Master Wonhyo: an Overview of His Life and Teachings
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Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Anaonino Forte
JIABS Journal of the International Association of Buddhist Studies Volume 30 Number 1–2 2007 (2009) The Journal of the International Association of Buddhist Studies (ISSN 0193-600XX) is the organ of the International Association of Buddhist Studies, Inc. As a peer-reviewed journal, it welcomes scholarly contributions pertaining to all facets of Buddhist EDITORIAL BOARD Studies. JIABS is published twice yearly. KELLNER Birgit Manuscripts should preferably be sub- KRASSER Helmut mitted as e-mail attachments to: [email protected] as one single fi le, Joint Editors complete with footnotes and references, in two diff erent formats: in PDF-format, BUSWELL Robert and in Rich-Text-Format (RTF) or Open- Document-Format (created e.g. by Open CHEN Jinhua Offi ce). COLLINS Steven Address books for review to: COX Collet JIABS Editors, Institut für Kultur- und GÓMEZ Luis O. Geistesgeschichte Asiens, Prinz-Eugen- HARRISON Paul Strasse 8-10, A-1040 Wien, AUSTRIA VON HINÜBER Oskar Address subscription orders and dues, changes of address, and business corre- JACKSON Roger spondence (including advertising orders) JAINI Padmanabh S. to: KATSURA Shōryū Dr Jérôme Ducor, IABS Treasurer Dept of Oriental Languages and Cultures KUO Li-ying Anthropole LOPEZ, Jr. Donald S. University of Lausanne MACDONALD Alexander CH-1015 Lausanne, Switzerland email: [email protected] SCHERRER-SCHAUB Cristina Web: http://www.iabsinfo.net SEYFORT RUEGG David Fax: +41 21 692 29 35 SHARF Robert Subscriptions to JIABS are USD 40 per STEINKELLNER Ernst year for individuals and USD 70 per year for libraries and other institutions. For TILLEMANS Tom informations on membership in IABS, see back cover. -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
Attacked by Māra. Tiantai Zhiyi (538-597) and the Birth Of
Attacked by Māra. Tiantai Zhiyi (538-597) and the Birth of Chinese Buddhist Meditative Demonology Guttorm Norberg Gundersen Master Thesis (60stp.) East Asian Culture and History (EAST4591) Department of Culture Studies and Oriental Languages Faculty of Humanities UNIVERSITY OF OSLO June 1st, 2017 II Attacked by Māra. Tiantai Zhiyi (538-597) and the Birth of Chinese Buddhist Meditative Demonology Guttorm Norberg Gundersen III Copyright: Guttorm Norberg Gundersen 2017 Attacked by Māra. Tiantai Zhiyi (538-597) and the Birth of Chinese Buddhist Meditative Demonology Guttorm Norberg Gundersen http://www.duo.uio.no Print: Webergs Printshop IV Til Pappa V Abstract This study deals with the emergence of the concept of “Māra disturbance” (móshì 魔事) in Buddhist meditation in sixth century China. It argues that the influential Chinese Buddhist master Zhìyǐ 智顗 (538-597) of the Tiāntái 天台 tradition seems to be the first to systematically discuss the idea that practitioners of meditation may be targeted by the Buddhist arch-demon Māra. The study takes as its textual focus the “Explanation of the Sequential Dharma Gates of the Perfection of Dhyāna” (Shì chánbōluómì cìdì fǎmén 釋禪波羅密次第法門). This understudied treatise is one of the earliest extant systematic instructions on Buddhist meditation practice written by a Chinese monk, and as such is an important milestone in the history of Buddhist meditation in China. The study is therefore also a contribution to research on early Chinese Buddhist meditation. The concept of “Māra disturbance,” the study shows, draws on certain Buddhist and Chinese religious traditions, but was recast by Zhiyi. In the process it came to constitute what we call an alternative paradigm for understanding meditative experience. -
A Study on the Uicheon's Hwaeom Thought in the Collected
A Study on the Uicheon’s Hwaeom Thought in the Collected Writings of the National Preceptor Daegak* Ae Soon Chang (Ven. Kye Hwan)2 Abstract Many scholars have undertaken studies on the works of Uicheon (義天, 1055-1101 CE), the results of which demonstrate considerable achievements. While these studies have clearly revealed Uicheon’s unique Buddhist frame of reference, there are still points which are contentious concerning research assumptions, especially their estimation of Uicheon’s Huayan thought (華嚴思想) in the ‘Combined Study of Essential Nature and Characteristic’ (性相兼學) and the ‘Combined Practice of Scriptural Study and Meditation’ (敎觀並修). Their error of judgment in this case is due to the fact that Uicheon had always valued Hwaeom thought as the foundation for all Buddhist teachings and the source for all Buddhist philosophical thought. In Ae Soon Chang is a professor of Department of Buddhist Studies at Dongguk Univ. (Seoul) ([email protected]) * This study is supported by Brain Korea 21 Buddhist Studies in a Global Era, Dongguk Univ. This article is an abridged version of “Hwaeom Thought of Uicheon” listed in the Bojosasang: Journal of Bojo Jinul’s Thought, vol. 11, pp. 9-37. (Seoul: 1998) International Journal of Buddhist Thought & Culture February 2011, vol. 16, pp. 55-68. ⓒ 2011 International Association for Buddhist Thought & Culture The day of submission: 2010.12.21 / Completion of review: 2011.1.12 / Final decision for acceptance: 2011.1.26 56 Ae Soon Chang (Ven. Kye Hwan): A Study on the Uicheon’s Hwaeom Thought fact, ‘Combined Practice of Scriptural Study and Meditation’ is testament to his overriding belief in the superiority of Hwaeom thought. -
