HIST 31205 Fall 2020 the Arab-Israeli Conflict Place
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Israel: Growing Pains at 60
Viewpoints Special Edition Israel: Growing Pains at 60 The Middle East Institute Washington, DC Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US rela- tions with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org The maps on pages 96-103 are copyright The Foundation for Middle East Peace. Our thanks to the Foundation for graciously allowing the inclusion of the maps in this publication. Cover photo in the top row, middle is © Tom Spender/IRIN, as is the photo in the bottom row, extreme left. -
Hummus Is Best When It Is Fresh and Made by Arabs”: the Gourmetization of Hummus in Israel and the Return of the Repressed Arab
DAFNA HIRSCH The Open University of Israel “Hummus is best when it is fresh and made by Arabs”: The gourmetization of hummus in Israel and the return of the repressed Arab ABSTRACT ine o’clock on a chilly Saturday morning. A group of 25 Israeli In this article, I examine the “cultural biography” of Jews is waiting in front of the Jerusalem municipality building hummus in Israel from the Mandate period to the for a tour to start. This is not an ordinary tourist excursion, how- present, focusing on the changing place of Arabness ever, but a tour of Palestinian hummusiyot (hummus joints; in the signification of the dish. Contrary to accounts sing. hummusiya) in East Jerusalem, organized, curiously, by that regard food consumption as metonymic of N Beit Shmuel—the Jerusalem branch of Progressive Judaism. Our friendly political relations, I argue that, because food items young guide looks more like the backpacker type than the average gourmet move in several fields, both their consumption and type. But like many other Israelis, he is a self-appointed hummus expert. signification are overdetermined processes. Rather The tour opens with a question: “So ...who does hummus belong to? Is it than taking hummus to be the essential “food of the ours or theirs?” Except for a couple of dissidents, group members agree that Other,” I show that the Arab identity of hummus it is “theirs.” “Hummus for Arabs is a different matter than it is for us,” ex- functions as a resource, employed by social actors plains our guide. “We would describe any hummus as delicious. -
Michael Tilson Thomas
• 35 YE 21 AR 0 S 2 BERKSHIRE JEWISH FILM FESTIVAL 2021 marks the 35th anniversary of the Berkshire Jewish Film Festival. The brainchild of Dr. Zev Raviv, the festival was led by Margie Metzger for 30 years. For the first 20 years, the films were shown on a 16mm projector at Knesset Israel in either the Sanctuary or the Social Hall. At the very beginning, a crowd of 25 was considered a success. Amy Abramovich helped run the concession where people could buy ice cream and other goodies. Because it was (and still is) a fundraiser for the Knesset Israel Hebrew School, it was important to involve the students, and each year a contest was held to design the program cover. The tide turned with the screening of the documenta- ry, The Life and Times of Hank Greenberg. There was stand- ing room only and it was then that public perception of the film festival changed. And the rest is history! Over these past 35 years, the BJFF has shown hundreds of films to thousands of people. Last year with the pan- demic forcing us to close the theater doors, we were able to continue as a virtual festival showing films online and engaging our audience members with Zoom talkbacks. This year we are celebrating with a full seven weeks of programming. Including the five short films being shown on August 9th, we are offering eighteen films in total. Our films range from political documentaries and biographies to comedies, heartfelt family stories, and animation. We couldn’t run this festival without our loyal volunteers. -
Playing with Dynamite: U.S. Foreign Policy Toward Palestine, 1945-1948
University of New Hampshire University of New Hampshire Scholars' Repository Master's Theses and Capstones Student Scholarship Spring 2017 Playing with Dynamite: U.S. Foreign Policy Toward Palestine, 1945-1948 Jared Paul Rivard University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/thesis Recommended Citation Rivard, Jared Paul, "Playing with Dynamite: U.S. Foreign Policy Toward Palestine, 1945-1948" (2017). Master's Theses and Capstones. 925. https://scholars.unh.edu/thesis/925 This Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Master's Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Playing with Dynamite: U.S. Foreign Policy Toward Palestine, 1945-1948 By Jared Rivard BA History, University of Massachusetts Amherst, 2009 THESIS Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History May, 2017 This thesis has been examined and approved in partial fulfillment of the requirements for the degree of Master of Arts in History by: Kurk Dorsey, Professor of History J. William Harris, Professor of History Jason Sokol, Associate Professor of History On May 9, 2017 Original approval signatures are on file with the University of New Hampshire Graduate School. ii TABLE OF CONTENTS MAPS. ..............................................................................................................….. v ABSTRACT .................................................................................................. ...….. vii INTRODUCTION: THE POWDER KEG IN THE MIDDLE EAST…………… 1 A Crisis of Lasting Importance…………………....................................... 1 Historiography…………………………...…............................................. -
