Li Zhi in English-Language Scholarship
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A New Examination of Confucius' Rectification of Names
Journal of chinese humanities � (���6) �47-�7� brill.com/joch A New Examination of Confucius’ Rectification of Names Cao Feng (曹峰) Professor of Philosophy, Renmin University, China [email protected] Translated by Brook Hefright Abstract Confucius’ explanation of the “rectification of names” is not necessarily related to the theories of “social status” and “names and actuality.” The reason scholars have inter- preted the rectification of names in the Analects in so many different ways is, to a large degree, due to assumptions about Confucius’ thinking by his successors, and based on the views on rectification of names among later generations. In the course of the devel- opment of thinking about names, scholars have augmented Confucius’ own explana- tion, gradually fleshing it out from an empty shell into a substantial edifice. The original meaning may have been very simple: Confucius did not wish to establish a standard system of names. Rather, he was simply the first person in history to realize the impor- tance of language in politics. As a politician, Confucius noticed and foresaw the influ- ence that the indeterminacy, ambiguity, and arbitrariness of names could have on politics. He discerned the political consequences when language could not accurately express meaning or when there was no way for people to accurately perceive it. He also recognized how names, as a way of clarifying right and wrong and establishing norms, could have a great effect on a society’s politics. Although Confucius noted that disunity in speech could lead to disunity in politics, he did not propose a solution. -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
Tombstone Carvings from AD 86
Tombstone Carvings from AD 86 Did Christianity Reach China In the First Century? † Wei-Fan Wang Retired Professor Nanjing Theological Seminary 1 This study, carried out as part of the Chaire de recherche sur l’Eurasie (UCLy), will be issued in English in the volume The Acts of Thomas Judas, in context to be published in the Syro- Malabar Heritage and Research Centre collection, Kochin (Indian Federation) 2 Table of contents I. The Gospel carved on stone ......................................................................................... 5 Fig. 1 situation of Xuzhou .............................................................................................. 5 Fig. 2 : The phoenixes and the fish ................................................................................ 6 II. The Creation and the Fall ........................................................................................... 7 Fig. 3: Domestic animals ................................................................................................ 7 Fig. 4: temptation of Eve ................................................................................................ 7 Fig. 5: The cherubim and the sword ............................................................................... 8 ..................................................................................................................................... 9 Fig. 6: The exit of the Eden garden ................................................................................ 9 Fig. 7: Pillar of ferocious -
Zhang Dai's Biographical Portraits
Mortal Ancestors, Immortal Images: Zhang Dai’s Biographical Portraits Duncan M. Campbell, Australian National University Nobody looking at paintings and who sees a picture of the Three Sovereigns and the Five Emperors fails to be moved to respect and veneration, or, on the other hand, to sadness and regret when seeing pictures of the last rulers of the Three Dynasties. Looking at traitorous ministers or rebel leaders sets one’s teeth grinding whereas, on sight of men of integrity or of great wisdom, one forgets to eat, on sight of loyal ministers dying for their cause one is moved to defend one’s own integrity … From this consideration does one understand that it is illustrations and paintings that serve to hold up a mirror to our past in order to provide warnings for our future course of action. (觀畫者見三皇五帝莫不仰戴見三季異主莫不悲惋見篡臣賊嗣莫不切齒見高節 