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The Music Academy, Madras 115-E, Mowbray’S Road
Tyagaraja Bi-Centenary Volume THE JOURNAL OF THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XXXIX 1968 Parts MV srri erarfa i “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; (but) where my Bhaktas sing, there be I, Narada l ” EDITBD BY V. RAGHAVAN, M.A., p h .d . 1968 THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription—Inland Rs. 4. Foreign 8 sh. iI i & ADVERTISEMENT CHARGES ►j COVER PAGES: Full Page Half Page Back (outside) Rs. 25 Rs. 13 Front (inside) 20 11 Back (Do.) „ 30 „ 16 INSIDE PAGES: 1st page (after cover) „ 18 „ io Other pages (each) „ 15 „ 9 Preference will be given to advertisers of musical instruments and books and other artistic wares. Special positions and special rates on application. e iX NOTICE All correspondence should be addressed to Dr. V. Raghavan, Editor, Journal Of the Music Academy, Madras-14. « Articles on subjects of music and dance are accepted for mblication on the understanding that they are contributed solely o the Journal of the Music Academy. All manuscripts should be legibly written or preferably type written (double spaced—on one side of the paper only) and should >e signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by individual contributors. All books, advertisement moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan Editor. Pages. -
Towards Automatic Audio Segmentation of Indian Carnatic Music
Friedrich-Alexander-Universit¨at Erlangen-Nurnberg¨ Master Thesis Towards Automatic Audio Segmentation of Indian Carnatic Music submitted by Venkatesh Kulkarni submitted July 29, 2014 Supervisor / Advisor Dr. Balaji Thoshkahna Prof. Dr. Meinard Muller¨ Reviewers Prof. Dr. Meinard Muller¨ International Audio Laboratories Erlangen A Joint Institution of the Friedrich-Alexander-Universit¨at Erlangen-N¨urnberg (FAU) and Fraunhofer Institute for Integrated Circuits IIS ERKLARUNG¨ Erkl¨arung Hiermit versichere ich an Eides statt, dass ich die vorliegende Arbeit selbstst¨andig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus anderen Quellen oder indirekt ubernommenen¨ Daten und Konzepte sind unter Angabe der Quelle gekennzeichnet. Die Arbeit wurde bisher weder im In- noch im Ausland in gleicher oder ¨ahnlicher Form in einem Verfahren zur Erlangung eines akademischen Grades vorgelegt. Erlangen, July 29, 2014 Venkatesh Kulkarni i Master Thesis, Venkatesh Kulkarni ACKNOWLEDGEMENTS Acknowledgements I would like to express my gratitude to my supervisor, Dr. Balaji Thoshkahna, whose expertise, understanding and patience added considerably to my learning experience. I appreciate his vast knowledge and skill in many areas (e.g., signal processing, Carnatic music, ethics and interaction with participants).He provided me with direction, technical support and became more of a friend, than a supervisor. A very special thanks goes out to my Prof. Dr. Meinard M¨uller,without whose motivation and encouragement, I would not have considered a graduate career in music signal analysis research. Prof. Dr. Meinard M¨ulleris the one professor/teacher who truly made a difference in my life. He was always there to give his valuable and inspiring ideas during my thesis which motivated me to think like a researcher. -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Schedule for Submission of Appeal at Regional Office
