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Institute of National Remembrance https://ipn.gov.pl/en/news/4695,The-most-mysterious-of-countries.html 2021-09-28, 15:35 06.10.2020 The most mysterious of countries…. Rafał Leśkiewicz, PhD, editor-in-chief of the Przystanekhistoria.pl website, talks with Tomasz Stempowski, the author of "The Most Mysterious of Countries. The Soviet Union in the Photographs and Writings of Julien H. Bryan 1930 -1959", about the American photojournalist and his travels to the Soviet Union. Rafał Leśkiewicz: Julien H. Bryan is known in Poland primarily as the author of pictures documenting the siege of Warsaw in 1939. His photographs from that September constitute an extremely suggestive and exact image of the heroism of Warsaw residents on the one hand, and a testimony of the cruelty of Germans in the first days of the war on the other. Your album is a record of both the earlier and post-war exploits of this well-known reporter. How did Bryan end up visiting the USSR several times? Tomasz Stempowski: It was because of his curiosity about the world and people. In 1930, Bryan was a young man who wanted to travel, take photographs and make films. He chose the Soviet Union because, as he put it in the words used in the title of the album, it was the most mysterious of countries, not just in his opinion, but also for a large part of the American society. Even before the revolution, the Americans were fascinated with Russia: the sheer size of the country attracted their attention, and what is more – as surprising as it may seem – they noticed certain similarities. -
LOOKING at the ONLOOKERS and BYSTANDERS Interdisciplinary Approaches to the Causes and Consequences of Passivity
LOOKING AT THE ONLOOKERS AND BYSTANDERS Interdisciplinary approaches to the causes and consequences of passivity. Editor Henrik Edgren PERIODICAL BOOKLET # 13:2012 Forum för levande historia The Living History Forum LOOKING AT THE ONLOOKERS AND BYSTANDERS Interdisciplinary approaches to the causes and consequences of passivity. Editor Henrik Edgren PERIODICAL BOOKLET # 13:2012 Forum för levande historia The Living History Forum 3 Looking at the onlookers and bystanders. Interdisciplinary approaches to the causes and consequences of passivity. Editor Henrik Edgren Contributors Henrik Edgren Victoria Barnett Karin Kvist Geverts Dennis T Kahn Paul Slovic Thomas Brudholm David Gaunt Dienke Hondius Mats Andersson Christina Gamstorp Project manager Christina Gamstorp Legally responsible publisher Eskil Franck Layout Ritator Coverphoto Germany, Cologne, 1937. A big crowd of Germans participating in a Nazi Party rally. Photo: United States Holocaust Memorial Museum/Julien Bryan Photo Scanpix and United States Holocaust Memorial Museum Print Edita, Västerås, 2012 Forum för levande historia / The Living History Forum Box 2123, 103 13 Stockholm, Sweden [email protected] www.levandehistoria.se ISSN 1653-5332 ISBN 978-91-86261-23-8 © Forum för levande historia 4 CONTENTS 6 TheME 1: The definition OF the “bystander concept” – What is A bystander? 9 Introductory remarks by Eskil Franck 13 The project “Bystanders – Does it matter?” by Henrik Edgren 35 Reflections on the Concept of “Bystander” by Victoria Barnett 53 Sweden and the Holocaust by Karin -
Study Guide for the Holocaust Memorial Miami Beach
i Study Guide for the Holocaust Memorial Miami Beach by Dr. Michael Berenbaum ii Study Guide for the Holocaust Memorial Miami Beach Copyright© 2015 All rights reserved, including the right of reproduction in whole or in part in any form. ISBN: 978-1-935110-21-7 Printed in the United States iii TABLE OF CONTENTS Acknowledgements............................................................................................................................v Foreword by Dr. Michael Berenbaum A Basic Introduction to the Holocaust............................................................................................ix PART I: How to Use the App............................................................................................................1 PART II: