Imax Annual Report 2021

Total Page:16

File Type:pdf, Size:1020Kb

Imax Annual Report 2021 Imax Annual Report 2021 Form 10-K (NYSE:IMAX) Published: March 4th, 2021 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 Form 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2020 ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission file Number 001-35066 IMAX Corporation (Exact name of registrant as specified in its charter) Canada 98-0140269 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 2525 Speakman Drive, 902 Broadway, Floor 20 Mississauga, Ontario, Canada L5K 1B1 New York, New York, USA 10010 (905) 403-6500 (212) 821-0100 (Address of principal executive offices, zip code, telephone numbers) Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Shares, no par value IMAX The New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None (Title of class) Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ No ☒ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ☒ No ☐ Indicate by check mark whether the registrant has submitted electronically every Interactive Data File required to be submitted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit such files). Yes ☒ No ☐ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, a smaller reporting company, or an emerging growth Company. See the definitions of “large accelerated filer,” “accelerated filer,” “smaller reporting company,” and “emerging growth company” in Rule 12b-2 of the Exchange Act.: Large accelerated filer ☐ Accelerated filer ☒ Non-accelerated filer ☐ Smaller reporting company ☐ Emerging growth company ☐ If an emerging growth company, indicate by check mark if the registrant has elected not to use the extended transition period for complying with any new or revised financial accounting standards provided pursuant to Section 13(a) of the Exchange Act. ☐ Indicate by check mark whether the registrant has filed a report on and attestation to its management’s assessment of the effectiveness of its internal control over financial reporting under Section 404(b) of the Sarbanes-Oxley Act (15 U.S.C. 7262(b)) by the registered public accounting firm that prepared or issued its audit report. ☒ Indicate by check mark whether the registrant is a shell Company (as defined in Rule 12b-2 of the Act). Yes ☐ No ☒ The aggregate market value of the common shares of the registrant held by non-affiliates of the registrant, computed by reference to the last sale price of such shares as of the close of trading on June 30, 2020 was $549.8 million. As of January 31, 2021, there were 58,948,829 common shares of the registrant outstanding. Document Incorporated by Reference Portions of the registrant’s definitive Proxy Statement to be filed within 120 days of the close of IMAX Corporation’s fiscal year ended December 31, 2020, with the Securities and Exchange Commission pursuant to Regulation 14A involving the election of directors and the annual meeting of the stockholders of the registrant (the “Proxy Statement”) are incorporated by reference in Part III of this Form 10-K to the extent described therein. IMAX CORPORATION December 31, 2020 Table of Contents Page PART I Item 1. Business 4 Item 1A. Risk Factors 19 Item 1B. Unresolved Staff Comments 31 Item 2. Properties 31 Item 3. Legal Proceedings 31 Item 4. Mine Safety Disclosures 31 PART II Item 5. Market for Registrant’s Common Equity, Related Stockholder Matters and Issuer Purchases of Equity Securities 32 Item 6. Selected Financial Data 35 Item 7. Management’s Discussion and Analysis of Financial Condition and Results of Operations 36 Item 7A. Quantitative and Qualitative Disclosures about Market Risk 69 Item 8. Financial Statements and Supplementary Data 71 Item 9. Changes in and Disagreements with Accountants on Accounting and Financial Disclosure 149 Item 9A. Controls and Procedures 149 Item 9B. Other Information 150 PART III Item 10. Directors, Executive Officers and Corporate Governance 151 Item 11. Executive Compensation 151 Item 12. Security Ownership of Certain Beneficial Owners and Management and Related Stockholder Matters 151 Item 13. Certain Relationships and Related Transactions, and Director Independence 151 Item 14. Principal Accounting Fees and Services 151 PART IV Item 15. Exhibits, Financial Statement Schedules 152 Item 16. Form 10-K Summary 155 Signatures 156 IMAX CORPORATION EXCHANGE RATE DATA Unless otherwise indicated, all dollar amounts in this document are expressed in United States (“U.S.”) Dollars. The following table sets forth, for the periods indicated, certain exchange rates based on the noon buying rate in the City of New York for cable transfers in