Christian Symbol Meanings
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Heraldry Examples Booklet.Cdr
Book Heraldry Examples By Khevron No color on color or metal on metal. Try to keep it simple. Make it easy to paint, applique’ or embroider. Blazon in layers from the deepest layer Per pale vert and sable all semy of caltrops e a talbot passant argent. c up to the surface: i v Field (color or division & colors), e Primary charge (charge or ordinary), Basic Book Heraldry d Secondary charges close to the primary, by Khevron a Tertiary charges on the primary or secondary, Device: An heraldic representation of youself. g Peripheral secondary charges (Chief,Canton,Border), Arms: A device of someone with an Award of Arms. n i Tertiary charges on the peropheral. Badge: An heraldic representation of what you own. z a Name field tinctures chief/dexter first. l Only the first word, the metal Or, B and proper nouns are capitalized. 12 2 Tinctures, Furs & Heraldic 11 Field Treatments Cross Examples By Khevron By Khevron Crosses have unique characteristics and specific names. Tinctures: Metals and Colors Chief Rule #1: No color upon another color, or metal on metal! Canton r r e e t t s i x e n - Fess - i D Or Argent Sable Azure Vert Gules Purpure S Furs Base Cross Latin Cross Cross Crosslet Maltese Potent Latin Cross Floury Counter-Vair Vair Vair in PaleVair-en-pointe Vair Ancient Ermine Celtic Cross Cross Gurgity Crosslet Fitchy Cross Moline Cross of Bottony Jerusalem A saltire vair in saltire Vair Ermines or Counter- Counter Potent Potent-en-pointe ermine Cross Quarterly in Saltire Ankh Patonce Voided Cross Barby Cross of Cerdana Erminois Field -
The Art of the Icon: a Theology of Beauty, Illustrated
THE ART OF THE ICON A Theology of Beauty by Paul Evdokimov translated by Fr. Steven Bigham Oakwood Publications Pasadena, California Table of Contents SECTION I: BEAUTY I. The Biblical Vision of Beauty II. The Theology of Beauty in the Fathers III. From Æsthetic to Religious Experience IV. The Word and the Image V. The Ambiguity of Beauty VI. Culture, Art, and Their Charisms VII. Modern Art in the Light of the Icon SECTION II: THE SACRED I. The Biblical and Patristic Cosmology II. The Sacred III. Sacred Time IV. Sacred Space V. The Church Building SECTION III: THE THEOLOGY OF THE ICON I. Historical Preliminaries II. The Passage from Signs to Symbols III. The Icon and the Liturgy IV. The Theology of Presence V. The Theology of the Glory-Light VI. The Biblical Foundation of the Icon VII. Iconoclasm VIII. The Dogmatic Foundation of the Icon IX. The Canons and Creative Liberty X. The Divine Art XI. Apophaticism SECTION IV: A THEOLOGY OF VISION I. Andrei Rublev’s Icon of the Holy Trinity II. The Icon of Our Lady of Vladimir III. The Icon of the Nativity of Christ IV. The Icon of the Lord’s Baptism V. The Icon of the Lord’s Transfiguration VI. The Crucifixion Icon VII. The Icons of Christ’s Resurrection VIII. The Ascension Icon IX. The Pentecost Icon X. The Icon of Divine Wisdom Section I Beauty CHAPTER ONE The Biblical Vision of Beauty “Beauty is the splendor of truth.” So said Plato in an affirmation that the genius of the Greek language completed by coining a single term, kalokagathia. -
Timing of Shell Ring Formation and Patterns of Shell Growth in the Sea Scallop Placopecten Magellanicus Based on Stable Oxygen Isotopes Author(S): Antonie S
Timing of Shell Ring Formation and Patterns of Shell Growth in the Sea Scallop Placopecten Magellanicus Based on Stable Oxygen Isotopes Author(s): Antonie S. Chute, Sam C. Wainright and Deborah R. Hart Source: Journal of Shellfish Research, 31(3):649-662. 