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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Stories, Style & Radicalization
Stories, Style & Radicalization A Cultural and Narrative Criminological Study of Jihadi Propaganda Magazines Hans Myhre Sunde Master’s Thesis in Criminology Faculty of Law Department of Criminology and Sociology of Law UNIVERSITY OF OSLO May 22 nd 2017 ii Stories, Style & Radicalization A Cultural and Narrative Criminological Study of Jihadi Propaganda Magazines iii © Hans Myhre Sunde 2017 Stories, Style & Radicalization: A Cultural and Narrative Criminological Study of Jihadi Propaganda Magazines Hans Myhre Sunde www.duo.uio.no . Printed: Grafisk Senter, Oslo, www.grafiske.as iv ABSTRACT Title: Stories, Style & Radicalization : A Cultural and Narrative Criminological Study of Jihadi Propaganda Magazines Author: Hans Myhre Sunde Supervisor: Sveinung Sandberg Department of Criminology and Sociology of Law Faculty of Law University of Oslo Spring 2017 Stories, style and radicalization are all tired together in an intricate and complex relationship constructed within the jihadi terrorist subculture. This study is an in-depth inquiry into the jihadi propaganda magazines Inspire, Dabiq and Rumiyah that aim to highlight this relationship . The full catalogue of magazines produced, at the time, have been analysed under the scope of cultural and narrative criminology. In total 2001 pages distributed over 32 editions have been analysed using qualitative document analysis. By drawing upon frameworks of narrative and cultural criminology, this study aims to identify and present what is characteristic for jihadi narratives and subcultural style, and how they can function in radicalization. Narrative criminological research operates with stories as their main data, and view them as constitutive of crime. The stories people tell, shape their lives and constitute future behaviour. The narratives told can instigate, sustain or leave crime behind. -
Reserve Forces Review 2030 Unlocking the Reserves’ Potential to Strengthen a Resilient and Global Britain
Reserve Forces Review 2030 Unlocking the reserves’ potential to strengthen a resilient and global Britain May 2021 Contents Executive summary 7 Reserve Forces Review 2030 recommendations 11 Chapter 1 – Context and the imperative for change 15 Chapter 2 – Redefining the relationship between the reserves and society 25 Chapter 3 – Expanding the role of the reserves 43 Chapter 4 – Unlocking the potential of reservists 55 Chapter 5 – Transforming support to the reserves 73 Engagement log 88 Glossary 102 Reserve Forces Review 2030 3 4 Reserve Forces Review 2030 Foreword Brigadier The Rt Hon The Lord Lancaster TD VR When the Chief of the Defence Staff asked me to chair an independent review into the reserve forces, I leapt at the opportunity. For over 32 years, the Army Reserve has been an integral part of my life and perhaps the one constant of my adult years. Like many fellow reservists, my service has been part of a fairly consistent juggling act between the competing demands of a hectic professional career, private life and soldiering. In writing this foreword I recognise that so much has changed. Rather than looking ‘down and in’ at the use of The reserves have evolved from almost entirely reserves by the single services, we have been contingent forces – that trained at weekends tasked with looking ‘up and out’. and annual camps, recruited locally, and were At its heart, this Reserve Forces Review 2030 encapsulated by names such as ‘Territorial (RF30) is about people and skills, and how Army’ and ‘Royal Auxiliary Air Force’ – to the Defence, industry, government and wider reserve forces we have today across all three society can share them. -
Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment
German Studies Faculty Publications German Studies 12-15-2020 Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment. Kerry Wallach Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/gerfac Part of the Jewish Studies Commons, Other Film and Media Studies Commons, and the Other German Language and Literature Commons Share feedback about the accessibility of this item. Recommended Citation Wallach, Kerry. “Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment.” In The Future of the German Jewish Past: Memory and the Question of Antisemitism, edited by Gideon Reuveni and Diana Franklin, 239-51. Purdue: Purdue University Press, 2020. This open access book chapter is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment. Abstract The future of the German-Jewish past is, in a word, digital, and not only in the sense of digital humanities or digital history. Future generations of scholars, students, and the general public will engage with the past online in the same ways—and for many of the same reasons—that they engage with everything else. There needs to be something redeeming, enjoyable, or at least memorable about studying history for people to feel that it is worthwhile. For many, the act of learning about the past serves as a kind of virtual travel, even an escape, to another time and place. Learning about German-Jewish history becomes possible on a regular basis when it is easily accessible through the newest media on computers, cell phones, and other electronic devices. -
