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Amplifying Factors Leading to the Collapse of Primary Producers
Amplifying factors leading to the collapse of primary producers during the Chicxulub impact and Deccan Traps eruptions Guillaume Le Hir, Frédéric Fluteau, Baptiste Suchéras-Marx, Yves Godderis To cite this version: Guillaume Le Hir, Frédéric Fluteau, Baptiste Suchéras-Marx, Yves Godderis. Amplifying factors leading to the collapse of primary producers during the Chicxulub impact and Deccan Traps erup- tions. Mass Extinctions, Volcanism, and Impacts: New Developments, 544, pp.223-245, 2020, 10.1130/2020.2544(09). hal-03164650 HAL Id: hal-03164650 https://hal.archives-ouvertes.fr/hal-03164650 Submitted on 30 Mar 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Amplifying Factors Leading to the Collapse of Primary Producers during the Chicxulub Impact and Deccan Traps 5 by Le Hir G., Fluteau F., Sucheras B. and Goddéris Y. Abstract 10 The latest Cretaceous (K; Maastrichtian) through earliest Paleogene (Pg; Danian) interval is a time marked by one of five major mass extinctions in the Earth’s history. The synthesis of published data permits the temporal correlation of the K-Pg boundary crisis with two major geological events: 1) the Chicxulub impact discovered in the Yucatán peninsula (Mexico) and 2) the Deccan Traps located on the west-central India plateau. -
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION Stellen Voor Scenariojeroen PERCEVAL En Robin PRONT Regie Robin PRONT
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION stellen voor scenario Jeroen PERCEVAL en Robin PRONT regie Robin PRONT releasedatum : 14 oktober 2015 inhoudstafel intro ............................................................................................................................................................................. 3 synopsis ..................................................................................................................................................................... 4 intentieverklaring auteur .................................................................................................................................... 5 intentieverklaring regisseur .............................................................................................................................. 6 personages | cast - jeroen perceval ....................................................................................................................................... 7 - kevin janssens .......................................................................................................................................... 8 - veerle baetens ......................................................................................................................................... 9 - jan bijvoet ................................................................................................................................................ 10 regisseur robin pront ...................................................................................................................................... -
Art-Related Archival Materials in the Chicago Area
ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
Social Studies Curriculum
WASHINGTON WEST SUPERVISORY UNION SOCIAL STUDIES CURRICULUM Crossett Brook Middle School Fayston Elementary School Harwood Union Middle and High School Moretown Elementary School Thatcher Brook Primary School Waitsfield Elementary School Warren Elementary School October 16, 2001 August 29, 2001 Dear Reader, During the opening phases of writing this document, the committee referred to a variety of materials to begin formulating the work found within these pages. We examined the national standards, state standards, and curricula from other states and districts within Vermont. After exploring these materials, the committee began preparing the skeleton of the document. This phase of the process was long and arduous. It took years of collaboration and compromise. The Scope and Sequence that follows represents a draft that has been reviewed by the committee, the administration, WWSU educators, and experts in the field outside our supervisory union. This document was written for the purpose of informing the practitioner who will use it to guide his or her teaching in the classroom. However, the committee encourages any educator to share his or her pieces with other interested parties. The committee recognizes there might be a need to interpret the meaning of the content for the layperson. The Social Studies Curriculum will include overlying materials such as the WWSU Pre-K – 12 scope and sequence, goals and desired outcomes. Following this overlying material, each grade level includes an introduction sheet with theme(s), geography implications, community service project guidelines, questions to consider, and key concepts covered in that grade. A partial list of resources is included and will be added to at a later date. -
THE WESTFIELD LEADER Tthel Leadingwi and Most Widely Circulated Weekly Newspaper in Union County YEAR—NO
