Ave Verum Corpus (1922-1926)
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We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
2005 Distinguished Faculty, John Hall
The Complete Recitalist June 9-23 n Singing On Stage June 18-July 3 n Distinguished faculty John Harbison, Jake Heggie, Martin Katz, and others 2005 Distinguished Faculty, John Hall Welcome to Songfest 2005! “Search and see whether there is not some place where you may invest your humanity.” – Albert Schweitzer 1996 Young Artist program with co-founder John Hall. Songfest 2005 is supported, in part, by grants from the Aaron Copland Fund for Music and the Virgil Thomson Foundation. Songfest photography courtesy of Luisa Gulley. Songfest is a 501(c)3 corporation. All donations are 100% tax-deductible to the full extent permitted by law. Dear Friends, It is a great honor and joy for me to present Songfest 2005 at Pepperdine University once again this summer. In our third year of residence at this beautiful ocean-side Malibu campus, Songfest has grown to encompass an ever-widening circle of inspiration and achievement. Always focusing on the special relationship between singer and pianist, we have moved on from our unique emphasis on recognized masterworks of art song to exploring the varied and rich American Song. We are once again privileged to have John Harbison with us this summer. He has generously donated a commission to Songfest – Vocalism – to be premiered on the June 19 concert. Our singers and pianists will be previewing his new song cycle on poems by Milosz. Each time I read these beautiful poems, I am reminded why we love this music and how our lives are enriched. What an honor and unique opportunity this is for Songfest. -
Cohesion of Composer and Singer: the Female Singers of Poulenc
COHESION OF COMPOSER AND SINGER: THE FEMALE SINGERS OF POULENC DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Susan Joanne Musselman, B.M., M.M. ***** The Ohio State University 2007 Document Committee: J. Robin Rice, Adviser Approved by: Hilary Apfelstadt Wayne Redenbarger ________________________ Adviser Graduate Program in Music Copyright by Susan Joanne Musselman 2007 ABSTRACT Every artist’s works spring from an aspiring catalyst. One’s muses can range from a beloved city to a spectacular piece of music, or even a favorite time of year. Francis Poulenc’s inspiration for song-writing came from the high level of intimacy he had with his close friends. They provided the stimulation and encouragement needed for a lifetime of composition. There is a substantial amount of information about Francis Poulenc’s life and works available. We are fortunate to have access to his own writings, including a diary of his songs, an in-depth interview with a close friend, and a large collection of his correspondence with friends, fellow composers, and his singers. It is through these documents that we not only glean knowledge of this great composer, but also catch a glimpse of the musical accuracy Poulenc so desired in the performance of his songs. A certain amount of scandal surrounded Poulenc during his lifetime and even well after his passing. Many rumors existed involving his homosexuality and his relationships with other male musicians, as well as the possible fathering of a daughter. The primary goal of this document is not to unearth any hidden innuendos regarding his personal life, however, but to humanize the relationships that Poulenc had with so many of his singers. -
5 Classical Vocal Music by Composer 38 Classical Song Collections for Beginning Singers Art Song Collections 41 American & B
4 Vocal 5 Classical Vocal Music by Composer 38 Classical Song Collections for Beginning Singers Art Song Collections 41 American & British Song Collections 43 French Song Collections 44 German Song Collections 44 Italian Song Collections 47 Spanish Song Collections 47 General Mixed Composer Vocal Collections 53 Christmas Vocal Collections 54 Sacred Vocal Collections 60 The Vocal Library 67 Vocal Duets & Ensembles 70 Voice with Various Instruments 73 Vocal Methods, Vocalises & Sight-Singing See the Opera section for aria collections, vocal scores and full scores. See the Musical Theatre section for vocal selections and vocal scores. CLASSICAL VOCAL MUSIC BY COMPOSER 5 ADOLPHE ADAM FRANCES ALLITSEN ______50290250 Cantique de Noel (O Holy Night) (Stickles) ______50286670 The Lord Is My Light High in E Flat w/Organ, Fr/Eng High in E Flat with piano or organ Schirmer ST46047 ...........................................................$3.95 Schirmer ST43301 ...........................................................$3.95 ______50279730 Cantique de Noel (O Holy Night) (Deis) ______50286680 The Lord Is My Light High in E flat w/Piano, Fr/Eng Med High in D with piano or organ Schirmer ST36859 ...........................................................$3.95 Schirmer ST43302 ...........................................................$3.95 ______50290240 Cantique de Noel (O Holy Night) (Stickles) ______50286690 The Lord Is My Light Medium High in D flat w/Organ, Fr/Eng Med Low in C with piano or organ Schirmer ST46046 ...........................................................$3.95 -
Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC STANLEY HASTY: HIS LIFE AND TEACHING By ELIZABETH MARIE GUNLOGSON A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2006 Copyright @ 2006 Elizabeth M. Gunlogson All Rights Reserved The members of the Committee approve the Treatise of Elizabeth M. Gunlogson defended on November 10, 2006. ______________________ Frank Kowalsky Professor Directing Treatise ______________________ Seth Beckman Outside Committee Member ______________________ Patrick Meighan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Stanley and June Hasty iii ACKNOWLEDGEMENTS First and foremost I would like to thank Stanley and June Hasty for sharing their life story with me. Your laughter, hospitality and patience throughout this whole process was invaluable. To former Hasty students David Bellman, Larry Combs, Frank Kowalsky, Elsa Ludewig- Verdehr, Tom Martin and Maurita Murphy Mead, thank you for your support of this project and your willingness to graciously share your experiences with me. Through you, the Hasty legacy lives on. A special thanks to the following people who provided me with valuable information and technical support: David Coppen, Special Collections Librarian and Archivist, Sibley Music Library (Eastman School of Music); Elizabeth Schaff, Archivist, Peabody Institute/Baltimore Symphony Orchestra; Nicole Cerrillos, Public Relations Manager, Pittsburgh Symphony Orchestra; Tom Akins, Archivist, Indianapolis Symphony Orchestra; James Gholson, Professor of Clarinet, University of Memphis; Carl Fischer Music Publishing; and Annie Veblen-McCarty. -
Musiciennes:Women Musicians in France During the Interwar Years
Musiciennes: Women Musicians in France during the Interwar Years, 1919-1939 Laura Ann Hamer Submitted for the Degree of Doctor of Philosophy Cardiff University, 2009 UMI Number: U584377 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584377 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The musical life of interwar France (1919-39) has fascinated many writers; however, the part played by women musicians has been much neglected. This thesis seeks to rectify this situation by presenting a study of the activities and reception of the musiciennes of interwar France. The thesis is divided into three parts: part one provides a contextual framework within which to situate the pursuits of women musicians by considering both their contemporary social position and the gender- specific conditions which affect the lives, careers, and reception of musiciennes. Part two focuses on conductors and composers. Jane Evrard and her Orchestre feminin de Paris are discussed within the context of the contemporaneous development of the all woman orchestra and rise of the first professional female conductors. -
Télécharger Le Bulletin De Liaison N° 5
ij. ..' ï: ASSOCIATION NATIONATE HECTOR BER*LIOZ BULLETIN tr)E LIAISON N" 5 - 1g6A ASSOCIATION NATIONALE HECTOR- BERLIOZ Reconnue d'Utilité Publique . Président : M. Jean BOYER COMITE D'HONNEUR Président : Marcel DUPRÉ,,de l'Institut M, Ernmanuel BONDEVILLE Henri DUTILLEUX Secrétaire perpétuel de l'Académie des Beaux-Arts Ravmond GALLOIS-MONTBRUN André JOLMT MM' Marcel LANDowsKI Tony AUBIN Georges AURIC, de l'Institut olivier MESSIAEN' de l',Institut Henry BARRAUD Darius MILHAUD Henri BUSSER, de l'Institut paul pARAy. de l,Institut Jacques CHAILLEY pierre DERVAUX Michel PHILIPPOT Norbert DUFOURCQ Henri SAUGUET IN MEMORIAM André CLUYTENS Lucien HUSSEL Pierre MONTEUX Charles MUNCH tES DEUX CENTENAIRES : 1903- 1969 Quelques ouvrages sur sa vie et son æuvre, Ia publication de lettres, des concerts (si sensationnels qu'ils aient pu être, chez Colonne et Pasdeloup), une effigie au square Vintimille ne pouvaient donner le change : 25 ans après sa mort, Hector Berlioz restait pour le grand public, et même pour la plupart des mélomanes, un méconnu. Cependant, en Dauphiné brûlait toujours une petite flamme d'affectueuse admiration : la plaque posée sur la maison natale du musicien en 1885, la stattte élevée à La Côte- Saint-André en 1890 en étaient le témoignage, et à l'heure du Centenaire de 1903, Ia petite cité côtoise sut célébrer avec ferveur son illustre concitoyen, à la manière bon enfant de l'époque : discours, orphéons, banquet, et même, le mauvais temps s'étant mis de la partie, bal à la place du conceft prévu. CENTENAIRE DE I9O3 I\{ais ce fut GRENOBLE oui sut donner au centenaire de la naissancede Berlioz l'éclat et l'ampleur désirés. -
L'œuvre D'alexandre Tansman
