DOCSLIB.ORG

Illinois Classical Studies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Illinois Classical Studies UNIVERSITY OF ILLINOIS LIBRARY ^T U^.'LAl^JA-CHAMPAlGN CLASSICS The person charging this material is re- sponsible for its return to the library from \vhich it was withdrawn on or before the Latest Date stamped below. Theff, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^" 2 3 m NOV 3 1992 FEB 1 'i'it L161— O-1096 ! //2-Fy dSS 'CS ILLINOIS CLASSICAL STUDIES VOLUME VI.l SPRING 1981 Miroslav Marcovich, Editor ILLINOIS CLASSICAL STUDIES VOLUME VI. 1 Spring 1981 Miroslav Marcovich, Editor SCHOLARS PRESS ISSN 0363-1923 ILLINOIS CLASSICAL STUDIES, VOLUME VLl Copyright ©1981 Scholars Press 101 Salem Street P.O. Box 2268 Chico, California 95927 ^^A ALEXANDRO TURYN OCTOGENARIO D.D.D. PREFACE During the first lustrum of its existence, Illinois Classical Studies, Vols. I (1976) - V (1980) , was able to publish scho- larly contributions by eighty-three classicists (over 1300 pages), coming from the United States, Canada, Great Britain, V7est Germany and France. Now, beginning with this Volume VI, ICS will appear in two semi-annual issues, every spring and fall. Vols. VI. 1-2 (1981) and VII. 1-2 (1982) are an international Festschrift Alexander Turyn. They comprise some fifty invited contributions on Greek and Latin literature, by scholars coming from twelve countries (Austria, Canada, Danemark, France, Germany, Great Britain, Greece, Holland, Italy, Poland, U.S.A. and U.S.S.R.), presented to Professor Turyn on the occasion of his eightieth birthday (26 December 1980) A complete list of Turyn ' s publications is printed in Serta Turyniana, edited by John L. Heller with the assistance of J.K. Newman, Urbana, Illinois U.P., 1974, pp. IX + 624. Let me say here that Turyn ' s major scholarship easily falls into three groups. First group comprises: Studia Sapphiaa (Eos, Suppl.6, 1929, pp.108); De Aelii Aristidis aodioe Varsoviensi atque de Andrea Taranowski et Theodosio Zygomala (Academia Polona Litterarum, Cracow, 1929, pp.78 + 5 plates); De aodiaibus Pindariais (Acad. Pol. Litt. , 1932, pp.88); finally, Pindari Carmina aum Frag- mentis ed. A. T. (Acad. Pol. Litt. et Scient,, 1948, pp. XVI + 403. Repr. Oxford, Blackwell; Harvard U.P.; Munich, R. Olden- bourg, 1952) Second--and most inf luential--group includes: The Manuscript Tradition of the Tragedies of Aeschylus (New York, Polish In- stitute Series, 2, 1943, pp.V + 141. Repr. Hildesheim, Georg 01ms, 1967). Studies in the Manuscript Tradition of the Tra- gedies of Sophocles (Urbana, Illinois U.P., 1952, pp. XI + 217, . VI Preface 18 plates, Repr. Rome, Studia philol., 15, 'L'Erma' di Bret- schneider, 1970). The Byzantine Manuscript Tradition of the Tragedies of Euripides (Urbana, Illinois U.P., 1957, pp.X + 415, 24 plates. Repr. Rome, Stud, philol., 16, 'L'Erma' di Bretschneider , 1970). Finally, the third group consists of Codioes Graeai Vati- cani saeaulis XIII et XIV scripti annorumque notis instructi (Codices e Vaticanis selecti, 28, Bibl. Apostol. Vaticana, 1964, pp. XVI + 206, 205 plates); Dated Greek Manuscripts of the Thirteenth and Fourteenth Centuries in the Libraries of Italy (Urbana, Illinois U.P., 1972. Vol.1: pp.LIV + 294; vol. II: pp. XXXII + 265 plates). Dated Greek Manuscripts of the Thirteenth and Fourteenth Centuries in the Libraries of Great Britain (Dumbarton Oaks Studies, 17, Washington, D.C., 1980, in press) May Alexander Turyn keep publishing major scholarship for many years to come. May he live long enough to see a third Festschrift in his honor. HoAAd to, Sti^. Urbana, 1 October 1980 Miroslav Marcovich, Editor CONTENTS 1. Archilochus, Fr. 4 V7est: A Commentary 1 DOUGLAS E. GERBER 2. Pythian 5.72-76, 9.90-92, and the Voice of Pindar 12 GORDON M. KIRKVroOD 3. Versumstellungen in der griechischen Tragfidie 24 HARTMUT ERBSE 4. Classification of MSS of the Scholia on Aeschylus 44 OLE L. SMITH 5. The End of the Traohiniae 56 P. E. EASTERLING 6. Ein neues Sophoklesfragment bei Eustathios? 