DOCSLIB.ORG

Willa Cather Pioneer Memorial Newsletter VOLUME Xxxlv, No

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Willa Cather Pioneer Memorial Newsletter VOLUME Xxxlv, No Copyright © 1990 by the Willa Cather Pioneer Memorial and Educational Foundation ISSN 0197-663X Fall, 1990 Willa Cather Pioneer Memorial Newsletter VOLUME XXXlV, No. 3 Literary Annual RED CLOUD, NEBRASKA Death Comes for the Archbishop: what as she used the statue of the Auvergnat Bishop Lamy A Map of Intersecting Worlds which inspired her. Evelyn Hailer, Doane College Clearly, "the life-size bronze" In her invocation of God’s or genre clusters relate to and statue before St. Francis ca- plenitude -- "He takes all reinforce each other because thedral became a monumental forces, all space, all time to fill she found a subject ideally bronze, if not a colossus, in her them with universes of beauty" suited to her interests and her imagination. It was "something ("Moral Music" 178) --Willa technique. fearless and fine and very, very Cather anticipated a model that The first of these genre well-bred m something that she herself used in writing visions is Franco-centric and spoke of race" ("On DCA" 7) -- Death Comes for the Arch- qualified by apologetic bio- that the statue communicated to bishop. She achieved credibility graphical tracts. The second her that inspired her to structure in this narrative, as she pre- medieval and characterized by her "biography" of Bishop Lamy ferred to call it, by invoking the iconography and hagiography. toward heroic myth. A visual rules of a variety of genres The third, Mexican, contains disparity between Lamy the which provide differing visions elements such as folklore, the bronze statue and Lamy the man of the cosmos -- a term more tall tale, the ballad of violence becomes clear when one com- accurate in this instance than and sex -- all anticipatory of pares the three-dimensional "world views." By juxtaposi- magic realism. This cluster in- heroic image with the portrait of tion, the four cosmic visions cludes references to the rites of Lamy in the Palace of the Gover- the Penitentes and the practices of the morada (their meeting- house); folk art appears as in religious wooden carvings called bultos and two-dimen- sional images called santos. The fourth cluster, the Indian world of myth and ritual drawn from oral and pictorial tradition, includes ancient practices from several tribes, including the Anasazi, the Zuni, and the Hopi. The point at issue in this delineation does not concern what Cather believed or did not believe, but how she made a literary structure for her arch- bishop. ]’hat Cather adapted history as found in William Joseph Howlett’s 1908 biog- raphy of Bishop Joseph Mache- beuf (the basis for Father Vaillant) and other sources can be demonstrated by comparing her novel with Paul Horgan’s 1975 biography Lamy of Santa Coatlicue: Museo -- Nacional de Fe. The differences suggest that Virgin of Guadelupe: Taylor Museum Mexico Cather used "history" some- of Colorado Springs Fine Arts Center ~ge15 nors showing a worn old man himself is a tower and an order- covertly that because Indians with a narrow mouth and erased ing principle. But the centrality had overcome oppression in the features. As E. K. Brown sug- of the bishop in the world of the past, there might be hope for gested almost fifty years ago, novel as well as in our con- them in the 1920s. During the Latour corresponds to Cather’s sciousness corresponds to the writing of the novel, Secretary ideal of a person of aristocratic Hopi notion of living at the Albert B. Fall of the Interior sensibility at peace in an center of the world in "the Department and his Indian aesthetically severe landscape middle" among six points: the Bureau were victimizing the and provided a subject that cardinal points of north, south, Pueblos -- an assault which suited her profoundly (192-93). east, and west as well as the was not resolved until 1933 At the center, then, of zenith and the nadir. Here we when the old Indian Bureau was Cather’s novel is the 1statue of have a triple intersection: the overturned. Though Cather Bishop Lamy standing in front of Hopis’ understanding of what it could not have known that out- his golden cathedral -- a truly means to be alive; the hier- come, she refers to a nineteenth- golden structure ("Yellow, a archical world of hagiography century parallel in the Govern- strong golden ochre, very much and iconography, and the world ment’s relocation of the Navajos like the gold of the sunlight that of historical fiction based on to the Bosque Redondo: "At last was ,tow beating upon it" [Arch. European values, such as his- the Government at Washington bishop 240]) in contrast to the tory being the biography of