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A Week at the Fair; Exhibits and Wonders of the World's Columbian
; V "S. T 67>0 CORNELL UNIVERSITY LIBRARY ""'""'"^ T 500.A2R18" '""''''^ "^"fliiiiWi'lLi£S;;S,A,.week..at the fair 3 1924 021 896 307 'RAND, McNALLY & GO'S A WEEK AT THE FAIR ILLUSTRATING THE EXHIBITS AND WONDERS World's Columbian Exposition WITH SPECIAL DESCRIPTIVE ARTICLES Mrs. Potter Palmer, The C6untess of Aberdeen, Mrs. Schuyler Van Rensselaer, Mr. D. H. Burnh^m (Director of Works), Hon. W. E. Curtis, Messrs. Adler & Sullivan, S. S. Beman, W. W. Boyington, Henry Ives Cobb, W, J. Edbrooke, Frank W. Grogan, Miss Sophia G. Havden, Jarvis Hunt, W. L. B. Jenney, Henry Van Brunt, Francis Whitehouse, and other Architects OF State and Foreign Buildings MAPS, PLANS, AND ILLUSTRATIONS CHICAGO Rand, McNally & Company, Publishers 1893 T . sod- EXPLANATION OF REFERENCE MARKS. In the following pages all the buildings and noticeable features of the grounds are indexed in the following manner: The letters and figures following the names of buildings in heavy black type (like this) are placed there to ascertain their exact location on the map which appears in this guide. Take for example Administration Building (N i8): 18 N- -N 18 On each side of the map are the letters of the alphabet reading downward; and along the margin, top and bottom, are figures reading and increasing from i, on the left, to 27, on the right; N 18, therefore, implies that the Administration Building will be found at that point on the map where lines, if drawn from N to N east and west and from 18 to 18 north and south, would cross each other at right angles. -
Frank Furness Printed by Official Offset Corp
Nineteenth Ce ntury The Magazine of the Victorian Society in America Volume 37 Number 1 Nineteenth Century hhh THE MAGAZINE OF THE VICTORIAN SOCIETY IN AMERICA VOLuMe 37 • NuMBer 1 SPRING 2017 Editor Contents Warren Ashworth Consulting Editor Sara Chapman Bull’s Teakwood Rooms William Ayres A LOST LETTER REVEALS A CURIOUS COMMISSION Book Review Editor FOR LOCkwOOD DE FOREST 2 Karen Zukowski Roberta A. Mayer and Susan Condrick Managing Editor / Graphic Designer Wendy Midgett Frank Furness Printed by Official Offset Corp. PERPETUAL MOTION AND “THE CAPTAIN’S TROUSERS” 10 Amityville, New York Michael J. Lewis Committee on Publications Chair Warren Ashworth Hart’s Parish Churches William Ayres NOTES ON AN OVERLOOkED AUTHOR & ARCHITECT Anne-Taylor Cahill OF THE GOTHIC REVIVAL ERA 16 Christopher Forbes Sally Buchanan Kinsey John H. Carnahan and James F. O’Gorman Michael J. Lewis Barbara J. Mitnick Jaclyn Spainhour William Noland Karen Zukowski THE MAkING OF A VIRGINIA ARCHITECT 24 Christopher V. Novelli For information on The Victorian Society in America, contact the national office: 1636 Sansom Street Philadelphia, PA 19103 (215) 636-9872 Fax (215) 636-9873 [email protected] Departments www.victoriansociety.org 38 Preservation Diary THE REGILDING OF SAINT-GAUDENS’ DIANA Cynthia Haveson Veloric 42 The Bibliophilist 46 Editorial 49 Contributors Jo Anne Warren Richard Guy Wilson 47 Milestones Karen Zukowski A PENNY FOR YOUR THOUGHTS Anne-Taylor Cahill Cover: Interior of richmond City Hall, richmond, Virginia. Library of Congress. Lockwood de Forest’s showroom at 9 East Seventeenth Street, New York, c. 1885. (Photo is reversed to show correct signature and date on painting seen in the overmantel). -
The Urban and Architectural History of Denver, Colorado by Caitlin Anne Milligan