FILMS..................................................................................................................................41 Introductory Film Survivor and Eight Films The World Before The Rise of Nazism Ghettoization Einsatzgruppen Deportation Death Camps Liberation The World After PART III: Five Audio Programs......................................................................................................36 “Kristallnacht” “The MS St. Louis” “Kindertransport” “Partisans” “Hiding” PART IV: Sculpture Tour of the Memorial....................................................................................49 PART V: Lesson Plans for the Memorial.......................................................................................54 LESSON PLAN 1: Refl ection...........................................................................................................56 -
The Julien Bryan Collection, 1936-1974 Extent
United States Holocaust Memorial Museum Archives Finding Aid RG‐10.479 Title: The Julien Bryan Collection, 1936‐1974 Extent: 25 boxes and 141 reels of motion picture film Numbers: The entire collection falls under three different accession numbers (2003.213, 2003.214, 2003.475) since the material was acquired under three agreements. Archival materials are located in the USHMM Archives cataloged as RG‐10.479. Selected photographs are located in the Photo Reference Collection as worksheets 31320, 31324, 33261, 33266, 33266A, 46315‐46318, 46322, 46323, 47183, 47185, 47186, 47189, 47190, 47193‐ 47196, 47198‐47201, 47204‐47206, 47208‐47212, 47214‐47227, 47229‐47231, 47234‐47236, 47239‐47243, 47245‐47249, 47251‐47253, 47262, 47265, 47270‐47288, 47290‐47301, 47307‐47322, 47324‐47328, 47340‐ 47368, 47370‐47405, 47410‐47414, 50893, 50894, 50896‐50902, 56193, 58589‐58604, 62772, 62773, 64415‐ 64418, 64420, 64421, 64438‐64468, 64494‐64531, 70213, 74297, 77881, 86201, 86202, 99737. Motion picture materials are located in the Steven Spielberg Film and Video Archive as RG‐60.3941 to RG‐60.4016; RG‐60.4116 to RG‐60.4190; RG‐60.4457 to RG‐60.4499; RG‐60.4513 to RG‐60.4540; RG‐60.4646 to RG‐60.4654; RG‐60.4690 to RG‐60.4709. Provenance: The Julien Bryan Collection was compiled and maintained by Julien Bryan in New York City until his death in 1974, when his son, Sam Bryan, inherited the materials. From the 1970s to 2003, the motion picture film was stored at various New York City area vaults, including John E. Allen, Inc., Archive Films [later Getty], and Bob Summers. -
Teresa˙Zarnower's Mnemonic Desire for Defense of Warsaw
arts Article Teresa Zarnower’s˙ Mnemonic Desire for Defense of Warsaw: De-Montaging Photography Maria Anna Rogucka Department of Art and Visual History, Humboldt University, 10117 Berlin, Germany; [email protected] Received: 22 April 2020; Accepted: 20 July 2020; Published: 28 July 2020 Abstract: Teresa Zarnower˙ (1897, Warsaw, Poland–1949, New York, United States), a Polish Constructivist artist of Jewish descent who was forced to emigrate abroad during World War II, became a dominant figure working for the Polish government in exile. She produced a series of photomontages for a book titled The Defense of Warsaw, which was published in 1942 by a “Polish Labor Group” in New York. Zarnower˙ used her technical expertise in photomontage to create new configurations of war photographs documenting Nazi Germany’s attack on Poland in 1939. She chose this shocking and politically loaded content to gain credibility and global attention for her work. Drawing on Benjamin Buchloh’s essay From Faktura to Factography, the aim of this study is to analyze the factographic paradigm in the usage of war photography and in the context of the esthetics of constructivist photomontage. The focus will lie on its mnemonic and archival functions, further highlighting the montage’s function as a key form of social memory model. Keywords: Polish constructivist photomontage; politics of architectural photomontage; antiwar book; Jewish female artist; exiled interwar avant-garde; model of social memory; war photography; mnemonic construction of war; iconography of death; documentary methods in art 1. Introduction The first and only monograph on Polish artist Teresa Zarnower˙ was published in 2014 under the title Teresa Zarnower˙ ówna.1 Artystka Ko´ncaUtopii (1897–1949) [Teresa Zarnower˙ (1897–1949). -