great admitted its mistake -- which grotesque illusions generated men. governments seldom do. After by the greed of the Conquista- Why is this pluralism, these five years of exile, the remnant dores. Like gold beaten to "an four worlds or dominant cosmic of the Navajo people were per- airy thinness" to illumine visions at the heart of Cather’s mitted to go back to their sacred medieval manuscripts, the novel novel? "Everything goes by places" (Archbishop 296). on re-reading is bathed in a fours with our people," a Papago Moreover, the Archbishop’s last golden light. As Clinton Keeler woman stated (Peck and Waiters discernible words spoken in the observed, "[A]s in a legend, light 218). And again, "Four is both a text are: "God has been very is a correlative of belief .... The ceremonial and a magical num- good to let me live to see a sun!ight and distance .of the ber with the Pueblos; if one is happy issue to those old Southwestern landscape are im- asked a question four times he wrongs. I do not believe, as I portant subjects of the narra- is compelled to answer" (Tyler once did, that the Indian will tive" (126). 6). The Southwestern culture is perish. I believe that God will saturated with such multiplicity, preserve him" (Archbishop 297). The novel’s intersecting Here I disagree with Bernice worlds are akin to medieval and Cather was drawn to the Southwest, spending many Slote’s suggestion that the levels of meaning or, perhaps novel signals the "changing of more appositely, concentric months there at intervals be- tween 1912 and 1926. She was gods" ("First Principles" 110); circles, for that scheme also instead, I find a simultaneity or approximates the Indian layered not a casual visitor; she wanted to learn what she could of the synchronicity of the gods, for view, and Cather relates Bishop ancient gods are fixed to places, Latour’s life through a cyclical ways of the native people. She developed a friendship with a as Bishop Latour sympathetical- pattern whereby, from a medie- ly heard Chief Manuelito ex- val perspective, all time is pres- Belgian priest, Father Halter- mann, who lived in Santa Cruz plain. Some may be transported ent as it is to God. On the other and "drove about among his like Aeneas’s lares, but others hand, if we combine Latour’s eighteen Indian missions with a continue to live in "those inac- name (the tower) with the linear spring wagon and a pair of cessible white houses set in structure of traditional biog- mules. He knew a great deal caverns up in the face of cliffs, raphy -- which Cather said she which were older than the white was doing when she compared about the country and the Indians and their traditions" man’s world .... Their gods the movement of her narrative to were there, just as the Padre’s that of two white mules moving ("On DCA" 4). By 1916 Cather slowly forward (letter to had absorbed a considerable god was in his church" (Arch- amount of information about the bishop 295). I would suggest Foerster) -- we joumey on a that rather than being "a Catho- Dantean spiral.~ On re-reading, Indians, some of it from Norden- skjold’s book, as shown in her lic novel" -- an idea Cather set we observe the working out of a straight by writing to the editor foregone conclusion: the salva- Mesa Verde essay written for The Denver Times.3 of Commonweal ("On DCA" tion of Latour. Glen Lick ob- 3-13) -- her novel is the work of a serves that Tom Outland is like Perhaps another matter was pluralist, delighting in plenitude the tower in the ruin, the order- at issue: contrary to her usual and multiplicity. The signs in- ing principle in The Professor’s reluctance toward political dicate that Cather’s earth- House; just so Bishop Latour statement, Cather intimates yearning visions are congruent Page 16 with those of an ancient tribal in a ’multi-verse.’ Indians don’t kneels before a cruciform tree, people rather than the dominant believe that there is one fixed putting himself within the white view. As Frank Waiters and eternal truth; they think human nature of Christ to makes clear, "the Hopi [will not] there are many different and imagine what He experienced view.., the universe as an in- equally valid truths" (5). during His life on earth. But it is separably interrelated field or By the end of Death Comes Vaillant who finds the bell from continuum [in a way to] be quite Chaucer’s time whose ringing for the Archbishop we have transports Latour to Jerusalem palatable to those who tacitly found not a synthesis but rather accept the role of man as a ra- where he has never been. Later an overlapping of spheres with when Vaillant sets out to the tional entity created to stand each retaining its integr.ity in apart from nature in order to new mission field of Gold Rush large measure.
