Event Program
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
SPACE RESEARCH in POLAND Report to COMMITTEE
SPACE RESEARCH IN POLAND Report to COMMITTEE ON SPACE RESEARCH (COSPAR) 2020 Space Research Centre Polish Academy of Sciences and The Committee on Space and Satellite Research PAS Report to COMMITTEE ON SPACE RESEARCH (COSPAR) ISBN 978-83-89439-04-8 First edition © Copyright by Space Research Centre Polish Academy of Sciences and The Committee on Space and Satellite Research PAS Warsaw, 2020 Editor: Iwona Stanisławska, Aneta Popowska Report to COSPAR 2020 1 SATELLITE GEODESY Space Research in Poland 3 1. SATELLITE GEODESY Compiled by Mariusz Figurski, Grzegorz Nykiel, Paweł Wielgosz, and Anna Krypiak-Gregorczyk Introduction This part of the Polish National Report concerns research on Satellite Geodesy performed in Poland from 2018 to 2020. The activity of the Polish institutions in the field of satellite geodesy and navigation are focused on the several main fields: • global and regional GPS and SLR measurements in the frame of International GNSS Service (IGS), International Laser Ranging Service (ILRS), International Earth Rotation and Reference Systems Service (IERS), European Reference Frame Permanent Network (EPN), • Polish geodetic permanent network – ASG-EUPOS, • modeling of ionosphere and troposphere, • practical utilization of satellite methods in local geodetic applications, • geodynamic study, • metrological control of Global Navigation Satellite System (GNSS) equipment, • use of gravimetric satellite missions, • application of GNSS in overland, maritime and air navigation, • multi-GNSS application in geodetic studies. Report -
Educator Guide Spring 2020 February - June
Educator Guide Spring 2020 February - June Looking for ways to make learning come to life? Let us help you! The Milwaukee Public Museum is the most exciting field trip destination in the region, an educational experience that will last far beyond the visit with your students. We have many free resources that can supplement your field trip experience before, during, and after your visit to foster a deeper engagement with your students and your curriculum. 1 EDUCATOR GUIDE | Fall 2019 TABLE OF CONTENTS Welcome . 2 Contact Information . 3 Pricing . 3 Planetarium Programs . 3 Theater Offerings . 4 Education Investigations . 5 Exhibit Tours . 6-7 Early Learning . 7 MPM on the Move . 8 Educator Benefits & Resources . 9 Planning Your Visit . 10 Welcome Dear Educator, Welcome to the Spring 2020 semester! We hope that this Educator Guides finds you well. As you will see in the pages to follow, MPM has a lot of unique educational opportunities for your students. Please check our outreach program, MPM on the Move, and explore ways we can bring the Museum to your classroom. Coming to MPM for a field trip? Enhance your students’ learning with programs led by our talented educators and docents. It is our hope that this guide serves as a tool to assist you in creating meaning and memorable experiences for your students. We look forward to working with you and your school this year! Take care, Meghan Schopp Director of Education and Public Programs 2 EDUCATOR GUIDE | Fall 2019 CONTACT INFORMATION By Phone: Call 414-278-2714 or 888-700-9069 Field Trip Call Center Hours: 9 a.m. -
Ways of Seeing Animals Documenting and Imag(In)Ing the Other in the Digital Turn
InMedia The French Journal of Media Studies 8.1. | 2020 Ubiquitous Visuality Ways of Seeing Animals Documenting and Imag(in)ing the Other in the Digital Turn Diane Leblond Electronic version URL: http://journals.openedition.org/inmedia/1957 DOI: 10.4000/inmedia.1957 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference Diane Leblond, “Ways of Seeing Animals”, InMedia [Online], 8.1. | 2020, Online since 15 December 2020, connection on 26 January 2021. URL: http://journals.openedition.org/inmedia/1957 ; DOI: https:// doi.org/10.4000/inmedia.1957 This text was automatically generated on 26 January 2021. © InMedia Ways of Seeing Animals 1 Ways of Seeing Animals Documenting and Imag(in)ing the Other in the Digital Turn Diane Leblond Introduction. Looking at animals: when visual nature questions visual culture 1 A topos of Western philosophy indexes animals’ irreducible alienation from the human condition on their lack of speech. In ancient times, their inarticulate