SQUAMISH WHISTLER PEMBERTON Ler -Fer

Total Page:16

File Type:pdf, Size:1020Kb

SQUAMISH WHISTLER PEMBERTON Ler -Fer Volumcb 5, Number 28 July 11. 1995 7% t GST Trash fl.ood haza ckendale residents tell council By Ron Enns which paid for half of the flood would have to pay a few thou- Brennan queried, as she province -should be "trashed" hazard study and has the final sand dollars, which is non- addressed council at its meeting because of the negative implica- The Squamish flood hazard say on subdivision approval - refundable, to apply for a rezon- last week. Mayor Corinne tions it will have on the commu- nanagement study should be has said the area where her ing to subdivide the land. But LonsdaIe said Brennan would nity She said the plan is estheti- icrapped, says a Brackendale seven hectares is located at the she said she is "100 per cent have to go about applying for cally undesirable and will lower andowner who likely cannot west end of Judd Road should sure" the ' Ministry of rezoning for a subdivision the property values, *eceivepermission to subdivide not bi rezoned to allow a subdi- Environment will not allow a usual way. Brennan said the three metres ier land. - vision. subdivision and doesn't want to Brennan said the recently com- of fill required for the Harris Kathleen Brennan said she is To receive a definitive answer waste her money. pleted flood hazard manage- Road subdivision currently 'caught in limbo" because the on whether or not the land "Isn't there some other way to ment study - prepared by a under construction in dinistry of Environment - could be subdivided, Brennan deal with this situation?" consultant for the district and Brackendale is an "abomina- tion. "In our area, it would be an armed revolt ...Is this .what you envision happening to the municipality?" Brennan ques- tioned, referring to new houses being built substantially above neighboring existing houses to comply with flood construction levels identified in the plan. Drennan said she does not accept the Ministry of Environment's claims that it is trying to save lives through the use of the flood hazard manage- ment plan. 'There are already 1,000 peo- ' ple, in our area whose lives are in jeopardy.'' She said it has been recog- nized that dikes in the area are not safe, and that they should be brought up to standard rather than limiting residential infilling in Brackendale. Lonsdale said she also has a lot of concerns about the flood hazard plan, which council has vet to adopt. ubdivision ~ Unlikely - Brackendale land owner Kathleen concerned that zoning and flood hazard management recornmen- * "We're tiying to work with the rennan, pictured here with her daughter Emma at their home, is dations will prevent subdivision of her property. Ross Wahlphoto Please tun1 to Page 2 Rock crashes through truck windshield on H The rock came from a slope that was last scaled by The area in which the rock fell is called the argilite cut, rockwork crews in 1987. Part of the area where the rock just south of the Deeks Lake trail parking lot, which is 4 B.C.Rail employee is lucky to be alive after a falling came down has been shotcreted, using concrete to sta- about three kilometres south of Pofieau Cove. Portions 1. 1 0 . ... Ck kom a czff dGfig hy.99 crashed thugn NS Duze loose rocks. of the highway in the area were built in the 1960s. indshield. - Swales said the rock work engineers examining the Today rock cuts are cleared much farther back. An The B.C. Rail vehicle was travelling north on-Hwy. 99 site last week narrowed down the area from which the example of recent rock cut practices is at Brohm Ridge, ar the Deeks Lake trail parking lot July 4 at about 8:30 rock fell to an area of 30 lineal metres. The rock may where work was done in the 1990s. n. when a rock the size of a watermelon went have fallen from as high as 100 metres. The bluff where The rock scaling done along Hwy. 99 is done in areas rough the windshield, hit the dashboard, broke the the rock fell is about 150-200 metres high with several determined to be the most dangerous, such as the !ering column and hit the man's leg. benches. It was a singular rock that fell, which is unusu- Porteau Cove area, Swales said. Millions of dollars are "I would call it a freak," Swales said. Squarnish volleyball relocation attempt Squamish woman by winning‘$20 After a day at work, there are showed him the ticket. We The windfall will allow the 49- all kinds of ways to relax. When checked each of the numbers to year-old