Load more

Recommended publications
  • REVIEW Volume 60 Z No
    REVIEW Volume 60 z No. 3 Winter 2018 My Ántonia at 100 Willa Cather REVIEW Volume 60 z No. 3 | Winter 2018 28 35 2 15 22 CONTENTS 1 Letters from the Executive Director, the President 20 Reading My Ántonia Gave My Life a New Roadmap and the Editor Nancy Selvaggio Picchi 2 Sharing Ántonia: A Granddaughter’s Purpose 22 My Grandmother—My Ántonia z Kent Pavelka Tracy Sanford Tucker z Daryl W. Palmer 23 Growing Up with My Ántonia z Fritz Mountford 10 Nebraska, France, Bohemia: “What a Little Circle Man’s My Ántonia, My Grandparents, and Me z Ashley Nolan Olson Experience Is” z Stéphanie Durrans 24 24 Reflection onMy Ántonia z Ann M. Ryan 10 Walking into My Ántonia . z Betty Kort 25 Red Cloud, Then and Now z Amy Springer 11 Talking Ántonia z Marilee Lindemann 26 Libby Larsen’s My Ántonia (2000) z Jane Dressler 12 Farms and Wilderness . and Family z Aisling McDermott 27 How I Met Willa Cather and Her My Ántonia z Petr Just 13 Cather in the Classroom z William Anderson 28 An Immigrant on Immigrants z Richard Norton Smith 14 Each Time, Something New to Love z Trish Schreiber 29 My Two Ántonias z Evelyn Funda 14 Our Reflections onMy Ántonia: A Family Perspective John Cather Ickis z Margaret Ickis Fernbacher 30 Pioneer Days in Webster County z Priscilla Hollingshead 15 Looking Back at My Ántonia z Sharon O’Brien 31 Growing Up in the World of Willa Cather z Kay Hunter Stahly 16 My Ántonia and the Power of Place z Jarrod McCartney 32 “Selah” z Kirsten Frazelle 17 My Ántonia, the Scholarly Edition, and Me z Kari A.
    [Show full text]
  • Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No
    Copyright © 1992 by the Wills Cather Pioneer ISSN 0197-663X Memorial and.Educational Foundation Winter, 1991-92 Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No. 4 Bibliographical Issue RED CLOUD, NEBRASKA Jim Farmer’s photo of the Hanover Bank and Trust in Johnstown, Nebraska, communicates the ambience of the historic town serving as winter locale for the Hallmark Hall of Fame/Lorimar version of O Pioneers.l, starring Jessica Lange. The CBS telecast is scheduled for Sunday 2 February at 8:00 p.m. |CST). A special screening of this Craig Anderson production previewed in Red Cloud on 18 January with Mr. Anderson as special guest. Board News Works on Cather 1990-1991" A Bibliographical Essay THE WCPM BOARD OF GOVERNORS VOTED UNANIMOUSLY AT THE ANNUAL SEPTEMBER Virgil Albertini MEETING TO ACCEPT THE RED CLOUD OPERA Northwest Missouri State University HOUSE AS A GIFT FROM OWNER FRANK MOR- The outpouring of criticism and scholarship on HART OF HASTINGS, NEBRASKA. The Board ac- Willa Cather definitely continues and shows signs of cepted this gift with the intention of restoring the increasing each year. In 1989-1990, fifty-four second floor auditorium to its former condition and articles, including the first six discussed below, and the significance it enjoyed in the late 1800s and early 1900s. Among the actresses who appeared on five books were devoted to Cather. In 1990-91, the its stage was Miss Willa Cather, who starred here as number increased to sixty-five articles, including the Merchant Father in a production of Beauty and those in four collections, and eight books.
