Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2013 Señas de identidad del teatro romántico español: Don Álvaro o la fuerza del sino y Don Juan Tenorio Alyssa Rosenthal Trinity College,
[email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Comparative Literature Commons, Dramatic Literature, Criticism and Theory Commons, Latin American Languages and Societies Commons, and the Spanish Literature Commons Recommended Citation Rosenthal, Alyssa, "Señas de identidad del teatro romántico español: Don Álvaro o la fuerza del sino y Don Juan Tenorio". Senior Theses, Trinity College, Hartford, CT 2013. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/349 TRINITY COLLEGE Senior Thesis SEÑAS DE IDENTIDAD DEL TEATRO ROMÁNTICO ESPAÑOL: DON ÁLVARO O LA FUERZA DEL SINO Y DON JUAN TENORIO submitted by ALYSSA ROSENTHAL 2013 In Partial Fulfillment of Requirements for the Degree of Bachelor of Arts 2013 Director: Priscilla Meléndez Reader: Christopher van Ginhoven Rey Índice ! Abstracto 1 Introducción: El nacimiento del romanticismo español 2 1: Don Álvaro o la fuerza del sino: El comienzo del drama romántico español 14 2: Don Juan Tenorio: Volviendo a visitar el mito en forma romántica 35 Conclusión: El caso del romanticismo español 52 Bibliografía 57 ! Abstracto When faced with the term Romanticism, many people automatically think of the British poets, Wordsworth, Coleridge, or Byron, or the German philosopher Hegel and the writer Goethe. However, the Romantic Movement expanded far beyond northern Europe, and as it migrated it changed and took on different forms, so much so that when it reached Spain in the 1830s it had taken on a totally new form.