Washington University in St. Louis Washington University Open Scholarship Graduate School of Architecture & Urban Design Graduate School of Architecture and Urban Design Theses Fall 12-2015 Gold, Iron, and Stone: The rbU an and Architectural History of Denver, Colorado Caitlin A. Milligan Samfox School of Design and Visual Arts Follow this and additional works at: https://openscholarship.wustl.edu/samfox_arch_etds Part of the Architecture Commons Recommended Citation Milligan, Caitlin A., "Gold, Iron, and Stone: The rU ban and Architectural History of Denver, Colorado" (2015). Graduate School of Architecture & Urban Design Theses. 2. https://openscholarship.wustl.edu/samfox_arch_etds/2 This Thesis is brought to you for free and open access by the Graduate School of Architecture and Urban Design at Washington University Open Scholarship. It has been accepted for inclusion in Graduate School of Architecture & Urban Design Theses by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Architecture and Architectural History Thesis Examination Committee: Dr. Eric Mumford, Chair Dr. Robert Moore Gold, Iron, and Stone The Urban and Architectural History of Denver, Colorado by Caitlin Anne Milligan A thesis presented to the Graduate School of Design & Visual Arts of Washington University in partial fulfillment of the requirements for the degree of Master of Science in Architectural Studies (Concentration: the History -
Brief Biographies of American Architects Who Died Between 1897 and 1947
Brief Biographies of American Architects Who Died Between 1897 and 1947 Transcribed from the American Art Annual by Earle G. Shettleworth, Jr., Director, Maine Historic Preservation Commission. Between 1897 and 1947 the American Art Annual and its successor volume Who's Who in American Art included brief obituaries of prominent American artists, sculptors, and architects. During this fifty-year period, the lives of more than twelve-hundred architects were summarized in anywhere from a few lines to several paragraphs. Recognizing the reference value of this information, I have carefully made verbatim transcriptions of these biographical notices, substituting full wording for abbreviations to provide for easier reading. After each entry, I have cited the volume in which the notice appeared and its date. The word "photo" after an architect's name indicates that a picture and copy negative of that individual is on file at the Maine Historic Preservation Commission. While the Art Annual and Who's Who contain few photographs of the architects, the Commission has gathered these from many sources and is pleased to make them available to researchers. The full text of these biographies are ordered alphabetically by surname: A B C D E F G H I J K L M N O P Q R S T U V W Y Z For further information, please contact: Earle G. Shettleworth, Jr., Director Maine Historic Preservation Commission 55 Capitol Street, 65 State House Station Augusta, Maine 04333-0065 Telephone: 207/287-2132 FAX: 207/287-2335 E-Mail: [email protected] AMERICAN ARCHITECTS' BIOGRAPHIES: ABELL, W. -
A Legacy of Leadership the Presidents of the American Institute of Architects 1857–2007
A Legacy of Leadership The Presidents of the American Institute of Architects 1857–2007 R. Randall Vosbeck, FAIA with Tony P. Wrenn, Hon. AIA, and Andrew Brodie Smith THE AMERICAN INSTITUTE OF ARCHITECTS | WASHINGTON, D.C. The American Institute of Architects 1735 New York Avenue, NW Washington, DC 20006 www.aia.org ©2008 The American Institute of Architects All rights reserved. Published 2008 Printed in the United States of America ISBN 978-1-57165-021-4 Book Design: Zamore Design This book is printed on paper that contains recycled content to suppurt a sustainable world. Contents FOREWORD Marshall E. Purnell, FAIA . i 20. D. Everett Waid, FAIA . .58 21. Milton Bennett Medary Jr., FAIA . 60 PREFACE R. Randall Vosbeck, FAIA . .ii 22. Charles Herrick Hammond, FAIA . 63 INTRODUCTION Tony P. Wrenn, Hon. AIA . 1 23. Robert D. Kohn, FAIA . 65 1. Richard Upjohn, FAIA . .10 24. Ernest John Russell, FAIA . 67 2. Thomas U. Walter, FAIA . .13 25. Stephen Francis Voorhees, FAIA . 69 3. Richard Morris Hunt, FAIA . 16 26. Charles Donagh Maginnis, FAIA . 71 4. Edward H. Kendall, FAIA . 19 27. George Edwin Bergstrom, FAIA . .73 5. Daniel H. Burnham, FAIA . 20 28. Richmond H. Shreve, FAIA . 76 6. George Brown Post, FAIA . .24 29. Raymond J. Ashton, FAIA . .78 7. Henry Van Brunt, FAIA . 27 30. James R. Edmunds Jr., FAIA . 80 8. Robert S. Peabody, FAIA . 29 31. Douglas William Orr, FAIA . 82 9. Charles F. McKim, FAIA . .32 32. Ralph T. Walker, FAIA . .85 10. William S. Eames, FAIA . .35 33. A. Glenn Stanton, FAIA . 88 11. -