cries provided the necessary analogy to designate non-Greeks as other, the adjective “Barbarian” assimilating foreign languages to incomprehensible birdcalls.1 To this day, the exclusion of animals from the sphere of logos remains one of the crucial questions addressed by philosophy and linguistics.2 In the work of some contemporary critics, however, the tenets of this relation to the animal “other” seem to have undergone a change in focus. With renewed insistence that difference is inextricably bound up in a sense of proximity, such writings have described animals not simply as “other,” but as our speechless others. This approach seems to find particularly fruitful ground where theory proposes to explore ways of seeing as constitutive of the discursive structures that we inhabit. -
Films in Production Trailers
FILMS IN PRODUCTION 8:00 AM Title Project 2D/3D Run Time Rehearsal Rehearsal Rep. Contact Company Contact Name Wild Flight 3D 5 FIP 3D 0:02:36 YES Atlantic Productions Melissa Williams Pono: The Secret of Hawaii 5 FIP 3D 0:05:00 YES Creat3 inc. Pierre Hugues Routhier Icarus' Revenge 5 FIP 3D 0:01:30 YES N3D LAND Films Pascal Vuong The Art of Burning Man 5 FIP 3D 0:05:00 YES SysmicFilms Arnaud Paris Batman V Superman: Dawn of Justice 5 FIP 3D 0:02:30 YES imax corporation chase martin The Jungle Book 5 FIP 3D 0:02:30 YES imax corporation chase martin Captain America: Civil War 5 FIP 3D 0:02:30 YES imax corporation chase martin Alice Through The Looking Glass 5 FIP 3D 0:02:30 YES imax corporation chase martin Warcraft 5 FIP 3D 0:02:30 YES imax corporation chase martin Independence Day: Resurgence 5 FIP 3D 0:02:30 YES imax corporation chase martin Mysteries of Ancient China 10 FIP 3D 0:08:00 YES Giant Screen Films Tom Rooney Earthflight 5 FIP 3D 0:05:00 YES Giant Screen Films Tom Rooney Predators 5 FIP 2D 0:05:00 YES Giant Screen Films Tom Rooney Voyage of Time 5 FIP 2D 0:02:00 YES imax corporation chase martin Pondemonium 5 FIP 2D 0:05:00 Archipelago Films Andrew Young THE PILOT 10 FIP 2D 0:10:00 YES CineData, Inc. James Darling Cuba 5 FIP 2D 0:05:00 YES Golden Gate 3D Peter Chang Virus Legion 10 FIP 2D 0:10:00 Joyversal Media Group Guosheng Ming Carrier 5 FIP 2D 0:05:00 K2 Communications Mark Kresser Dream Big: Engineering Wonders of the World 10 FIP 2D 0:10:00 YES MacGillivray Freeman Films Shauna Badheka Extreme Weather 5 FIP 2D 0:05:00 YES National Geographic Antonietta Monteleone Ancient Caves 5 FIP 2D 0:04:59 Oceanic Research Group, Inc. -
Condensed 8-27-16 Delegate List for Website
Delegate List as of August 27, 2016 First Last Company Title City State Country Lauren Alleva World Golf Hall of Fame IMAX Theater Marketing & Promotions Manager St. Augustine FL USA Abdullah Alshtail The Scientific Center IMAX Theater Manager Kuwait Stephen Amezdroz December Media Pty Ltd Producer South Melbourne VIC Australia Marketing and Communications Christina Amrhein The Challenger Learning Center Manager Tallahassee FL USA Violet Angell Golden Gate 3D Producer Berkeley CA USA John Angle The Tech Museum IMAX Chief Projectionist San Jose CA USA Chris Appleton IMAX Corporation Senior Manager, Aftermarket Sales Los Angeles CA USA Tim Archer Masters Digital Canada Director of Marketing and Katie Baasen McWane Science Center Communications Birmingham AL USA Doris Babiera IMAX Corporation Associate Manager, Film Distribution Los Angeles CA USA Shauna Badheka MacGillivray Freeman Films Distribution Coordinator Laguna Beach CA USA Peter Bak-Larsen Tycho Brahe Planetarium CEO Denmark Janine Baker nWave Pictures Distribution Snr VP Film Distribution Burbank CA USA Center for Science & Society and Twin JoAnna Baldwin Mallory Cities PBS Producer/Executive Producer Boston MA USA Jim Barath Sonics ESD Principal Monterey CA USA Jonathan Barker SK Films President & CEO Toronto ON Canada Director of Distribution Media and Chip Bartlett MacGillivray Freeman Films Technology Laguna Beach CA USA Sandy Baumgartner Saskatchewan Science Centre Chief Executive Officer Regina SK Canada Samantha Belpasso-Robinson The Tech Museum IMAX Theater Operations Supervisor San Jose CA USA Amanda Bennett Denver Museum of Nature & Science Marketing Director Denver CO USA Jenn Bentz Borcherding Pacific Science Center IMAX Projectionist Supervisor Seattle WA USA Vice President Product Development Tod Beric IMAX Corporation Engineering Mississauga ON Canada 1 Delegate List as of August 27, 2016 First Last Company Title City State Country Jonathan Bird Oceanic Research Group, Inc. -