75 STEFAN L. RADT 7. On the Alcest-is and Andromache of Euripides 82 JAMES DIGGLE 8. The Academic and the Alexandrian Editions of Plato's Works 102 FRIEDRICH SOLMSEN 9. The Title of Plato's Republic 112 L. G. WESTERINK 10. Intorno al codice Patavinus di Teocrito 116 CARLO GALLAVOTTI 11. Notes critiques aux Argon antiques Orphiques 136 FRANCIS VIAN VIII Contents 12. Arrian's Extended Preface 157 PHILIP A. STADTER 13. Ps. -Justin, Cohortatio: A Lost Edit'io Pvinoepsl 112 MIROSLAV :4ARC0VICH 14. Le texte de la Vie de Pythagore de Porphyre 175 EDOUARD DES PLACES, S.J. 15. The Critiques of Isocrates' Style in Photius' Bihliotheoa 182 16. Ein Papyrus aus dem unruhigen Alexandreia am Vorabend der arabischen Eroberung {Pap. Vindob. Gr . 19938) 197 : [ ARCHILOCHUSy FR . ^ WEST: A COMMENTARY DOUGLAS E. GERBER With a few exceptions, commentators on Archilochus have gene- rally been content simply to cite fr.4 as an illustration of his flippant, unheroic attitude towards war and have passed over the specific details of the poet's injunctions. The pre- sent study is therefore an attempt to determine as precisely as possible what it is that Archilochus is instructing an un- named person to do. The text, as printed by West, is as follows cppa[ geLVOL [ 6eZnvov 5' ou 5 out' euol (oaat [ aXX' aye ouv kcolOcovl OofiQ 6L(i o^Auaxa vriig cpouxa xaL kolAlcov ticoucxt ' ctcpeAKe kolScov, ciYpeL 5' otvov i.e;pudp6v duo tpuy6s" ou6^ yA.p tiuelq vncp^uev lev cpuAaxfii, TfiL5e 6uvTia6iieda. The last four lines, quoted by Athenaeus 11. 483 d in his discussion of the hcoOcov, were slightly expanded by the publi- cation in 1908 of P. Oxy. 854. 2 (ppa[ : Lasserre suggests cppA[Se or cppdfCeo. The latter is much more probable than the former, since cppd^eo appears nine times as a line-beginning in Homer and since Homer offers no example of the active form of the present of this verb. - In the margin there are horizontal strokes above and below, what Grenfell and Hunt took to be a theta "marking the 800th line of the manuscript," but which West and others have taken 1 2 Illinois Classical Studies, VI . as a paragraphus and coronis. If the latter explanation is correct, the poem began with cppa [ and the line-numbering should be altered. 5' 4 5eLTxvov ou[ : ou[T(e) is a likely supplement in view of the following out' and West plausibly suggests that the general meaning is ' cena ne [c tibi in promptu est] nee mihi.' Garzya's 5ou[A.lov is rightly rejected by Gentili. Since, as I shall argue later, it is probably night, Seunvov may be the equivalent of 6<5pTiov, the evening-meal, as it is in Odyssey 17.176, or it may simply denote food in general. Pos- sibly in V. 3 Archilochus said that Eelvol travelling with them were dining, and then added that neither he nor his companion had anything to eat; or it may be that, if the ship is beached, the geUvoL are hostile inhabitants of the area who are prevent- ing the crew from foraging for food. It is also possible that Archilochus is expressing a disregard for food and a preference for wine instead, an attitude which we find in Anth. Pal. 11.59 and 60. 6 aXX' aye : an extremely common line-beginning in Homer. The papyrus verifies Musurus ' correction of Athenaeus ' dAAd xe. ouv KGodcovL : many of the passages in which a xcoOcov is men- tioned are cited by Athenaeus 11. 483 a - 484 c. He quotes Critias to the effect that it was a cup used by the Spartans when on military service, since it had an inward-curving lip which held back any impurities that might be present in the water drunk by soldiers on campaign. See the plate in A. Conze, "Kothon," Philologus 17 (1860) 565-67, and Daremberg-Saglio, s.v. "Cothon." Athenaeus states that in the passage from Ar- chilochus Hodcov is what is ordinarily called a xuAug and I doubt that Archilochus was thinking of a specifically Spartan cup. Certainly there is no justification for the inference made by Bologna that Archilochus must be on a Spartan ship. For the use of a xcodcov by sailors compare the scholiast on Aristophanes Equites 600, hcoOcov et6os exTxcouaTOS oaxpaxLVOU, f^ zZboQ TioxripLOu AaKCJVLKoO Hal, axpaxLcox LKoO' eTtetSfi ueptcn:6v u6cop eAdu3avov oL vauxaL, xcodcovae elxov. Unless Alexis (fr. 176 Kock) was exaggerating when he applied the epithet xexpa- k6xuAos to a KCL)dcL)v, it could be of considerable size. Perhaps . Douglas E. Gerber 3 both its size and its use by military personnel with their reputation for 'hard