SCRO: Schedule for submission of Appeal at Regional Office Sr. No Application Permanent Institute Name State Date ID ID VIF COLLEGE OF ENGINEERING & Andhra 1 1-395751273 1-5022601 TECHNOLOGY Pradesh 15th June 2011 MADANAPALLE INSTITUTE OF Andhra 2 1-395777221 1-7603741 TECHNOLOGY & SCIENCE Pradesh 15th June 2011 HI-TECH COLLEGE OF ENGINEERING & Andhra 3 1-395898205 1-4843271 TECHNOLOGY Pradesh 15th June 2011 NOBLE COLLEGE OF ENGG. & TECH. FOR Andhra 4 1-395900212 1-2504821 WOMEN(NETW) Pradesh 15th June 2011 SRINIVASA INSTITUTE OF Andhra 5 1-395917231 1-25181337 PHARMACETICAL SCIENCES Pradesh 15th June 2011 MOTHER TERESA INSTITUTE OF SCIENCE Andhra 6 1-395923222 1-6209801 AND TECHNOLOGY Pradesh 15th June 2011 MRR INSTITUTE OF TECHNOLOGY & Andhra 7 1-395923242 1-5329571 SCIENCE, UDAYAGIRI Pradesh 15th June 2011 SRI INDU COLLEGE OF ENGINEERING & Andhra 8 1-395928224 1-4205664 TECHNOLOGY Pradesh 15th June 2011 Andhra 9 1-395934253 1-12534421 RAMAPPA ENGINEERING COLLEGE Pradesh 15th June 2011 Andhra 10 1-395945331 1-6571441 SSJ COLLEGE OF PHARMACY Pradesh 15th June 2011 VAAGESWARI COLLEGE OF Andhra 11 1-395961233 1-9513591 ENGINEERING Pradesh 15th June 2011 MVR COLLEGE OF ENGINEERING AND Andhra 12 1-396058211 1-2507491 TECHNOLOGY Pradesh 15th June 2011 Andhra 13 1-396060461 1-2609821 GMR INSTITUTE OF TECHNOLOGY Pradesh 15th June 2011 Andhra 14 1-396061351 1-3142834 VISVODAYA ENGINEERING COLLEGE Pradesh 15th June 2011 DNR COLLEGE OF ENGINEERING & Andhra 15 1-396066591 1-4702766 TECHNOLOGY Pradesh 15th June 2011 AURORA'S SCIENTIFIC, Andhra 16 -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel Permalink https://escholarship.org/uc/item/90b9h1rs Author Sriram, Pallavi Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility. -
Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan
Table of Contents From the Publications & Outreach Committee ..................................... Lakshmi Radhakrishnan ............ 1 From the President’s Desk ...................................................................... Balaji Raghothaman .................. 2 Connect with SRUTI ............................................................................................................................ 4 SRUTI at 30 – Some reflections…………………………………. ........... Mani, Dinakar, Uma & Balaji .. 5 A Mellifluous Ode to Devi by Sikkil Gurucharan & Anil Srinivasan… .. Kamakshi Mallikarjun ............. 11 Concert – Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan ..... 14 A Grand Violin Trio Concert ................................................................... Sneha Ramesh Mani ................ 16 What is in a raga’s identity – label or the notes?? ................................... P. Swaminathan ...................... 18 Saayujya by T.M.Krishna & Priyadarsini Govind ................................... Toni Shapiro-Phim .................. 20 And the Oscar goes to …… Kaapi – Bombay Jayashree Concert .......... P. Sivakumar ......................... 24 Saarangi – Harsh Narayan ...................................................................... Allyn Miner ........................... 26 Lec-Dem on Bharat Ratna MS Subbulakshmi by RK Shriramkumar .... Prabhakar Chitrapu ................ 28 Bala Bhavam – Bharatanatyam by Rumya Venkateshwaran ................. Roopa Nayak ......................... 33 Dr. M. Balamurali -
Annamacharya Aaradhana
2018 అన#$%ర' ఆ)ధన Annamāchārya Ārādhana 2:00pm - 7:00pm on September 30th, 2018 Revere High School, 3420 Everett Road, Richfield OH 44286 Vision Annamacharya Aradhana endeavors to pass India’s rich cultural heritage to our next generation, encourage us to love more consciously and with abundance and excel in personal growth and social engagement. Saint Tallapaka Annamacharya (1408 - 1503) Annamayya is widely regarded as the Padakavita pitaamaha (grand old man of song writing) of the Telugu language who strongly influenced the structure of Carnatic music compositions that we hear today. Annamacharya considered his compositions as floral offerings to the Lord of the seven hills, Sree Venkateswara. Annamacharya composed close to 36,000 sankeertanas (songs) out of which only 12,000 are available today. Based on the Vishishtadvaita school of thought, his