    [Show full text]
  • Newsletter & Review
    NEWSLETTER & REVIEW Volume 58 z No. 1 Summer z Fall 2015 Cather and the Wolves Nella Larsen, Willa Cather, and Cultural Mobility Fitzgerald’s Daisy and Cather’s Rosamond Teaching “The Enchanted Bluff ” Willa Cather NEWSLETTER & REVIEW Volume 58 z No. 1 | Summer z Fall 2015 2 9 17 31 24 30 33 CONTENTS 1 Letters from the Executive Director and the President 17 More Than Beautiful Little Fools: Fitzgerald’s Daisy, Cather’s Rosamond, and Postwar Images of 2 “Never at an End”: The Search for Sources of Cather’s American Women z Mallory Boykin Wolves Story z Michela Schulthies 24 Upwardly Mobile: Teaching “The Enchanted Bluff ” 4 New Life for a Well-known Painting to Contemporary Students z Christine Hill Smith 5 Describing the Restoration z Kenneth Bé 30 New Beginnings for National Willa Cather Center 9 Meanings of Mobility in Willa Cather’s The Song of 31 In Memoriam: Charlene Hoschouer the Lark and Nella Larsen’s Quicksand Amy Doherty Mohr 33 Willa Cather and the Connection to Kyrgyzstan Max Despain On the cover: Sleigh with Trailing Wolves by Paul Powis. Photo courtesy of the Nebraska State Historical Society’s Gerald R. Ford Conservation Center. Letter from the City of Red Cloud, and the area Chamber of Commerce the Executive Director to further develop and enhance the visitor experience. Through Ashley Olson the hire of a Heritage Tourism Development Director, the partnership will increase Red Cloud’s appeal as a destination for tourists through creation of new services and amenities. Jarrod As I write this, a productive and busy summer at the Willa Cather McCartney, a scholar and Red Cloud native, has already settled Foundation is drawing to a close and we are celebrating the success of into this position comfortably.
    [Show full text]
  • Willa Cather Pioneer Memorial and Eduoational Foundation VOLUME XVIII, Number 4 RED CLOUD, NEBRASKA
    Copyright ~) 1974 by the W|II. Cather Pioneer Memorial and Educatlonal Foundation Winter Newsletter--1974 Willa Cather Pioneer Memorial and Eduoational Foundation VOLUME XVIII, Number 4 RED CLOUD, NEBRASKA it as a necessary part of life. In each story, a young Newsletter--Literary Issue Winter 1974 woman or girl is supported either psychologically or Edited by Bernice Slote financially by a benevolent older male who is not related to her in a romantic way. In each story, death Twice a year literary issues of the Newsletter o~: the central figures for whom the stories are named will present new Willa Cather material: reprints of some of Cather’s early, hard-to-find, and still un- is inevitable, but not violent. collected journalistic writings; early reviews, inter- The dominant theme of "Neighbour Rosicky," "Old views, and notes about Cather’s work; bibliographi- Mrs. Harris," and "Two Friends" is the mystique of cal information; and--from Cather readers---original brief notes, observations, explications, or short cri- figures which are pillars of strength and succor for tical articles. (Submit manuscripts to CATHER persons in their sphere of influence. The author pro- NEWSLETTER, 201 Andrews Hall, University of vides a close study of the dependence of the weak Nebraska, Lincoln, Nebraska 68508). and trusting upon the strong, and, when the strong ... In This Issue... figure is inexorably and permanently removed from ~Notes on O~ure Destinies by Claire Mattern, the scene by death, leaves the reader to speculate upon Patricia Yongue, Mona Pers, Jacquelynn S. what will become of the dependent figures as they Lewis, JoAnna Lathrop are left to rely more upon themselves or someone else, ~-From English reviews with only memories to sustain them.