9. IMAX Technology and the Tourist Gaze
Charles R. Acland IMAX TECHNOLOGY AND THE TOURIST GAZE Abstract IMAX grew out of the large and multiple screen lm experiments pro- duced for Expo ’67 in Montréal. Since then, it has become the most suc- cessful large format cinema technology.IMAX is a multiple articulation of technological system, corporate entity and cinema practice. This article shows how IMAX is reintroducing a technologically mediated form of ‘tourist gaze’, as elaborated by John Urry,into the context of the insti- tutions of museums and theme parks. IMAX is seen as a powerful exem- plar of the changing role of cinema-going in contemporary post-Fordist culture, revealing new congurations of older cultural forms and practices. In particular,the growth of this brand of commercial cinema runs parallel to a blurring of the realms of social and cultural activity,referred to as a process of ‘dedifferentiation’. This article gives special attention to the espistemological dimensions of IMAX’s conditions of spectatorship. Keywords cinema; epistemology; postmodernism; technology; tourism; spectatorship Technologies and institutional locations of IMAX N E O F T H E rst things you notice at the start of an IMAX lm, after the suspenseful atmosphere created by the mufed acoustics of the theatre, andO after you sink into one of the steeply sloped seats and become aware of the immense screen so close to you, is the clarity of the image. As cinema-goers, we are accustomed to celluloid scratches, to dirty or dim projections, and to oddly ubiquitous focus problems. The IMAX image astonishes with its vibrant colours and ne details. -
Click to Download
v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures. -
Paramount Pictures' 3-D Movie Transformers: Dark of The
PARAMOUNT PICTURES’3 -D MOVIE TRANSFORMERS: DARK OF THE MOON LAUNCHES BACK INTO IMAX® THEATRES FOR EXTENDED TWO-WEEK RUN Film Grosses $1,095 Billion to Date Los Angeles, CA (August 23, 2011) – IMAX Corporation (NYSE:IMAX; TSX:IMX) and Paramount Pictures announced today that Transformers: Dark of the Moon, the third film in the blockbuster Transformers franchise, is returning to 246 IMAX® domestic locations for an extended two-week run from Friday, Aug. 26 through Thursday, Sept. 8. During those two weeks, the 3-D film will play simultaneously with other films in the IMAX network. Since its launch on June 29, Transformers: Dark of the Moon has grossed $1,095 billion globally, with $59.6 million generated from IMAX theatres globally. “The fans have spoken and we are excited to bring Transformers: Dark of the Moon back to IMAX theatres,”said Greg Foster, IMAX Chairman and President of Filmed Entertainment. “The film has been a remarkable success and we are thrilled to offer fans in North America another chance to experience the latest chapter in this history making franchise.”Transformers: Dark of the Moon: An IMAX 3D Experience has been digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology for presentation in IMAX 3D. The crystal-clear images, coupled with IMAX’s customized theatre geometry and powerful digital audio, create a unique immersive environment that will make audiences feel as if they are in the movie. About Transformers: Dark of the Moon Shia LaBeouf returns as Sam Witwicky in Transformers: Dark of the Moon. -
Spirit Adventure
SPIRITofofof ADVENTURE A MACGILLIVRAY FREEMAN FILM Executive Producers Alvin Townley and Burton Roberts From the Academy Award® nominated producers of EVEREST, the highest-grossing documentary of all time…. …and from the best-selling author of LEGACY OF HONOR…. …comes a motion picture that will reignite a Movement and inspire a nation with Scouting’s SPIRIT OF ADVENTURE. Addressing America’s challenges. As Scouting begins this new century, America needs its programs more than ever – yet too many youth and adults who could benefit from Scouting are not involved. For our country’s sake, Scouting need to reach these individuals. America’s challenges Scouting solutions Personal responsibility Scouts learn to take charge of their lives, make independent choices, and accept responsibility for actions or inactions. Health and fitness Scouting provides the