I. NAME of PROPERTY
NATIONAL HISTORIC LANDMARK NOMINATION NTS Form l'~.<-9'~. USDI NTS KRHP Registration Foim illev. 8-861 UNION PACIFIC RAILROAD DEPOT Page 1 United States Department of the Interior. National Park Service______ National Register of Historic Places Resistration Form i. NAME OF PROPERTY Historic Name: Union Pacific Railroad Depot Other Name/Site Number: n/a 2. LOCATION Street & Number: 121 West 15rthm Street Not for publication: n/a City/Town: Cheyenne Vicinity: n/a State: Wyoming County: Laramie Code: 021 Zip Code: 82001 3. CLASSIFICATION Ownership of Property Category of Property Private: _ Building(s): _x Public-Local: _x_ District: Public-State: _ Site: Public-Federal: Structure: Object: Number of Resources within Property Contributing Noncontributing 0 buildings 0 sites 0 structures 0 objects 0 Total Number of Contributing Resources Previously Listed in the National Register: J_ Name of Related Multiple Property Listing: n/a NTS Form lv-9"" USDI NTS XRHP Registration Foim illev. 8-861 UNION PACIFIC RAILROAD DEPOT Page 2 United States Department of (he Interior. National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966. as amended. I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. -
Amst 176 / Art 184: American Architecture 1860-Present
AmSt 176 / AH 191: American Architecture 1860-1940 Spring 2010 Professor Longstreth REFERENCE BIBLIOGRAPHY INDEX Surveys…………………………..................................................................................................................................3 Mid Nineteenth Century……………........................................................................................……………………….4 Late Nineteenth/Early Twentieth Centuries.......................................................................................…………………5 Interwar Decades.……...............................................................................................................……………………...7 Architects -- Nineteenth Century...................................................................................................……………………8 Architects -- Twentieth Century....................................................................................................…………………. 11 H. H. Richardson....................................................................................................................……………………….21 McKim, Mead & White............................................................................................................……………………...23 Louis Sullivan........................................................................................................................………………………..24 Frank Lloyd Wright…............................................................................................................…………………….…25 Local/Regional Studies….........................................................................................................……………………...30 -
The Beaux-Arts Atelier in America