Gérald Hugon L’ŒUVRE D’ALEXANDRE TANSMAN Catalogue pratique ©2012 Gérald Hugon Avant-propos Le découverte de l’œuvre complète d’un compositeur et la mesure de son étendue sont affaire de temps. Voici enfin le second catalogue de l’œuvre d’Alexandre Tansman. Un premier catalogue, fondé principalement sur les informations recueillies auprès du compositeur, par son biographe polonais Janusz Cegiella, fut établi peu de temps après sa mort, dans l’urgence de la préparation du colloque organisé en 1997 par La Sorbonne, pour la commémoration du centenaire de sa naissance. Depuis cette date, de nouvelles œuvres ont été découvertes dans les archives du compositeur, dans celles des Éditions Max Eschig ainsi que dans les Archives de la Fondation Segovia. En outre, l’accès aux sources rendu possible aujourd’hui, grâce au dépôt des archives Alexandre Tansman (Archives AT) à la Bibliothèque nationale de France, a permis de rectifier, compléter ou amender de très nombreuses informations. En plus des œuvres retrouvées, ce nouveau catalogue présente une structure logique, séparant encore plus nettement les œuvres purement instrumentales des œuvres incluant la voix. Dans les musiques fonctionnelles, les œuvres radiophoniques ont été dissociées des musiques de films. Les œuvres perdues, esquissées, laissées inachevées ou parvenues incomplètes sont exclues du présent catalogue pratique, qui se veut avant tout utile pour faciliter la recherche des partitions et inciter les interprètes à jouer la musique du compositeur. Les œuvres inédites sont accessibles à la Bibliothèque nationale de France (Département Musique), après accord des ayants droit. Les cotes BnF (suivis éventuellement des références du microfilm) sont mentionnées dans la rubrique Ms. -
573973 Itunes
Vincent Youmans (1898–1946) Rodolphe Berger Tea for Two 1No, no, Nanette! (1925) Messalinette, ou le tour du demi-monde en 80 nuits Tea for Two (Act II) (arr. Matthieu Michard) 5:31 0(1902) From the Belle Epoque to the Roaring Twenties Text: Otto Harbach (1873–1963), Messalinette, fantaisie-sélection Irving Caesar (1895–1996) (arr. Matthieu Michard) 7:37 ‘I am quite convinced that there is no city in the world orchestras and theatres for decades. André Messager Text: Pierre-Louis Flers (1865–1932) where as much music is consumed as in London’, noted (1853–1929) was one of those who had a successful 2Hope Temple (1859–1938) Berlioz in his column in the Journal des Débats on 29 July career on the English side of the Channel, as a composer, My Lady’s Bower (1887) (arr. Chloé Ducray) 3:24 Reynaldo Hahn (1874–1947) 1851. The observation remained pertinent at the turn of conductor and administrator – he worked in the latter role Text: Frederick E. Weatherly (1848–1929) !Une Revue… (1926) the 20th century. at Covent Garden between 1901 and 1907. Brought to the La Dernière Valse (arr. Philippe Perrin) 4:14 London and Paris shared an artistic vitality that set London music world’s attention in 1891 when the D’Oyly André Messager (1853–1929) Text: Maurice Donnay (1859–1945), Henri Duvernois them apart. Many British artists appeared on stage in Carte Company gave the British premiere of La Basoche , 3Mirette (1894) (1875–1937) Paris, and London was equally enthusiastic about Messager was then commissioned to write a new opera Ah! Nay, do not fly me! (Act I) (arr. -
Early Twentieth Century Vocal Performance Practice and the French School: an Exploration of the Lectures and Selected Songs by Reynaldo Hahn
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 Early Twentieth Century Vocal Performance Practice and the French School: An Exploration of the Lectures and Selected Songs by Reynaldo Hahn Mary P. Hubbell The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3236 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EARLY TWENTIETH CENTURY VOCAL PERFORMANCE PRACTICE AND THE FRENCH SCHOOL: AN EXPLORATION OF THE LECTURES AND SELECTED SONGS BY REYNALDO HAHN by MARY HUBBELL A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2019 ©2019 Mary Hubbell All rights reserved ii Early Twentieth Century Vocal Performance Practice and the French School: An Exploration of the Lectures and Selected Songs by Reynaldo Hahn by Mary Hubbell This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts. Date Janette Tilley Chair of Examining Committee Date Norman Carey Executive Officer Supervisory Committee: Sylvia Kahan Paul Sperry Karen Henson THE CITY UNIVERSITY OF NEW YORK iii Abstract Early Twentieth Century Vocal Performance Practice and the French School: An Exploration of the Lectures and Selected Songs by Reynaldo Hahn by Mary Hubbell Advisor: Sylvia Kahan Composer, conductor, singer, and critic Reynaldo Hahn (1874–1947) was a highly influential figure in Paris’s artistic circles during the first half of the twentieth century. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman Composers A-H NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.