Stevie Klassons "Rock N' Roll Tales from a Crooked Highway"

Total Page:16

File Type:pdf, Size:1020Kb

Stevie Klassons 2016-01-05 12:00 CET Stevie Klassons "Rock N' Roll Tales From A Crooked Highway" Stevie Klassons ”Rock N' Roll Tales From A Crooked Highway", är en rock n 'roll bok som inte liknar något annat du tidigare har läst. Boken består av ett gäng korta berättelser, en del berättat av Stevie och en del av Stevies vänner. Och där den gemensamma nämnaren är ”It´s Only Rock´n Roll But I Like It”. Boken som släpps den 24 januari kommer tillsammans med ”Stevie Klasson s Black Weeds” debutalbum. Kolla in den första av tre trailers för boken HÄR; https://www.youtube.com/watch?v=1VypDSRKyNY&feature=youtu.be Vem är då Stevie Klasson? Han är född den 28 juli 1968 i Södertälje, började spela punk i olika band vid 13 års ålder. Sommaren 1987 träffade Stevie gitarristen Johnny Thunders och dom inledde ett samarbete som varade fram till Johnnys död 1991. Stevie har genom åren även turnerat och spelat in med bland annat Diamond Dogs, Conny Blooms Groovies Inc., Hanoi Rocks, Freddie Wadling, Spain, ja listan kan göras lång. 2007 släppte han “Don’t Shoot The Messenger” " (Wild Kingdom) med lite hjälp från en rad goda vänner som Nicke Andersson (Imperial State Electric, The Hellacopters), Robert "Strängen" Dahlqvist (Hellacopters), Vigilante Carlstroem (Hives), Mattias Bärjed (Soundtrack Of Our Life), Peter Svensson (Cardigans), Chris Wilson (Flaming Groovies), Darrell Bath (Vibrators / Uk Subs), Brady Blade (Emmylou Harris) och Glen Matlock (Sex Pistols). År 2009 startade han bandet Black Weeds och tillsammans med Martin Tronsson, Robert Eriksson (Hellacopters / Winnerbäck), och Boba Lee Fett (Hellacopters / Winnerbäck) är Black Weeds ett av Sveriges absolut bästa Rockband. En riktigt bra kväll kan även Black Weeds gästas av Stevies gamla kompis Conny Bloom eller kanske till och med Andy McCoy. Releasefest för boken och albumet kommer att hållas på Akkurat (Hornsgatan 18) i Stockholm Söndagen den 24 januari. Dörrarna öppnar 19:00 och en gott råd att vara där tidigt. För ytterliggare info / intervjuer kontakta: [email protected] Sound Pollution Distribution AB är ett av de största distributionsbolagen i Skandinavien för alternativ musik. Vi har över 25 års erfarenhet av att jobba med hårdrock, metal, punk och andra typer av alternativ musik. Kontaktpersoner Carl von Schewen Presskontakt Promotional manager Promotion [email protected] 08-54529591 070-3992666.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Music Export from Helsinki to Berlin and Vice Versa. Case Study: Face of God and Ill Kommodity
    Music export from Helsinki to Berlin and vice versa. Case study: Face of God and Ill Kommodity Jennifer Kuhn Bachelor´s thesis Degree Programme in Experience and Wellness Management 2013 Abstract 29.11.2013 EXWEL Author or authors Group or year of Jennifer Kuhn entry EXWEL10 Title of thesis Number of Music export from Helsinki to Berlin and vice versa. Case study: pages and Face of God and Ill Kommodity appendices 63 + 46 Teacher(s) or supervisor(s) Chrysoula Skodra This is a product - oriented thesis. The aim is to conclude a guidebook about music export for young bands that are interested in playing a show abroad. The project: Mu- sic export from Helsinki to Berlin and vice versa. Case study: Face of God and Ill Kommodity, was used to learn from the praxis. The thesis describes the responsibilities of the project manager and brings project management and event planning together. The music export history of Finland and Germany is taken in consideration and a closer look into media relations, funding, networking and marketing theories is provided. The project is a culture exchange between a German and a Finnish band. They switch the music market and share their networking contacts. Both bands are performing two concerts abroad and gathering attention from the media. Tough Enough Promotion is the commissioner of this thesis and the concluded music export guide got establish for the company to implement future music export projects. The book will guide young bands through the challenges of internationalization and gives recommendations on music export. The music export guide is the result of the project that got intensively studied and evaluates the theories for the praxis.
