Ishik University Department of Interior Design 2019-2020 Fall Semester

Total Page:16

File Type:pdf, Size:1020Kb

Ishik University Department of Interior Design 2019-2020 Fall Semester Ishik University Department of Interior design 2019-2020 Fall Semester Lecturer: Dlman Aziz Mohammmed Locality andVernacular Introduction to locality and Vernacular Influences on the vernacular Climate Culture Environment and Material FACTORS INFLUENCING HOUSE FORM References Introduction to locality and Vernacular The fact or condition of having a location in space or time. A particular place, situation, or location. The position or site of something. In linguistics, vernacular refers to language use particular to a time, place or group. In architecture, it refers to that type of architecture which is original to a specific time or place (not imported or copied from elsewhere). It is most often applied to residential buildings. Introduction to locality and Vernacular The reference book of Vernacular Architecture of the World defines vernacular architecture as: people. Related to their environmental contexts and available resources they are normally owner- or community-built, utilizing traditional technologies. All forms of vernacular architecture are built to meet specific needs, accommodating the values,- Staircaseseconomies throughand historyways by Evaof Jiricnalife of the cultures that produce them. Introduction to locality and Vernacular Vernacular architecture is an architectural style that is designed based on the local needs, availability of construction materials and reflecting local traditions. At least originally, vernacular architecture did not use formally-schooled architects, but relied on the design skills and tradition of local builders. However, since the late 19th century many professional architects have worked in versions of this style like Bernard Rudofsky (1905-1988) and Hassan Fathy (1900-1989) 6 Introduction to locality and Vernacular Introduction to locality and Vernacular Iraqi vernacular Korean vernacular This kind of architecture still plays a role in architecture and design, especially in local branches. Climate 1. Climate One of the most significant influences on vernacular architecture is the macro climate of the area in which the building is constructed. Buildings in cold climates invariably have high thermal mass or significant amounts of insulation. They are usually closed in order to prevent heat loss, and openings such as windows tend to be small or non-existent. Buildings in warm climates, by contrast, tend to be constructed of lighter materials and to allow significant cross ventilation through openings in the fabric of the building. Climate Climatic influences on vernacular architecture are substantial and can be Mediterranean vernacular, and that of much of the Middle East, often includes a courtyard with a fountain or pond; air cooled by water mist and evaporation is drawn through the building by the natural ventilation set up by the building form. Erbil citadel Climate African vernacular often has very high thermal mass and small windows to keep the occupants cool, and in many cases also includes pipe, not for fires but to draw air through the internal spaces. Such specializations are not designed, but learn by trial and error over generations of building construction. - A sample of dwelling in Libia Culture The way of life of building occupants, and the way they use their shelters, is of great influence on building forms. The size of family units, who shares which spaces, how food is prepared and eaten, how people interact and many other cultural considerations will affect the layout and size of dwellings. Culture also has a great influence on the appearance of vernacular buildings, as occupants often decorate buildings in accordance with local customs and beliefs. Environment and Material The local environment and the construction materials it can provide, govern many aspects of vernacular architecture. Areas rich in trees will develop a wooden vernacular, while areas without much wood may use mud or stone. In early California redwood water towers supporting Redwood tanks and enclosed by redwood siding (tank houses)were part of a self-contained wind powered domestic water system MUD - RAJASTHAN WOOD - KERALA THATCH - TAMILNADU STONE - HIMACHAL BAMBOO - CHANG GHOR In the Far East it is common to use bamboo, as it is both plentiful and versatile. Vernacular, almost by definition, is sustainable, and will not exhaust the local resources. If it is not sustainable, it is not suitable for its local context, and cannot be vernacular. FACTORS INFLUENCING HOUSE FORM Athabascan -summer hut Cappadocia, Turkey –cave dwellings + Marsh Arab dwellings, Iran Eskimo –winter igloo FACTORS INFLUENCING HOUSE FORM Cultural - Socio-cultural forces may include religious beliefs, family and clan structure, social organization, way of gaining livelihood, and social relations between individuals. Social organization may Reflect the varying relationships between or varying needs of genders or different age-groups. AGRAHARAM – BRAHMINS, TAMIL NADU FACTORS INFLUENCING HOUSE FORM Site - Influence