The Future of the German-Jewish Past: Memory and the Question of Antisemitism
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 12-15-2020 The Future of the German-Jewish Past: Memory and the Question of Antisemitism Gideon Reuveni University of Sussex Diana University Franklin University of Sussex Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Jewish Studies Commons Recommended Citation Reuveni, Gideon, and Diana Franklin, The Future of the German-Jewish Past: Memory and the Question of Antisemitism. (2021). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. THE FUTURE OF THE GERMAN-JEWISH PAST THE FUTURE OF THE GERMAN-JEWISH PAST Memory and the Question of Antisemitism Edited by IDEON EUVENI AND G R DIANA FRANKLIN PURDUE UNIVERSITY PRESS | WEST LAFAYETTE, INDIANA Copyright 2021 by Purdue University. Printed in the United States of America. Cataloging-in-Publication data is on file at the Library of Congress. Paperback ISBN: 978-1-55753-711-9 An electronic version of this book is freely available, thanks to the support of librar- ies working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books Open Access for the public good. The Open Access ISBN for this book is 978-1-61249-703-7. Cover artwork: Painting by Arnold Daghani from What a Nice World, vol. 1, 185. The work is held in the University of Sussex Special Collections at The Keep, Arnold Daghani Collection, SxMs113/2/90. -
„Kino Der Moderne – Film in Der Weimarer Republik“ Urbane
Pressemitteilung Begleitprogramm „Kino der Moderne – Film in der Weimarer Republik“ Moka Efti, Szene aus Babylon Berlin (D seit 2017, Regie: Tom Tykwer, Achim von Borries, Hendrik Handloegten) Szenenbild und Foto: Uli Hanisch, Quelle: Deutsche Kinemathek - Uli Hanisch Archiv PODIUMSGESPRÄCH Berlin, 17. September 2019 Urbane Filmarchitekturen: Von Metropolis bis Babylon Berlin Deutsche Kinemathek - Mit: Uli Hanisch (Szenenbildner) und Dietrich Neumann (Architektur- und Museum für Film und Filmhistoriker) Fernsehen Samstag, 28. September 2019, 17 Uhr Potsdamer Str. 2 Deutsche Kinemathek – Museum für Film und Fernsehen 10785 Berlin Mit seinen stilsicheren Sets für die Serie Babylon Berlin (D seit 2017, Regie: Tom Pressestelle Tykwer, Achim von Borries, Hendrik Handloegten) hat der Szenenbildner Uli presse@ Hanisch neue Maßstäbe bei der Reinszenierung der 1920er-Jahre gesetzt. Im deutsche-kinemathek.de Gespräch mit Dietrich Neumann, einem Spezialisten auf dem Gebiet der hbzapke@ Filmarchitektur, wird er seine Konzeption des Szenenbilds vorstellen und Einblicke deutsche-kinemathek.de T +49(0)30 300 903-820 in den Produktionsalltag geben. Wie unterscheiden sich proletarische und großbürgerliche Milieus in den 1920er- Jahren voneinander? Wie entstehen Spielräume für urbane Szenerien? Und wie lassen sich real wirkende Lebenswelten im Film herstellen? Anhand zahlreicher Beispiele aus Spielfilmen wie Metropolis (D 1927, Regie: Fritz Lang) oder Dokumentarfilmen wie Berlin – Die Sinfonie der Großstadt (D 1927, Regie: Walther Info Ruttmann) werden ikonische Großstadtarchitekturen mit ihren Kaufhäusern und T +49 (0)30 300 903-0 Kinopalästen, Boulevards und Leuchtreklamen, Mietskasernen und Hinterhöfen F +49 (0)30 300 903-13 vorgestellt und diskutiert. info@ deutsche-kinemathek.de In der Ausstellung „Kino der Moderne – Film in der Weimarer Republik“ (bis 13.10.2019) sind mehrere dieser Sets in Form von Modellen und Originalentwürfen zu sehen. -
Defence Policy and the Armed Forces During the Pandemic Herunterladen
1 2 3 2020, Toms Rostoks and Guna Gavrilko In cooperation with the Konrad-Adenauer-Stiftung With articles by: Thierry Tardy, Michael Jonsson, Dominic Vogel, Elisabeth Braw, Piotr Szyman- ski, Robin Allers, Paal Sigurd Hilde, Jeppe Trautner, Henri Vanhanen and Kalev Stoicesku Language editing: Uldis Brūns Cover design and layout: Ieva Stūre Printed by Jelgavas tipogrāfija Cover photo: Armīns Janiks All rights reserved © Toms Rostoks and Guna Gavrilko © Authors of the articles © Armīns Janiks © Ieva Stūre © Uldis Brūns ISBN 978-9984-9161-8-7 4 Contents Introduction 7 NATO 34 United Kingdom 49 Denmark 62 Germany 80 Poland 95 Latvia 112 Estonia 130 Finland 144 Sweden 160 Norway 173 5 Toms Rostoks is a senior researcher at the Centre for Security and Strategic Research at the National Defence Academy of Latvia. He is also associate professor at the Faculty of Social Sciences, Univer- sity of Latvia. 