foreign currencies as certified for customs purposes by the Bank of Canada (the “Noon Buying Rate”). Such rates quoted are the number of U.S. Dollars per one Canadian Dollar and are the inverse of rates quoted by the Bank of Canada for Canadian Dollars per U.S. $1.00. The average exchange rate is based on the average of the exchange rates on the last day of each month during such periods. The Noon Buying Rate on December 31, 2020 was U.S. $0.7854. Years Ended December 31, 2020 2019 2018 2017 2016 Exchange rate at end of period 0.7854 0.7699 0.7330 0.7971 0.7448 Average exchange rate during period 0.7455 0.7536 0.7718 0.7712 0.7558 High exchange rate during period 0.7863 0.7699 0.8138 0.8245 0.7972 Low exchange rate during period 0.6898 0.7353 0.7330 0.7276 0.6854 SPECIAL NOTE REGARDING FORWARD-LOOKING INFORMATION Certain statements included in this annual report may constitute "forward-looking statements" within the meaning of the United States Private Securities Litigation Reform Act of 1995. These forward-looking statements include, but are not limited to, references to business and technology strategies and measures to implement strategies, competitive strengths, goals, expansion and growth of business, operations and technology, future capital expenditures (including the amount and nature thereof), plans and references to the future success of the Company and expectations regarding its future operating, financial and technological results. These forward-looking statements are based on certain assumptions and analyses made by the Company in light of its experience and its perception of historical trends, current conditions and expected future developments, as well as other factors it believes are appropriate in the circumstances. However, whether actual results and developments will conform with the expectations and predictions of the Company is subject to a number of risks and uncertainties, including, but not limited to, the impact of COVID-19 on the Company’s business, financial condition and results of operations and on the businesses of the Company’s customers and exhibitor partners; risks associated with investments and operations in foreign jurisdictions and any future international expansion, including those related to economic, political and regulatory policies of local governments and laws and policies of the United States and Canada; risks related to the Company’s growth and operations in China; the performance of IMAX DMR® films; the signing of IMAX theater system agreements; conditions, changes and developments in the commercial exhibition industry and broader entertainment industry, including both in-home and out-of-home entertainment markets; risks related to currency fluctuations; the potential impact of increased competition in the markets within which the Company operates, including competitive actions by other companies; the failure to respond to change and advancements in entertainment technology; risks relating to consolidation among commercial exhibitors and movie studios; risks related to new business initiatives that may be presented to and pursued by the Company; risks related to cyber-security and data privacy; risks related to the Company’s inability to protect its intellectual property; general economic, market or business conditions; the failure to convert IMAX theater system backlog into revenue; changes in laws or regulations; the failure to fully realize the projected cost savings and benefits from any of the Company’s restructuring initiatives; assumptions relating to any of the foregoing; other risks outlined in the Company’s periodic filings with the Securities and Exchange Commission; and other factors, many of which are beyond the control of the Company. Consequently, all of the forward-looking statements made in this annual report are qualified by these cautionary statements, and actual results or anticipated developments by the Company may not be realized, and even if substantially realized, may not have the expected consequences to, or effects on, the Company. The forward-looking statements herein are made only as of the date hereof and the Company undertakes no obligation to update publicly or otherwise revise any forward-looking statements, whether as a result of new information, future events or otherwise. IMAX®, IMAX® Dome, IMAX® 3D, IMAX® 3D Dome, Experience It In IMAX ®, The IMAX Experience®, An IMAX Experience®, An IMAX 3D Experience®, IMAX DMR®, DMR®, IMAX nXos ® and Films To The Fullest ® are trademarks and trade names of the Company or its subsidiaries that are registered or otherwise protected under laws of various jurisdictions.