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE Joseph C. Murphy Department of English Language and Literature Fu Jen Catholic University No. 510, Zhongzheng Rd. Xinzhuang Dist. New Taipei City 24205 Taiwan (R.O.C.) [email protected] [email protected] Office: 886-2-2905-3672 Fu Jen Catholic University, Chair, Department of English Language and Literature, 2015- Associate Professor of English, 2010- Assistant Professor of English, 1997-2010 Editor, Fu Jen Studies: Literature and Linguistics, 2004-2013 St. Vincent College, Latrobe, PA, Visiting Assistant Professor of English, 2002-2003 Education University of Pennsylvania, Ph.D. in English University of Pennsylvania, M.A. in English Stanford University, B.A., English with Honors Specialization American Literature, Visual Culture, Literature and Landscape, Literature and Religion, Modernism and Postmodernism Dissertation “Exposing the Modern: World’s Fairs and American Literary Culture, 1853-1907” Director: Elisa New; Readers: Nancy Bentley, Christopher Looby. University of Pennsylvania, 1997. Publications “Ántonia and Hiawatha: Spectacles of the Nation.” Cather Studies 11: Willa Cather at the Modernist Crux. Lincoln: U of Nebraska P [forthcoming 2016]. (NSC 99-2410-H-030-014- MY3) “The Rise of Godfrey St. Peter: Cather’s Modernism and the Howellsian Pretext.” Cather Studies, Volume 10: Willa Cather and the Nineteenth Century. Lincoln: U of Nebraska P, 2015. 243-60. (NSC 99-2410-H-030-014-MY3) “Wagnerism and American Modernism: Rereading Willa Cather’s ‘A Wagner Matinée.’” Wagner and Literature: New Directions. Spec. issue of Forum for Modern Language Studies 50.4 (Oct. 2014): 405-25. A&HCI. (NSC 102-2410-H-030-064-MY2). “‘Far Shore’: The Post-Apocalyptic Coast in Cormac McCarthy’s The Road.” The City and the Ocean: Journeys, Memory, Imagination.
    [Show full text]
  • A Willa Cather Collection
    Colby Quarterly Volume 8 Issue 2 June Article 6 June 1968 A Willa Cather Collection Richard Cary Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 8, no.2, June 1968, p.82-95 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary: A Willa Cather Collection 82 Colby Library Quarterly under his feet" (p. 283), he can realistically assess life as com­ pounded of two great forces-love and death-and "face with fortitude the Berengaria and the future" (p. 283). A WILLA CATHER COLLECTION By RICHARD CARY s the end of the past decade approached, the Division of A Rare Books and Manuscripts in the Colby College Library did not harbor any appreciable amount of Willa Cather memo­ rabilia among its more than fifty special author collections. Apart from her basal value as possibly the best of America's female novelists, there were at least two reasons why her works might have been included: 1) she is buried in nearby Jaffrey, New Hampshire, thus providing us a regional claim; 2) she was a protegee and avowed disciple of Sarah Orne Jewett, without peer Maine's most perceptive delineatrist. This consociation in­ spired Miss Cather to dedicate 0 Pioneers! "To the memory of Sarah Orne Jewett, in whose beautiful and delicate work there is the perfection that endures"; and to compile The Best Stories of Sarah Orne Jewett (Boston, 1925), in the preface of which she declared: "If I were asked to name three American books which have the possibility of a long, long life, I would say at once, The Scarlet Letter, Huckleberry Finn, and The Country of the Pointed Firs." Despite these compelling motivations, only a few fugitive items of secondary bearing and several letters, de­ sultorily donated, marked the extent of our Cather holdings­ until 1959.
    [Show full text]
  • Willa Cather and the Usable Past Scroll Down for Complete Article
    Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Willa Cather and the Usable Past Full Citation: Robert L Gale, “Willa Cather and the Usable Past,” Nebraska History 42 (1961): 181-190 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1961WCather.pdf Date: 10/11/2016 Article Summary: Gale sees Cather’s exploration of the past as a key to her greatness. He identifies many examples of her use of flashbacks and real-life characters. Major themes related to the past in Cather’s work include immigrants, art, Europe, and the American Southwest. Scroll down for complete article. Cataloging Information: Cather Works Discussed: Alexander’s Bridge, “The Best Years,” “A Chance Meeting,” Death Comes for the Archbishop, A Lost Lady, Lucy Gayheart, My Antonia, “Neighbor Rosicky,” Not Under Forty, O Pioneers!, “The Old Beauty,” “Old Mrs. Harris,” One of Ours, The Professor’s House, Sapphira and the Slave Girl, Shadows on the Rock, The Song of the Lark, The Troll Garden Photographs / Images: Cather in 1893, Cather in mature years WILLA CATHER AND THE USABLE PAST BY ROBERT L.
