-Reischauer system, except in the case of prominent figures and place names for which alternative usages are better known. When you have read this booklet, please donate it to a library or school so that it can be shared with others. Thank you. 2 Contents I. Preface…………………………………………………………………………7 II. Historical Background………………………………………………………10 III. Wonhyo’s Early Life………………………………………………………..12 1. Chestnut Valley…………………………………………………………..12 2. Pursuing the Spiritual Path……………………………………………….13 IV. The Quest to Study Abroad………………………………………………...16 1. Wonhyo and Uisang………………………………………………………16 2. A Journey to the Tang…………………………………………………….19 3. Drinking Water from a Skull……………………………………………..20 V. Returning to Worldly Life…………………………………………………..24 1. Living with the People………………………………………………….24 2. An Encounter with Princess Yosok……………………………………...25 3. Princess Yosok and Solchong…………….……….……………………..29 4. Layman Sosong………………………………………………………….32 VI. Anecdotes from Wonhyo’s Life…………………………………………….34 1. Oeosa Temple (‘My Fish’ Temple)……………………………………..34 2. Master Tae-an and the Raccoon Cubs………………….………………..35 3. Saving a Thousand Monks from Death…….……………………………36 4. Flower Ornament Plains…………………………………………………38 5. Kwangdok and Omjang………………………………………………….40 6. Wonhyo Declines an Offering from the Heavens……………………...42 7. Master Wonhyo’s Masterpiece: Exposition of the Vajrasamadhi Sutra….43 3 VII. Following Buddha’s Path…………………………………………………..48 1. A Beacon that Burns Eternally………………………………………….48 2. -
The Invention of Japanese Religions Jason Ananda Josephson* Williams College
Religion Compass 5/10 (2011): 589–597, 10.1111/j.1749-8171.2011.00307.x The Invention of Japanese Religions Jason Ananda Josephson* Williams College Abstract In recent years, the academic study of religion has begun to challenge the usefulness of the con- cept of ‘religion’ itself. This article examines the extension of this critical turn to the issue of Japa- nese religion. It traces the history of the invention of Japanese religions as conceptual categories and discusses debates about the continuities and discontinuities of ‘religion’ (shukyo) in Japan. Finally, it surveys the Japanese invention of ‘religion’ as a legal and political category. Introduction In 1703 London was abuzz with news that a native of Japanese-occupied Taiwan (For- mosa) had arrived on England’s shores. A popular dinner guest, this exotic foreigner regaled the Royal Society—Britain’s premiere scientific organization—with accounts of his far-flung homeland (Keevak, pp. 4–5). His celebrity status culminated in the publica- tion of a widely read book that contained one of the first accounts of Japanese religions in the English language, An Historical and Geographical Description of Formosa, an Island subject to the Emperor of Japan (1704).1 Unlike the comparatively monolithic religious land- scape of 18th century Europe, the Japanese were said to have three distinct indigenous religions (Psalmanazar, pp. 167–9). One of these religions was idolatrous, another focused on the worship of God in nature, and a third was essentially atheistic and philosophical. While a contemporary reader would surely reject the expression ‘idolatrous’ as pejorative and inaccurate, she would be forgiven for seeing in this tripartite schema an early refer- ence to a way of describing Japanese religions that is still popular today. -
The Historical Importance of the Chinese Fragments from Dunhuang in the British Library
THE HISTORICAL IMPORTANCE OF THE CHINESE FRAGMENTS FROM DUNHUANG IN THE BRITISH LIBRARY RONG XINJIANG THE Dunhuang materials obtained by Sir Aurel Stein during his second and third expeditions were divided between the British Museum, the India Office and the Indian government (this final section now being in the National Museum, New Delhi). However, most of the written material remained in Britain. When the British Library separated from the British Museum in 1973 the paintings were retained by the Museum but written materials in Chinese and other languages were deposited in the Oriental Department of the British Library. In the first part of this century, Dr Lionel Giles, Keeper of Oriental Printed Books and Manuscripts at the British Museum, catalogued the Chinese and some bilingual manuscripts, and printed Chinese documents. His Descriptive Catalogue of the Chinese Manuscripts from Tun-huang in the British Museum was published in 1957.