Slavonic Studies at Oxford: a Brief History
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MAX BEERBOHM AS a LITERARY CRITIC by BEVERLY JOAN
MAX BEERBOHM AS A LITERARY CRITIC by BEVERLY JOAN NORBY B.A., University of British Columbia, 1949 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1967 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by h.i>s representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ENGLISH The University of British Columbia Vancouver 8, Canada Date October, 1967 ABSTRACT The purpose of this thesis has been to define Max Beerbohm's critical literary principles, to evaluate his con• tribution to aesthetic criticism and thereby to determine his place in the critical tradition. The methods of investi• gation have been: to study the formative influences on the development of his critical principles and to evaluate the results of their application in Max's essays and dramatic criticisms. From this study it is evident that as a man and as an artist Max was "formed" during the Eighteen-nineties. By nature he was an intellectual dandy who always preferred strong, narrow creative personalities like himself. He was detached, fastidious, witty, and humane, and he was noted for his wisdom and sound common sense, even as a very young man. -
British Aristocratic Women and Their Role in Politics, 1760-1860
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 11-1-1994 British Aristocratic Women and Their Role in Politics, 1760-1860 Nancy Ann Henderson Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the History Commons Let us know how access to this document benefits ou.y Recommended Citation Henderson, Nancy Ann, "British Aristocratic Women and Their Role in Politics, 1760-1860" (1994). Dissertations and Theses. Paper 4799. https://doi.org/10.15760/etd.6682 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. THESIS APPROVAL The abstract and thesis of Nancy Ann Henderson for the Master of Arts in History were presented November 1, 1994, and accepted by the thesis committee and the department. COMMITTEE APPROVALS: Ann/~ikel, Chair David Joe_,~on susan Karant- unn .. r Christine Thompson Representative of the Office of Graduate Studies DEPARTMENT APPROVAL: David John,s6nJ Chair Departmen~ off History ******************************************************** ACCEPTED FOR PORTLAND STATE UNIVERSITY BY THE LIBRARY b on/Z..&&e~42¢.- /9'9<f ABSTRACT An abstract of the thesis of Nancy Ann Henderson for the Master of Arts in History presented November, 1, 1994. Title: British Aristocratic Women and Their Role in Politics, 1760-1860. British aristocratic women exerted political influence and power during the century beginning with the accession of George III. They expressed their political power through the four roles of social patron, patronage distributor, political advisor, and political patron/electioneer. -
Early Criticism of the Victorian Novel from James Oliphant to David Cecil James Oliphant ± George Saintsbury ± E
1 Early Criticism of the Victorian Novel from James Oliphant to David Cecil James Oliphant ± George Saintsbury ± E. M. Forster ± David Cecil Criticism of the Victorian novel in the last decades of the twentieth century was unimaginably different from the critical practices of its first years. In form,consideration of literature's relationship with history,understanding of the canon,conception of the authority of the literary critic,in principles of evaluation,and perception of what characterized the Victorian period,early twentieth-century critics spoke a language different from today. Seeing the Victorian novel now though their eyes requires a strenuous task of imaginative sympathy. But,none the less,readers need to know their most important characteristics because the late twentieth-century understanding of Victorian fiction grew through negotiations and challenges to their critical assumptions. Many writers discussed in this book were arguing with their grandparents. This chapter discusses the criticism of the most significant of early twentieth- century writers on the Victorian novel,including E. M. Forster and Aspects ofthe Novel (1927). Forster,though he did not focus on the Victorian period,assumed universalist truths about fiction that provided the context for much debate about the Victorian novel and history in the later twentieth century. I begin by considering the first writers on Victorian fiction at the beginning Outline of the 1900s. The context for their criticism,the low status of the novel,the of the cultural anxieties about popular fiction,and the slowness of the universities to chapter consider Victorian fiction as an appropriate subject in a degree in English Literature are outlined. -
Silent Music: the Letters of Ruth Pitter Don King Montreat College
Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 23 Lewis & Friends 3-2004 Silent Music: The Letters of Ruth Pitter Don King Montreat College Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation King, Don (2004) "Silent Music: The Letters of Ruth Pitter," Inklings Forever: Vol. 4 , Article 23. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/23 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana Silent Music: The Letters of Ruth Pitter Don King King, Don. “Silent Music: The Letters of Ruth Pitter.” Inklings Forever 4 (2004) www.taylor.edu/cslewis Silent Music: The Letters of Ruth Pitter Don King Although Ruth Pitter (1897-1992) is not well bursting with its secret, sits hugging itself until known, her credentials as a poet are extensive, and in we have read the riddle. (xi-xii) England from the mid 1930’s to the mid 1970’s she maintained a modest yet loyal readership.1 In total she Accordingly, it is ironic that in spite of critical acclaim produced eighteen volumes of new and collected verse.2 and an impressive body of work, there exists no Her A Trophy of Arms (1936) won the Hawthornden collection of her letters, no critical biography, and no Prize for Poetry in 1937, and in 1954 she was awarded comprehensive critical evaluation of her poetry. -
The Oxford Inklings
LEWIS, TOLKIEN AND THEIR CIRCLE COLIN DURIEZ C.S. Lewis and his brother, Warren Lewis, on vacation in Annagassan, Ireland, around 1949 (© The Marion E. Wade Center). Formal portrait of Charles Williams, 39 years old, taken the year before C.S. Lewis invited him to an Inklings meeting (© The Marion E. Wade Center). J.R.R. Tolkien and Hugo Dyson, Merton College, 1954. From the collection of Harry Lee Poe. c. 1947. An Inklings gathering, seated on the low stone wall of terrace at the Trout Inn, Godstow, with the River Thames behind them. L. to R: Commander James Dundas-Grant, Colin Hardie, Robert E. “Humphrey” Havard, C.S. Lewis, and Peter Havard (son of Dr Havard). (© The Marion E. Wade Center.) Dorothy L. Sayers, a friend of Charles Williams and C.S. Lewis. The mystery writer, dramatist, and popular theologian had strong affinities with the Inklings, though Owen Barfield, taken in the USA, probably not a member (© The Marion E. Wade while visiting Wheaton College, Illinois Center). (photograph by Douglas R. Gilbert © 1973). 7. 8. Nevill Coghill directing Richard Burton, in the Oxford University Dramatic Society production of Christopher Marlowe’s Doctor Faustus in 1966 (© Terrence Spencer/The LIFE Images Collection/Getty). Lord David Cecil, as President of the Jane Austen Leeds University, where J.R.R. Tolkien was first Society, in conversation with a member at the Reader then Professor of English Language 1968 annual meeting. Cecil, in the 1930s, between 1920 and 1925 in a highly productive pioneered Austen studies. From the collection of period. Harry Lee Poe. -
©Ff €I to Ilddlm
©ff €i to ILdDlM Edited by JAMES O. HOGE and CLARKE OLNEY $10.7! The Letters of Caroline Norton to Lord Melbourne Edited by James O. Hoge and Clarke Olney The Norton divorce suit that is the chief center of interest of this hitherto unpublished col lection of letters was one of the major causes celibres of the nineteenth century. The co respondent was a prime minister of Great Britain, and on the outcome of the case de pended not only the future of his career, but also the fortunes of the Whig party itself. The accused wife, if not respected for be havior judged unorthodox by the standards of the day, was ungrudgingly admired as one of the great beauties of her time and was justly celebrated for her intellectual and artistic accomplishments. A granddaughter of the famous dramatist Richard Brinsley Sheridan, she had inherited some of his lit erary gifts, and, as the author of six volumes of poetry, five novels, and numerous political pamphlets, was both widely read and highly regarded. She was also, for quite sufficient reasons, a leading agitator in the struggle to free women from the considerable legal disabilities under which they labored, espe cially in respect to divorce, the custody of children, and the woman's rights to her own property. Caroline Norton wrote the first of her letters to her special friend and confidant in July of 1831, when she was twenty-three. The victim of an extremely unfortunate marriage, she was in the first flush of her enchantment with William Lamb, second viscount Melbourne, a man some thirty years her senior who, as home secretary in the cabinet of Earl Grey, was nearing the apex of a notable career, bid ding at last, after a decade of enforced inac tivity under the Tory ascendancy, to fulfill the promise of his enormous intellectual ca pacity and political acumen.