Romeo and Juliet Teacher Handbook 2016-17
Lady Capulet Barbara Gaines Artistic Director Carl and Marilynn Table of Contents Thoma Endowed Chair Preface . .1 . Art That Lives . .2 . Bard’s Bio . 3. Criss Henderson The First Folio . .3 Executive Director Shakespeare’s England . 4. The English Renaissance Theater . 5 Chicago Shakespeare Theater is Chicago’s professional theater The Courtyard-style Theater . 7. A Brief History of Touring Shakespeare . .8 . dedicated to the works of William Shakespeare. Founded as Shakespeare Timelines . 11 Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style courtyard theater, 500 seats on three levels wrap around a deep thrust stage—with only nine rows separating Shakespeare’s the farthest seat from the stage. Chicago Shakespeare also features a flexible 180-seat black box studio theater, a Teacher Resource Center, Romeo and Juliet and a Shakespeare specialty bookstall. In 2016, construction began on Dramatis Personae . .13 . a. new, innovative performance venue, The Yard at Chicago Shakespeare. Families and Feuds Relationship Web . 13. The year-round, flexible venue can be configured in a variety of shapes The Story . 14 and sizes with audience capacities ranging from 150 to 850, defining the Act by Act Synopsis . 14. S omething Borrowed, Something New: audience–artist relationship to best serve each production. Shakespeare’s Sources . 16 Now in its thirtieth season, the Theater has produced nearly the entire T o Have and To Hold: Shakespeare canon: All’s Well That Ends Well, Antony and Cleopatra, As Elizabethans and their Bonds of Marriage . .17 . Shakespeare, Tragedy, and Us. 19 You Like It, The Comedy of Errors, Cymbeline, Edward III, Hamlet, Henry IV Parts 1 and 2, Henry V, Henry VI Parts 1, 2 and 3, Henry VIII, Julius Caesar, King John, King Lear, Love’s Labor’s Lost, Macbeth, Measure Scholars’ Perspectives for Measure, The Merchant of Venice, The Merry Wives of Windsor, A The Timeless Tragedy . -
“I Am Afraid Americans Cannot Understand” the Congress for Cultural Freedom in France and Italy, 1950–1957
“I Am Afraid Americans Cannot Understand” The Congress for Cultural Freedom in France and Italy, 1950–1957 ✣ Andrea Scionti Culture was a crucial yet elusive battlefield of the Cold War. Both superpowers tried to promote their way of life and values to the world but had to do so care- fully. The means adopted by the United States included not only propaganda and the use of mass media such as cinema and television but also efforts to help shape the world of highbrow culture and the arts. The Congress for Cultural Freedom (CCF), an organization sponsored by the U.S. Central Intelligence Agency (CIA), offered U.S. policymakers and intellectuals the opportunity to provide indirect support for anti-Communist intellectuals without being openly associated with their activities. Although the CCF represented one of the main instruments for the United States to try to win the hearts and minds of postwar Europe, it also created new challenges for U.S. Cold War- riors. By tying themselves to the European intelligentsia, they were forced to mediate between different societies, cultures, and intellectual traditions. This article looks at the contexts of France and Italy to highlight this interplay of competing notions of anti-Communism and cultural freedom and how the local actors involved helped redefine the character and limits of U.S. cultural diplomacy. Although scholars have looked at the CCF and its significance, es- pecially in the Anglo-Saxon world, a focus on French and Italian intellectuals can offer fresh insights into this subject. The Congress for Cultural Freedom was the product of a convergence of interests between the CIA’s recently established Office of Policy Coordination (OPC) and a small number of American and European intellectuals, many of them former Communists, concerned about the perceived success of the Soviet cultural offensive in Western Europe. -
Bibliographies