exercise and outdoor activity today’s youth and families need. It develops healthy lifestyle habits. Leadership and motivation Scouting instills leadership skills and personal motivation via goal-oriented training, experiences, and advancement. Broad education Scouting skills and merit badges equip youth with the broad knowledge they need to reach their potential. Character In Scouting, youth find leaders, friends, and communities that instill strong values as they mature into unique individuals. Citizenship and service Scouts adopt principles of collective citizenship, learn about duty to others and our planet, and develop a spirit of service. Mentoring Scouting helps youth build relationships with adults who help them develop into successful young men and women. How can we instill these values in youth and families effectively? Show them Scouting in a new, exciting, and relevant way.. -
I Am a Dinosaur #Iamadinosaur
ACTIVE SCHOOL SERIES Please follow the ‘Assembly Intructions’ when using Kitcamp. DATE: 2017-11 #I AM A DINOSAUR #IAMADINOSAUR OVERVIEW WORKS WITH: GROUP SIZE: Get them moving! Set up the kitcamp equipment as a nest EYFS INDIVIDUAL for the dinosaur’s eggs, a volcano, a swamp, a lost island, or a cave or lair to create a backdrop to a myriad of games and ways KS1 SMALL of moving. Creating a scene for the ‘dinosaurs’ will encourage KS2 LARGE running, jumping, throwing, balancing, sliding and hopping; they’ll be practising their dinosaur moves, playing story-games SEN (endorsed) and getting active before you know it. The kit can be a base or a den, or a dinosaur with a jaggardy tail. EYFS and National Curriculum targets applicable. INSPIRATION EXPLORATION ADDITIONAL RESOURCES Stories: Dinosaurs come in all shapes and sizes, some fly, some stomp, some are giants, Kitcamp Accessories: cutout panels, Mad About Dinosaurs, by Giles Andreae others tiny. Captivate the imagination with dinosaur songs and clips, look at how cardboard inserts, basin (nest), plugs, blue Stomp, Dinosaur, Stomp, by Margaret Mayo dinosaurs’ bodies move . Add ‘dinosaur actions’ to rhymes and stories as the canopy (water), green canopy (swamp). Dinosaurumptus, Tony Mitton catalyst for prehistoric games and dinosaur moves. Mats (roll mats or gym mats) to mark What if a dinosaur? There’s a T Rex in Town, Ruth Symons Leave picture books open for children to mimic each dinosaur’s moves (perhaps out zones. ‘Stomp, Chomp, Big Roars! Here come the Dinosaurs!’ by in front of a mirror). Add in percussion instruments or music that encourages Materials: cargo net, small world dinosaurs. -
IMAX on Demand Film Library Lockheed Martin IMAX® Theater National Air and Space Museum Smithsonian Eaters
IMAX On Demand Film Library Lockheed Martin IMAX® Theater National Air and Space Museum Smithsonian eaters Arrange a special morning screening with our IMAX On Demand and Planetarium On Demand packages. Choose from any of the titles in the Smithsonian library, and watch a movie before the museum opens to the public. IMAX and Plan- etarium On Demand screenings are offered for groups of 20 or more (40 for Title I schools) every morning around 9:15 am. Minimum one week notice is required to book dates and choice of films is subject to availability. D-Day 3D: Rescue 3D Normandy 1944 (2012, G, 26 min.) (2014, G, 43 min.) Rescue 3D plunges you into the hard, June 6, 1944: The largest Allied but inspiring work of saving lives in operation of World War II began the face of a natural disaster. When in Normandy, France. D-Day 3D: an earthquake strikes Haiti, creating Normandy 1944 provides a new one of the biggest humanitarian perspective to audiences of all disasters of the century, you are ages of this monumental event that changed the swept along, joining the massive effort that brings world. Narrated by Tom Brokaw. military and civilian responders from around the world. Hidden Universe Space Junk 3D (2013, G, 37 min.) (2012, NR, 38 min) Take an extraordinary journey 50 years after launching our dreams deep into space, explore the into space, we’re left with a troubling earliest galaxies and nebulae, legacy: a growing ring of orbiting watch stars being born in vivid debris that threatens the safety of clouds of gas and dust, tour earth’s orbits. -
The Field Guide to Sponsored Films
THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House.