drinking' caused the verb Kcodojv l £(o to have the meaning 'to make drunk." dofis : a common epithet of vriGs in Homer, whether the ship is in motion or not, and it is generally explained as orna- mental here. Merone, however, argues that it is more "pate- tico a suggestivo" if we assume that the ship is plowing through the sea at night in search of the enemy. He feels that if the ship were at anchor the "note of hardship" would be removed and there would consequently be less reason for those on watch to get drunk. The preserved lines, however, contain no "note of hardship" and the boredom of keeping watch on or beside an anchored ship would no doubt provide Archi- lochus with sufficient reason for drinking. Also, there is no evidence that the ship is in search of the enemy or even that it is a warship.
Load more

Recommended publications
  • The Argonautica, Book 1;
    '^THE ARGONAUTICA OF GAIUS VALERIUS FLACCUS (SETINUS BALBUS BOOK I TRANSLATED INTO ENGLISH PROSE WITH INTRODUCTION AND NOTES BY H. G. BLOMFIELD, M.A., I.C.S. LATE SCHOLAR OF EXETER COLLEGE, OXFORD OXFORD B. H. BLACKWELL, BROAD STREET 1916 NEW YORK LONGMANS GREEN & CO. FOURTH AVENUE AND 30TH STREET TO MY WIFE h2 ; ; ; — CANDIDO LECTORI Reader, I'll spin you, if you please, A tough yarn of the good ship Argo, And how she carried o'er the seas Her somewhat miscellaneous cargo; And how one Jason did with ease (Spite of the Colchian King's embargo) Contrive to bone the fleecy prize That by the dragon fierce was guarded, Closing its soporific eyes By spells with honey interlarded How, spite of favouring winds and skies, His homeward voyage was retarded And how the Princess, by whose aid Her father's purpose had been thwarted, With the Greek stranger in the glade Of Ares secretly consorted, And how his converse with the maid Is generally thus reported : ' Medea, the premature decease Of my respected parent causes A vacancy in Northern Greece, And no one's claim 's as good as yours is To fill the blank : come, take the lease. Conditioned by the following clauses : You'll have to do a midnight bunk With me aboard the S.S. Argo But there 's no earthly need to funk, Or think the crew cannot so far go : They're not invariably drunk, And you can act as supercargo. — CANDIDO LECTORI • Nor should you very greatly care If sometimes you're a little sea-sick; There's no escape from mal-de-mer, Why, storms have actually made me sick : Take a Pope-Roach, and don't despair ; The best thing simply is to be sick.' H.
    [Show full text]
  • Sons and Fathers in the Catalogue of Argonauts in Apollonius Argonautica 1.23-233
    Sons and fathers in the catalogue of Argonauts in Apollonius Argonautica 1.23-233 ANNETTE HARDER University of Groningen [email protected] 1. Generations of heroes The Argonautica of Apollonius Rhodius brings emphatically to the attention of its readers the distinction between the generation of the Argonauts and the heroes of the Trojan War in the next genera- tion. Apollonius initially highlights this emphasis in the episode of the Argonauts’ departure, when the baby Achilles is watching them, at AR 1.557-5581 σὺν καί οἱ (sc. Chiron) παράκοιτις ἐπωλένιον φορέουσα | Πηλείδην Ἀχιλῆα, φίλωι δειδίσκετο πατρί (“and with him his wife, hold- ing Peleus’ son Achilles in her arms, showed him to his dear father”)2; he does so again in 4.866-879, which describes Thetis and Achilles as a baby. Accordingly, several scholars have focused on the ways in which 1 — On this marker of the generations see also Klooster 2014, 527. 2 — All translations of Apollonius are by Race 2008. EuGeStA - n°9 - 2019 2 ANNETTE HARDER Apollonius has avoided anachronisms by carefully distinguishing between the Argonauts and the heroes of the Trojan War3. More specifically Jacqueline Klooster (2014, 521-530), in discussing the treatment of time in the Argonautica, distinguishes four periods of time to which Apollonius refers: first, the time before the Argo sailed, from the beginning of the cosmos (featured in the song of Orpheus in AR 1.496-511); second, the time of its sailing (i.e. the time of the epic’s setting); third, the past after the Argo sailed and fourth the present inhab- ited by the narrator (both hinted at by numerous allusions and aitia).