Recommended publications
  • Condensed 8-27-16 Delegate List for Website
    Delegate List as of August 27, 2016 First Last Company Title City State Country Lauren Alleva World Golf Hall of Fame IMAX Theater Marketing & Promotions Manager St. Augustine FL USA Abdullah Alshtail The Scientific Center IMAX Theater Manager Kuwait Stephen Amezdroz December Media Pty Ltd Producer South Melbourne VIC Australia Marketing and Communications Christina Amrhein The Challenger Learning Center Manager Tallahassee FL USA Violet Angell Golden Gate 3D Producer Berkeley CA USA John Angle The Tech Museum IMAX Chief Projectionist San Jose CA USA Chris Appleton IMAX Corporation Senior Manager, Aftermarket Sales Los Angeles CA USA Tim Archer Masters Digital Canada Director of Marketing and Katie Baasen McWane Science Center Communications Birmingham AL USA Doris Babiera IMAX Corporation Associate Manager, Film Distribution Los Angeles CA USA Shauna Badheka MacGillivray Freeman Films Distribution Coordinator Laguna Beach CA USA Peter Bak-Larsen Tycho Brahe Planetarium CEO Denmark Janine Baker nWave Pictures Distribution Snr VP Film Distribution Burbank CA USA Center for Science & Society and Twin JoAnna Baldwin Mallory Cities PBS Producer/Executive Producer Boston MA USA Jim Barath Sonics ESD Principal Monterey CA USA Jonathan Barker SK Films President & CEO Toronto ON Canada Director of Distribution Media and Chip Bartlett MacGillivray Freeman Films Technology Laguna Beach CA USA Sandy Baumgartner Saskatchewan Science Centre Chief Executive Officer Regina SK Canada Samantha Belpasso-Robinson The Tech Museum IMAX Theater Operations Supervisor San Jose CA USA Amanda Bennett Denver Museum of Nature & Science Marketing Director Denver CO USA Jenn Bentz Borcherding Pacific Science Center IMAX Projectionist Supervisor Seattle WA USA Vice President Product Development Tod Beric IMAX Corporation Engineering Mississauga ON Canada 1 Delegate List as of August 27, 2016 First Last Company Title City State Country Jonathan Bird Oceanic Research Group, Inc.
    [Show full text]
  • 9. IMAX Technology and the Tourist Gaze
    Charles R. Acland IMAX TECHNOLOGY AND THE TOURIST GAZE Abstract IMAX grew out of the large and multiple screen lm experiments pro- duced for Expo ’67 in Montréal. Since then, it has become the most suc- cessful large format cinema technology.IMAX is a multiple articulation of technological system, corporate entity and cinema practice. This article shows how IMAX is reintroducing a technologically mediated form of ‘tourist gaze’, as elaborated by John Urry,into the context of the insti- tutions of museums and theme parks. IMAX is seen as a powerful exem- plar of the changing role of cinema-going in contemporary post-Fordist culture, revealing new congurations of older cultural forms and practices. In particular,the growth of this brand of commercial cinema runs parallel to a blurring of the realms of social and cultural activity,referred to as a process of ‘dedifferentiation’. This article gives special attention to the espistemological dimensions of IMAX’s conditions of spectatorship. Keywords cinema; epistemology; postmodernism; technology; tourism; spectatorship Technologies and institutional locations of IMAX N E O F T H E rst things you notice at the start of an IMAX lm, after the suspenseful atmosphere created by the mufed acoustics of the theatre, andO after you sink into one of the steeply sloped seats and become aware of the immense screen so close to you, is the clarity of the image. As cinema-goers, we are accustomed to celluloid scratches, to dirty or dim projections, and to oddly ubiquitous focus problems. The IMAX image astonishes with its vibrant colours and ne details.