    [Show full text]
  • Dancing on the Edge: Hanoi Rocks Live Concert DVD Coming!
    Dancing On The Edge: Hanoi Rocks live concert DVD coming! http://www.thatdevilmusic.com/Dancing/2008/04/hanoi-rocks-live-concer... SEARCH BLOG Next Blog» Create Blog | Sign In DANCING ON THE EDGE DISPATCHES FROM THE FRINGES OF ROCK & ROLL KULTURE. .. THURSDAY, APRIL 17, 2008 "DANCING" CD REVIEW INDEX Hanoi Rocks live concert DVD coming! "Dancing" CD Review Index Hanoi Rocks was one of CONTACT THE REVEREND: the great lost bands of the Rev.Gordon 1980s. The band's mix of CONSPIRACY M.E.D.I.A BLOGS glam, metal and punk became known as Trademark of Quality audioblog "sleaze-rock" and proved Alt.Culture.Guide Archive to be influential on a That Devil Music Dot Com generation of Aquanetted TMQ Zine Archive nerf-metal outfits later in The Other Side Of Nashville blog the decade. Chart-toppers That Devil Music Storefront like Guns N' Roses and the Manic Street Preachers are direct descendants of the PREVIOUS POSTS Hanoi Rocks sound. Why April Wine likes to rock! Hanoi Rocks never made it Javelina tour dates announced! to the big time while inferior third-generation carbon copy Leverage - Blind Fire CD review bands made major bank with their sound is one of the great Burzum - Anthology CD review mysteries of the era.... Candlemass Tour Dates Confirmed! Formed in 1979 in Helsinki Finland, the Hanoi Rocks sound was Spiritual Beggars debut to be a revved-up cross between the Stooges and the New York Dolls, reissued! with a hint of Chuck Berry and the Sweet thrown in for good Bangkok Five release new CD, measure.
    [Show full text]
  • Hanoi Rocks Hanoi Rocks Mp3, Flac, Wma
    Hanoi Rocks Hanoi Rocks mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hanoi Rocks Country: Finland Released: 2001 Style: Glam MP3 version RAR size: 1102 mb FLAC version RAR size: 1386 mb WMA version RAR size: 1205 mb Rating: 4.5 Votes: 311 Other Formats: MP3 VQF ADX DMF MPC APE MOD Tracklist A. Lost In The City 1-1 –Hanoi Rocks I Want You 1-2 –Hanoi Rocks Kill City Kills (Namilo Remix) 1-3 –Hanoi Rocks Tragedy 1-4 –Hanoi Rocks Café Avenue (Original Version) 1-5 –Hanoi Rocks Stop Cryin' 1-6 –Hanoi Rocks 11th Street Kids 1-7 –Hanoi Rocks Village Girl 1-8 –Hanoi Rocks Cheyenne 1-9 –Hanoi Rocks Malibu Nightmare 1-10 –Hanoi Rocks Do The Duck 1-11 –Hanoi Rocks Love's An Injection (Demo) 1-12 –Hanoi Rocks Desperados 1-13 –Hanoi Rocks Devil Woman 1-14 –Hanoi Rocks Dead By X-Mas 1-15 –Hanoi Rocks Don't Follow Me 1-16 –Hanoi Rocks No Law Or Order 1-17 –Hanoi Rocks Mc Baby 1-18 –Hanoi Rocks Suberian Theme (Instrumental) 1-19 –Hanoi Rocks Fallen Star B. Million Miles Away 2-1 –Hanoi Rocks Self Destruction Blues 2-2 –Hanoi Rocks In The Year 79 / It's Too Late 2-3 –Hanoi Rocks Problem Child 2-4 –Hanoi Rocks Hometown Breakdown 2-5 –Hanoi Rocks Rebel On The Run 2-6 –Hanoi Rocks Back To Mystery City 2-7 –Hanoi Rocks Tooting Bec Wrecked 2-8 –Hanoi Rocks Until I Get You 2-9 –Hanoi Rocks Lick Summer Love 2-10 –Hanoi Rocks Never Get Enough (Demo) 2-11 –Hanoi Rocks High School 2-12 –Hanoi Rocks Two Steps From The Move 2-13 –Hanoi Rocks Up Around The Bend 2-14 –Hanoi Rocks Don't You Ever Leave Me 2-15 –Hanoi Rocks Million Miles Away 2-16 –Hanoi Rocks Underwater World (Edit) 2-17 –Hanoi Rocks Shakes 2-18 –Hanoi Rocks Boulevard Of Broken Dreams 2-19 –Hanoi Rocks Magic Carpet Ride C.