On Wonhyo's Enlightenment Sung-Bae Park
On Wonhyo's Enlightenment Sung-bae Park In contemporary phenomenological thought, the German philosopher Martin Heidegger has made widespread the hermeneutic methodology of etymological analysis, in order to uncover the hidden meaning of words, i. e., to bring the meaning of words from concealment into nonconcealment. Through etymological analysis one unlocks and unfolds the inner meaning of words and concepts by tracing them back to their originary and primordial verb roots. I would now like to apply this hermeneutical method of etymological analysis to the central concern of all Buddhist sects-the notion of "Enlightenment." In China, such terms as Wu (悟), Chueh (覚) or Chien-sheng (見 性) are em- ployed to express the experience of enlightenment. Whereas in Japan, the con- cept of enlightenment is conveyed by such terms as Kensho (見 性) or satori (悟 り). However, in colloquial Korean vocabulary, enlightent is communicated by the term Kkaech'im. The verbal root form of this term is Kkaech'ida meaning "to awaken." Again, the root may be etymologically analyzed into the archaic verb root Kkaeda, meanining (i) to awaken; (ii) to become sober; (iii) to become aware; (iv) to be hatched [born anew]; (v) to return to life; (vi) to wake up; (vii) to break. From this archaic root, there are principally two major derivative verbal roots, these being Kkaejida, meaning "having been broken" or "breakage," as well as Kkaech'ida, whose noun form, Kkaech'im, is the Korean word for "Enlightenment." What is especially of interest here is the relation between Kkaech'im as "en- lightenment" and Kkaejim as "brokenness." For the concept of enlightenment, in its Korean context, now assumes the meaning of "breaking," "brokenness," "breakage," "to break" or "break -through." At once, two questions thus arise here, namely (i) What is it that is "broken" in the enlightenment experieri- ence? and (ii) How, in fact, does this total breakage actually occur? We have asserted that in Korean Buddhism, a total breakage is the necessary -470- (14) On Wonhyo's Enlightenment (S. -
Computational Thinking: a Case Study of Buddhist Terminology Using New Software Lewis Lancaster*
Journal of World Languages, 2014 Vol. 1, No. 1, 7–17, http://dx.doi.org/10.1080/21698252.2014.893674 Computational thinking: a case study of Buddhist terminology using new software Lewis Lancaster* Department of East Asian Languages and Cultures, University of California, Berkeley, USA With the advent of digital technology, there are radical changes sweeping through disciplines that cannot be resisted. It is part of this shift that is described by the term “Computational Thinking”. It is defined as the scholarly strategy of thinking at multi- ple levels of abstraction with the added use of the capacity of the computer to count and analyze complexity. As an example of “Computational Thinking”, I have used the digitized Korean version of the Chinese Buddhist canon, to explore an important term 本覺. The expression is usually translated as “Original Enlightenment” and is a major doctrinal teaching in East Asia. The analytic computation of the canon is further enhanced by the metadata tag of time, the purported date of translation. Providing temporal aspects to the computation gives us invaluable ways of analysis that would not be possible without the dating. The computation provides a glimpse of the history of the occurrences. Keywords: computational thinking; Buddhist canon; digital technology A new term has come into vogue among scholars –“Computational Thinking”.1 It is defined as the scholarly strategy of thinking at multiple levels of abstraction with the added use of the capacity of the computer to count and analyze complexity. In the Humanities, there is resistance to quantitative methods since the historic role of the field has been to work only with qualitative strategies. -
The Biographic and Poetic Dimensions in Gary Synder's Green