    [Show full text]
  • Paramount Pictures' 3-D Movie Transformers: Dark of The
    PARAMOUNT PICTURES’3 -D MOVIE TRANSFORMERS: DARK OF THE MOON LAUNCHES BACK INTO IMAX® THEATRES FOR EXTENDED TWO-WEEK RUN Film Grosses $1,095 Billion to Date Los Angeles, CA (August 23, 2011) – IMAX Corporation (NYSE:IMAX; TSX:IMX) and Paramount Pictures announced today that Transformers: Dark of the Moon, the third film in the blockbuster Transformers franchise, is returning to 246 IMAX® domestic locations for an extended two-week run from Friday, Aug. 26 through Thursday, Sept. 8. During those two weeks, the 3-D film will play simultaneously with other films in the IMAX network. Since its launch on June 29, Transformers: Dark of the Moon has grossed $1,095 billion globally, with $59.6 million generated from IMAX theatres globally. “The fans have spoken and we are excited to bring Transformers: Dark of the Moon back to IMAX theatres,”said Greg Foster, IMAX Chairman and President of Filmed Entertainment. “The film has been a remarkable success and we are thrilled to offer fans in North America another chance to experience the latest chapter in this history making franchise.”Transformers: Dark of the Moon: An IMAX 3D Experience has been digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology for presentation in IMAX 3D. The crystal-clear images, coupled with IMAX’s customized theatre geometry and powerful digital audio, create a unique immersive environment that will make audiences feel as if they are in the movie. About Transformers: Dark of the Moon Shia LaBeouf returns as Sam Witwicky in Transformers: Dark of the Moon.
    [Show full text]
  • Estta1050036 04/20/2020 in the United States Patent And
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1050036 Filing date: 04/20/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91254173 Party Plaintiff IMAX Corporation Correspondence CHRISTOPHER P BUSSERT Address KILPATRICK TOWNSEND & STOCKTON LLP 1100 PEACHTREE STREET, SUITE 2800 ATLANTA, GA 30309 UNITED STATES [email protected], [email protected], [email protected] 404-815-6500 Submission Motion to Amend Pleading/Amended Pleading Filer's Name Christopher P. Bussert Filer's email [email protected], [email protected], [email protected] Signature /Christopher P. Bussert/ Date 04/20/2020 Attachments 2020.04.20 Amended Notice of Opposition for Shenzhen Bao_an PuRuiCai Electronic Firm Limited.pdf(252165 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In the matter of Application Serial No. 88/622,245; IMAXCAN; Published in the Official Gazette of January 21, 2020 IMAX CORPORATION, ) ) Opposer, ) ) v. ) Opposition No. 91254173 ) SHENZHEN BAO’AN PURUICAI ) ELECTRONIC FIRM LIMITED, ) ) Applicant. ) AMENDED NOTICE OF OPPOSITION Opposer IMAX Corporation (“Opposer”), a Canadian corporation whose business address is 2525 Speakman Drive, Sheridan Science and Technology Park, Mississauga, Ontario, Canada L5K 1B1, believes that it will be damaged by registration of the IMAXCAN mark as currently shown in Application Serial No. 88/622,245 and hereby submits this Amended Notice of Opposition pursuant to 37 C.F.R. §2.107(a) and Fed. R. Civ. P. 15, by which Opposer opposes the same pursuant to the provisions of 15 U.S.C.
    [Show full text]
  • Event Program
    EVENT PROGRAM TWITTER: #GSCA GIANTSCREENCINEMA.COM Program sponsored by i ii NTS TABLE OF CONTENTS TABLE OF CONTENTS TA GSCA Contacts Giant Screen Cinema Association 624 Holly Springs Road, Suite 243 Holly Springs, NC 27540 U.S. giantscreencinema.com 2 Thank You to Our Sponsors facebook.com/giantscreencinema twitter.com/gsca 4 Schedule Find our group on LinkedIn 7 Event Map Tammy Seldon Executive Director 8 New Films Office: 1-919-346-1123 14 Films in Production Mobile: 1-703-855-3699 [email protected] Projects in Development 22 Kelly Germain Director of Membership and 28 Symposium Sessions Communications 30 Session Presenters Office: 1-651-917-1080 Mobile: 1-651-270-4915 [email protected] Advertiser Index Eileen Pheiffer 3D Entertainment Distribution inside front cover Accounting American Museum of Natural History 15 Office: 1-314-725-7020 Mobile: 1-314-708-0448 FotoKem 3 [email protected] Christie 27 GSCA 2, inside back cover ImagesInSound 25 IMAX Corporation 17, back cover Jackson Hole Wildlife Film Festival 40 MacGillivray Freeman Films 20, 21 nWave Pictures Distribution 11 1 YOU THANK YOU THANK YOU THANK YOU THANK With Thanks to Our Event Sponsors Policies PLATINUM SPONSOR Recording and Media Policies Event sessions may be recorded. Audience members are advised that attendance at these sessions gives GSCA their implicit permission to be recorded. Private video or audio recording during film presentations GOLD SPONSOR or professional development sessions is prohibited without prior authorization from GSCA. Industry press has access to all sessions and events. GSCA will not be held responsible for any delegate commentary made in the presence of press/media.