THE WESTFIELD LEADER TTheL LeadingWI And Most Widely Circulated Weekly Newspaper In Union County YEAR—NO. 28 • Published "tT'TTIFin NTff ~T \nriT 21, 1956 Every Thurada 32 P«t«»—• CMU [ring Arrives Here On Presbyterians »ls Of 15 Inch Snow Announce Series Council Aspirants Of Noon Services Storm In Junior HiY to Hold To Air Opinions Father and Son Banquet Guest Preachers To Cripples Edward J. Ferrari and Paul Give Meditations Ebert, advisors to the Junior Hi-Y During Holy Week Meetings Set For ield Area Chapters of the YMCA, announced plans for the first father and son (Piclura to tha right) Next Week In banquet sponsored by the Junior The Presbyterian Church in official arrival of spring Hi-Y of Westfield. The theme of Westfield has announced a series Tuesday morning found most the banquet will be "Sports" and of services at noontime in the Contested Wards Jelders digging themselves guest speaker will be Lieut. Bob church sanctuary during Holy the second storm in four Clotworthy of Westfield, U, S. Week from 12:05 to 12:30 p.m. In the two wards where Town fwhich blanketed the area Olympic diving star. Lieutenant The theme "Steps Toward the Council contests have developed, 15-inch snowfall. Clotworthy is now serving his tour Cross" will be followed in the med- the first and second, the WestrWli in the local depart- of duty in the U. S. Army as div- itations to be given by guest League of Women Voters haa plan,' fof public works who had ing instructor to the West Point preachers on Monday, Tuesday, ned candidates' meetings In order wrking long hours remov- swimming team. -
2019 Official Results Book Marathon • 21-Miler • 11-Miler • 12K • 5K • Relay Table of Contents
2019 OFFICIAL RESULTS BOOK MARATHON • 21-MILER • 11-MILER • 12K • 5K • RELAY TABLE OF CONTENTS 3 To Our Finishers 32 21-Miler Results 4 2019 Race Review 36 11-Miler Results 5 What We Learned From Your Post-Race Survey 43 12K Results 6 2020 Registration Procedures 47 Relay Results 7 Marathon Male Winners 49 5K Results 8 Marathon Female Winners 51 3K Schools’ Competition Results 9 Marathon Overall Results Male 52 Our Sponsors & Supporters 17 Grizzled Vets 53 Race Committee & Staff 18 Marathon Overall Results Female 54 Final Notes and Moments to Remember 28 Boston 2 Big Sur Results 55 Mission Statement Big Sur Marathon Foundation P.O. Box 222620 Carmel, CA 93922 831.625.6226 [email protected] bigsurmarathon.org Cover photo of D’Ann Arthur by Lee Curry 2019 Big Sur International Marathon Results Book l 2 Heather McWhirter To Our Finishers To Our Finishers, We saw you, perhaps a bit sleepy but also very ex- cited, early race morning. We watched you marvel Congratulations on behalf of the Big Sur Marathon when you realized that the dreaded head wind, for Foundation board of directors, events committee, once, didn’t present itself race day. Instead, you volunteers, staff and partners! We hope you had a enjoyed ideal conditions with mild temperatures beautiful experience. and, for once, even a mild tailwind! This event started 34 years ago with the vision of We played music for you, handed you a cup of Ga- William Burleigh to organize a race for 2,000 runners torade or water, or shouted encouragement as you along the 26-mile stretch of Highway 1 from Big Sur charged up or down yet another hill. -
Akira KUROSAWA Something Like an Autobiography
Akira KUROSAWA Something Like an Autobiography Translated by Audie E. Bock Translator's Preface I AWAITED my first meeting with Kurosawa Akira with a great deal of curiosity and a fair amount of dread. I had heard stories about his "imperial" manner, his severe demands and difficult temper. I had heard about drinking problems, a suicide attempt, rumors of emotional disturbance in the late sixties, isolation from all but a few trusted associates and a contempt for the ways of the world. I was afraid a face-to-face encounter could do nothing but spoil the marvelous impression I had gained of him through his films. Nevertheless I had a job to do: I was writing a book on those I considered to be Japan's best film directors, past and present. I had promised my publisher interviews with all the living artists; I could hardly omit the best-known Japanese director in the world. I requested an interview through his then producer, Matsue Yoichi. I waited. Six months went by, and my Fulbright year in Tokyo was drawing to a close. I was packing my bags and distributing my household goods among my friends in preparation for departure the next morning when the telephone rang. Matsue was calling to say Kurosawa and he would have coffee with me that very afternoon. In the interim I had of course interviewed all the other subjects for the book, and all had spoken very highly of Kurosawa. In fact, the whole chapter on Kurosawa was already roughed out with the help of previous publications and these directors' contributions, so it seemed possible that my meeting with the man himself would be nothing more than a formality. -
High-Fidelity-1982-0
New Home Audio -Video Systems That Do It AM EMBER 19& $1.50 J ICD 06398 THE MAGAZINE OF AUDIO, VIDEC. CLASSICAL MUSIC, AND POPULAF MUST How to Put Pizzazz into Your Car Stereo System Special Pullout -900 New Records from A toZ! The Big Switch to Prerecorded CassettesDoom for LPs? 983 NEW PRODUCT ROUNDUP Hundreds of Exciting New Tape Decks, Speakers, Video Recorders and Cameras, Receivers, Turntables, and More! PLUS Lab Tests on 6 New Stereo Components First VCR from Sansui 08398 .11111IIMIsr-W-WCZNIPM...0 11=111.0=1.-611MC..1k_as. 4C_Isr SAA90High SUPER AVILYN CASSE i Position OITDK Hph Ellas XlissE0 SA -X90 HIGH RESOLUTION Laboratory Standard Cassette Mechanism movimmunnsiniagininniammosi Stevie's cassette is SA -X for all the keys he plays in. f nqvanw When it comes to music, in high bias record- Froespe...111K *Ns Nam levels without distor- Stevie Wonder and TDK ing with sound per- tion or saturation. are perfectionists. Stevie's formance which 00.111.0.1 Last, but not least, perfection lies in his talent. approaches that of TDK's Laboratory TDK's perfection is in its high-energy metal. Standard Mechanism technology. The kind of The exclusive TDK gives Stevie unsur- technology that makes our double -coating of Atpassed cassette re- newly reformulated SA -X Super Avilyn I Witt liability, for a lifetime. high bias cassette the particles 1-tipcmi=uni TDK SA-X-it's .. 2OR cassette that Stevie provides . the machine for Stevie depends on to cap- optimum perform- Wonder's machine. Shouldn't it ture every note and r ancefor each fre- be the machine for yours? nuance of every / quency range. -