September 2017 1 Periodical Postageperiodical Paid at Boston, New York
HELPFUL BOOKS ON POLISH GENEALOGYPOLISH AMERICAN — PAGE 15JOURNAL • SEPTEMBER 2017 www.polamjournal.com 1 PERIODICAL POSTAGE PAID AT BOSTON, NEW YORK NEW BOSTON, AT PAID PERIODICAL POSTAGE POLISH AMERICAN OFFICES AND ADDITIONAL ENTRY DEDICATED TO THE PROMOTION AND CONTINUANCE OF POLISH AMERICAN CULTURE JOURNAL SWIMWEaR dESIgNER MaRIa dOBRZaNSKa ESTABLISHED 1911 SEPTEMBER 2017 • VOL. 106, NO. 9 • $2.00 www.polamjournal.com REEVES PAGE 10 RAISING THE ROOF AT HOLY ROSARY • POPE FRANCIS RECEIVES “ORDER OF SMILE” • “DIDDY’S” BLACK MADONNA WARSAW DURING THE FIRST WORLD WAR • KF GRANTS FOR POLES • A POLISH PILLAR RISES IN MINNEAPOLIS BEKSIŃSKI EXHIBIT IS A MUST-SEE • PSAA: 100 AND GOING STRONG! • BABCIA’S FAVORITE AUTUMN SOUPS Newsmark Dancing on Air Manufacturing Council Folded POlaNd WElCOMES U.S. SaNCTIONS agaINST Following Resignations RUSSIa. Warsaw has welcomed President Donald WASHINGTON, D.C. — Trump’s decision to sign into law tougher new sanctions Following the departure of against Russia, which are in Poland’s “strategic interest,” AFL-CIO President Richard the Polish foreign ministry has said. Trumka and several business The new laws hit crucial sectors of the Russian econ- leaders, President Trump an- omy, including weapons sales and energy exports, and nounced the dissolution of require Trump to consult with Congress before lifting or his American Manufacturing easing sanctions. Council, along with another The new sanctions against Russia could also hit com- separate initiative, the Strate- panies invested in the Nord Stream II project, a planned gic and Policy Forum. gas pipeline between Russia and Germany, circumventing Trumka resigned from Poland, Ukraine and the Baltic states. -
Warszawa Feniksem XX Wieku
Urząd Statystyczny w Warszawie Oddział Warszawski Polskiego Towarzystwa Statystycznego Opracowanie dedykowane jest Kongresowi Statystyki Polskiej z okazji jubileuszu 100-lecia PTS WARSZAWAWARSZAWA FENIKSEMFENIKSEM XXXX WIEKU.WIEKU. STATYSTYKASTATYSTYKA WARSZAWYWARSZAWY WW 19451945 R.R. Warszawa ● kwiecień●2012 r. Fotografia ruin Warszawy zamieszczona na okładce niniejszego opracowania pochodzi ze zbiorów Archiwum Państwowego m.st. Warszawy i przedstawia dzielnicę ministerstw, okolice ul. Kruczej, Żurawiej, Marszałkowskiej, 1945 r. Fotografie z życia powojennej Warszawy dostępne są na stronie internetowej http://www.warszawa.ap.gov.pl/BOS.html Wszystkie informacje statystyczne, kopie i skanokopie dokumentów pochodzą ze zbiorów podręcznej biblioteki Centrum Informacji Statystycznej Mazowieckiego Ośrodka Badań Regionalnych Urzędu Statystycznego w Warszawie oraz ze źródeł podanych w bibliografii załącznikowej. Czytelników interesujących się danymi statystycznymi o Warszawie zapraszamy do korzystania z publikacji i opracowań Urzędu Statystycznego w Warszawie, ul. 1. Sierpnia 21, 02–134 Warszawa, pok. 18, parter, tel.: 22 464 20 85 e-mail: [email protected] ; http://www.stat.gov.pl/warsz/ 2 Urząd Statystyczny w Warszawie Oddział Warszawski Polskiego Towarzystwa Statystycznego WARSZAWAWARSZAWA FENIKSEMFENIKSEM XXXX WIEKU.WIEKU. STATYSTYKASTATYSTYKA WARSZAWYWARSZAWY WW 19451945 R.R. „…Bryła ciemna, miasto pożarne, jak lew stary, co kona długo, posąg rozwiany w dymy czarne, roztrzaskany czasów maczugą…” Krzysztof Kamil Baczyński, -
2009–10 Annual Report (PDF)