841H ACSA ANNUAL MEETING PRACTICE 1996 31 9 The Beaux-Arts Atelier in America MADLEN SIMON Kansas State University Beginning with Richard Morris Hunt in the mid 1800's, day under varying names: the Beaux-Arts Institute of De- aspiring American architects went to study at the Ecole des sign, the National Institute for Architectural Education, and Beaux-Arts, returning home with tremendous enthusiasm the current Van Alen Institute. and nostalgia for the educational life they had left behind in The new Society began to issue student programs on a Paris. These members of an elite group were conscious of quarterly system. American architects responded to these their good fortune and eager to provide opportunities for less new educational opportunities by creating ateliers in whch privileged aspiring American architects to partake of the students of architecture could apply themselves to the type of excellent education they had enjoyed. They were Society's programs and competitions. inspired by the desire to improve hture generations of American architects, thereby improving the quality of Ameri- DEFINING THE AMERICAN ATELIER can architecture, a pressing need in the mid nineteenth century for a growing nation in the process of building its American ateliers derived rather loosely from the Parisian institutions. model. The Beaux-Arts atelier in Paris consisted of a studio The first American atelier was opened by Richard Morris run by a practicing architect known as the Patron, in premises Hunt, the first American to study at the Ecole des Beaux- separate from his archtectural office, in which Ecole students Arts, in New York in 1857.' Two of his early students, of all levels worked together, the youngest and least experi- William Robert Ware and Henry Van Brunt, established an enced learning from and assisting their elders, the most atelier in their own Boston office seven years later. -
Library Expansion Project Cambridge, Massachusetts
Main Library Expansion Project Cambridge, Massachusetts Existing Conditions Report and Preservation Recommendations January 31, 2003 Prepared By: Ann Beha Architects, Inc Main Library Expansion Project William Rawn Associates, Architects Cambridge, Massachusetts Ann Beha Architects Michael Van Valkenburgh Associates TABLE OF CONTENTS Introduction 1.0 HISTORY OF EXISTING BUILDING 1.1 Introduction 1.2 Frederick H. Rindge, Benefactor 1.3 Henry Van Brunt, Architect 1.4 The Cambridge Library (1887-1889) 1.5 Children’s Library Addition (1894) 1.6 Addition to Stacks (1902) 1.7 Adjacent High Schools (1892-1932) 1.8 Internal Changes (1932-1966) 1.9 New Reference/Children’s Wing (1967) 1.10 Rindge and Latin High School (1977) 2.0 SUMMARY OF EXISTING CONDITIONS 2.1 Introduction 2.2 Roofing and Drainage 2.3 Masonry 2.4 Windows and Doors 2.5 Interior Finishes 2.6 Building Code 2.7 Accessibility 2.8 Building Systems 3.0 PRESERVATION PLANNING 3.1 Significance and Integrity of Historic Fabric 3.2 Existing Planning Considerations 3.3 Preservation Philosophy 3.4 Design Criteria 4.0 BIBLIOGRAPHY Page 1 William Rawn Associates, Architects Main Library Expansion Project Ann Beha Architects Cambridge, Massachusetts Michael Van Valkenburgh Associates INTRODUCTION This report was prepared by Ann Beha Architects as part of the Conceptual Design Phase of the Main Library Expansion Project for Cambridge, Massachusetts. The current library opened its doors to the public in 1889. It was designed by the architect Henry Van Brunt in the Richardsonian Romanesque style on land donated to the city by the philanthropist, Frederick H. Rindge. An important landmark from the beginning, the library and the services it provides have evolved to reflect the growth and change of the City of Cambridge. -
National Historic Landmark Nomination Adams Academy 1
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-9 USDTOPS NRHP Registration Form (Rev. 8-8 OMB No. 1024-0018 ADAMS ACADEMY Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: ADAMS ACADEMY Other Name/Site Number: 2. LOCATION Street & Number: 8 Adams Street Not for publication:__ City/Town: Quincy Vicinity:__ State: MA County: Norfolk Code: 021 Zip Code: 02169 3. CLASSIFICATION Ownership of Property Category of Property Private: Building(s):JL Public-Local: X District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributinj 1 buildings 1 sites structures _4_ objects 1 5 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of Related Multiple Property Listing: NFS Form 10-900 USDTOPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 ADAMS ACADEMY Page 2 United States Department of the Interior, National Park Service__________________________________________National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. -