of site on house form –hilly terrain, ecological determinism, lack of land, etc. Santorini, Greece -barrel vault roofs Agra fort, Agra (stone...concrete) FACTORS INFLUENCING HOUSE FORM Religion - Anti-physical determinism (neglecting material factors) - attributes form of houses to religious or spiritual views and beliefs; orientation, plan and spatial arrangements may be affected by religious beliefs; raised on stilts or underground can also be attributed to religion CHURCHES , RUSSIA FACTORS INFLUENCING HOUSE FORM Economics - Exerts constraints on house development, but does not account for house form HOUSES IN NEPAL – BASED ON ECONOMY FACTORS INFLUENCING HOUSE FORM Materials, Construction, and Technology -Evolution of form Uru dwelling, Peru -reeds Arab tents -sticks + felt Yaguadwelling, Amazon -wood + thatch Masai dwelling, Africa -wood + thatch (+ mud) FACTORS INFLUENCING HOUSE FORM A lot of countries around the world have there tribes and natives who still live own "aboriginal people". For example, Canada, permanently under very simple conditions Alaska and North Russia have Eskimos who live Kåta", which is like at tent. - In sweden in igloos. The mongolians live in a "Yurt" wich is like a A tribe in India live in this hut called the Toda Hut. circular wooden frame carrying a felt cover. FACTORS INFLUENCING HOUSE FORM Batak house, Indonesia Mud house, Nepal FACTORS INFLUENCING HOUSE FORM Traditional Yemeni house in Sana'a FACTORS INFLUENCING HOUSE FORM Village with typically thatched rondavels in the Mandara Mountains, Cameroon, Central Africa, Africa FACTORS INFLUENCING HOUSE FORM Main street of traditional Tana Toraja village, tongkonan houses and buildings. Kete Kesu, Rantepao, Sulawesi, Indonesia References Noble, Allen George. Traditional buildings: a global survey of structural forms and cultural functions. London: I. B. Tauris, 2007. 1-17. Print.ISBN 9781845113056. Encyclopedia of Vernacular Architecture of the World, volume 1, page not cited. .
Recommended publications
  • Training Report on Cultural Heritage Protection
    Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2011 - Indonesia - 5 July - 4 August, 2011, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2011 - Indonesia - 5 July - 4 August, 2011, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Edited and Published by Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 757 Horen-cho, Nara 630-8113 Japan Tel: +81-(0)742-20-5001 Fax: +81-(0)742-20-5701 e-mail: [email protected] URL: http://www.nara.accu.or.jp Printed by Meishinsha Ⓒ Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 2012 Practical training of taking rubbing Practical training of drawing Practical training of photography The closing ceremony at the ACCU office Preface The Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU Nara) was established in August 1999 with the purpose of serving as a domestic centre for promoting cooperation in cultural heritage protection in the Asia-Pacific region. Subsequent to its establishment, our office has been implementing a variety of programmes to help promote cultural heritage protection activities, in close cooperation with the Agency for Cultural Affairs, Japan (Bunkacho); National Institutes for Cultural Heritage, National Research Institute for Cultural Properties, Tokyo and Nara; the Nara Prefectural Government; the Nara Municipal Government; universities; and museums.
    [Show full text]
  • The Prehistory of Home
    Chapter 1 The Prehistory of Home Our trowels scrape through time. A dozen of us — archaeologists, stu- dents, and workmen — are excavating in far northern Peru. Digging through hard layers of ash-black clay and past thick jumbles of ancient oyster shells, we carefully scoop up the loosened midden and sieve it through dry shaker screens, trapping durable potsherds and glinting flakes of obsidian. We watch for traces of archaic structures: postholes from long-gone timbers, subtle variations in soil color and texture, a slightly more compacted surface. We speak in low voices as we dig, afraid that any distraction will cause us to miss the ancient traces of home. Various animals build shelters, but only humans build homes. Humans build dwellings in different environments, constructed with diverse mate- rials and in distinct forms, and associated with nuanced meanings. We have done this for millennia. No other species lives in such a variety of shelters. Despite the diver- sity of the constructions that other animals create — the pendulous bas- kets of oriole nests, the intricate dens of prairie dogs, or the decorated nests of bowerbirds — humans construct the broadest array of dwellings on Earth. Our words for “dwelling” point to this diversity: Palace, hovel, hogan, ranch house, croft. Tipi, chalet, duplex, kraal. Igloo, bungalow, billet, cabin. 1 2 | The Prehistory of Home Cottage, crannog, adobe, manor. Wickiup, villa, lean-to, abbey. Hacienda, barrack, lodge, shanty. Pithouse, penthouse, pueblo, condo. In the Kalahari Desert, !Kung San women construct veldt-brush wind- breaks for their families in less than an hour, a dwelling abandoned in a few days when the foraging band moves on.