Perspective Music Theatre
flanders arts institute Perspective: Music Theatre Content Foreword............................................................................................................... 2 Expanding from the centre............................................................ 11 1. (anti-) Definitions........................................................................................... 13 The.policy.framework.for.music.theatre............................................. 13 Tradition.and.innovation......................................................................... 15 2. A landscape in motion.................................................................................. 19 Shifting.centres........................................................................................... 19 Music.theatre.for.a.young(er).audience.............................................. 26 Musicals........................................................................................................ 29 Opera.2.0...................................................................................................... 30 ‘Staged’.music.............................................................................................. 31 New.urbanisation,.hybrid.identities..................................................... 33 Tinkering.with.sound............................................................................... 34 Performing.arts:.a.fusion.of.music,.theatre.and.dance.................... 34 Socio-artistic.music.theatre................................................................... -
Kask) in Ghent, Belgium in Master Film (Directing
Maximiliaan Dierickx +32 474 42 42 49 [email protected] www.mxmln.be Graduated cum laude at the Royal Academy of Fine Arts (Kask) in Ghent, Belgium in Master Film (directing). Department Audiovisual Arts. Languages: English (fluent), French (fluent), Dutch (native), German (conversational), Portuguese (beginner). Belgium Caviar May 2018 Solidaris As cinematographer. Commercial. Belgium SOAG Feb 2018 The Light Inside As cinematographer. Shortfilm. Belgium Caviar Jan 2018 Het Laatste Nieuws As cinematographer. Commercial. France HK Corp Dec 2017 - Jan 2018 Petit Biscuit As cinematographer. Musicvideo. Belgium Caviar Dec 2017 Audi As cinematographer. Commercial. Belgium Caviar Nov 2017 Het Laatste Nieuws As cinematographer. Commercial. France GMC Productions Sept 2017 - Jan 2018 Valence As cinematographer. Feature fiction film. Belgium Gaumont & Nexus Factory Nov 2016 - Dec 2016 Le Manoir As cinematographer. Feature fiction film. Brussels, Belgium Colonel Nov 2016 Croix Rouge As cinematographer. Commercial. Belgium & France Nexus Factory Jul 2016 - Oct 2016 La Foret As cinematographer. Series. Aalst, Belgium Caviar Apr 2016 Solidaris As cinematographer. Commercial. the World Off World & Canvas Nov 2015 - Jul 2016 Exitus As director & cinematographer. Documentary series about urban explorers, in Italy, France, the US, Georgia, … Lisbon, Portugal Amorarte Nov 2015 Tsar B - Escalate As director. Musicvideo. Gent, Belgium Amorarte Sep 2015 Culture Club - Halloween As director. Commercial. Amsterdam, Netherlands TBWA/Neboko Sep 2015 Albert Heijn As cinematographer. Commercial. Brussels, Belgium Czar Sep 2015 Artisanat As 2nd unit cinematographer. Commercial. Brussels, Belgium Czar Sep 2015 William Lawson’s - Join the clan As cinematographer. Commercial. Charleroi, Belgium Czar Aug 2015 Loïc Nottet As cinematographer. Musicvideo. Kapellen, Belgium Czar Jul 2015 Balthazar - Nightclub As cinematographer. -
Autumn Winter
Yale Yale Yale 2019 Autumn • Winter 2019 Autumn • Autumn Winter Contents Architecture & Urban Studies 5,42,43,55,58–61,65,68,69 Art History, Photography & Film i,21,24,37,41–69 Biography & Memoir 2,12,13,17,20,28,35,37,38 Business & Economics 15,32,35,62,70 Current & International Affairs 14,15,29,35–37,39,63,72 Evolution, Ecology, Environment, Natural History 78,79,84 Fashion, Design & Decorative Art 8,18–20,43–45,50,51,56,59,60 History 1,3–7,9–14,16,22,23,26,27,31,34–36,38,39,72–74,80 Jewish Studies 28,31,34,77,84 Literary & Cultural Studies 2,14,15,29,30,33,37–39,82–84 Music & Language 17,28,38,40 New in Paperback & Series 28,30,33–42,83,84 Religion & Philosophy 14,28,33,34,39,40,69,75–77,84 Science & Technology 25,29,39,40,70,71,81 U.S. Studies 39,40,80–81 Picture Credits & Index 85–87 Sales Information 88,89 Rights, Inspection/Review Copy Information 89 Edvard Munch NEW RE-ISSUE Sue Prideaux Who was the man behind The Scream, the iconic painting that so acutely expresses the anguish of the 20th century? Edvard Munch (1863–1944) was twenty-eight when he embarked on a lifelong effort to paint his ‘soul’s diary’ – and began a perverse love affair with self-destruction. This intimate and moving life of the Norwegian artist explores his turbulent early years, his time as a recluse and his intense efforts to paint not what he saw, but what he experienced.