    [Show full text]
  • HUBBLE 3D Production Notes 2 24 10
    Through the power of IMAX ® 3D, “Hubble 3D,” narrated by Leonardo DiCaprio, takes moviegoers on an unprecedented voyage through distant galaxies to explore the grandeur and mystery of our celestial surroundings. Experience never-before-seen 3D flights through the farthest reaches of the universe, and accompany spacewalking astronauts on some of the most difficult and important endeavors in NASA’s history. In May 2009, the crew of the Space Shuttle Atlantis launched a mission to make vital repairs and upgrades to the Hubble Space Telescope, the world’s first space-based observatory, 350 miles above the Earth. On board was an IMAX 3D camera, operated by the shuttle astronauts. It captured stunning sequences of the five intricate spacewalks required to make those repairs, as well as close-up images of the effort to grasp the orbiting telescope with the shuttle’s mechanical arm at 17,500 mph, and one unexpected problem that threatened to sabotage the entire mission. “Hubble 3D” combines this breathtaking IMAX footage with images taken by the telescope during the nearly 20 years it has been our window into space. Through advanced computer visualization, Hubble’s detailed data becomes a series of scientifically realistic flights that unfold on screen like a guided tour of the universe, through time and space. The seventh film from the award-winning IMAX Space Team, “Hubble 3D” offers an inspiring and unique look into the legacy of the Hubble Space Telescope and how it has changed our view of the universe and ourselves. The documentary adventure “Hubble 3D” is an IMAX and Warner Bros.
    [Show full text]
  • Imax: Expansion in Bric Economies (Revised)
    9B15M028 1 IMAX: EXPANSION IN BRIC ECONOMIES (REVISED) Dwarka Chakravarty wrote this case under the supervision of Professor Paul W. Beamish solely to provide material for class discussion. The authors do not intend to illustrate either effective or ineffective handling of a managerial situation. The authors may have disguised certain names and other identifying information to protect confidentiality. This publication may not be transmitted, photocopied, digitized or otherwise reproduced in any form or by any means without the permission of the copyright holder. Reproduction of this material is not covered under authorization by any reproduction rights organization. To order copies or request permission to reproduce materials, contact Ivey Publishing, Ivey Business School, Western University, London, Ontario, Canada, N6G 0N1; (t) 519.661.3208; (e) [email protected]; www.iveycases.com. Copyright © 2015, Richard Ivey School of Business Foundation Version: 2016-08-26 In September 2013, Richard Gelfond, chief executive officer of IMAX Corporation (IMAX), declared that the route to becoming a billion-dollar company lay in growth markets outside of North America.2 This was no “blue sky envisioning,” but a pragmatic view grounded in facts. These included competition from U.S. exhibitors offering an “IMAX-like” experience, and a flat five year box office trend in North America versus double digit growth in Asia Pacific and Latin America. In 2013, for the first time in four decades, IMAX aggregate revenue from 56 countries outside of the United States and Canada ($151 million,3 10 per cent growth from 2012) exceeded North American revenues ($137 million, 6.5 per cent decline from 2012).