    [Show full text]
  • August 29, 2012
    1 “When Joy Trumps Ineptitude: Silver’s Do You Wanna Dance” Max Hechter, MPH April 17, 2004 I suppose the “magic moment” of hearing this record impacted a very special few upon its release in 1980. Personally, my record collecting mentality was undeveloped in 1980, the highlight of that year being for me, the discovery of the Young Marble Giants. Another reason was the distribution of this single in the United States was nil. My hunt for this single was prompted by a short review in reknowned collector Chuck Warner’s 1995 Throbbing Lobster catalog: “Finnish teen’s ’80 roar into the 60’s-via –Ramone’s classic and leave every teen incompetent from Tampax to Shonen Knife in the dust. (B-side) does the same to Einstruzender’s and/or Suicide. Astounding noise.” By the time I responded to Chuck, he had already sold it. (My theory is that Johan Kugelberg was the buyer). In 1997 or 1998, while perusing the adverts in the back of the British publication Record Collector, I happened upon a list of Finnish records being offered by a collector in Helsinki. I wrote away for his catalog, and soon thereafter, I started buying the occasional Finnish punk rarity at premium prices (in British pounds) from him. It must have been the second or third catalog I received, that the item of my obsession appeared. Mind you, this guy did not believe in the internet (it was still early in that game.) So the velocity of these transactions was quaintly turned back to pre-1994 “snail mail”, which of course only added to the feeling of longing.
    [Show full text]
  • | Scanner Web Zine
    SCANNER WEB ZINE - THE PLACE FOR PUNK ROCK, HARDCORE, ANARCHO AND SCUZZY GARAGE ROCK 'N' ROLL TV PARTY - H HANOI ROCKS - The Nottingham Tapes {Cherry Red (http://www.cherryred.co.uk/)} The 80s Jettisoundz videos provided those who didn’t have access to endless shows with an opportunity to see some wild nights. They were usually filmed on several cameras but not always perfectly focused or even finding the camera’s subject. The sound was not always spot on either. But they did capture the atmosphere of a show better than any of today’s ultra- expensive digital cameras. This 1984 performance by Helsinki’s infamous HANOI ROCKS is possibly the perfect example of how good Jettisoundz videos were then everything was right. HANOI ROCKS was the archetypal rock ‘n’ roll band incorporating the outrageous glam of singer Michael Monroe and some of the sleaziest, most pulsating, volatile guitar-driven cool ever. Andy McCoy is the definitive rock ‘n’ roll guitarist looking like a gunslinger in a Spaghetti Western, riffing like the bastard offspring of Keith Richards and never, ever over-indulging in the guitar solo. The band wore its collective influences on the sleeve with its NEW YORK DOLLS/ THUNDERS obsession but beefed up with IGGY AND THE STOOGES craziness, GUN CLUB cool, ROLLING STONES sus and the Punk spite of THE DAMNED and THE BOYS. This one-hour show includes all of the band’s best moments - and captures the band on fire. ‘I Can’t Get It’ is wonderful strutting arrogance which segues effortlessly into the sound of a runaway train that is ‘Motorvatin’.