    [Show full text]
  • My Ántonia and Willa Cather's Reciprocal Regionalism and W.T. Benda's Illustrations Sean Michael Abrams University of Vermont
    University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2016 My Ántonia and Willa Cather's Reciprocal Regionalism and W.T. Benda's Illustrations Sean Michael Abrams University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Part of the Literature in English, North America Commons Recommended Citation Abrams, Sean Michael, "My Ántonia and Willa Cather's Reciprocal Regionalism and W.T. Benda's Illustrations" (2016). Graduate College Dissertations and Theses. 530. https://scholarworks.uvm.edu/graddis/530 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. MY ÁNTONIA AND WILLA CATHER’S RECIPROCAL REGIONALISM AND W.T. BENDA’S ILLUSTRATIONS A Thesis Presented by Sean Michael Abrams to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements for the Degree of Master of Arts Specializing in English May, 2016 Defense Date: March 15, 2016 Thesis Examination Committee: Valerie Rohy, Ph.D., Advisor Dona L. Brown, Ph.D., Chairperson Elizabeth Fenton, Ph.D. Cynthia J. Forehand, Ph.D., Dean of the Graduate College ABSTRACT This thesis explores regionalism as a fictional genre and Willa Cather’s experimentations and innovations in her 1918 novel My Ántonia. In it I argue that Cather employs what I will be calling reciprocal regionalism, which expands upon the regionalist relationship between the land and the characters in the story.
    [Show full text]
  • Willa Cather& Material Culture
    Willa Cather & Material Culture Real-World Writing, Writing the Real World EDITED BY JANIS T.STOUT Willa Cather and Material Culture You are reading copyrighted material published by the University of Alabama Press. Any posting, copying, or distributing of this work beyond fair use as defined under U.S. Copyright law is illegal and injures the author and publisher. For permission to reuse this work, contact the University of Alabama Press. studies in american literary realism and naturalism series editor Gary Scharnhorst editorial board Louis J. Budd Donna Campbell John Crowley Robert E. Fleming Eric Haralson Katherine Kearns Joseph McElrath George Monteiro Brenda Murphy James Nagel Alice Hall Petry Donald Pizer Tom Quirk Jeanne Campbell Reesman Ken Roemer Susan Rosowski You are reading copyrighted material published by the University of Alabama Press. Any posting, copying, or distributing of this work beyond fair use as defined under U.S. Copyright law is illegal and injures the author and publisher. For permission to reuse this work, contact the University of Alabama Press. Willa Cather and Material Culture Real-World Writing, Writing the Real World Edited by Janis P. Stout The University of Alabama Press Tuscaloosa You are reading copyrighted material published by the University of Alabama Press. Any posting, copying, or distributing of this work beyond fair use as defined under U.S. Copyright law is illegal and injures the author and publisher. For permission to reuse this work, contact the University of Alabama Press. Copyright © 2005 The University of Alabama Press Tuscaloosa, Alabama 35487-0380 All rights reserved Manufactured in the United States of America Typeface: Minion ∞ The paper on which this book is printed meets the minimum requirements of American National Standard for Information Science–Permanence of Paper for Printed Library Materials, ANSI Z39.48–1984.