妙士莫不忘食見忠臣死難莫不抗節…是知存乎鑒戒者圖畫也) Cao Zhi 曹植 (192–232), quoted in Zhang Yanyuan 張彥遠 (9th Century), Lidai minghua ji 歷代名畫記 [A Record of Famous Paintings Down Through the Ages] In keeping with the name it took for itself (ming 明, brilliant, luminous, illustrious), the Ming dynasty (1368–1644) was a moment of extraordinary development in the visual cultures of the traditional Chinese world (Clunas 1997; 2007).1 On the one hand, this period of Chinese history saw internal developments in various aspects of preexisting visual culture; on the other, through developments in xylography and commercial publishing in particular, but also through the commoditization of the objects of culture generally, the period also saw a rapid increase in the dissemination and circulation of 1 Clunas writes: ‘The visual is central in Ming life; this is true whether it is the moral lecturer Feng Congwu (1556–?1627) using in his impassioned discourses a chart showing a fork in the road, one path leading to good and one path to evil, or in the importance in elite life of dreams as “visions,” one might say as “visual culture,” since they made visible, to the dreamer at least, cultural assumptions about fame and success’ (2007: 13). -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
Han Fei and the Han Feizi
Introduction: Han Fei and the Han Feizi Paul R. Goldin Han Fei 韓非 was the name of a proli fi c Chinese philosopher who (according to the scanty records available to us) was executed on trumped up charges in 233 B.C.E. Han Feizi 韓非子, meaning Master Han Fei , is the name of the book purported to contain his writings. In this volume, we distinguish rigorously between Han Fei (the man) and Han Feizi (the book) for two main reasons. First, the authenticity of the Han Feizi —or at least of parts of it—has long been doubted (the best studies remain Lundahl 1992 and Zheng Liangshu 1993 ) . This issue will be revisited below; for now, suffi ce to it to say that although the contributors to this volume accept the bulk of it as genuine, one cannot simply assume that Han Fei was the author of everything in the Han Feizi . Indeed, there is a memorial explic- itly attributed to Han Fei’s rival Li Si 李斯 (ca. 280–208 B.C.E.) in the pages of the Han Feizi ( Chen Qiyou 陳奇猷 2000 : 1.2.42–47); some scholars fear that other material in the text might also be the work of people other than Han Fei. Second, and no less importantly, even if Han Fei is responsible for the lion’s share of the extant Han Feizi , a reader must be careful not to identify the philosophy of Han Fei himself with the philosophy (or philosophies) advanced in the Han Feizi , as though these were necessarily the same thing. -
Han Feizi's Criticism of Confucianism and Its Implications for Virtue Ethics
JOURNAL OF MORAL PHILOSOPHY Journal of Moral Philosophy 5 (2008) 423–453 www.brill.nl/jmp Han Feizi’s Criticism of Confucianism and its Implications for Virtue Ethics * Eric L. Hutton Department of Philosophy, University of Utah, 215 S. Central Campus Drive, CTIHB, 4th fl oor, Salt Lake City, UT 84112, USA [email protected] Abstract Several scholars have recently proposed that Confucianism should be regarded as a form of virtue ethics. Th is view off ers new approaches to understanding not only Confucian thinkers, but also their critics within the Chinese tradition. For if Confucianism is a form of virtue ethics, we can then ask to what extent Chinese criticisms of it parallel criticisms launched against contemporary virtue ethics, and what lessons for virtue ethics in general might be gleaned from the challenges to Confucianism in particular. Th is paper undertakes such an exercise in examining Han Feizi, an early critic of Confucianism. Th e essay off ers a careful interpretation of the debate between Han Feizi and the Confucians and suggests that thinking through Han Feizi’s criticisms and the possible Confucian responses to them has a broader philosophical payoff , namely by highlighting a problem for current defenders of virtue ethics that has not been widely noticed, but deserves attention. Keywords Bernard Williams, Chinese philosophy, Confucianism, Han Feizi, Rosalind Hursthouse, virtue ethics Although Confucianism is now almost synonymous with Chinese culture, over the course of history it has also attracted many critics from among the Chinese themselves. Of these critics, one of the most interesting is Han Feizi (ca. -