    [Show full text]
  • IMAX CORPORATION 2525 Speakman Drive Mississauga, Ontario, Canada L5K 1B1 Tel: (905) 403-6500 Fax: (905) 403-6450
    IMAX CORPORATION 2525 Speakman Drive Mississauga, Ontario, Canada L5K 1B1 Tel: (905) 403-6500 Fax: (905) 403-6450 www.imax.com THE MONKEY KING 2 ACHIEVES ESTIMATED $10.7 MILLION FOR RECORD OPENING WEEKEND AT CHINESE BOX OFFICE IN IMAX® 3D THEATRES Sequel Sets New Box Office Record for IMAX During Chinese New Year Holiday SHANGHAI – Feb. 14, 2015 – IMAX Corporation (NYSE: IMAX) and IMAX China (HKSE: 1970) today announced that The Monkey King 2, the 3D adventure-fantasy film from director Pou-Soi Cheang, earned approximately $10.7 million during its opening week in China on 279 IMAX screens, making it the highest opening for a Chinese IMAX DMR® (Digitally Re-mastered) film during the Chinese New Year holiday. Launching in China on Feb. 8, The Monkey King 2 also scored the largest-ever opening-day gross for a local-language film in IMAX, with $2.4 million. The Monkey King 2, from Filmko Pictures, surpassed last year’s Dragon Blade, which previously held the record for the largest opening-week gross during Chinese New Year, with $7.3 million. “What a way to kick off the Chinese New Year holiday season at the box office,” said Greg Foster, Senior Executive Vice President, IMAX Corp. and CEO of IMAX Entertainment. “We extend a huge congratulations to our partners at Filmko Pictures and visionary director Pou-Soi Cheang on this record- setting IMAX opening for The Monkey King 2. There is clearly a strong demand among Chinese moviegoers to experience thrilling and entertaining cinema in IMAX 3D, and we look forward to this film’s continued success throughout China in IMAX.” The IMAX® 3D release of The Monkey King 2 will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology.
    [Show full text]
  • IMAX and AMC Entertainment Expand Joint Venture Relationship for Up
    IMAX And AMC Entertainment® Expand Joint Venture Relationship For Up To 25 New IMAX® Theatres Expansion & Extension of Previous Deal Adds to AMC's Leading IMAX Presence in North America New Agreement Calls for Minimum of 15 Theatres, with Potential for Up to 25 New Theatres Planned to Open in Both Untapped IMAX Markets and Existing AMC IMAX Markets in North America New York, N.Y. and Kansas City, Mo. - June 1, 2010 - IMAX Corporation (NASDAQ: IMAX; TSX: IMX) and AMC Entertainment (AMC), today announced an expansion of the companies' joint venture agreement to include installation of between 15 and 25 new IMAX® theatres in the United States. These theatres, which are part of an amendment to the parties' original 2007 joint venture agreement, are in addition to AMC's current roll-out of 104 IMAX joint venture theatres, 79 of which are in operation and 25 of which are expected to open by the end of 2010 in the United States and Canada. The companies intend to open the 15 to 25 new IMAX theatres in 2011 in both new markets and some markets where AMC already operates IMAX theatres in North America. Upon completion of the full AMC IMAX theatre roll-out, AMC will operate between 125 and 135 IMAX theatres. "We are pleased to expand our relationship with IMAX, a valued partner in offering our guests the best out-of-home entertainment experience," said Gerry Lopez, CEO and president, AMC. "Our guests clearly choose to see movies in our IMAX auditoriums because the experience is unparalleled in terms of sight and sound, and it continues to be the premium offering in our portfolio of moviegoing options.
    [Show full text]
  • Graeme Ferguson, One of the Founders of the Classmate, and Roman Kroiter to Invent a IMAX Corporation, Was Born in Toronto in 1929
    Git&irsm FERGUSON Graeme Ferguson, one of the founders of the classmate, and Roman Kroiter to invent a IMAX Corporation, was born in Toronto in 1929. revolutionary new motion picture experience which Filmmaking When he was young he moved with his family to they named IMAX. Gait. Graeme attended Dickson Public School before For moving to Gait Collegiate in 1942. The son of Frank the next 23 years Mr. Ferguson served as president Ferguson, arguably the most popular teacher in the of IMAX Corporation. During this time the history of GCI, Graeme grew up in an atmosphere partners saw their dream realized as IMAX of ‘truth and discovery’. This carried into the school theatres proliferated around the world to more than 150 specialized 22 countries. with science teacher C. Gordon Clarke. According theatres in to Graeme, “any sort of experiment we wanted to do Currently Mr. Ferguson continues as a Gordon Clarke would encourage. He was always filmmaker, challenged to make new discoveries using up to supporting anything we were curious about.” the film medium. Among his JMM( films are North Not surprisingly, with his father’s political of Superior, The Dream is Alive, Blue Planet, Into the Deep, Destiny background as a the CCF candidate for South and in Space. Most recently, he produced L5: First Waterloo, Mr. Ferguson attended the University of City in Space, a large-forn-iat 3D film, and was honoured with NASA’s coveted Toronto where he graduated with a degree in Political Silver Snoopy Award for outstanding contribution to the Science and Economics.