10 JUNE On June 10, 2009, our beloved colleague Special Police Officer Stephen Tyrone Johns died heroically while protecting the Museum and our visitors from a brutal attacker, an avowed antisemite and racist. Our Museum community is deeply grateful for the enormous outpouring of support worldwide, particularly the thousands who contributed so generously to the special fund to benefit the Johns family. USHMM.ORG 2009 –10 ANNUAL REPORT JUNE26 On June 26, 2010, WHDEARAT KINDFRIENDS, OF A dayW thatO wouldRLD reverberate throughout the nation started we launched the out like any other at the Museum. There were 42 scheduled groups that day—virtually all middle or high schools. Faculty from college campuses across this country were 10 WILL FUTURE GENERATIONS Stephen Tyrone Johns participating in our annual Silberman Seminar to strengthen teaching about the Summer Youth Leadership INHEHolocaust,RIT? taking their place in our worldwide network of scholars arming students with the truth. Historian Deborah Lipstadt, an expert on denial and a visiting fellow Program as a permanent, at our Center for Advanced Holocaust Studies, had just begun speaking to Museum living tribute to Officer supporters when she heard shots. “I was about to say, ‘The dangers of Holocaust Johns. Every year, 50 denial are . ’ and that was it.” outstanding young people— That was it. In one horrifi c instant, a treasured colleague murdered. And our nation’s sacred memorial to the victims of unchecked hatred itself became a victim. JUNE On June 10, 2009, like the young man on THESE our cover—will learn our beloved colleague We don’t know exactly how people become haters and haters become killers. -
Catalog Number Eight of the R. I. Library Film the Collection of The
DOCUMENT RESUME ED 119 717 IR 003 188 TITLE Catalog Number Eight of the R. I. Library Film Cooperative at Warwick Public Library. INSTITUTION Warwick Public Library, R.I. PUB DATE 75 NOTE 58p.; Not available in H.C. due to type size AVAILABLE FROM R. I. Library Film Cooperative, 600 Sandy Lane, Warwick, Rhode Island 02886 ($1.25 postpaid). EDRS PRICE MF-$0.83 Plus Postage. HC Not Available from EDRS. DESCRIPTORS *Catalogs; College libraries; Film_Libraries; *Films; Library Cooperation; Public Libraries; Special Libraries IDENTIFIERS *Rhode Island Film Cooperative ABSTRACT This catalog lists all the 16mm films available in the collection of the Rhode Island Film Cooperative, a central film depository which loans films and media equipment to member libraries. Filmt are listed alphabetically by title, and each listing includes the name of the filmmaker, the length of the film, the intended audience level, and a brief synopsis of the contents. Each film is also listed according to subject. (EMH) *******************************************************#*************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. Reproductions * * supplied by EDRS are the best that can be made from the original. ***************#******************************************************* BEST U;k--7 AVAILABLE CATALOG NO. 8 OF THE R. I. LIBRARY FILM COOPERATIVE at WARWICK PUBLIC LIBRARY 600 Sandy Lane Warwick, R. -
Steven Spielberg Film and Video Archive 100 Raoul Wallenberg Place, SW Washington, DC 20024-2126 Cover: Julien Bryan Films the Siege of Warsaw in September 1939
Above: 16mm Kodachrome film of Buchenwald in the first days after the camp’s liberation. US Holocaust Memorial Museum, gift of Beth Krasna. Left: A home movie collection of 9.5mm films documenting prewar Jewish life in Poland and Palestine. US Holocaust Memorial Museum, courtesy of Hanna Lieberman-Levi. DONATING FILMS AND RELATED MATERIALS OTHER AUDIOVISUAL RESOURCES AVAILABLE The Archive actively seeks moving image AT THE MUSEUM documentation of the lives of victim groups • Documentary and feature films on before World War II and of Nazi persecution Holocaust-related subjects in the Library and genocide from 1933 to 1945, including ushmm.org/research/library amateur or personal footage as well as • Holocaust testimonies, including 9,000 propaganda films related to Nazi racial interviews ideology and antisemitism. ushmm.org/research/collections/oralhistory If you have original film footage or related • The Holocaust Encyclopedia, featuring articles, materials, such as a camera, a diary, or other film, photographs, survivor testimony, maps, Steven Spielberg artifacts, please contact the Archive. artifacts, music, and links to resources ushmm.org/wlc/en Film and Video Archive SUPPORT US • Audiovisual programming from Museum exhibitions The generosity of private donors helps sustain ushmm.org/museum/exhibit/online the Museum’s efforts to collect and preserve the evidence of the Holocaust. If you are interested in supporting this important work, please contact Bruce Levy at 202.488.6104 or [email protected]. Steven Spielberg Film and Video Archive 100 Raoul Wallenberg Place, SW Washington, DC 20024-2126 Cover: Julien Bryan films the siege of Warsaw in September 1939. ushmm.org/research/collections/filmvideo/ US Holocaust Memorial Museum, gift of Sam Bryan and the International Film [email protected] T 202.488.6104 F 202.314.7820 Foundation, Inc. -