to pay bills and her car Da make sure I was right. And I loan. A trip to Reno is also a rai! Buying and Selling Land Squamish resident Georgie bec Noble gets home, she makes it a was!” possibility. Residential and Commercial Financing 1 rail practice to sit down with a cup nit“ Buying and Selling Businesses of coffee and two Instant Keno nig Commercial Contracts lottery tickets. Late’last month, niz Negotiating and Assigning Commercial Leases her ‘way to unwind‘ earned her rea $20‘000. Incorporations and Reorganizations ter. “I got home from work, made Ti Wills and Estates some coffee, sat down in the liv- ing room by myself and to I Squamish net scratched my tickets,” said fivt 201-1365 Pemberton Ave. Noble. By the time the provin- 902-5254 niZ cial court clerk got to the game of five portion of her Instant Keno, things were looking good. To die win with the $2 game, players Chi must match the numbers on the SeF look Twicel ‘game’ portions of the ticket to ber the numbers on the winning TI It’s Motorcycle Season numbers portion. Tali “I scratched five numbers, Th then six, then seven,‘’- she said. eo The winning numbers kept an matching the numbers on game Pro five. imI “After I scratched nine of the 1 aPF 10 numbers, I called out to my daughter, who lives upstairs, ‘I won $5,000!’ After I scratched the 10th number, I jumped and ran all the way up to tell her I’d .w won $20,000.” Mit By then, her common-law hus- All In A Day’s Work - Georgie Noble admires the $20,000 his band was home. “Tom was cheque she won in the Instant Keno lottery. adc coming up the back stairs, so I Ithis Fill ’Er Up -This picture shows the amount of fill necessary to meet flood hazard standards at a new c1 subdivision on Harris Road. There is almost one complete story of the house now in place below the level at which new homes will have to be built. Ross Wahl photo $ Ii -I Fellowes calls for compromise Continued jhrn Puge 1 told council he bought his land more than 30 Ministry of Environment. But if they don’t agree, years ago and that according to the Squamish it doesn’t matter how much we fight for a change. official community plan the area is intended to be They are the official (subdivision) approving developed. agency,” Lonsdale said. “It’s high-handed to come in with a study that Coun. Meg Fellowes said there is a need for may or may not be valid ...Don’t consider a flood compromises SO that “it’s not quite left up to the plain management bylaw at all,” he told council. Ministry of Environment what’s happening in “To quote a former Ministry of Environment this community.” employee, they got rid of the people who do Brennan, however, said council should not sub- things and created a ministry of philosophers.” mit to the demands of the Ministry of Lonsdale said whether or not the district adopts Environment. the plan does not matter. ,’‘I feel’ like the municipality is acting like the She said the province will still consider the Ministry of Environment’s agent instead of for flood hazard management plan when asked to the people of Squamish. It’s about time council approve subdivisions. stood up and remembered they are our elected District administrator Bob Miles said a report on officials and not agents of the Ministry of the flood hazard management plan is being pre- Environment,” pared for the planning committee’s August meet- Nick Candy, another Brackendale landowner, ing. I THE SQUAhIISI.1 CHIEF JULY 11, 1995 S- 3 NEWS TIPS7 CALl US (604) 892-9161 - OR FAX (604) 892-8483 I . Benefit bash raises money for needy kids Cat Lake Bash organizers say the Canadz Day -weekend concert near Brohm Ridgc raised more than $1,000. The bash, which ha: become an annual event which unofficiallj raises money for a needy child in the commu. nity, ’was marred by troublemakers Saturdaj night, but on the whole was a success, an orga- nizer said. “The Forest Service people were really great in helping us deal with the mat- ter.” Two years ago the proceeds of the event wen! to help three-year-old Sydney Tutor, who has neuro-blastoma, a type of cancer. Sydney, now five, is 95 per cent cured, said one of the orga- nizers. This year the benefit was held in honor of the organizers’ friend Daryl Hedin, who died in a motor vehicle accident in the Cheakamus Canyon area of Hwy. 99 last September. The donated money was raised to benefit Hedin’s two-year-old son Dustin. This year’s venue featured Gro House, Big Tall Garden, Funk Yard, Funny Thing About That, Hurling Plaid and Freezer Burn.