BANK of JIANGSU CO., LTD.Annual Report 2015
BANK OF JIANGSU CO., LTD.Annual Report 2015 Address:No. 26, Zhonghua Road, Nanjing, Jiangsu Province, China PC:210001 Tel:025-58587122 Web:http://www.jsbchina.cn Copyright of this annual report is reserved by Bank of Jiangsu, and this report cannot be reprinted or reproduced without getting permission. Welcome your opinions and suggestions on this report. Important Notice I. Board of Directors, Board of Supervisors as well as directors, supervisors and senior administrative officers of the Company warrant that there are no false representations or misleading statements contained in this report, and severally and jointly take responsibility for authenticity, accuracy and completeness of the information contained in this report. II. The report was deliberated and approved in the 19th board meeting of the Third Board of Directors on February 1, 2016. III. Except otherwise noted, financial data and indexes set forth in the Annual Report are consolidated financial data of Bank of Jiangsu Co., Ltd., its subsidiary corporation Jiangsu Danyang Baode Rural Bank Co., Ltd. and Suxing Financial Leasing Co., Ltd. IV. Annual financial report of the Company was audited by BDO China Shu Lun Pan Certified Accountants LLP, and the auditor issued an unqualified opinion. V. Xia Ping, legal representative of the Company, Ji Ming, person in charge of accounting work, and Luo Feng, director of the accounting unit, warrant the authenticity, accuracy and integrality of the financial report in the Annual Report. Signatures of directors: Xia Ping Ji Ming Zhu Qilon Gu Xian Hu Jun Wang Weihong Jiang Jian Tang Jinsong Shen Bin Du Wenyi Gu Yingbin Liu Yuhui Yan Yan Yu Chen Yang Tingdong Message from the Chairman and service innovation, made great efforts to risk prevention and control, promoted endogenous growth, improved service efficiency and made outstanding achievements. -
P020110307527551165137.Pdf
CONTENT 1.MESSAGE FROM DIRECTOR …………………………………………………………………………………………………………………………………………………… 03 2.ORGANIZATION STRUCTURE …………………………………………………………………………………………………………………………………………………… 05 3.HIGHLIGHTS OF ACHIEVEMENTS …………………………………………………………………………………………………………………………………………… 06 Coexistence of Conserve and Research----“The Germplasm Bank of Wild Species ” services biodiversity protection and socio-economic development ………………………………………………………………………………………………………………………………………………… 06 The Structure, Activity and New Drug Pre-Clinical Research of Monoterpene Indole Alkaloids ………………………………………… 09 Anti-Cancer Constituents in the Herb Medicine-Shengma (Cimicifuga L) ……………………………………………………………………………… 10 Floristic Study on the Seed Plants of Yaoshan Mountain in Northeast Yunnan …………………………………………………………………… 11 Higher Fungi Resources and Chemical Composition in Alpine and Sub-alpine Regions in Southwest China ……………………… 12 Research Progress on Natural Tobacco Mosaic Virus (TMV) Inhibitors…………………………………………………………………………………… 13 Predicting Global Change through Reconstruction Research of Paleoclimate………………………………………………………………………… 14 Chemical Composition of a traditional Chinese medicine-Swertia mileensis……………………………………………………………………………… 15 Mountain Ecosystem Research has Made New Progress ………………………………………………………………………………………………………… 16 Plant Cyclic Peptide has Made Important Progress ………………………………………………………………………………………………………………… 17 Progresses in Computational Chemistry Research ………………………………………………………………………………………………………………… 18 New Progress in the Total Synthesis of Natural Products ……………………………………………………………………………………………………… -
Divination, Fate Manipulation and Protective Knowledge in And