songs are classified into Aadhyaatma (spiritual) and Sringaara (romantic) genres. Many of his compositions are in Telugu language. Every year in the month of September/October, NEOTA conducts the Annamacharya Aradhana, to celebrate the life and works of Saint Annamacharya of Tallapaka, as a humble tribute to the supreme devotion of the poetic genius that continues to captivate us to this day! !1 of !5 Annamacharya Sankeerthanalu by Cleveland Annamacharya Group " (taught by Gurus Sri Srivishnu Pasumarthy & " Sri Sreekrishna Pasumarthy)" Bhakti Koladhi Vaade Rāgam: malayamarutham Tālam: Adi Anthayuneeve Rāgam: Anandabhairav Tālam: Adi Iddarigunambulive Rāgam: Kapi Tālam: Adi Kantimineedide Rāgam: -
Vijayawada- 521108
V1JAYA INSTITUTE OF PHARMACEUTICAL SCIENCES FOR WOMEN ENIKEPADU, VIJAYAWADA- 521108. Date: 28.12.2020 CIRCULAR All the faculty are hereby informed to attend the Orientation Session on Assessment & Accreditation framework for NAAC by Mr. P. V. Ramesh. All are requested to assemble in the library by 9:00am on 31.12.2020. Covid Precautions: Attendees must get their body temperature checked before entering the session. Attendees must sanitize their hands before entering the session. Attendees must wear mask that completely cover their mouth and nose. Attendees must maintain a physical distance of at least six feet at all times. leauuceu SVuuo Instit vijoy ute of P PRINCRA ENIKEPADU VIJAYA INSTITUTE VIJAYAWADA PHARMACEUTICAL SCIENCES FOR WOMEN ENKEPADU MJAYAWADA 5 108 uaIS V VIJAYA INSTITUTE OF PHARMACEUTICAL tnaepadu, VilJAYAWADA -92108 SCIENCES FOR WOMEN Telephone No: +91 14165 60999 Permited by Govt. of AP, Approved by AICTE, New Delhi Fax No: 491 866 29449999 Pharmacy Council of India, New De lhi & Afiliated to INTU Kakinada SRK FOUNDATION Meit: [email protected] VIJAYAWADA ISO 9001:2015 Certified Institution Date: 04-01-2021 REPORT Name of the Programme: Orientation Session on Assessment & Accreditation Framework for NAAC Date: 31-12-2020 Resource Person Details: Mr. P. V. Ramesh, Academic Coordinator, Kakinada Institute of Technology and Science, Divili, East Godavari Email: [email protected] Contact Number: +91-9989202720 Mr. P. V. Ramesh has conducted an Orientation Session on Assessment & Accreditation Framework for NAAC in the college library on 31 December 2020. He emphasized the importance of NAAC accreditation to HEls and explained the step-by-step process. -
Okapari Kokapari Ragam: Kharaharapriya (22Th Melakartha
Okapari Kokapari Ragam: Kharaharapriya (22th Melakartha) ARO: S R2 G2 M1 P D2 N2 S || AVA: S N2 D2 P M1 P G2 R2 S || Talam: Adi Composer: Annamacharya Version: Ram Kaushik (Orig: Nedanuri Krishnamurthy) Lyrics Courtesy: Rani (www.karnatik.com) Link: http://www.karnatik.com/c1567.shtml Pallavi : okapari kokapari oiyaaramai mokamuna kaLalella molicinaTluNDE (oka) CaraNam 1 jagadEkapati mEna jallina kaTpoora dooLi jigigoni naDuvanga cindagaanu mogi candramugi uramuna nilipEgaana pogaru vennela deega pOsinaTliNDE (oka) caraNam 2 meRaya shree venkaTEsu mEna singaaramugaanu sarasaina sommulu dhariyimcagaa meruputoTi alamElu mangayu daanu merupu mEghamukooDi merasinaTluNDE (oka) Meaning : In this song, Annamaacaarya praises the beauty and charm of Lord VenkaTEshwara. When the Lord walks gracefully, the camphor on his body sprinkles and as the goddess sits on his lap it seems as if he is covered by moonlight. The glittering ornaments worn by the Lord join the charisma of the goddess and seem like a lightning joins hands with the glitter and charisma. Meaning (word-word): Adapted from Tenneti Rao’s Blog: http://tenneti-rao.sulekha.com/blog/post/2010/09/meaning-of-okapari-kokapari-song-annamayya-kirtana.htm Time and again (“okapari- kokapari”), when the Lord is gracefully (“oyyaaramai”) walking, it seems that in his face (“mogamuna”), many beautiful