VOLUME II MIDDLE EAST PEACE NEGOTIATIONS WORKING GROUP ON REFUGEES GROUPE DE TRAVAIL SURLES REFUGIES NEGOCIATIONS POUR LA PAIX AU MOYEN-ORIENT Bibliographies 92--0801-00 Middle East Expert and Advisory Services Fund Phase I prepafi produced for project r - .. I ...... ~ E F 0 R R E no access restriction k University Toronto Canada BRIEFING BOOK INDEX Volume I Section I - References Section II - Contacts Volume II Section III - Bibliographies 1. Israel-Arab Conflict - General 2. Palestinian Refugees - General 3. Sample Annotated Bibliography - Palestinian Refugees 4. Jews from Arab Lands 5. Repatriation - General Bibliographies-Disclaimer *All the five bibliographies in Section III (Volume II) are samples. The source material for the bibliographies is primarily in English and the selection is limited. At present, sources other than in English (Hebrew, Arabic, French and other languages) are not included. Therefore, the current document should be utilised only as a prototype. It is an acknowledged need that future work must include preparation of (multi-lingual) exhaustive bibliographies on Repatriation, Arab-Israeli Conflict, Palestinian Refugees and Jews in Arab Lands as well as Kurdish Refugees. **The format used for the entries is as follows: Author (year) "Title of the article" in Title of the Journal. Vol. #(series#): page#. - or - Title of the Book. Place of Publication: Publishing Company. number of pp. Abstract: Keywords: BIBLIOGRAPHY !: ARAB-rSRAELI CONFLICT - GENERAL :1937) The Palestine Royal (Peel) Commission Report. Keywords: Arab states; Europe (1965} Israel and the Uniced Nacions, Report of Study Group. Keywords: Israel; United ~ations General Assembly; Law; self-determination (1977) Tb.e Palestinian Arab National .'1ovement: From Riots to Rebellion, 1929-1939, Vol. -
West Side Story"
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-6-2014 12:00 AM Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story" Andrew M. Falcao The University of Western Ontario Supervisor Paul Coates The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Andrew M. Falcao 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Falcao, Andrew M., "Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story"" (2014). Electronic Thesis and Dissertation Repository. 2091. https://ir.lib.uwo.ca/etd/2091 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. TRAGEDY, ECSTASY, DOOM: MODERNIST MOODS OF “WEST SIDE STORY” (Thesis format: Monograph) by Andrew Michael Falcao Graduate Program in Global Film Cultures A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Andrew M. Falcao 2014 i Abstract This thesis looks to reposition West Side Story (Jerome Robbins/Robert Wise, 1961) as an example of (neo-)modernist art. Placing the film within its context of Hollywood musicals, I see West Side Story as a particularly rich locus in which to study the genre’s modernist impulses. -
An Analysis of the Parallel Frames in the Media Used To
AN ANALYSIS OF THE PARALLEL FRAMES IN THE MEDIA USED TO DESCRIBE COMMUNISM IN THE EARLY COLD WAR AND TERRORISM IN THE POST-9/11 ERA By: SAVANNAH CARTER A THESIS Presented to the Department of Journalism and Communications and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2015 Acknowledgements I would like to thank Professors Suzanne Clark, Jane Cramer, and Gretchen Soderlund for their patience and insights, which aided immensely in allowing me to delve into not just one, but two crucial periods in American history. In addition, I am sincerely grateful to all of the members of the Robert D. Clark Honors College, specifically Thesis Coordinator Miriam Jordan and my past professors for their guidance in the research and thesis development process. Without their help this undertaking would not have been possible. And finally, I would like to acknowledge my amazing family, in particular my parents Larry and Cheryl as well as my sister Victoria Carter for being patient with me this past year. From talking sense into me during countless tearful phone calls, to reading through my hundred page drafts and listening to me rant about even the most mundane aspects of the process, I couldn’t be more grateful for all of their love and support. Truly this thesis is for them. iii Table of Contents Key Terms vi Introduction 1 Chapter 1: The Early Cold War Years I. Post World War II and the Official Start of the Cold War 4 A. Brief Historical Context 4 B. -
Walter Laqueur: the Last Days of Europe Study Guide