The Relationship Between the American Government and the American Film Industry 1945-1954
Capturing a Lifestyle: The Relationship Between the American Government and the American Film Industry 1945-1954 Emma Kateman Undergraduate Senior Thesis Department of History March 28, 2021 Seminar Advisor: Professor Pablo Piccato Second Reader: Professor Anders Stephanson Kateman 1 Acknowledgments I never anticipated that I would write, let alone complete a thesis. These last four years at Columbia have been unimaginably formative, and the History Department has been incredibly integral to that experience. I am extraordinarily thankful to Professor Piccato, who has provided consistent and thoughtful counsel throughout the entirety of this exhausting and uncertain senior year. I also want to thank Professor Stephanson, whose class served as the inspiration for this thesis and whom I was lucky enough to have as a reader on this thesis. To both, I am utterly grateful. Finally, thank you to my family and friends, who certainly listened to me discuss this thesis endlessly. Additional thanks go to my sister and my roommate. Kateman 2 Introduction During the Cold War conflict between the United States and the Soviet Union, the two superpowers worked to discredit one another’s political and economic systems, minimizing one another’s global appeal. One way that the United States did so was by accusing the Soviet Union of creating a film industry for propaganda purposes. “Soviet Propaganda Campaign Cues Era of Russ Brainwashing Pix,” one 1954 Variety headline warned upon reports of a planned increase in Soviet film production: “Kremlin’s current -
A Guide for Readers and Teachers
Six Thousand Miles to Home: A Guide for Readers and Teachers This guide collates notes relevant to the socio-cultural and historical contexts of the novel Six Thousand Miles to Home. It is organized according to the narrative’s chronology and divided according to the novel’s three major sections and their respective chapters. Background material—about Jewish life in both Poland and Iran—precedes the sections of the book set in those countries. In between the notes for each chapter are historical “snapshots,” most of them derived from primary source material, and which serve to illustrate events described in the novel. Please check back at this web page for revised versions of this free guide. JEWISH LIFE IN POLAND, SILESIA, AND TESCHEN Numerous volumes recount in detail the thousand-year history of Jews in Poland as well as the circumstances particular to the Silesian Duchy of Teschen and its Jewish inhabitants.1 What follows here is a summary. Medieval Period Jews inhabited Poland since at least the tenth century when, fleeing persecution in German territories, they made their way east.2 One legend recounts that a scrap of paper directed them to “Polaniaya,” a Hebrew name for Poland, which they interpreted as meaning “Here God dwells.” They arrived in a forest where they heard the word Polin, another Hebrew name for Poland, which they interpreted as “Po-lin,” “Rest here.” In some versions [of the legend], a cloud broke and an angel’s hand pointed the way and a voice said “Po-lin.” According to [another] version […], Jews entering the forest discovered tractates of the Talmud carved on the trees; in other versions, pages of the sacred texts floated down.3 This story begins in a town called Teschen (called Cieszyn both before and after the time of this narrative) was populated by Slavic peoples by at least the seventh century.