Recommended publications
  • Woyzeck Bursts Onto the Ensemble Theatre Company Stage
    MEDIA RELEASE CONTACT: Josh Gren [email protected] or 805.965.5400 x103 ELECTRIFYING TOM WAITS MUSICAL WOYZECK BURSTS ONTO THE ENSEMBLE THEATRE COMPANY STAGE March 25, 2015 – Santa Barbara, CA — The influential 19th Century play about a soldier fighting to retain his humanity has been transformed into a tender and carnivalesque musical by the legendary vocalist, Tom Waits. “If there’s one thing you can say about mankind,” the show begins, “there’s nothing kind about man.” The haunting opening phrase is the heart of the thrilling, bold, and contemporary English adaptation of Woyzeck – the classic German play, being presented at Ensemble Theatre Company this April. Inspired by the true story of a German soldier who was driven mad by army medical experiments and infidelity, Georg Büchner’s dynamic and influential 1837 poetic play was left unfinished after the untimely death of its author. In 2000, Waits and his wife and collaborator, Kathleen Brennan, resurrected the piece, wrote music for an avant-garde production in Denmark, and the resulting work became a Woyzeck musical and an album entitled “Blood Money.” “[The music] is flesh and bone, earthbound,” says Waits. “The songs are rooted in reality: jealousy, rage…I like a beautiful song that tells you terrible things. We all like bad news out of a pretty mouth.” Woyzeck runs at the New Vic Theater from April 16 – May 3 and opens Saturday, April 18. Jonathan Fox, who has served as ETC’s Executive Artistic Director since 2006, will direct the ambitious, wild, and long-awaited musical. “It’s one of the most unusual productions we’ve undertaken,” says Fox.
    [Show full text]
  • “THE SIREN TEARS the NIGHT in HALF” Tom Waits, the Uncanny and the American Gothic
    “THE SIREN TEARS THE NIGHT IN HALF” Tom Waits, the Uncanny and the American Gothic Word count: 16,904 Tuur Vandeborne Student number: 01510970 Supervisor: Prof. Dr. Gert Buelens A dissertation submitted to Ghent University in partial fulfillment of the requirements for the degree of Advanced Masters in American Studies Academic year: 2017-2018 Oh, that city music Oh, that city sound Oh, how you're pulling my heart strings and Oh, let's go downtown Kevin Morby, “City Music” I would like to express my infinite gratitude to Professor Gert Buelens, without whom this thesis would have never existed. I would like to thank my parents for their support and for allowing me to finish this degree. Last but not least I would like to thank my friends for their support, their encouragement and for putting up with me through thesis-times. 2 Introduction ........................................................................................................... 4 Chapter 1: Uncanny Influences ............................................................................. 10 The Urban Gothic ............................................................................................................................................. 10 Edward Hopper: Sinister Sentimentalism ............................................................................................ 14 Jack Kerouac: Haunted by Nostalgia ........................................................................................................ 22 “Small Change (Got Rained on by his own .38)” ................................................................................
    [Show full text]
  • Tom Waits 2011.Pdf
    WILLISEEYOUTCfNIGHTONADOWNTOWNTRAINEVERYNIGHTISJUSTTHESAMEYOULEAVEMELONELYNOW TOM WAITS BY ROB BOWMAN § IS THE CASE Lord Buckley, and Charles Bukowski; the pri­ with a select few mal rock & roll crunch of the Rolling Stones; genre-defining the German cabaret stylings of Kurt artists such as Weill; the postwar, alternate world of invented Miles Davis, Bob instruments and rugged individualism o f avant- Dylan, and Joni garde composer Harry Partch; the proto-metal MitcheH,Tom Writs, blues of 1950s and 1960s Howlin’ Wolf and over the course of his nearly forty-year their extension into the w orld o f Captain B eef- career, has operated under the maxim “He heart’s late-i96os avant-rock; the archaic for­ not busy being born is busy dying.” Refus­ malism o f 19th-century parlor ballads; Dylan’s ing to stay still and rest on his laurels, Waits early- and mid-sixties transformation of the has continuously sought new influences, possibilities of language in the worlds of both dramatically reinventing himself and his art folk and rock; the elegance of pre-war Irving along the way. In Berlin, Cole Porter, the process, he has WAITS SEEM S and Hoagy Carmichael; forged a highly the sophistication of original, personal, TO HAVE NO postwar Frank Sinatra; and idiosyncratic LIMITS TO HIS and, more recently, the musical lexicon, bone-crushing grooves resulting in one of IMAGINATION of 1980s and 1990s the most distinc­ funk and hip-hop. In­ tive, rich, and diverse bodies of recorded deed, the art of Tom Waits has altogether tran­ work in American popular music history. scended time and, to some degree, place.