^ It covered Stein manuscript numbers Or. 8210/S.1-^980, and printed documents. Or. 8210/P.1-19, from the second and third expeditions. The Chinese Academy of Science obtained microfilm copies of these manuscripts and Liu Mingshu also completed a catalogue of S.1-6980, which was published in 1962.^ Until recently, only this group of manuscripts had been fully studied. However, the manuscripts numbered S. 1-6980 do not cover the whole of the Stein Dunhuang collection. There are many fragmentary manuscripts which Giles omitted from his catalogue. Dr Huang Yungwu of Taiwan compiled a brief catalogue of fragments numbered S.6981-7599 based on a microfilm obtained from Japan,^ and Japanese scholars also carried out detailed research on some of the fragments.^ When I visited the British Library in May 1985, I was told that the manuscript pressmarks had reached S.i 1604.' Funded by a British Academy K. -
Western Sinology and Field Journals
Handbook of Reference Works in Traditional Chinese Studies (R. Eno, 2011) 9. WESTERN SINOLOGY AND FIELD JOURNALS This section of has two parts. The first outlines some aspects of the history of sinology in the West relevant to the contemporary shape of the field. The second part surveys some of the leading and secondary sinological journals, with emphasis on the role they have played historically. I. An outline of sinological development in the West The history of sinology in the West is over 400 years old. No substantial survey will be attempted here; that can wait until publication of The Lives of the Great Sinologists, a blockbuster for sure.1 At present, with Chinese studies widely dispersed in hundreds of teaching institutions, the lines of the scholarly traditions that once marked sharply divergent approaches are not as easy to discern as they were thirty or forty years ago, but they still have important influences on the agendas of the field, and they should be understood in broad outline. One survey approach is offered by the general introduction to Zurndorfer’s guide; its emphasis is primarily on the development of modern Japanese and Chinese scholarly traditions, and it is well worth reading. This brief summary has somewhat different emphases. A. Sinology in Europe The French school Until the beginning of the eighteenth century, Western views of China were principally derived from information provided by occasional travelers and by missionaries, particularly the Jesuits, whose close ties with the Ming and Ch’ing courts are engagingly portrayed by Jonathan Spence in his popular portraits, The Memory Palace of Matteo Ricci and Emperor of China. -
Japan's Modernization and Buddhism
JAPAN’S MODERNIZATION AND BUDDHISM By Saburd Ienaga* The question as to the role of traditional Japanese culture,' as it developed during ancient and feudal times, in modern society, or as to its historical significance, is a question of extreme importance and, at the same time, a question which is not easily answered. Also the question of the relationship between Japan’s modernization and Buddhism is, in fact, a part of the larger subject, namely, of the influence of tradi tional culture today. In the field of art, much basic research on the so-called modern period since the Meiji era has been undertaken; in contrast to this, the study of Buddhism in modern Japan lags far behind. Works of genuine academic achievement are few. Although there is the Nihon kindai buk- kyo-shi kenkyu (A Study of the History of Buddhism in Modern Japan) by Kyuichi Yoshida, it may be that the time for a scholar ly and documented survey of the connection between Japan’s modernization and Buddhism has not yet arrived. I am really not a specialist in the history of modern Buddhism and thus totally unqualified to write on such a subject. However, as I am interested in both the history of Japanese Buddhism and the history of modern thought, and have some impressions — though perhaps academically unsound — about the connection between Japan’s modernization and Buddhism, I have decided * The following is an edited translation of the author’s paper, “ Nihon no kindaika to bukkyo ” in Kdza kindai bukkyo, V o l.II, Kyoto 1961， pp.