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 8-2007 The Biographic and Poetic Dimensions in Gary Synder’s Green Buddhism Poetry: Cold Mountain, Mountains and Rivers Without End, and Danger on Peaks Byoungkook Park Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Buddhist Studies Commons, Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Park, Byoungkook, "The Biographic and Poetic Dimensions in Gary Synder’s Green Buddhism Poetry: Cold Mountain, Mountains and Rivers Without End, and Danger on Peaks" (2007). Dissertations. 903. https://scholarworks.wmich.edu/dissertations/903 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE BIOGRAPHIC AND POETIC DIMENSIONS IN GARY SYNDER’S GREEN BUDDHISM POETRY: COLD MOUNTAIN. MOUNTAINS AND RIVERS WITHOUT END. AND DANGER ON PEAKS by Byoungkook Park A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Dr. Daneen Wardrop, Advisor Western Michigan University Kalamazoo, Michigan August 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE BIOGRAPHIC AND POETIC DIMENSIONS IN GARY SNYDER’S GREEN BUDDHISM POETRY: COLD MOUNTAIN POEMS. MOUNTAINS AND RIVERS WITHOUT END. AND DANGER ON PEAKS Byoungkook Park, Ph.D. Western Michigan University, 2007 From the perspective of ecology, many scholars have examined works of Gary Synder, who is an environmental activist, a peasant-Buddhist, and one of the most beloved and significant poets in the East and West. -
Exposition of the Sutra of Brahma S
11 COLLECTED WORKS OF KOREAN BUDDHISM 11 BRAHMA EXPOSITION OF THE SUTRA 梵網經古迹記梵網經古迹記 EXPOSITION OF EXPOSITION OF S NET THETHE SUTRASUTRA OF OF BRAHMABRAHMASS NET NET A. CHARLES MULLER A. COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 11 梵網經古迹記 EXPOSITION OF THE SUTRA OF BRAHMAS NET Collected Works of Korean Buddhism, Vol. 11 Exposition of the Sutra of Brahma’s Net Edited and Translated by A. Charles Muller Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-14-0 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 11 梵網經古迹記 EXPOSITION OF THE SUTRA OF BRAHMAS NET TRANSLATED BY A. CHARLES MULLER i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. Buddhism has always taught that the world is inherently unstable and its teachings are rooted in the perception of the three marks that govern all conditioned existence: impermanence, suffering, and non-self. -
Doctrinal Treatises Selected Works Doctrinal Treatises 諸敎學諸敎學 Doctrinaldoctrinal Treatisestreatises Selectedselected Worksworks Richard D
6 COLLECTED WORKS OF KOREAN BUDDHISM 6 SELECTED WORKS DOCTRINAL TREATISES SELECTED WORKS DOCTRINAL TREATISES 諸敎學諸敎學 DOCTRINALDOCTRINAL TREATISESTREATISES SELECTEDSELECTED WORKSWORKS RICHARD D. MCBRIDE II RICHARD D. CHARLES MULLER A. RICHARD D. MCBRIDE II RICHARD D. CHARLES MULLER A. COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 6 諸敎學 DOCTRINAL TREATISES SELECTED WORKS Collected Works of Korean Buddhism, Vol. 6 Doctrinal Treatises: Selected Works Edited by A. Charles Muller Translated by A. Charles Muller, Richard D. McBride II Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-09-6 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 6 諸敎學 DOCTRINAL TREATISES SELECTED WORKS INTRODUCED AND EDITED BY A. CHARLES MULLER TRANSLATED AND ANNOTATED BY A. CHARLES MULLER & RICHARD D. MCBRIDE II i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. -
SILLA KOREA and the SILK ROAD GOLDEN AGE, GOLDEN THREADS COPYRIGHT ©2006 the Korea Society All Rights Reserved
SILLA KOREA AND THE SILK ROAD GOLDEN AGE, GOLDEN THREADS COPYRIGHT ©2006 The Korea Society All rights reserved. No part of this book may be reproduced in any manner without written permission from the publisher except in the context of reviews. ISBN # 0-9729704-1-X Project director: Yong Jin Choi Consultants: Jong-wook Lee, Bangryong Park, Richard D. McBride, II, Gari Ledyard and Ned Shultz Curriculum writers: Marjorie Wall Bingham and Yong Jin Choi Editor: Frederick F. Carriere Editorial assistants: Rebecca Brabant, Grace Chon, Delmas Hare, Jennifer Kim and Louis Wittig Mini lesson writer: Ane Lintvedt Graphic designer/ Illustrator: Seho Kim Book design: Seho Kim (Cover) Gold crown ornament from Kumgwan Tumulus, Kyongju, 5th century CE Photo Credit: Reproduced by permission of the Kyongju National Museum of Korea. (Back cover) Gold crown from Kumgwan Tumulus, Kyongju, 5th century CE Photo Credit: Reproduced by permission of the Kyongju National Museum of Korea. (Right page) Photo caption and credit– Sword hilt, gold, Silla period; 5th–6th century Reproduced by permission of the Samsung Foundation of Culture. Grateful acknowledgement is made to the friends of The Korea Society, The Freeman Foundation and The Academy of Korean Studies for their support. We also are grateful to the organiza- tions and individuals who provided images for this publication. This publication has been made possible by the generous fi- nancial support of the northeast asian history foundation. Table of Contents Introduction iv I. Was Silla Part of the Silk Road? A. WHY STUDY SILLA? A CASE STUDY IN CREATIVITY Handout 1 1 B. A COMPARATIVE TIMELINE Handout 2 8 C.