Frank Lloyd Wright
Frank Lloyd Wright Robert McCarter Frank Lloyd Wright Titles in the series Critical Lives present the work of leading cultural figures of the modern period. Each book explores the life of the artist, writer, philosopher or architect in question and relates it to their major works. In the same series Michel Foucault David Macey Jean Genet Stephen Barber Pablo Picasso Mary Ann Caws Franz Kafka Sander L. Gilman Guy Debord Andy Merrifield Marcel Duchamp Caroline Cros James Joyce Andrew Gibson Jean-Paul Sartre Andrew Leak Frank Lloyd Wright Robert McCarter reaktion books To Bruce Brooks Pfeiffer Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx, uk www.reaktionbooks.co.uk First published 2006 Copyright © Robert McCarter 2006 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Printed and bound in The Netherlands by Krips B.V. British Library Cataloguing in Publication Data McCarter, Robert Frank Lloyd Wright. – (Critical lives) 1. Wright, Frank Lloyd, 1867–1959 2. Wright, Frank Lloyd, 1867–1959 – Criticism and interpretation 3. Architects, United States – 20th century – Biography 4. Architecture, Modern – 20th century 5. Architecture – United States – 20th century I. Title 720.9'2 isbn 1 86189 268 3 Contents Introduction: Wright at the Defining Moment 7 1 Unity and Nature’s Geometry 9 2 Chicago and the Tradition of Practice 26 3 White City and New World Monumentality 44 4 Prairie House and the Progressive Movement 62 5 Europe and the Shining Brow 90 6 Eastern Garden and Western Desert 103 7 Fellowship and the Disappearing City 120 8 Natural House and the Fountainhead 144 9 Usonia Lost and Found 171 Epilogue: Wright in the Rearview Mirror 201 References 204 Bibliography 217 Acknowledgements 223 Photographic Acknowledgements 224 Frank Lloyd Wright in 1926. -
Henry Van Brunt and White Settler Colonialism in the Midwest 000 Charles L
R ACE AND MODERN ARCHITECTURE A Critical Histor y from the Enlightenment to the Present Edited by IRENE CHENG CHARLES L. DAVIS II MABEL O. WILSON University of Pittsburgh Press chengetal_pp1.indd 3 1/14/20 3:42 PM Contents Acknowledgments 000 Introduction 000 Irene Cheng, Charles L. Davis II, and Mabel O. Wilson I RACE AND THE ENLIGHTENMENT 1 Notes on the Virginia Capitol 000 Nation, Race, and Slavery in Jefferson’s America Mabel O. Wilson 2 American Architecture in the Black Atlantic 000 William Thornton’s Design for the United States Capitol Peter Minosh 3 Drawing the Color Line 000 Silence and Civilization from Jefferson to Mumford Reinhold Martin 4 From “Terrestrial Paradise” to “Dreary Waste” 000 Race and the Chinese Garden in European Eyes Addison Godel II RACE AND ORGANICISM 5 Henry Van Brunt and White Settler Colonialism in the Midwest 000 Charles L. Davis II 6 The “New Birth of Freedom” 000 The Gothic Revival and the Aesthetics of Abolitionism Joanna Merwood-Salisbury 7 Structural Racialism in Modern Architectural Theory 000 Irene Cheng chengetal_pp1.indd 7 1/14/20 3:42 PM III RACE AND NATIONALISM 8 Race and Miscegenation in Early Twentieth-Century Mexican Architecture 000 Luis E. Carranza 9 Modern Architecture and Racial Eugenics at the Esposizione Universale di Roma 000 Brian L. McLaren 10 The Invention of Indigenous Architecture 000 Kenny Cupers IV RACE AND REPRESENTATION 11 Erecting the Skyscraper, Erasing Race 000 Adrienne Brown 12 Modeling Race and Class 000 Architectural Photography and the U.S. Gypsum Research Village,