    [Show full text]
  • REVIEW Volume 61 Z No
    REVIEW Volume 61 z No. 1 Summer 2018 New Scholarship on My Ántonia Willa Cather REVIEW Volume 61 z No. 1 | Summer 2018 2 5 16 26 33 CONTENTS 1 Letters from the Executive Director and the President 16 On the Nature of My Ántonia: Lucretius and Willa Cather z John Jacobs 2 Introduction: Jim Burden’s Enduring Story Robert Thacker 26 “Heroic in Size”: Reading My Ántonia as Willa Cather’s First World War I Novel z Max Frazier 5 Rekindled Fires and My Ántonia: The Bohemian Immigrant Novels of 1918 z Evelyn I. Funda 33 Affections Old and True: Inscribed Editions of My Ántonia On the cover: Destination the Same as Ours Family from across the water surrounded by utter darkness huddled together on the platform our new neighbors Letter from of them will create opportunities to make capital improvements the Executive Director and expand the interpretive experience offered through exhibits, Ashley Olson tours, and programming. The second bill, LB 807, calls for the return to Nebraska of statues depicting William Jennings Bryan and Julius Sterling As this centenary year of My Ántonia’s publication progresses, Morton that were installed in National Statuary Hall of the there’s a great deal more to celebrate than just the milestone U.S. Capitol in 1937. These statues are to be replaced by Ponca birthday of this much-loved novel. Earlier this spring, the Chief Standing Bear and Willa Cather. That’s right; a statue Nebraska Legislature passed two bills that were subsequently of a preeminent American writer will be created for addition signed into law by Governor Pete Ricketts.
    [Show full text]
  • Predicting Willa Cather: Using “Peter” and the 1888 Confession Album As Introduction Evelyn I
    Predicting Willa Cather: Using “Peter” and the 1888 Confession Album as Introduction Evelyn I. Funda and Susan Andersen Preface by Evelyn very few years I teach a university course called American Au- thors, a course designed to give students the experience of focus- ing on a single author’s oeuvre. Accompanying me in 2003 as a Eteaching intern and co-teacher was then graduate student, now English Lecturer, Susan Andersen, who wrote on Cather in her thesis and had taken a number of courses from me, both as graduate and undergradu- ate, including an earlier semester of this course itself. Susan and I know the material of Cather’s life, her fiction, and the criticism about Cather well enough; therefore, we wanted to consider how to foster a classroom situation in which students discover Cather and can come to her as fresh and unimpeded as Cather had hoped they would when she said, “I didn’t want to be ‘assigned reading’ for university classes, a duty, a target for information vampires. The sincerity of feeling that is possible between a writer and a reader is one of the finest things I know,” and “I think young people should be allowed to discov- er for themselves what they like. For young people, half the pleasure of reading new books is in finding them out for themselves. If [a reader] finds a really good [book] out for himself, it counts with him for a great deal more than if he had been told he must read it” (Willa Cather 111-12, 191).
    [Show full text]
  • Jejich Antonie: Czechs, the Land, Cather, and the Pavelka Farmstead
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 1994 Jejich Antonie: Czechs, The Land, Cather, and The Pavelka Farmstead David Murphy Nebraska State Historical Society Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Murphy, David, " Jejich Antonie: Czechs, The Land, Cather, and The Pavelka Farmstead" (1994). Great Plains Quarterly. 812. https://digitalcommons.unl.edu/greatplainsquarterly/812 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ]E]ICH ANTONIE CZECHS, THE LAND, CATHER, AND THE-PAVELKA FARMSTEAD DAVID MURPHY The literature of Willa Cather has long been Just as their farm was the setting, Jan praised for its rich and evocative description Pavelka and Antonie Sadflkova Pavelkova of place. Her raw material was drawn prima­ were prototypes for the Czech immigrants in rily from personal experiences in late nine­ the two works-Anton and Antonia Shimerda teenth-century Webster County, Nebraska, Cuzak in My Antonia, and Anton and Mary during the period of initial settlement, and Rosicky in the short story. Both works are re­ renewed by frequent visits home the first de­ plete with Czech culture-from fringed and cades of this century. The Pavelka farmstead embroidered shawls, lacework, and feather­ was one of the important places in her life; it beds, to mushrooms, poppy seeds, and koldce, was used as the setting for Book V of My and numerous references to Bohemia and its Antonia and for "Neighbour Rosicky," a later language.
    [Show full text]