    [Show full text]
  • Research Article Traditional Houses and Projective Geometry: Building Numbers and Projective Coordinates
    Hindawi Journal of Applied Mathematics Volume 2021, Article ID 9928900, 25 pages https://doi.org/10.1155/2021/9928900 Research Article Traditional Houses and Projective Geometry: Building Numbers and Projective Coordinates Wen-Haw Chen 1 and Ja’faruddin 1,2 1Department of Applied Mathematics, Tunghai University, Taichung 407224, Taiwan 2Department of Mathematics, Universitas Negeri Makassar, Makassar 90221, Indonesia Correspondence should be addressed to Ja’faruddin; [email protected] Received 6 March 2021; Accepted 27 July 2021; Published 1 September 2021 Academic Editor: Md Sazzad Hossien Chowdhury Copyright © 2021 Wen-Haw Chen and Ja’faruddin. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The natural mathematical abilities of humans have advanced civilizations. These abilities have been demonstrated in cultural heritage, especially traditional houses, which display evidence of an intuitive mathematics ability. Tribes around the world have built traditional houses with unique styles. The present study involved the collection of data from documentation, observation, and interview. The observations of several traditional buildings in Indonesia were based on camera images, aerial camera images, and documentation techniques. We first analyzed the images of some sample of the traditional houses in Indonesia using projective geometry and simple house theory and then formulated the definitions of building numbers and projective coordinates. The sample of the traditional houses is divided into two categories which are stilt houses and nonstilt house. The present article presents 7 types of simple houses, 21 building numbers, and 9 projective coordinates.
    [Show full text]
  • Technology and Construction of Toraja Traditional House (Tongkonan)
    TEKNOLOGI DAN KONSTRUKSI RUMAH TRADISIONAL TORAJA (TONGKONAN) Technology And Construction Of Toraja Traditional House (Tongkonan) 1 St. Hadidjah Sultan, 2Karina Mayasari 1,2 Balai Pengembangan Teknologi Perumahan Tradisional Makassar Pusat Litbang Permukiman, Badan Litbang Kementerian Pekerjaan Umum Jl. Penjernihan Raya No. 22 Komp. PDAM Makassar 1 E-mail : [email protected] 2 E-mail : [email protected] Abstrak Sebuah tongkonan tidak hanya berfungsi sebagai tempat hunian semata, tetapi juga mengandung arti kosmologis dan filosofis melalui unsur bentukan tertentu. Penelitian ini bertujuan untuk mengetahui sistem teknologi dan konstruksi sebuah Tongkonan serta fungsi dan peranan Tongkonan dalam masyarakat Tana Toraja. Dalam pelaksanaan kegiatan penelitian ini, secara umum menerapkan metode yang secara garis besarnya menggunakan metoda kualitatif. Dari hasil penelitian maka diketahui bahwa rumah tradisional Toraja (Tongkonan) memiliki fungsi sebagai simbol persatuan keluarga dan juga sebagai tempat tinggal. Secara filosofis tongkonan selalu bertolak pada falsafah kehidupan yang diambil dari ajaran Aluk Todolo. Tektonika yang sangat menonjol pada rumah Toraja adalah kemampuan nenek moyang dalam memikirkan potensi lokal (local wisdom) terhadap sistem struktur bangunan-bangunan tempat tinggal mereka. Peran dan pesan simbol-simbol filosofi hidup yang diterjemahkan melalui bentukan pada bangunan tradisional. Perpaduan teknologi dan konstruksi atap berbentuk perahu dengan susunan atap bambu menjadi ciri khas rumah tradisional Toraja
    [Show full text]
  • Author: Kathleen M
    AUTHOR: KATHLEEN M. ADAMS TITLE: more than an ethnic marker: Toraja art as identity negotiator SOURCE: American Ethnologist 25 no3 327-51 Ag '98 The magazine publisher is the copyright holder of this article and it is reproduced with permission. Further reproduction of this article in violation of the copyright is prohibited. ABSTRACT In this article I suggest that art can be more than a passive ethnic marker. Focusing on the architecturally based carvings of the Toraja of Indonesia, I argue that artistic forms are sites for the assertion, articulation, and negotiation of various hierarchical identities and relationships. I trace the contested transformation of Toraja architectural symbols of elite authority into generalized icons of Toraja ethnic identity. As I chronicle these shifts I also illustrate how Toraja architectural carvings serve as vehicles for the rearticulation of assorted sets of rank, ethnic, regional, and political relationships. A key objective in this article is to highlight the complicated and often ironic relations between material culture, identity negotiation, and human agency. Drawing on Scott (1985, 1990), I suggest that while art may serve as a weapon of the weak, it can also be a weak weapon. [identity, art, ethnicity, tourism, agency, Indonesia, Toraja] EARLY IMAGES OF TORAJA IDENTITY In the first decade of this century, a British adventurer named J. MacMillan Brown traveled through the Dutch East Indies. His voyage included several weeks in Celebes (Sulawesi), where he hoped to encounter the highland Toraja people or, as he dubbed them, "the Pacific wild men." Brown's disappointment with the "tame and Christianized specimens" of Torajas he encountered in the Lake Poso region of Sulawesi is evident in his account of his travels, where he bemoans the extensive influence of missionaries and Chinese and Arab traders and laments that "the old head-hunting and banquets on an enemy's blood and brains are mere traditions" (Brown 1914:118).