    [Show full text]
  • RECORD PACKET COPY CRUZ, CA 95060 27-4863 • W15a
    ~STATE OF CALIFORNIA- THE RESOURCES AGENCY CALIFORNIA COASTAL COMMISSION CENTRAL COAST DISTRICT OFFICE ONT STREET, SUITE 300 RECORD PACKET COPY CRUZ, CA 95060 27-4863 • W15a Filed: 12/02/99 49th day: 01/20/00 1 l80 h day: 05/30/00 Staff: SG Staff report: 12/15/99 Hearing date: 01112/00 COASTAL DEVELOPMENT PERMIT APPLICATION Application number ....... 3-99-076 Applicant.. ....................... Monterey Plaza Hotel LP IMAX Theater Project location ............... 270 and 284 Cannery Row, City of Monterey, Monterey County (APNs • 001-031-004 and 001-031-005) Project description ......... Demolish existing abandoned cannery, except for building front wall along Cannery Row, and construct a new building with three levels (two­ stories at and above grade and a lower level to accommodate bottom of theater screen), 48,070 square feet (total of all floors) to include a 500 seat large format theater, 1807 square feet of retail space, 2088 square feet of office space, and 2618 square feet of meeting space, with public coastal access. Approvals Received ....... City of Monterev: Permit Number 99-140, 10/05/99 File documents ................ City of Monterey Cannery Row certified Land Use Plan. Staff recommendation ... Approval with Conditions California Coastal Commission January 12, 2000 Meeting in Santa Monica • Staff: S. Guiney, Approved by: G:\Central Coast\STAFF REPORTS\3. CCC Meeling Packet\00101\3-99-0761MAX Theater stfrpt 12. 16.99.doc Application 3-99-076 Staff Report Monterey Plaza Hotel LP IMAX Theater Page 2 • Staff Report Contents I. Summary .............................................................................................................................................. 2 II. Staff Recommendation on Coastal Development Permit .................................................................... 3 III. Conditions of Approval ......................................................................................................................
    [Show full text]
  • IMAX Hearing Set for Feb. 24
    Courtesy of Local History Room, Fullerton Public Library Free! periodicals FEB 111987 Classifieds FULLERTON FULLERTON OBSRVER Fullerton Observer525-3678 Fullerton's Only Local Independent Newspaper No. 83 February 15, 1987 IMAX Hearing Set for Feb. 24 The City Council has scheduled a public High public awareness exists for the faci­ The theater fills the void in the commu­ 5) THEATER IS UNIQUE hearing on the proposed IMAX-Museum lity. Easy access to theater entrances for nity for broad-based family oriented enter - The theater is perceived as one-of-a-kind; Plaza for 7:30 p.m. on February 24, 1987. groups arriving in buses is provided. tainment, and provides a unique tourist other theaters are not in competition with At that time the city staff will also present 4) THEATER FULFILLS COMMUNI­ attraction. It is viewed as a cultural asset IMAX, but add to the moviegoers' overall a final update on their negotiations with TY NEED which residents look upon with pride. the IMAX Corporation, the YWCA, and Continued on p. 5 The First Christian Church. Copies of the most recent staff report on this project are available for public review in the library or at the Community Ser­ vices Department in City Hall. Based on conclusions reached in the eco - nomic analysis made by Economic Research Associates, the report shows that IMAX theater revenues will be able to retire its tax-exempt bond over 25 years. "In early years, however, the Agency must supplement IMAX revenues to pay debt service. In later years, predicted surplus IMAX revenues will pay back these advances to the agency," the staff report stated.
    [Show full text]