    [Show full text]
  • Tom's Wild Year: the Story of Swordfishtrombones
    Tom's Wild Year: The Story of Swordfishtrombones Classic Rock, June 2013 HAVE I GOT NEWS FOR YOU it was not. Tom Waits did, however, have news for fellow guest Ian Hislop, rounding on the latter after he suggested that Waits promote his new album more audibly, and snarling that he would "promote it in my own damn way". The year was 1983, the album Swordfishtrombones, and the programme was the October 18th edition of Channel 4's dismal yoof-oriented chatshow Loose Talk. Waits had already sidestepped the trap set when host Steve Taylor asked whether the singer was familiar with "the seedier parts" of his native Los Angeles, replying, "You mean like a farming community?" The squirm-inducing interrogation staggered on until Waits lost it with Hislop. In those pre-reality-TV days it was almost shocking. For any Waits fan who'd made the transition to Swordfishtrombones from, say, Small Change, the subtext of the Loose Talk conversation was all too clearly the 33-year-old singer's annoyance at being typecast as a beatnik bum who'd lived in LA's Tropicana Motel and made boozy faux-jazz albums about… well, living in LA's Tropicana Motor Hotel. For Swordfishtrombones was nothing if not a radical rewrite of Waits' nighthawk persona, dispensing not only with the Tropicana but with the many crutches he'd used since making his first album for David Geffen's Asylum label a decade earlier: manager Herb Cohen, producer "Bones" Howe, and (Elektra- )Asylum Records itself. To this day I can recall the mild shock we felt on the NME staff when Swordfishtrombones followed abruptly on the heels of Waits' lush, Howe-helmed soundtrack for Francis Ford Coppola's big-budget film One from the Heart.
    [Show full text]
  • Swordfishtrombones Revisited
    Swordfishtrombones Revisited Start time: 8pm Approximate running time one hour 30 minutes, no interval Please note all timings are approximate and subject to change David Sheppard talks to David Coulter about discovering a spirit of adventure through Swordfishtrombones. At the dawn of the 1980s, Tom Waits was in danger of sliding into terminal self-parody. While his songs were covered by everyone form The Eagles to Bruce Springsteen, Waits, who had just turned 30, seemed stuck in an artistic rut, his albums delivering a cocktail of retro styles: afterhours burlesques, Beat poet reveries, jazzy stomps and string-laden ballads, all of them rendered in the grizzled cartoon baritone of a heavy-smoking soak at least twice his age. Despite 1980’s Heart Attack & Vine, the sixth and last of his albums for Elektra/Asylum, winning critical plaudits, Waits was growing jaded, holed up in West Hollywood’s sybaritic Tropicana Hotel, still peopling his songs with lonely, hard-boiled characters apparently on loan from desolate Edward Hopper paintings or the novels of Dashiell Hammett. While elsewhere punk’s youthful new broom was gleefully sweeping away the old, Waits remained a goateed, trilby-hatted anachronism, a wilful throwback to a sentimentalised, pre-rock’n’roll America. ‘I used to think I was making movies for the ears… I was overly maudlin and romantic’, he later admitted. Happily, artistic deliverance would soon arrive courtesy of another kind of ‘movie for the ears’ – namely a commission from Francis Ford Coppola to write a ‘lounge operetta’ score for the director’s ambitious cine-musical, One From the Heart.