    [Show full text]
  • Rua Ng Sp Ace Ruang Space
    THE VERNACULAR HIATUS: RUANGRUA MODERNITY, TRADITION, AND ETHNICITY SPACENGSP ACE Oleh: Alexander R Cuthbert; Gusti Ayu Made Suartika1 Abstract The following paper began by serving as a general introduction to this special issue of Ruang – Space. In the course of writing it morphed into a slightly different offering. While a general overview remains, covering linguistic problems and interrelationships, the paper not only offers a basic thesis about Vernacular/Ethnic architecture – thatthe central purpose of vernacular architecture isto inform the present, not to define the past, it also suggeststhe proof. In the course of outlining this idea, works contributed to two former books are cited. The first, Home- A Portfolio of Home over the Ages generated a basic structure for the purpose of analysing the generic features of home. Work previously unpublished is included to reveal the logic and method behind the eight historical chapters in the book. The second Vernacular Transformations – Architecture, Place and Tradition, specifically chapter one, illustrates the development of the thesis in significant detail, and modifies the original model on critique. The article concludes by suggesting that the thesis has been adequately supported, and that the method derived from realist philosophy using necessary and contingent features is useful until someone can improve on this overall system. Keywords: vernacular; ethnic; necessary and contingent features; counter representation. Abstrak Tulisan ini pada awalnya didedikasikan sebagai prolog untuk edisi khusus Jurnal Ruang-Space yang mengambil tema permukiman etnik. Namun dalam proses penyusunannya, telah berubah menjadi artikel yang secara khusus membahas tentang aspek linguistik dan hubungan antar elemen penyusun arsitektur etnik. Artikel ini tidak hanya memaparkan pernyataan mendasar terkait arsitektur vernakular/etnik, tetapi juga menyajikan bukti-bukti pendukung.
    [Show full text]
  • Indonesian Architecture and Earthquake Vulnerability: the Development of Building Safety Through the Civilization
    MATEC Web of Conferences 280, 01004 (2019) https://doi.org/10.1051/matecconf /20192800 1004 ICSBE 2018 Indonesian Architecture and Earthquake Vulnerability: the Development of Building Safety through the Civilization Noor Cholis Idham1,* 1Architecture Department, Universitas Islam Indonesia, Yogyakarta, Indonesia Abstract. Please let the above author information blank for the first subission of this paper to maintain annonymity during double-blind review process. If your paper is accepted, you will be required to submit the final (camera ready) version in which a completed author information as exemplified above must be provided. You should leave 8 mm of space above the abstract and 10 mm after the abstract. The heading Abstract should be typed in bold 9-point Arial. The body of the abstract should be typed in normal 9-point Times in a single paragraph, immediately following the heading. The text should be set to 1 line spacing. The abstract should be centred across the page, indented 17 mm from the left and right page margins and justified. It should not normally exceed 200 words. 1 Background Indonesia is the largest archipelago country that consists of five major islands and about 30 smaller island groups. Altogether there are 17,508 islands of which about 6,000 are inhabited. The archipelago is on a crossroad between the Pacific and the Indian oceans, and bridges two continents of Asia and Australia (Fig.1). Its strategic position and fertile nature of the land have always influenced the cultural, social, political and economic life of the country through its civilization. Not surprisingly, it has a great variety of architectural styles which are unique such as traditional Javanese, Minangkabau, Toraja and others.