    [Show full text]
  • October 1992
    VOLUME 16, NUMBER 10 FEATURES STEVE LEWIS EDDIE GORMAN NASH BAYERS The Black Crowes' Steve Gorman Only in his early 30's, Lewis Nash has supplied the pulse for The biggest artists in might not have decades of experience, but this is one drummer some of the top jazz musicians of country—Ricky Skaggs, the our time—Dizzy Gillespie, Ron Judds, Vince Gill, Randy Travis, who's put it all together real fast—and with a high degree of Carter, Kenny Burrell, Branford Rosanne Cash, Hank Williams, Marsalis, Betty Carter, and Sonny Jr.—can't get enough of the success. Learn what it takes to rhythmically propel one Rollins, to name just a few. drummer with the golden (and Check out what this intelligent platinum) groove. Find of today's biggest rock 'n' roll success stories. and passionate skinsman has to out why in this very say regarding the life special MD feature. • by Teri Saccone 28 and language of jazz • by Robyn Flans 22 drumming. • by Ken Micallef 32 COVER PHOTO BY RICK MALKIN INSET BY NEIL ZLOZOWER COLUMNS Education 54 ROCK 'N' JAZZ CLINIC The Funky Octopus Beat BY TOMMY CAMPBELL 70 TRACKING Composers And Equipment Samplers BY EMIL RICHARDS 38 PRODUCT Departments CLOSE-UP 88 ROCK CHARTS Gibraltar Stands 4 EDITOR'S Bill Bruford: BY RICK VAN HORN "Silent Talking" OVERVIEW News TRANSCRIBED 39 Sonor Force 1000 Kit BY ED TARZIA BY RICK MATTINGLY 6 READERS' 8 UPDATE Jason Bonham, Duratech Drumsticks PLATFORM 40 Eric Singer, Michael 104 THE JOBBING BY RICK MATTINGLY Foster of Firehouse, and DRUMMER 12 ASK A PRO Paul Garisto of Shooting Balter Percussion
    [Show full text]
  • HANOI ROCKS the Nottingham Tapes DVD Cherry Red Films Ray Van Horn, Jr
    HANOI ROCKS The Nottingham Tapes DVD Cherry Red Films Ray Van Horn, Jr. In the eighties, one of the hot internal feuds within heavy metal culture was the glam metal sanction versus the collective body of thrashers and the power, death and black metallers. Though long hair and earrings were acceptable amongst all practitioners and fans of heavy music, there was an uncertainty libido-wise that traditional metalheads found at odds with glam rockers. Never mind they’d grown up with KISS and TWISTED SISTER, both of whom embodied glam tendencies as much a rip and tear rock ‘n roll ethos that endeared them to everyone. Still, the more popular heavy metal bands of the eighties (largely those cultivated in Los Angeles) bore effeminate exteriors yet deeply macho insides. They’d been shown the way by THE STOOGES and the NEW YORK DOLLS, bands you didn’t fuck with because they were loud and trashy and they could back themselves up in a brawl if called upon. Still, the longer the eighties wore on, the heavier the mascara and the lipstick became caked in sweaty, sexually-tense rock clubs on the heels of MOTLEY CRUE, FASTER PUSSYCAT, RATT, GUNS ‘N ROSES and of course the most notorious glam propagators of them all, POISON, mostly because the chicks dug it and chicks generally had more money to spend than dudes— amongst other things. One of the few glam rock bands in rock history to be given a consensual reprieve from most headbangers—no matter their walk of life—was HANOI ROCKS.