    [Show full text]
  • THE ARGONAUTIKA He'd Gone on His Vain Quest with Peirithoos: That Couple Would Have Made Their Task's Fulfillment Far Easier for Them All
    Book I Starting from you, Phoibos, the deeds ofthose old-time mortals I shall relute, who by way ofthe Black Sea's mouth and through the cobalt-dark rocks, at King Pelias 's commandment, in search of the Golden Fleece drove tight-thwarted Argo. For Pelias heard it voiced that in time thereafter a grim fate would await him, death at the prompting of the man he saw come, one-sandaled, from folk in the country: and not much later-in accordance with your word-Jason, fording on foot the Anauros's wintry waters, saved from the mud one sandal, but left the other stuck fast in the flooded estuary, pressed straight on to have his share in the sacred feast that Pelias was preparing for Poseidon his father, and the rest of the gods, though paying no heed to Pelasgian Hera. The moment Pelias saw him, he knew, and devised him a trial of most perilous seamanship, that in deep waters or away among foreign folk he might lose his homecoming. ,\row singers before 7ny time have recounted how the vessel was fashioned 4 Argos with the guidance of Athena. IW~cctIplan to do now is tell the name and farnib of each hero, describe their long voyage, all they accomplished in their wanderings: may the Muses inspire mnj sinpng! First in our record be Orpheus, whom famous Kalliope, after bedding Thracian Oikgros, bore, they tell us, 44 THE XRGONAUTIKA hard by Pimpleia's high rocky lookout: Orpheus, who's said to have charmed unshiftable upland boulders and the flow of rivers with the sound of his music.
    [Show full text]
  • Argonautika Entire First Folio
    First Folio Teacher Curriculum Guide ARGONAUTIKA adapted and directed by Mary Zimmerman based on the story by Apollonius of Rhodes January 15 to March 2, 2008 First Folio Teacher Curriculum Guide Table of Contents Page Number Welcome to the Shakespeare Theatre Company’s production of Argonautika! About Greek Theatre Brief History of the Audience………………………...1 This season, the Shakespeare Theatre Company The History of Greek Drama……………..……………3 presents eight plays by William Shakespeare and On Greek Society and Culture……………………….5 other classic playwrights. The mission of all About the Authors …………………………...……………6 Education Department programs is to deepen understanding, appreciation and connection to About the Play classic theatre in learners of all ages. One Synopsis of Argonautika……………..…………………7 approach is the publication of First Folio Teacher Curriculum Guides. The Myth Behind the Play ..…………………………..8 The Hero’s Quest…..………………………………………..9 For the 2007-08 season, the Education Fate and Free Will…...………………..………..………..10 Department will publish First Folio Teacher Mythology: More than just a good story…...11 Curriculum Guides for our productions of Glossary of Terms and Characters..…………….12 Tamburlaine, Taming of the Shrew, Argonautika Questing…………………………………………………..…….14 and Julius Caesar. First Folio Guides provide information and activities to help students form Classroom Connections a personal connection to the play before • Before the Performance……………………………15 attending the production at the Shakespeare Journey Game Theatre Company. First Folio Guides contain God and Man material about the playwrights, their world and It’s Greek to Me the plays they penned. Also included are The Hero’s Journey approaches to explore the plays and productions in the classroom before and after (Re)Telling Stories the performance.