6 Introduction Toms Rostoks Defence spending was already on the increase in most NATO and EU member states by early 2020, when the coronavirus epi- demic arrived. Most European countries imposed harsh physical distancing measures to save lives, and an economic downturn then ensued. As the countries of Europe and North America were cau- tiously trying to open up their economies in May 2020, there were questions about the short-term and long-term impact of the coro- navirus pandemic, the most important being whether the spread of the virus would intensify after the summer. With the number of Covid-19 cases rapidly increasing in September and October and with no vaccine available yet, governments in Europe began to impose stricter regulations to slow the spread of the virus. -
2010 Twitter: #PE10 #TVD01
TV DOCUMENTARY 01 Leuven Hulp At the beginning of 2009 a number of prisoners from the Leuven Help auxiliary prison in Leuven took part in a theatre workshop. The improvisations and rehearsals within the prison walls were filmed over a period of three months, culminating in a performance in front Belgium of an audience. For three months prisoners were filmed, often day and night - including in the cells, in which they were locked up 22 hours a day. The viewers are thus privileged witnesses of the day-to-day life of Entering organisation: Nico, Bogdan, Dilges, Christos, Peter, Antonio and Ali. They see Vlaamse Radio- en Televisieomroep - VRT them as they walk round the prison courtyard, as they go about the Contact: Franky Audenaerde tasks they are given to do and in their cells. They see them during Email: [email protected] the day, but also during the long nights. They observe their troubled relationship with the outside world, their often hopeless situations Author/s: and their survival strategies. Joeri Weyn, Yoohan Leyssens, Luc Haekens As a viewer you are constantly subjected to a conflict of feelings: on Directors: Joeri Weyn, Yoohan Leyssens, Luc Haekens the one hand you empathise with the person, on the other hand you Camera: Joeri Weyn & Yoohan Leyssens cannot avoid the reprehensible, often violent deeds of the criminal. Commissioning editor: Michel Vanhove Nico says to theatre-maker Thomas, ‘You often say ‘experienced’ but Email: [email protected] you should see it as ‘committed’. Dilges raps in his cell, ‘You know, Production company: Woestijnvis but you do it anyway, yo’. -
A French Sociology & Social Network Theory Approach Understanding The
CHARLES UNIVERSITY IN PRAGUE Faculty of Social Science Institute of Political Science Senem Bekjan Islamic State Narrative on Internet: A French Sociology & Social Network theory approach understanding the propaganda Master`s Thesis Prague 2016 Author : Senem Bekjan Supervisor : Vit Stritecky Academic year: 2016 2 Bibliographical note: Bekjan, Senem Islamic State Narrative on Internet: A French Sociology Study and Social Network theory approach to understand the propaganda. Prague 2016 p.93 Master`s Thesis Charles University, Faculty of Social Sciences, Institute of Political Studies. Thesis Supervisor: PhDr. Vit Stritecky Ph.D Abstract The global Salafi jihadist movement has entered into a new era. In this era, the jihadists have gained opportunity to appeal to a much larger audience with the help of various uses of Internet. The Salafi-jihadist activities in the last years have shown that their approach was not left fruitless. The violent movement of Islamic State in Syria and Iraq, as we know it today is mostly consisting of foreign fighters from developed states, including the Western states. While the foreign fighter phenomena is not a new paradigm in the history of wars, the effective mass mobilization of jihadists shows us that something has changed since the jihadist movements of 1980s. It’s evident that Internet has played a certain role, providing these types of movements with a much bigger audience, a louder and an uncensored voice to their call of violence. What makes this call so much more effective than anything else, is its advanced used narrative, which should be analyzed in this thesis in parallel comparison with the academic radicalization theories. -
Producing Fear in the Enemy's Mind