    [Show full text]
  • Urheilun Juhlaa Sm-Viikolla
    9 1 0 2 / 3 VANTAAN KAUPUNGIN ASUKASLEHTI | VANDA STADS INVÅNARTIDNING | JULKINEN TIEDOTE | OFFENTLIGT INFOBLAD | 4.5.2019 URHEILUN JUHLAA SM-VIIKOLLA Kaupunkipyörät tulevat s. 6 Vantaan päivää juhlitaan toukokuussa s. 22 2 Vapaa-aikaa TÄSSÄ LEHDESSÄ 4 Haavipallon Suomen mestari selviää heinäkuussa s. 7 6 Kaupunkipyörät rullaavat vihdoin Vantaalle Koreat siivekkäät ihastuttavat 8 Jätevesiremonttien määräaika päättyy syksyllä Ötököiden 10 Apotti uudistaa sosiaali- ja terveyspalvelut vuodessa. 12 Futista pelaamaan kätevästi koulupäivän perään 13 Ota aktiivinen rooli nuorison tukemisessa 14 Vauhdikasta vapaaehtoismenoa riksapyörilla 15 Vinkit työllistymiseen uusien palveluiden avulla 16 Lango-sovellus auttaa kielten opiskelussa 18 Aktuellt på svenska 20 Artsin kesänäyttelyssä rapin syvin olemus 21 Yhdessäoloa Silkinportissa läpi vuosikymmenten s. 18 22 Tapahtumia ja kulttuuria läpi koko kesän Svenska kommittén arbetar för en tvåspråkig stad. Vantaan kaupungin asukaslehti Vanda stads inVånartidning JulkaisiJa Vantaan kaupunki päätoimittaJa päiVi Rainio s. 23 toimituspäällikkö aRttu Rajala Historian sointuja taitto MaRkku lappalainen, BRQ-festivaalissa Sanna HenRiksson & alina tiRkkonen jo 10. kertaa. kansikuVa pekko-joonaS RantaMäki painopaikka punaMuSta oy Jakelu jakelujunioRit oy painos 108 100 | ISSN 2323-8712 näköislehti Vantaa.fi/aSukaSleHti palaute [email protected] Yleiskaavaluonnoksesta annettiin satoja mielipiteitä antaalle valmistel- kansalaisen joukot. Myyrmäen kaava- Yleiskaavan laatiminen jatkuu tava uusi yleiskaava esittely
    [Show full text]
  • Michael Monroe – Mies Representaation Armahtaja
    Michael Monroe – mies representaation armahtaja Taidehistorian proseminaarityö Elina Saarikoski Jyväskylän yliopisto Taiteiden ja kulttuurin tutkimuksen laitos Kevät 7.3.2013 Sisällys 1. Johdanto 3 Katsaus Glamourous rock’n’roll-historiaan 6 Michael Monroe ja visuaalisen tyylin kehitys 7 2. Visuaalinen lukutaito ja valokuva 10 3. Sukupuoli ja valta 15 Stereotypiat 19 Blondi – Blondimyytti 21 Parodinen pinkki 22 Kovismies 25 4. Päätäntö 27 Kuvat 32 Lähteet 42 Painetut 42 Verkkolähteet 44 Kuvien lähteet 45 2 3 1. Johdanto Tutkimukseni käsittelee suomalaista taiteilijaa, artistia, elävää rock-legenda Michael Monroeta ja hänen visuaalisuuttaan uudenlaisena miesrepresentaationa. Michael Monroe on otollinen tutkimuskohde, sillä hänen ainutlaatuinen ja rohkea heteronormatiivisia rajoja rikkova tyylinsä on tuonut esille miehuuden feminiinisen puolen. Olen seurannut rock- musiikin eri tyylilajeja, ja olen ollut erityisen kiinnostunut glam rockista. Olen ollut hämmentynyt tämän tyylisuunnan edustajiin liitetyistä ennakkoluuloista. Ennakkoluuloista suurin näyttää yleisessä keskustelussa koskevan miesten visuaalista ilmettä, jonka yleisesti oletetaan viittaavan homoseksuaaliseen suuntautumiseen. Itsellenikin tuli yllätyksenä, että tutkimuskohteeni Michael Monroe on seurustellut jo vuosia naisen kanssa. Tämä harhaluulo olikin sysäys tutkimukselleni, sillä kiinnostuin siitä, miten stereotypiat vaikuttavat meihin ja mistä ”aineksista” tällainen stereotypia syntyy. Lisäksi mieltäni ovat usein vaivanneet artistin valitsema taiteilijanimi ja erityisesti