    [Show full text]
  • Argonautica Apollonius of Rhodes
    Argonautica Apollonius of Rhodes TRANS. BY R.C. SEATON - BOOK I - eginning with thee, O Phoebus, I will recount the famous deeds of men of old, who, at the behest of King Pelias, B down through the mouth of Pontus and between the Cyanean rocks, sped well-benched Argo in quest of the golden fleece. [5] Such was the oracle that Pelias heard, that a hateful doom awaited him to be slain at the prompting of the man whom he should see coming forth from the people with but one sandal. And no long time after, in accordance with that true report, Jason crossed the stream of wintry Anaurus on foot, and saved one sandal from the mire, but the other he left in the depths held back by the flood. And straightway he came to Pelias to share the banquet which the king was offering to his father Poseidon and the rest of the gods, though he paid no honour to Pelasgian Hera. Quickly the king saw him and pondered, and devised for him the toil of a troublous voyage, in order that on the sea or among strangers he might lose his home-return. [18] The ship, as former bards relate, Argus wrought by the guidance of Athena. But now I will tell the lineage and the names of ROMAN ROADS READER: DRAMA & LYRIC the heroes, and of the long sea-paths and the deeds they wrought in their wanderings; may the Muses be the inspirers of my song! [23] First then let us name Orpheus whom once Calliope bare, it is said, wedded to Thracian Oeagrus, near the Pimpleian height.
    [Show full text]
  • ARGONAUTIKA the VOYAGE of JASON and the ARGONAUTS March 20–May 5, 2019
    THE S. MARK TAPER FOUNDATION PRESENTS A NOISE WITHIN’S REPERTORY THEATRE SEASON AUDIENCE GUIDE Mary Zimmerman’s ARGONAUTIKA THE VOYAGE OF JASON AND THE ARGONAUTS March 20–May 5, 2019 Pictured: Erika Soto. Photo by Craig Schwartz. TABLE OF CONTENTS Character Map ......................................3 Synopsis ...........................................5 About the Author: Apollonius of Rhodes ..................6 About the Adaptor: Mary Zimmerman ................... 7 History of Jason and the Argonauts: A Timeline ............8 Oral Traditions and Epic Poetry .........................9 Ancient Greek Society ...............................10 Mythical Figures: Gods and Monsters in Greek Tales ....... 11 The Hero’s Journey ..................................12 After the Golden Fleece: Medea .......................14 Themes ...........................................15 Glossary .......................................... 17 Additional Resources ................................19 A NOISE WITHIN’S EDUCATION PROGRAMS MADE POSSIBLE IN PART BY: Ann Peppers Foundation The Jewish Community Capital Group Companies Foundation Michael J. Connell Foundation Kenneth T. and Eileen L. Norris Foundation The Dick and Sally Roberts Coyote Foundation Ralph M. Parsons Foundation Edison International Steinmetz Foundation The Green Foundation Dwight Stuart Youth Fund 3 A NOISE WITHIN 2018/19 REPERTORY SEASON | Spring 2019 Audience Guide Argonautika CHARACTER MAP GODS AND CREATURES Hera Queen of the gods. Vows to always love Jason Athena Aphrodite The goddess of The goddess of love and beauty. wisdom and courage. Helps Hera in a scheme to make She watches over Jason Medea fall in love with Jason Boreas Rumor Eros The god and personification The goddess and personification Aphrodite’s minion. of the North Wind of a spreading rumor or false tale Also known as Cupid Amycus Fury Ghost Dryope Poseidon’s son and an Goddess of vengeance Arrives to tell Alcimede A water nymph infamous boxer of Jason’s journey ARGONAUTS Jason The leader of the Argonauts.
    [Show full text]
  • Greek Mythology / Apollodorus; Translated by Robin Hard
    Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard.
    [Show full text]
  • The Two Voices of Statius: Patronymics in the Thebaid
    The Two Voices of Statius: Patronymics in the Thebaid. Kyle Conrau-Lewis This thesis is submitted in total fulfilment of the requirements for the degree of Master of Arts School of Historical and Philosophical Studies University of Melbourne, November 2013. 1 This is to certify that: 1. the thesis comprises only my original work towards the degree of master of arts except where indicated in the Preface, 2. due acknowledgement has been made in the text to all other material used, 3. the thesis is less than 50,000 words in length, exclusive of tables, maps, bibliographies and appendices. 2 Contents Abstract 4 Introduction 5 Chapter 1 24 Chapter 2 53 Chapter 3 87 Conclusion 114 Appendix A 117 Bibliography 121 3 Abstract: This thesis aims to explore the divergent meanings of patronymics in Statius' epic poem, the Thebaid. Statius' use of language has often been characterised as recherché, mannered and allusive and his style is often associated with Alexandrian poetic practice. For this reason, Statius' use of patronymics may be overlooked by commentators as an example of learned obscurantism and deliberate literary self- fashioning as a doctus poeta. In my thesis, I argue that Statius' use of patronymics reflects a tension within the poem about the role and value of genealogy. At times genealogy is an ennobling feature of the hero, affirming his military command or royal authority. At other times, a lineage is perverse as Statius repeatedly plays on the tragedy of generational stigma and the liability of paternity. Sometimes, Statius points to the failure of the son to match the character of his father, and other times he presents characters without fathers and this has implications for how these characters are to be interpreted.