Scholars Crossing Faculty Publications and Presentations Helms School of Government 2007 Walter Laqueur: The Last Days of Europe Study Guide Steven Alan Samson Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/gov_fac_pubs Part of the Other Social and Behavioral Sciences Commons, Political Science Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Samson, Steven Alan, "Walter Laqueur: The Last Days of Europe Study Guide" (2007). Faculty Publications and Presentations. 132. https://digitalcommons.liberty.edu/gov_fac_pubs/132 This Article is brought to you for free and open access by the Helms School of Government at Scholars Crossing. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. WALTER LAQUEUR: THE LAST DAYS OF EUROPE STUDY GUIDE, 2007 Steven Alan Samson INTRODUCTION Study Questions 1. A Very Brief Tour Through the Future of Europe How have the sights, sounds, and smells of London, Paris, and Berlin changed since 1977? How did immigration to those cities differ one hundred years compared with today? What are the typical characteristics of the immigrants of 2006? 2. The Last Days of Old Europe What is “Old Europe?” What is the role of tourism in the European economy? What accounted for the author’s optimism in the 1970s? What were some of the danger signs in the 1970s? What did leading demographers show? What were some of Russia’s problems in the 1980s? How did the new immigrants differ from the guest workers of the 1950s? How did the European vision differ from the American dream? What accounted for the rosy picture painted of Europe by Tony Judt, Mark Leonard, and Charles Kupchan? What was the general consensus of EU’s 2000 meeting in Lisbon? Review danger signs in the 1970s new immigrants resistance to assimilation European vision Tony Judt CHAPTER ONE: EUROPE SHRINKING Study Questions 1. -
Re-Mediating the Israeli-Palestinian Conflict: the Use of Films to Facilitate Dialogue." Dissertation, Georgia State University, 2007
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 5-3-2007 Re-Mediating the Israeli-Palestinian Conflict: The Use of Films ot Facilitate Dialogue Elana Shefrin Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Part of the Communication Commons Recommended Citation Shefrin, Elana, "Re-Mediating the Israeli-Palestinian Conflict: The Use of Films to Facilitate Dialogue." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/communication_diss/14 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RE-MEDIATING THE ISRAELI-PALESTINIAN CONFLICT: THE USE OF FILMS TO FACILITATE DIALOGUE by ELANA SHEFRIN Under the Direction of M. Lane Bruner ABSTRACT With the objective of outlining a decision-making process for the selection, evaluation, and application of films for invigorating Palestinian-Israeli dialogue encounters, this project researches, collates, and weaves together the historico-political narratives of the Israeli- Palestinian conflict, the artistic worldviews of the Israeli and Palestinian national cinemas, and the procedural designs of successful Track II dialogue interventions. Using a tailored version of Lucien Goldman’s method of homologic textual analysis, three Palestinian and three Israeli popular film texts are analyzed along the dimensions of Historico-Political Contextuality, Socio- Cultural Intertextuality, and Ethno-National Textuality. Then, applying the six “best practices” criteria gleaned from thriving dialogue programs, coupled with the six “cautionary tales” criteria gleaned from flawed dialogue models, three bi-national peacebuilding film texts are homologically analyzed and contrasted with the six popular film texts. -
Reviewing Education in Palestine
199 alestineNovember 2014 Reviewing Education in Palestine Inside the small rooms of This Week in Palestine In this issue we started to call this November issue on reviewing education a benchmark as soon as the idea hit us. It Reviewing Education is a leap in our aspirations to push the magazine’s content, look, and role in our society to a whole in Palestine new level. Palestinians have placed a lot of value and hope on this subject. Education was at one time THE 4 The Gorgeous Robe of Our King commodity to invest in for the future of Palestinian families after the loss of their houses, properties, lands, and natural habitats during 199 10 Healing from Modern Superstitions November 2014 Al-Nakba, the forced exodus. Palestine used to be a thriving place for education, which is reflected in the following pages through a new and interesting research 20 Why I Left School and Never Went alestine project conducted by Jehad Alshwaikh. Also, during the first Intifada, Palestinians Back! came up with their own flexible and practical form of education, which is the subject 28 Why Do We Pursue University of an important article we have for you by Alessandro Petti. Degrees? At present, however, education has become a topic shrouded in controversy. The 34 Rethinking Palestinian Education system has not been producing the results it promised. So we decided that it was time to take a fresh look at education in Palestine and pose a few questions. Is 40 Palestinian Cultural/Historical knowledge really the focal point of our educational system? How does Palestinian Geography education compare with educational advancements around the world? 46 Reclaiming Diversity in Education We sought out the most prolific and professional writers on education to give us Reviewing Education in Palestine their views and suggestions on how to move forward.