Producing Fear in the Enemy’s Mind HOW TO ADAPT COLD WAR DETERRENCE FOR GRAY-ZONE AGGRESSION Elisabeth Braw MARCH 2021 AMERICAN ENTERPRISE INSTITUTE Executive Summary eterrence is an instinctive part of shared war or whether one would not have erupted anyway, D existence, whether among individuals, groups, the world emerged from the Cold War without a or nations. It convinces adversaries not to engage direct confrontation between the two blocs. in aggressive acts they may otherwise have viewed Gray-zone aggression directed at liberal democra- as beneficial. Locks, burglar alarms, and signs warn- cies is growing and morphing, which makes it impera- ing of biting dogs, for example, form a basic form tive for these countries to establish effective deterrence. of deterrence, designed to convince prospective As deterrence is primarily about psychology, not the intruders that burglarizing a particular property tools used, liberal democracies can build on the deter- would be unwise. rence strategy developed during the Cold War. During the Cold War, nuclear arsenals’ destructive Because deterrence works only if it is credible, the power made deterrence theory a central component deterrents used should not be primarily of a military of national security strategy. Although it is impossible nature. Instead, effective deterrence must involve all to prove whether this strategy prevented a devastating parts of society. i Producing Fear in the Enemy’s Mind HOW TO ADAPT COLD WAR DETERRENCE FOR GRAY-ZONE AGGRESSION Elisabeth Braw The reason Westminster Abbey has a hawk is not for it to eat pigeons that get into the abbey. The hawk is there to make the pigeons think it will eat them.1 —Westminster Abbey choirboy The person who best described the essence of deter- a function of grand or national strategy. -
Dabiq: Framing the Islamic State
Radboud Universiteit Nijmegen Dabiq: Framing the Islamic State A Utopian Roadmap to the New Caliphate Jeu Delemarre, s0747602 Word count: 22.656 July 2017 Supervisor: Dr. Roel Meijer Radboud University Nijmegen Faculty of Theology, Philosophy and Religious Studies Master thesis 1 Verklaring van eigen werk Hierbij verklaar en verzeker ik, Jeu Delemarre, dat voorliggende eindwerkstuk getiteld Dabiq: Framing the Islamic State: A Utopian Roadmap to the New Caliphate, zelfstandig door mij is opgesteld, dat geen andere bronnen en hulpmiddelen dan die door mij zijn vermeld zijn gebruikt en dat de passages in het werk waarvan de woordelijke inhoud of betekenis uit andere werken – ook elektronische media – is genomen door bronvermelding als ontlening kenbaar gemaakt worden. Plaats, datum Nijmegen, 10-7-2017 2 TABLE OF CONTENTS Preface Page 3 Chapter 1, Introduction Page 4 -1.1. Background of IS Page 9 -1.2. Utopianism Page 11 -1.3. Thesis structure Page 15 Chapter 2, Jihadi Glossies: a Recent History Page 17 Chapter 3, Framing the Islamic State as Utopia Page 24 -3.1 Transcendental institutionalism Page 24 -3.2 Criticising the status quo and activating dynamic duties Page 28 -3.3 Eschatological urgency to activate dynamic duties Page 30 -3.4 The roadmap to the utopian Islamic State Page 35 -3.5 The perfect state according to Dabiq Page 37 3.5.1 Da‘wa: Enjoining in Good Page 39 3.5.2 Infrastructure Page 41 3.5.3 Medical services Page 41 3.5.4 Law enforcement Page 41 3.5.5 Coinage, economy and state exigencies Page 43 3.5.6 Slavery Page 44 3.5.7 Military and Warfare Page 45 -3.6 The perfect Muslim according to Dabiq Page 50 Chapter 4, Conclusions Page 59 Used literature Page 63 Appendix A: Glossary Page 68 Appendix B: The Apocalyptic Events Page 73 Appendix C: Attacking IS’s enemies Page 76 3 Preface I would like to thank my own sanity and stomach for being able to cope IS imagery and Vera for getting me through. -
Representing Veterans of the First World War in German Literature and Culture During the Weimar Republic & Now
Looking Back at the Lost Generation: Representing Veterans of the First World War in German Literature and Culture during the Weimar Republic & Now Jairo Izaguirre, Class of 2022 Inspired by my seminar on the “Literature and Culture of the Great War and the Weimar Republic” (GER 3390) with Professor Jill Smith, I aimed to investigate how men of the “lost generation,” those who fought in and survived the First World War, are depicted in the literature and visual works (film, graphic fiction, television) of two separate time periods: the period between the First World War and the takeover of the National Socialist or Nazi regime (1918-1933) and the present day (2008-present). In regard to the first period, which is usually known as the Weimar Republic, I investigated two key questions: First, what sorts of physical and psychological wounds did the veterans of WWI have, and which of these were seen as new? For instance, how did what came to be known as “shell shock” manifest itself physically and mentally in veterans? Second, how were literature and art used as a way to process the trauma of war? What works were produced by veterans, and how do those differ from works written about them by someone who did not experience the war firsthand? While a significant body of scholarship on this topic during the Weimar era does exist and was an essential part of my project, little to no scholarly attention has yet been given to the present moment. As the centenary of the First World War approached, I argue, writers, artists, directors, and producers displayed renewed interest in the war and its effects on those who fought in it.