    [Show full text]
  • Tom Waits Big Time Mp3, Flac, Wma
    Tom Waits Big Time mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Big Time Country: UK Released: 1988 Style: Blues Rock, Lo-Fi, Experimental MP3 version RAR size: 1816 mb FLAC version RAR size: 1852 mb WMA version RAR size: 1535 mb Rating: 4.3 Votes: 919 Other Formats: MOD MMF MPC DTS MP4 AUD XM Tracklist Hide Credits A1 16 Shells From A Thirty-Ought-Six A2 Red Shoes A3 Cold Cold Ground A4 Way Down In The Hole Falling Down A5 Double Bass [Upright Bass] – Larry TaylorDrums – Richie HaywardGuitar – Fred Tackett A6 Strange Weather B1 Big Black Mariah B2 Rain Dogs B3 Train Song B4 Telephone Call From Istanbul B5 Gun Street Girl B6 Time Companies, etc. Record Company – Bertelsmann Music Group Record Company – Ariola Eurodisc GmbH Recorded By – Westwood One Mobile Truck Mixed At – Sunset Sound Mixed At – Sunset Sound Factory Mastered At – Masterdisk Phonographic Copyright (p) – Island Records Inc. Copyright (c) – Island Visual Arts Published By – Jalma Music Published By – Ackee Music, Inc. Published By – Fifth Floor Music, Inc. Pressed By – Sonopress Printed By – TOPAC Distributed By – BMG Records Distributed By – BMG Ariola Credits Accordion, Organ [Hammond], Sitar, Congas – Willie Schwarz* Drums, Percussion, Bongos, Drum [Brake Drum] – Michael Blair Electric Bass, Horn [Alto] – Greg Cohen Guitar, Banjo, Trumpet – Marc Ribot Mastered By – Howie Weinberg Producer – Kathleen Brennan, Tom Waits Saxophone, Clarinet, Horns [Baritone] – Ralph Carney Written-By – Kathleen Brennan (tracks: A6), Tom Waits Notes Recorded live in Los Angeles, San Francisco, Dublin, Stockholm and Berlin Produced by Tom Waits and Kathleen Brennan. For all titles Jalma Music, admin.
    [Show full text]
  • 50-02 Tom Waits Musik
    Swend’s Bluesband celebrating Musik Swend’s Bluesband celebrating Discography Closing Time (Marts, 1973) 1. Ol' '55 2. I Hope That I Don't Fall In Love With You 3. Virginia Avenue 4. Old Shoes (& Picture Postcards) 5. Midnight Lullaby 6. Martha 7. Rosie 8. Lonely 9. Ice Cream Man 10. Little Trip To Heaven (On the Wings Of Your Love) 11. Grapefruit Moon 12. Closing Time (instrumental) The Heart Of Saturday Night (Oktober, 1974) 1. New Coat Of Paint 2. San Diego Serenade 3. Semi Suite 4. Shiver Me Timbers 5. Diamonds On My Windshield 6. (Looking For) The Heart Of Saturday Night 7. Fumblin' With The Blues 8. Please Call Me Baby 9. Depot Depot 10. Drunk On The Moon 11. The Ghosts Of Saturday Night (After Hours At Napoleone's Pizza House) Nighthawks At The Diner (October, 1975) 1. Opening Intro 2. Emotional Weather Report 3. Intro 4. On A Foggy Night 5. Intro 6. Eggs And Sausage (In A Cadillac With Susan Michelson) 7. Intro 8. Better Off Without A Wife 9. Nighthawk Postcards (From Easy Street) 10. Intro 11. Warm Beer And Cold Women 12. Intro 13. Putnam County 14. Spare Parts 1 (A Nocturnal Emission) 15. Nobody 16. Intro 17. Big Joe And Phantom 309 18. Spare Parts 2 And Closing (spoken word) Swend’s Bluesband celebrating Discography Small Change (September, 1976) 1. Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen) 2. Step Right Up 3. Jitterbug Boy 4. I Wish I Was In New Orleans 5. The Piano Has Been Drinking Not Me 6.