2012. Published By: National Shellfisheries Association DOI: http://dx.doi.org/10.2983/035.031.0308 URL: http://www.bioone.org/doi/full/10.2983/035.031.0308 BioOne (www.bioone.org) is a nonprofit, online aggregation of core research in the biological, ecological, and environmental sciences. BioOne provides a sustainable online platform for over 170 journals and books published by nonprofit societies, associations, museums, institutions, and presses. Your use of this PDF, the BioOne Web site, and all posted and associated content indicates your acceptance of BioOne’s Terms of Use, available at www.bioone.org/page/terms_of_use. Usage of BioOne content is strictly limited to personal, educational, and non-commercial use. Commercial inquiries or rights and permissions requests should be directed to the individual publisher as copyright holder. BioOne sees sustainable scholarly publishing as an inherently collaborative enterprise connecting authors, nonprofit publishers, academic institutions, research libraries, and research funders in the common goal of maximizing access to critical research. Journal of Shellfish Research, Vol. 31, No. 3, 649–662, 2012. TIMING OF SHELL RING FORMATION AND PATTERNS OF SHELL GROWTH IN THE SEA SCALLOP PLACOPECTEN MAGELLANICUS BASED ON STABLE OXYGEN ISOTOPES ANTONIE S. CHUTE,1* SAM C. WAINRIGHT2 AND DEBORAH R. HART1 1Northeast Fisheries Science Center, 166 Water Street, Woods Hole, MA 02543; 2Department of Science, U.S. -
Current Ocean Wise Approved Canadian MSC Fisheries
Current Ocean Wise approved Canadian MSC Fisheries Updated: November 14, 2017 Legend: Blue - Ocean Wise Red - Not Ocean Wise White - Only specific areas or gear types are Ocean Wise Species Common Name Latin Name MSC Fishery Name Gear Location Reason for Exception Clam Clearwater Seafoods Banquereau and Banquereau Bank Artic surf clam Mactromeris polynyma Grand Banks Arctic surf clam Hydraulic dredges Grand Banks Crab Snow Crab Chionoecetes opilio Gulf of St Lawrence snow crab trap Conical or rectangular crab pots (traps) North West Atlantic - Nova Scotia Snow Crab Chionoecetes opilio Scotian shelf snow crab trap Conical or rectangular crab pots (traps) North West Atlantic - Nova Scotia Snow Crab Chionoecetes opilio Newfoundland & Labrador snow crab Pots Newfoundland & Labrador Flounder/Sole Yellowtail flounder Limanda ferruginea OCI Grand Bank yellowtail flounder trawl Demersal trawl Grand Banks Haddock Trawl Bottom longline Gillnet Hook and Line CAN - Scotian shelf 4X5Y Trawl Bottom longline Gillnet Atlantic haddock Melangrammus aeglefinus Canada Scotia-Fundy haddock Hook and Line CAN - Scotian shelf 5Zjm Hake Washington, Oregon and California North Pacific hake Merluccius productus Pacific hake mid-water trawl Mid-water Trawl British Columbia Halibut Pacific Halibut Hippoglossus stenolepis Canada Pacific halibut (British Columbia) Bottom longline British Columbia Longline Nova Scotia and Newfoundland Gillnet including part of the Grand banks and Trawl Georges bank, NAFO areas 3NOPS, Atlantic Halibut Hippoglossus hippoglossus Canada -
Mysticism in the Middle: the Mandorla As Interpretive Tool for Reading Meister Eckhart
University of Portland Pilot Scholars Theology Faculty Publications and Presentations Theology Spring 2014 Mysticism in the Middle: The aM ndorla as Interpretive Tool for Reading Meister Eckhart Jeffrey Cooper CSC University of Portland, [email protected] Follow this and additional works at: http://pilotscholars.up.edu/the_facpubs Part of the Catholic Studies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Citation: Pilot Scholars Version (Modified MLA Style) Cooper, Jeffrey CSC, "Mysticism in the Middle: The aM ndorla as Interpretive Tool for Reading Meister Eckhart" (2014). Theology Faculty Publications and Presentations. 6. http://pilotscholars.up.edu/the_facpubs/6 This Journal Article is brought to you for free and open access by the Theology at Pilot Scholars. It has been accepted for inclusion in Theology Faculty Publications and Presentations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. e s s a y s Mysticism in the Middle: The Mandorla as Interpretive Tool for Reading Meister Eckhart J e f f r e y c o o p e r >-VheT spirituality of Meister Eckhart (1260-1328) is fundamentally chiar oscuro in form and expression. This word, coming from the world of art, represents in itself the collision of clarity and brightness (chiaro) with obscu rity and darkness (oscuro). In one single word we have two opposites existing side-by-side creating a tension out of which arises the transformative interplay between darkness and light. The word, chiaroscuro, therefore is also an ex ample of a language mandorla. This is another word arising from the world of art, but in this case specifically from the world of religious art and architecture. -