    [Show full text]
  • The Structure, Composition and Utilization of Plants at Lembang Buri Tongkonan Gardens in Rembon District of Tana Toraja, Indonesia
    1 Plant Archives Vol. 20, Supplement 2, 2020 pp. 2338-2342 e-ISSN:2581-6063 (online), ISSN:0972-5210 THE STRUCTURE, COMPOSITION AND UTILIZATION OF PLANTS AT LEMBANG BURI TONGKONAN GARDENS IN REMBON DISTRICT OF TANA TORAJA, INDONESIA Afrisal Karaeng T. 1, Baharuddin Nurkin 2, Budirman Bachtiar 2 and Siti Halimah Larekeng 2* 1Department of Silviculture and Physiology of Tree Laboratory Major, Faculty of Forestry, Hasanuddin University, Makassar, Indonesia 2Laboratory of Biotechnology and Tree Breeding, Forestry Faculty, Universitas Hasanuddin, Makassar, Indonesia *Corresponding author email : [email protected] Abstract The traditional house in Tana Toraja, Tongkonan, has a vast land overgrown with various vegetation. Its vacant land (Tongkonan garden) develops and influences with the knowledge of managers, tradition, culture, area, capital, and commodities. This study applied to identify the composition, structure, and utilization of crops cultivated in Tongkonan gardens. Data obtained through field observation, observation, and measurement of the structure and composition of species and the utilization of plants in the Tongkonan garden. The findings showed that the total number of species found was 50 species with 335 plant individuals. Commodity/commercial crops occupied the highest percentage of plant utilization (43.32%), and the lowest percentage was fodder-producing plants with a percentage of 3.85%. Keywords : Composition, Structure, Tana Toraja, Tongkonan, Utilization. Introduction government, tradition power, as well as the development of the socio-cultural life of the Toraja people (Tangdilintin, Agroforestry is a land-use system that combines the cultivation of trees with seasonal crops in the form of food or 1975). In general, the Tongkonan traditional house has a other plants as commodity crops (Nurkin, 2012).
    [Show full text]
  • Inside Austronesian Houses: Perspectives on Domestic Designs for Living
    InsIde AustronesIAn Houses PersPectives on domestic designs for living InsIde AustronesIAn Houses PersPectives on domestic designs for living edited by James J. fox A publication of the department of Anthropology as part of the comparative Austronesian Project, research school of Pacific studies the Australian national University canberra ACT Australia Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au Previously published in Australia by the Department of Anthropology in association with the Comparative Austronesian Project, Research School of Pacific Studies, The Australian National University, Canberra 1993. National Library of Australia Cataloguing-in-Publication entry Inside Austronesian Houses Bibliography. ISBN 0 731515 95 1 (print) ISBN 1 920942 84 X (online) 1. Dwellings - Asia, Southeastern. 2. Dwellings - Oceania. 3. Asia, Southeastern - Social life and customs. 4. Oceania - Social life and customs. I. Fox, James J., 1940- . II. Australian National University. Dept. of Anthropology. III. Comparative Austronesian Project. 392.360095 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Typesetting and drawings by Margaret Tyrie Cover design by Adrian Young Printed at ANU Printing Service, Canberra © The several authors, each in respect of the paper presented, 1993 This edition © 2006 ANU E Press DEDICATED TO THE MEMORIES OF: Anthony Forge and Hedda Morrison Building a new longhouse (photo by Hedda Morrison) Inside Austronesian Houses Table of Contents Acknowledgements xi Chapter 1.
    [Show full text]
  • The Poetic Power of Place
    The PoeTic Power of Place comparative perspectives on austronesian ideas of locality The PoeTic Power of Place comparative perspectives on austronesian ideas of locality edited by James J. fox a publication of the department of anthropology as part of the comparative austronesian project, research school of pacific studies the australian national university canberra ACT australia Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au Previously published in Australia by the Department of Anthropology in association Australian National University, Canberra 1997. National Library of Australia Cataloguing-in-Publication entry The poetic power of place: comparative perspectives on Austronesian ideas of locality. Bibliography. Includes Indeex ISBN 0 7315 2841 7 (print) ISBN 1 920942 86 6 (online) 1. Place (Philosophy). 2. Sacredspace - Madagascar. 3. Sacred space - Indonesia. 4. Sacred space - Papua New Guinea. I. Fox, James J., 1940-. II. Australian National University. Dept. of Anthropology. III. Comparative Austronesian Project. 291.35 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Typesetting by Margaret Tyrie/Norma Chin, maps and drawings by Keith Mitchell/Kay Dancey Printed at National Capital Printing, Canberra © The several authors, each in respect of the paper presented, 1997 This edition © 2006 ANU E Press Inside Austronesian Houses Table of Contents Acknowledgements ix Chapter 1. Place and Landscape in Comparative Austronesian Perspective James J. Fox 1 Introduction 1 Current Interest in Place and Landscape 2 Distinguishing and Valorizing Austronesian Spaces 4 Situating Place in a Narrated Landscape 6 Topogeny: Social Knowledge in an Ordering of Places 8 Varieties, Forms and Functions of Topogeny 12 Ambiguities and Indeterminacy of Place 15 References 17 Chapter 2.