    [Show full text]
  • Liken Kirjakatalogi Kevat 2012
    LIKEN KEVÄT 2012 ILMAINEN KIRJAKATALOOKI SISÄLTÖ Suomennettu kaunokirjallisuuS MuSIIKKIKIRJAT Virginie Despentes • MaailManlopun tyttö ... 3 Hynynen & sinkkonen • Kotiteollisuus.CoM Beate Grimsrud • Hullu Vapaana .......................... 3 – Vittuilua jo vuodesta 2001 ........................................ 19 Hans Keilson • Vastustajan KuoleMa ............... 4 nikki sixx • tHis is Gonna Hurt simon lelic • laitos ................................................... 4 – nikki sixxin ajatuksia ja valokuvia .......................... 20 teppo Vapaus • Herra ylpön syDän ................... 21 KOTIMAINEN kaunokirjallisuuS steven tyler • Marja Björk • prole .................................................... 5 MaailMojen Välissä – Muistelmat ................... 22 j. pekka Mäkelä • MuuraHaispuu .......................... 6 joel Mciver • toolin tarina ................................. 23 Mika pekkola • aaMun KirKastus ......................... 7 ari Väntänen, Michael Monroe & andy McCoy raija-sinikka rantala • MieKKatanssi .................... 8 Hanoi roCKs – all those Wasted years (up) ........ 23 jaakko ilkka Virtanen • MaKula – tarkan näkemisen alue .............................................. 9 ELOKuVA, TELEVISIO, TEATTERI JA TAIDE elina saksala • aMMATTINA JUONTAJA ................. 24 RIKOS KANNATTAA andré lepecki • liiKKeen loppu .......................... 24 Kjell ola Dahl • Hyinen KuoleMa ........................ 9 are nikkinen & anders Vacklin • M. j. McGrath • jään Muisti .................................. 10 teleVision runousoppia
    [Show full text]
  • Hair Metal, Conservatism, and the End of the Cold War in the 1980S Chelsea Anne Watts University of South Florida, [email protected]
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 11-30-2016 Nothin' But a Good Time: Hair Metal, Conservatism, and the End of the Cold War in the 1980s Chelsea Anne Watts University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Music Commons, and the United States History Commons Scholar Commons Citation Watts, heC lsea Anne, "Nothin' But a Good Time: Hair Metal, Conservatism, and the End of the Cold War in the 1980s" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6601 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Nothin’ But a Good Time: Hair Metal, Conservatism and the End of the Cold War in the 1980s by Chelsea Anne Watts A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of History College of Arts and Sciences University of South Florida Major Professor: David K. Johnson, Ph.D. K. Stephen Prince, Ph.D. Julia F. Irwin, Ph.D. Andrew S. Berish, Ph.D. Date of Approval: November 21, 2016 Keywords: Gender, Capitalism, Transnational, Rock Music Copyright © 2016, Chelsea Anne Watts Acknowledgements In 2010 I enrolled in a graduate seminar on American culture in the 1980s. At the time I was a master’s student, and I had no idea that my term paper on hair metal would one day become the topic of my doctoral dissertation.
    [Show full text]