    [Show full text]
  • Download PDF Here
    1 2 3 the 19th annual watermill center summer benefit 7.28.12 the big bang the byrd hoffman watermill foundation thanks lvmh / moët hennessy.louis vuitton 4 1 board of directors shaikha paula al-sabah . dianne b . irving benson pierre bergé . giancarla berti . william i. campbell alain coblence . louise hirschfeld cullman . lisa de kooning . simon de pury . lisa ehrenkranz . charles fabius . jürgen friedrich . roger ferris . jolmer d. gerritse . philip glass . amy guttman . gabriele henkel . holm keller . jan kengelbach . lummi u. kieren . william kornreich . ann lewis (in memoriam) tatiana platt . katharine rayner . elka rifkin roberta sherman . stanley stairs . robert wilson 2011 international summer program credit - lovis dengler 2 3 board of advisors giorgio armani . pierre bergé . christophe de menil . christoph eschenbach . betty freeman (in memoriam) . philip glass . rhoda grauer . donna karan . thomas krens . annie leibovitz . gérard mortier . jessye norman . maren otto . michael otto . claude pompidou (in memoriam) . lou reed . isabella rossellini . richard serra . cindy sherman . tom waits . richard von weizsäcker resident artists krymov lab (russia) credit - jake schlichting 4 5 selection committee marina abramovic´ . marie-claude beaud kristy edmunds . jonathan safran foer roselee goldberg . alanna heiss . jürgen kluge . xavier le roy . albert maysles . michael morris . gérard mortier . ida nicolaisen . john rockwell . dr. thomas f. schutte . richard sennett . taryn simon . elisabeth sussman nike wagner . jörn weisbrodt . robert wilson resident artists wet weather ensemble (australia) credit - lovis dengler 6 7 community board michael braverman (chair) . elka rifkin (honorary chair) . maeera mougin (honorary chair) maria pessino (honorary chair) . ruth applehof dianne b . christophe de menil . eileen ekstract kimberly goff . debra halpert . roberta o.
    [Show full text]
  • Riffs: Experimental Writing on Popular Music
    Riffs Experimental writing on popular music Issue 1 Volume 2: October 2017 ISSN 2513-8537 I shot this photograph on a roof in Marylebone. Jesse Hector is one of the great lost figures from the music scene, his band The Hammersmith Gorillas steered glam into punk. You know that ‘first punk festival’ they had in France, with the Damned etc? Jesse headlined it. Yet at the moment when success was almost guaranteed Jesse withdrew from the limelight, escaping to the safety of his cleaning job, the only constant in his life. It’s such a shame, Jesse is still a raw talent, it was a huge privilege to hear him play and photo- graph the man. - Brian David Stevens Front cover image: Copyright of Brian David Stevens. Riffs: Experimental writing on popular music A song can be about anything About peace or war, or the sins of industry Or the discontents of fame, or of obscurity Or how we first met, on the warmest day And how I hadn’t planned to love someone until you came Or how we survived on happiness and sleeping on the floor Or how you used to love me but you don’t even know me anymore - Dan Wilson, ‘A Song Can Be About Anything’ from Love Without Fear Issue 1 Vol. 2 October 2017 Riffs Birmingham Centre for Media and Cultural Research (BCMCR), Birmingham School of Media, Birmingham City University 5 Cardigan Street, Birmingham, B4 7BD, UK Contents Guest Editor Editorial 6 - 7 Simon Barber, Birmingham City University Simon Barber (Birmingham City University) Managing Editors Dropping Pebbles 8 - 13 Craig Hamilton Brian David Stevens Sarah Raine Mimesis
    [Show full text]
  • Papers of Éamonn and Áine Ceannt, and of Kathleen and Lily O'brennan
    Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 97 PAPERS OF ÉAMONN AND ÁINE CEANNT, AND OF KATHLEEN AND LILY O’BRENNAN MSS 13,069-13,070; 41,478–41,522 (Accessions 1412 and 2283) A collection of the political and personal papers of Éamonn Ceannt, of his wife Áine and of her two sisters Lily and Kathleen O’Brennan. Compiled by Dr Brian Kirby holder of the Studentship in Irish History provided by the National Library of Ireland in association with the National Committee for History. 2005-2006. Contents CONTENTS ................................................................................................................. 2 INTRODUCTION ....................................................................................................... 4 Scope and Arrangement ...................................................................................................................... 4 Biographical Notes .............................................................................................................................. 4 I PAPERS OF ÉAMONN CEANNT .......................................................................... 7 I.i Correspondence ............................................................................................................................... 7 I.i.1 With Áine Ceannt (née Ní Bhraonáin) ..................................................................................... 7 I.i.2 Other correspondence ..............................................................................................................