    [Show full text]
  • Downloaded From
    R. Waterson Houses, graves and the limits of kinship groupings among the Sadan Toraja In: Bijdragen tot de Taal-, Land- en Volkenkunde 151 (1995), no: 2, Leiden, 194-217 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/06/2021 03:07:14PM via free access ROXANA WATERSON Houses, Graves and the Limits of Kinship Groupings among the Sa'dan Toraja Introduction Quarrels are always instructive for the outsider attempting to learn the rules of another culture. It is in the breach that the force of a norm can most clearly be seen, and the arguments brought forward during disputes may illuminate principles which are otherwise taken for granted, receiving little direct expression. Disputes thus help one to grasp what are the limits either of acceptable behaviour, or of some structure or institution which in other ways may not be clearly bounded. Cognatic kinship systems in island Southeast Asia have precisely this unbounded character, and I have previously argued (Waterson 1986) for the need to focus in such cases on the strategic nature of kinship relations in everyday life, rather than on formal models - what Bourdieu has called 'practical' as opposed to 'official' kinship (Bourdieu 1977:37). The Sa'dan Toraja of highland South Sulawesi provide an excellent example of such a bilateral kinship system, one which is highly flexible in practice and where the edges of groups or individual commitments cannot be precisely defined. In my own fieldwork I found that disputed claims to membership of kinship groupings, focused around houses of origin (the tongkonan) and their stone graves (Hang), helped me to understand how kinship actually functions for the Toraja, as a set of ideas by means of which they shape their social world.
    [Show full text]
  • Typology Study of Vernacular Courtyard-House in Kerala, South India
    TYPOLOGY STUDY OF VERNACULAR COURTYARD-HOUSE IN KERALA, SOUTH INDIA STUDI TIPOLOGI VERNAKULER RUMAH “COURTYARD” DI KERALA, INDIA SELATAN Indah Widiastuti Department of Architecture, School of Architecture, Planning, and Policy Development (SAPPK), Institut Teknologi Bandung [email protected] ABSTRACT This paper is based on observation about vernacular courtyard-house architecture in Kerala, South India. Traditional architecture in India is generally governed by a knowledge, prescribed in a traditional book. However, from the field observations, we identified many exceptions against the prescribed traditional knowledge. In the case of Kerala, some of the exceptions indicate shared architectural features with indigenous architecture in Indonesian. The analysis uses typology method and unfolds six typologies and three styles of courtyard-houses. They have distinct spatial characters that give importance to women, kitchen, main orientation to water and river, and granary concept. Keywords: courtyard-house, south india, residential architecture, kerala, nalukettu, manusyalayacandrika ABSTRAK Makalah ini ditulis berlandaskan hasil observasi lapangan terhadap arsitektur vernakuler rumah court- yard, di Kerala India Selatan. Arsitektur tradisional di India pada umumnya taat pada pengetahuan, yang ditulis dalam sebuah kitab tradisional. Namun, dari pengamatan lapangan, kami mengidentifikasi adanya pengecualian desain dari yang telah diatur dalam buku tradisional tersebut. Dalam kasus arsitektur rumah courtyard Kerala, beberapa pengecualian tersebut justru menunjukkan kesesuaian dengan arsitektur asli di Indonesia. Analisis dilakukan dengan menggunakan metode Tipologi, dan mengungkap enam tipologi serta dua langgam. Pada rumah courtyard Kerala aspek perempuan, dapur, orientasi utama terhadap air dan sungai, serta konsep lumbung mendapat tempat yang penting. Kata Kunci: halaman rumah, india selatan, arsitektur hunian, kerala, naluketuu, manusyalayacandrika INTRODUCTION alien to the classical text.
    [Show full text]