Divination, Fate Manipulation and Protective Knowledge In and Around ” The Wedding of the Duke of Zhou and Peach Blossom Girl ” , a Popular Myth of Late Imperial China Vincent Durand-Dastès To cite this version: Vincent Durand-Dastès. Divination, Fate Manipulation and Protective Knowledge In and Around ” The Wedding of the Duke of Zhou and Peach Blossom Girl ” , a Popular Myth of Late Imperial China. Michael Lackner. Coping with the future: theories and practices of divination in East Asia, Brill, 2017, Sinica Leidensia, 9789004346536. hal-01695407 HAL Id: hal-01695407 https://hal.archives-ouvertes.fr/hal-01695407 Submitted on 29 Jan 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Divination, Fate Manipulation and Protective Knowledge In and Around “The Wedding of the Duke of Zhou and Peach Blossom Girl”, a Popular Myth of Late Imperial China Vincent Durand-Dastès The story of the wedding of Peach blossom girl is a rather peculiar comic and magic narrative of late imperial China, first appearing at the end of the Yuan dynasty and afterwards continually retold and restaged. Its protagonist is a divine fortuneteller named Zhougong 周 公 (literally, “the Duke of Zhou”) who goes down into the world to open a soothsayer shop. -
The Road to Literary Culture: Revisiting the Jurchen Language Examination System*
T’OUNG PAO 130 T’oung PaoXin 101-1-3 Wen (2015) 130-167 www.brill.com/tpao The Road to Literary Culture: Revisiting the Jurchen Language Examination System* Xin Wen (Harvard University) Abstract This essay contextualizes the unique institution of the Jurchen language examination system in the creation of a new literary culture in the Jin dynasty (1115–1234). Unlike the civil examinations in Chinese, which rested on a well-established classical canon, the Jurchen language examinations developed in close connection with the establishment of a Jurchen school system and the formation of a literary canon in the Jurchen language and scripts. In addition to being an official selection mechanism, the Jurchen examinations were more importantly part of a literary endeavor toward a cultural ideal. Through complementing transmitted Chinese sources with epigraphic sources in Jurchen, this essay questions the conventional view of this institution as a “Jurchenization” measure, and proposes that what the Jurchen emperors and officials envisioned was a road leading not to Jurchenization, but to a distinctively hybrid literary culture. Résumé Cet article replace l’institution unique des examens en langue Jurchen dans le contexte de la création d’une nouvelle culture littéraire sous la dynastie des Jin (1115–1234). Contrairement aux examens civils en chinois, qui s’appuyaient sur un canon classique bien établi, les examens en Jurchen se sont développés en rapport étroit avec la mise en place d’un système d’écoles Jurchen et avec la formation d’un canon littéraire en langue et en écriture Jurchen. En plus de servir à la sélection des fonctionnaires, et de façon plus importante, les examens en Jurchen s’inscrivaient * This article originated from Professor Peter Bol’s seminar at Harvard University. -
Nome Ruolo Istituzione LI XIN Deputy Director of Division Zhejiang
Nome Ruolo Istituzione Zhejiang Department of LI XIN Deputy Director of Division Commerce Zhejiang Department of DING SHUFENG Director of the General Office Commerce Vice director of the Division of Zhejiang Department of YANG XUEFU Human Resources Commerce Researcher of the Foreign Zhejiang Provincial Department DU JIAN Affairs Office of Education Deputy Director of Confucius LIU HUI Zhejiang University Institute Office Chinese Language Teacher of MO WEIWEI China Academy of Art International College Deputy Dean of International Zhejiang University of FANG LUPING College Technology Director of International SHEN LIHUANG Zhejiang Normal University Student Office CHEN JIANPING Dean, International College Ningbo University Vice Dean of School of CHEN MINZHI Zhejiang Sci-Tech University International Education Director of International Student Admission, Dean of TIAN YE Hangzhou Dianzi University School of International Education Dean of College of JIANG BO Zhejiang Gongshang University International Education Deputy Director of WANG JIANQI International Exchange and China Jiliang University Cooperation Office Acting Dean of International Zhejiang Chinese Medical WANG YING Education College University FANG LIQING Director, International Office Zhejiang A&F University Vice Dean of School of XU DAN Wenzhou Medical University International Studies Dean, School of International Zhejiang University of Finance YU MUHONG Education and Studies and Economics Deputy Director of Zhejiang University of Science FENG SHAOZHONG International Student Affairs