Scallop SAFE 2021
C1 Scallop SAFE April 2021 STOCK ASSESSMENT AND FISHERY EVALUATION REPORT FOR THE SCALLOP FISHERY OFF ALASKA April 2021 Prepared by the: Scallop Plan Team With contributions by: Tyler Jackson (ADF&G-Kodiak), Jim Armstrong (NPFMC), Ryan Burt (ADF&G-Kodiak), Mike Byerly (ADF&G Homer), Scott Miller (NMFS Juneau), Andrew Olson (ADF&G-Douglas), John Olson (NMFS Anchorage), Jie Zheng (ADF&G Juneau), Kendall Henry (ADF&G-Juneau), North Pacific Fishery Management Council 1007 W. 3rd Avenue, Suite 400 Anchorage, Alaska 99501 C1 Scallop SAFE April 2021 Executive Summary An annual Scallop Stock Assessment Fishery Evaluation (SAFE) report is required by the North Pacific Fisheries Management Council’s Fishery Management Plan for the Scallop Fishery off Alaska (FMP). Under the FMP, the report is prepared by the Alaska Department of Fish and Game (ADF&G) with input from the National Marine Fisheries Service (NMFS) and the Council’s scallop plan team (SPT). The SAFE summarizes current biological and economic status of the fisheries, guideline harvest levels, and support for different management decisions or changes in harvest strategies. In the absence of annual estimates of stock size, optimum yield (OY) and maximum sustainable yield (MSY) remain at fixed values, as per the FMP. Following recommendations from the SSC, an expanded executive summary with updated information will be produced as the SAFE report every other year, beginning in 2021. The Scallop Plan Team met on February 17th, 2021 to update the scallop SAFE executive summary with recent fishery independent survey information and fishery performance data. The Plan Team review was based on presentations by staff from the ADF&G, Council, and NMFS and included opportunities for public comment and input. -
Comparison of Different Deployment Strategies for Bay Scallop Spawner Sanctuaries in New York
COMPARISON OF DIFFERENT DEPLOYMENT STRATEGIES FOR BAY SCALLOP SPAWNER SANCTUARIES IN NEW YORK Stephen T. Tettelbach, Dennis Bonal, Andrew Weinstock, C.W. Post Campus of Long Island University, Brookville, NY 11548 Debra Barnes, NY State Dept. of Environmental Conservation, East Setauket, NY 11733 Gregg Rivara, Cornell Cooperative Extension of Suffolk County, Southold, NY 11901 Chelsea Fitzsimons-Diaz, Roger Williams University, Bristol, RI 02809 John Carroll, Stony Brook University, Southampton, NY 11968 Funded through the State Wildlife Grant Program - New York Collaborators: NYS Dept. of Environmental Conservation: Debra Barnes, Josh Thiel, M. Chase Cammarota Cornell Cooperative Extension of Suffolk County: Gregg Rivara, R.Michael Patricio Town of East Hampton Shellfish Hatchery: John Aldred, Frank Quevedo, Jennifer Gaites, Barley Dunne The Nature Conservancy: Wayne Grothe, Adam Starke, Joe Zipparo Long Island University: authors, plus Richard Ames, Shalini Gopie, Alex Mattis, Lindsay Moore, Kate Newman, Jennifer Rice; Ashton Schardt, Ian Simmers New York Bay Scallop Landings - Commercial - 800 700 ) 600 500 400 300 # Pounds of Meats (1000's 200 100 0 1966 1970 1974 1978 1982 1986 1990 1994 1998 2002 New York Bay Scallop Planting Methods: Overwintering and/or for Spawner Sanctuaries Study Objectives: • Evaluate Use of Suspended ADPI Bags for Bay Scallop Spawner Sanctuaries • Compare ADPI Bag System to High Density Free-Plantings NWH = NW Harbor Free-Planted Sectors ADPI Arrays 36 Arrays (3 bags ea): SI or EH 25 m SI EH SI EH 15 mm mesh -
The Crippling Problem the Church Faces Today