    [Show full text]
  • Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
    Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).
    [Show full text]
  • JASON, MEDEA and the ARGONAUTS Saga
    JASON, MEDEA and the ARGONAUTS saga . Quest for the Golden Fleece by Jason and the crew of Argo. How did the Golden Fleece come to the picture? MYTHIC BACKGROUND OF THE STORY: Athamas (Boiotian king) took as a wife NEPHELE (name means „cloud‟) and had 2 children Phrixus and Helle. Nephele returned to sky. ATHAMAS+ NEPHELE PHRIXUS HELLE . ATHAMAS then married INO, daughter of CADMUS. INO attempted to destroy her stepchildren. Pursuaded Boeotian women to parch the seed grain > nothing grew > famine . Athamas consulted Delphi > sacrifice Phrixus, his son, to end famine. At sacrifice, NEPHELE took Phrixus and Helle to the sky on a golden-fleeced ram (from Hermes). Helle fell off and drowned> Hellespont, Phrixus went to Colchis, in the Black Sea, was received by king Aeetes (son of Helius, brother of Circe and Pasiphae). Phrixus sacrificed the ram, gave the golden Fleece to king Aeetes, hung it up on an oak tree, grove sacred to Ares, guarded by a never-sleeping snake. Fleece> goal for a hero‟s quest. JASON . Cretheus, brother of ATHAMAS was king of IOLCUS. At his death, his stepson PELIAS (son of Poseidon and Tyro, the wife of Cretheus) usurped the throne and deposed the rightful heir, AESON. AESON –son of Cretheus and Tyro, father of JASON. Jason was sent by his mother (Polymede) to the mountains to be educated by centaur CHIRON. Jason‟s return to IOLCUS . Returned to claim the throne . Pelias knew he was fated to be killed by a descendant of Aeolus. Delphic oracle to Pelias “Beware of the man with one sandal” .
    [Show full text]
  • [PDF]The Myths and Legends of Ancient Greece and Rome
    The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia
    [Show full text]
  • Illinoisclassica611981univ Bw.Pdf
    ! //2-Fy dSS 'CS ILLINOIS CLASSICAL STUDIES VOLUME VI.l SPRING 1981 Miroslav Marcovich, Editor ILLINOIS CLASSICAL STUDIES VOLUME VI. 1 Spring 1981 Miroslav Marcovich, Editor SCHOLARS PRESS ISSN 0363-1923 ILLINOIS CLASSICAL STUDIES, VOLUME VLl Copyright ©1981 Scholars Press 101 Salem Street P.O. Box 2268 Chico, California 95927 ^^A ALEXANDRO TURYN OCTOGENARIO D.D.D. PREFACE During the first lustrum of its existence, Illinois Classical Studies, Vols. I (1976) - V (1980) , was able to publish scho- larly contributions by eighty-three classicists (over 1300 pages), coming from the United States, Canada, Great Britain, V7est Germany and France. Now, beginning with this Volume VI, ICS will appear in two semi-annual issues, every spring and fall. Vols. VI. 1-2 (1981) and VII. 1-2 (1982) are an international Festschrift Alexander Turyn. They comprise some fifty invited contributions on Greek and Latin literature, by scholars coming from twelve countries (Austria, Canada, Danemark, France, Germany, Great Britain, Greece, Holland, Italy, Poland, U.S.A. and U.S.S.R.), presented to Professor Turyn on the occasion of his eightieth birthday (26 December 1980) A complete list of Turyn ' s publications is printed in Serta Turyniana, edited by John L. Heller with the assistance of J.K. Newman, Urbana, Illinois U.P., 1974, pp. IX + 624. Let me say here that Turyn ' s major scholarship easily falls into three groups. First group comprises: Studia Sapphiaa (Eos, Suppl.6, 1929, pp.108); De Aelii Aristidis aodioe Varsoviensi atque de Andrea Taranowski et Theodosio Zygomala (Academia Polona Litterarum, Cracow, 1929, pp.78 + 5 plates); De aodiaibus Pindariais (Acad.
    [Show full text]