Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 23 Lewis & Friends 3-2004 Silent Music: The Letters of Ruth Pitter Don King Montreat College Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation King, Don (2004) "Silent Music: The Letters of Ruth Pitter," Inklings Forever: Vol. 4 , Article 23. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/23 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact
[email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana Silent Music: The Letters of Ruth Pitter Don King King, Don. “Silent Music: The Letters of Ruth Pitter.” Inklings Forever 4 (2004) www.taylor.edu/cslewis Silent Music: The Letters of Ruth Pitter Don King Although Ruth Pitter (1897-1992) is not well bursting with its secret, sits hugging itself until known, her credentials as a poet are extensive, and in we have read the riddle. (xi-xii) England from the mid 1930’s to the mid 1970’s she maintained a modest yet loyal readership.1 In total she Accordingly, it is ironic that in spite of critical acclaim produced eighteen volumes of new and collected verse.2 and an impressive body of work, there exists no Her A Trophy of Arms (1936) won the Hawthornden collection of her letters, no critical biography, and no Prize for Poetry in 1937, and in 1954 she was awarded comprehensive critical evaluation of her poetry.