Andrews University Digital Commons @ Andrews University Faculty Publications Christian Ministry April 2012 The rC ippling Problem the Church Faces Today S. Joseph Kidder Andrews University, [email protected] Follow this and additional works at: http://digitalcommons.andrews.edu/christian-ministry-pubs Part of the Christianity Commons, and the Practical Theology Commons Recommended Citation Kidder, S. Joseph, "The rC ippling Problem the Church Faces Today" (2012). Faculty Publications. Paper 29. http://digitalcommons.andrews.edu/christian-ministry-pubs/29 This Article is brought to you for free and open access by the Christian Ministry at Digital Commons @ Andrews University. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. FEATURES EDITORIAL EDITOR Jonas Arrais 6 THE MYSTERY OF THE GODHEAD - PART 1 EDITORIAL ASSISTANT 10 BIBLICAL QuaLIFICatIONS FOR ELDERS - Alfredo Garcia-Marenko PART 1 - BLAMELESS MINISTERIAL ASSOCIATION SECRETARY Jerry N. Page 11 SPIRITUAL RENEWAL IMpaCTS SOCIAL CHANGE CONTRIBUTING EDITORS 12 TAKE YOUR EYES OFF YOURSELF AND LEAD Robert Costa, Willie Hucks II, Anthony Kent, | CONTENTS Derek Morris, Janet Page 13 THE ORIGIN OF SYSTEMatIC BENEVOLENCE CREATIVE DIRECTOR 20 SOME THOUGHTS ON THE CONTENT OF THE Erika Miike MISSION OF THE CHURCH MARKETING 24 EVANGELISM IN THE BOOK OF ACTS: PUBLISHER A BIBLICAL MODEL FOR CHURCHES Ministerial Association General Conference of Seventh-day Adventists 28 CHILD DEDICatION VOL. 18 NO. 2 VOL. 18 NO. MARKETING MANAGER 30 BEYOND ATLANTA Cathy Payne DIVISION CONSULTANTS EAST-CENTRAL AFRICA Rudatinya M. Mwangachuchu EURO-AFRICA Mario Brito EURO-ASIA Michael Kaminsky INTER-AMERICAN Héctor Sánchez NORTH AMERICAN Ivan Williams NORTHERN ASIA-PACIFIC David Ripley 6 SOUTH AMERICAN Carlos Hein SOUTHERN AFRICA-INDIAN OCEAN Jongimpi Papu SOUTHERN ASIA L. -
Iconography of Jesus Christ in Nubian Painting 242 MAŁGORZATA MARTENS-CZARNECKA
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXV 2012 MAŁGORZATA MARTENS-CZARNECKA Iconography of Jesus Christ in Nubian Painting 242 MAŁGORZATA MARTENS-CZARNECKA In religious art the image of Christ was one of the key elements which inspired the faithful to prayer and contemplation. Pictured as the Incarnation of Logos, the Son of God, the Child born unto Mary, the fi gure of Christ embodied the most important dogma of Christianity.1 Depicted in art, Christ represents the hypostasis of the Word made man – the Logos in human form.2 Christ the Logos was made man (κατά τόν ανθρώπινον χαρακτήρα). God incarnate, man born of Mary, as dictated by canon 82 of the Synod In Trullo in Constan- tinople (AD 692), was to be depicted only in human form, replacing symbols (the lamb).3 From the moment of incarnation, the image of Christ became easily perceptible to the human eye, and hence readily defi ned in shape and colour.4 Artists painting representations of Christ drew inspiration from the many descriptions recorded in the apocrypha: ... and with him another, whose countenance resembled that of man. His countenance was full of grace, like that of one of the holy angels (1 Enoch 46:1). For humankind Christ was the most essential link between the seen and the unseen, between heaven and Earth;5 the link between God and the men sent by God (John 1:6; 3:17; 5:22-24), through whom God endows the world with all that is good. He is the mediator to whom the faithful, often through the intercession of the Virgin, make supplication and prayer – if you ask the Father anything in my name, he will give it to you (John 16:23; 14:11-14; 15:16). -
MARTLET THURSDAY, Yoveltiber 6, 1969
Page 2 THE MARTLET THURSDAY, YOVEltiBER 6, 1969 Pancake Breakfast Clover Point7:30 - 9:30 a.m. BeerandBarbecue This week I would like to lash POLLUTION is theotasslum outat all the liberal-minded in domestic DETE:KGl?NTS. Po- Log Saw Clover Point 10:oo - 1 :30 professors at IliVIC. Let me ask tassium does not neutralize itself - Tickets - $1.75/person and cannot be removedin sewage RugbyGame Centennial Stadium - 4:30 you where you were on AMCHI- 2:OO Beer - 3/$1.00 TKA DAY? Yes, there were ten treatment.Furthermore, SOAP of you but where were the rest MANUFACTURERS havesaid of you? Or maybethere are that they had tried real hard to Steeplechase/ORacebstacle with GeneralAdmission - .50 only 10 liberal profson this developa substitute for potas- teams fromFaculty, Alumni, campus. .What aboutthe pro- sium butso far been unableto do Uvic Students with AMS Cards - FREE !!! fessor whotold his students so. Theinteresting thin about thatit was agood idea to go this is that a UNIVERShY OF down to the BLACK BALL DOCK TORONTO studenthas during and voice your disapproval of thelast fourmonthsbeen working the Amchitka bombing and yet on just such a substitute andhas won’t allow his own students to succeeded in findinga formula MONTOYA, /’ havefree discussion inside his that is completely harmless and J’ he did it withoutthe financial class??? Would it be outside of my role as a student to suggest resources that the soap compan- MoN- that professors stop trying to ies have. .I’ve heard so many World Renowned / / get students turnttd on about all people say that COMMUNISM the world problems URLESS is so evil (Mr. -
Saints and Their Symbols
Saints and Their Symbols ANCHOR. Sometimes three balls, or three S. Nicholas of Myra, 326. Patron saint of Russia, children in a tub. Bishop's robes. and many seaports; also of children. ANGEL or Man. S. Matthew, Apostle, Evangelist, M. ANGEL holding a book. Benedictine habit. S. Frances of Rome, 1440. ANGEL. Crown of red and white roses. Musical S. Cecilia, V.M., 280. Patron saint of music and instruments. Palm. musicians. ANGEL holding a flame-tipped arrow. Dove. S. Teresa of Avila, 1582. Patron saint of Spain. Carmelite habit. Foundress of the reformed Carmelites. ANGEL with pyx or chalice. Franciscan habit. S. Bonaventure, 1274. Cardinal's hat on a tree or at his feet. ANGEL holding fruit or flowers. Crown. Palm. S. Dorothy of Cappadocia, V.M., 303. ANGEL ploughing in the background. Spade. S. Isidore the Ploughman, 1170. Patron saint of agriculture. ARROW. Banner with a red cross. Crown. S. Ursula, V.M. Patron saint of young girls, and Sometimes surrounded by many virgins. Palm. women engaged in girls’ education. ARROWS, pierced by. Bound to a tree or column. S. Sebastian, M., 288. Patron saint against the plague and pestilence. AXE. S. Matthias, Apostle., M. BAG of money. Book. Pen and inkhorn. S. Matthew, Apostle and Evangelist, M. BALLS, three. Bishop's robes. S. Nicholas of Myra, 326. Patron saint of Russia, and many seaports; also of children. BANNER with black Imperial eagle. Royal robes. S. Wenceslaus of Bohemia, M., 938. Palm. BANNER, with red cross. Arrow. Crown. S. Ursula, V.M. Patron saint of young girls, and Sometimes surrounded by many virgins. -
The Shell As a Symbolic Design Motif
THE SHELL AS A SYMBOLIC DESIGN MOTIF: RELIGIOUS SIGNIFICANCE AND USE IN SELECTED AREAS OF THE MISSION SAN XAVIER DEL BAC TUCSON, ARIZONA By LINDA ANNE TARALDSON Bachelor of Science University of Arizona Tucson, Arizona 1964 Submitted to the faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE May, 1968 ',' ,; OKLAHOMA STATE UNIVERSflY LIBRARY OCT ~ij 1968 THE SHELL AS A SYMBOLIC DESIGN MOTIF:,, ... _ RELIGIOUS SIGNIFICANCE AND USE IN SELECTED AREAS OF THE MISSION SAN XAVIER DEL BAC TUCSON, ARIZONA Thesis Approved: Dean of the Graduate College 688808 ii PREFACE The creative Interior Designer _needs to have a thorough knowledge and understanding of history and a skill in correlating authentic de sl-gns of the past with the present. Sensitivity to the art and designs of the past aids the Interior Designer in adapting them into the crea-_ tion of the contemporary interior, Des.igns of the past can have an integral relationship with contemporary design, Successful designs are those which have survived and have transcended time, Thus, the Interior Designer needs to know the background of a design, the original use of a design, and the period to which a design belongs in order to success fully adapt the design to the contemporary creation of beautyo This study of the shell as a symbolic design motif began with a profound interest in history, a deep love for a serene desert mission. and a probing curiosity concerning an outstanding design used in con