    [Show full text]
  • American Repertory Theater Announces the Cast and Design Team for William Shakespeare's the TEMPEST Adapted and Directed by A
    For Immediate Release: March 12, 2014 Contact: Kati Mitchell 617-495-2668 [email protected] American Repertory Theater announces the cast and design team for William Shakespeare’s THE TEMPEST Adapted and Directed by Aaron Posner and Teller Magic by Teller / Music by Tom Waits and Kathleen Brennan Movement by Pilobolus May 10 – June 15 Loeb Drama Center Cambridge, MA — The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Diane Paulus, Artistic Director and William Russo, Managing Director; announced today the Company for the last production of its 2013/14 Season, THE TEMPEST, adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan, and movement by Matt Kent of Pilobolus. The Tempest is produced in association with The Smith Center for the Performing Arts in Las Vegas, Nevada. The production will have a limited run in Las Vegas beginning on April 1 then move to the A.R.T. beginning performances on Saturday, May 10, 2014 at the Loeb Drama Center. It will be available for press viewing from Wednesday, May 14 at 7:30pm. Press night invitations will be sent out in late April. Experience Prospero’s wizardry as never before in this thrilling new production featuring magic by the illusionist Teller (of the legendary duo Penn and Teller). When shipwrecked aristocrats wash up on the shores of Prospero’s strange island, they find themselves immersed in a world of trickery and amazement, where Tom Waits and Kathleen Brennan’s dusty music and Pilobolus’ athletic movement animate the spirits and monsters.
    [Show full text]
  • Late Night Concert Claire Huguenin Jibcae Tom Waits
    Radio SRF 2 Kultur, Postfach CH-4002 Basel Late Night Concert [08.07.2016] 22.05 – 24.00 BS 1-20242-0611 1-20242-0612 Redaktion: Roman Hosek Claire Huguenin Jibcae 28.05.2016 am Jazz Festival Schaffhausen CD EA SRF Soul Farewell/Mother Siren 08:29 Claire Huguenin The Man I Love 06:01 George Gershwin Patchwork Heart 05:25 Claire Huguenin Bad Layer 01:54 Claire Huguenin Caillou/Bonny At Morn 07:25 Claire Huguenin Fireplace 04:33 Claire Huguenin Come Clear/Aaamh 12:07 Claire Huguenin Weary Dany 04:06 Claire Huguenin Claire Huguenin (voc/p/g); Fabio Pinto (g); Julie Campiche (harp); Julie Campiche (harp) Tom Waits - Big Time CD (1987) Island 16 Shells From a Thirty-Ought-Six 04:18 Tom Waits Island Masters IMCD 249 Red Shoes 04:19 Tom Waits Island Masters IMCD 249 Underground 02:34 Tom Waits Island Masters IMCD 249 Cold Cold Ground 03:27 Tom Waits Island Masters IMCD 249 Straight to the Top 02:48 Tom Waits, Greg Island Masters Cohen IMCD 249 Yesterday Is Here 02:40 Tom Waits, Island Masters Kathleen Brennan IMCD 249 Way Down in the Hole 04:43 Tom Waits Island Masters IMCD 249 Falling Down 04:15 Tom Waits Island Masters IMCD 249 Strange Weather 03:35 Tom Waits, Island Masters Kathleen Brennan IMCD 249 Big Black Mariah 02:59 Tom Waits Island Masters IMCD 249 Rain Dogs 03:36 Tom Waits Island Masters IMCD 249 Train Song 04:29 Tom Waits Island Masters IMCD 249 Johnsburg, Illinois 01:29 Tom Waits Island Masters IMCD 249 Ruby's Arms 04:54 Tom Waits Island Masters IMCD 249 Telephone Call From Istanbul 04:17 Tom Waits Island Masters IMCD 249 Clap Hands 04:57 Tom Waits Island Masters IMCD 249 Gun Street Girl 04:21 Tom Waits Island Masters IMCD 249 Gun Street Girl 04:01 Tom Waits Island Masters IMCD 249 Time 04:10 Tom Waits Island Masters IMCD 249 Tom Waits (voc/p/g/org/perc); Marc Ribot (g/banjo/tr); Fred Tackett (g); Greg Cohen (eb); Larry Taylor (acc b); Ralph Carney (sax/cl) Willy Schwarz (acc/org/sitar/perc); Michael Blair (dr/perc); Richie Hayward (dr) .
    [Show full text]