rays (“kaLalenni”) have sprouted (“molaci”) and existed thus (“natlunde”). okapari = once; kokapari = a different time; oyyaaramai = with grace, gracefully; mogamuna = on the face; kaLalenni = many a ray, many beauties (cf. moon has sixteen distinct phases of beauty, sixteen degrees of beauty); molaci = as if sprouted; natlunde = exist thus; When the Lord of the world (“jagadEka -pati ”) walks gracefully, the camphor dust (“karpuura-dhuLi”) on his body (“mEna ”) sprinkles (“callina ”) and spreads sparkling light (“jigigona ”) on all four directions (“naluvanka”). -
AITS :: TIRUPATI Created 3000 Jobs and 45% Newsletter of Them Are Women
Volume 3, Issue - II Quarterly April 2016 to August 2016. p5 Volume 3, Issue - II Quarterly April 2016 to August 2016. p6 S p e a k i n g o n t h i s o c c a s i o n , P r i n c i p a l , Mr. Vishal Khanna, Volume 3, Issue - II Quarterly April 2016 to August 2016. p1 Dr. C. Nadamuni Reddy stated that it is very important for Senior Assistant Director, Civil Engineering Students to learn structural designs of F e d e r a t i o n o f I n d i a n offshore constructions since this gives a very good career Chambers of Commerce & opportunities. Industry (FICCI), New Delhi, told that 448 innovators AITS :: TIRUPATI created 3000 jobs and 45% Newsletter of them are women. He gave instances of students who had innovative ideas, submitted their ideas and been funded with rupees from 10 lakhs to 10 crores. The Students and Hod of H&S Dept. Listening Principal's speech MBA, Hod and faculty members with MBA students Government of India and Andhra Pradesh, initiative of HELPING HANDS Make in India will be a success only if we think beyond and The Department of Management Studies has take a step by show casing it in India Innovative Program, organised “Helping Hands” Programme on 26th August which will help Government to know about us and our 2016 to help the poor and needy and to inculcate research. philanthropic attitude in students. Faculty members & S r i . -
Annamacharya Keerthana Lyrics Telugu Pdf
Annamacharya keerthana lyrics telugu pdf Continue No comment: Post a comment. Go Haak Soubanya 16. Posted by Annamacharya Keerthanalu at 08:20. What is visible and invisible at the same time is drama. Enta Maayala Wadu 11. You may have to sign up... Annamacharya Keerthana Lyrics in Telugu If this is your first visit, be sure to check out the frequently asked questions by clicking on the link above. Answers. Annamacharya Keerthana Condalalo Nelakonna Lyrics Keerthana : Condalalo Nelakonna Ragam : Hindolam Talam : Aadi pallawi kondalalo nelakonna koneti raadu vadu kondalamta varamulu guppedu vadu.... Charanam1: kummara dasudaina kuruvaratinambi yimmanna varamulella yichhina vadu dommulu sesina yatti tonda man chakkura varti rammanna chotiki vachhi nammina vadu.. ... Aaraginchi Kurchunna - Annamaya Sankeerthana Lyrics Annamacharya Sankeerthanalu: Aaraginchi Kurchunna - Annamayya Sankeerthana Lyrics Annamacharya Sankeerthanalu Posted by Annamacharya Keerthanalu at 07:40. Annamaya Kirtana as Krzyrabdi Kinakaku Value: Niraadjanam Daughters of the King of the Ocean Milk; Nirajanam Sri Mahalakshmi, the divine wife of Lord Vishnu; Neerajanam to the one who was born on the Golden Lotus! Here is a site that has a lot of Annamacharya songs with the word ... I don't even know how I ended up here, but I thought this post was... All the lyrics presented on this site are only for training and promotional purposes. Answer. Labels: Letter (V) - Keerthanas. Cannada Lyrics Tamil ... Lakshman Communications: 12307 Joined: 10 Feb 2010 13:22 x 10. A place to go if you want to ask someone to identify Raga, Tala, composer, etc. or ask for s'hitya (lyrics) or notation or translations. Answer Delete. Cell : 09393021360 Price : .. -
Annamacharya Institute of Technology and Sciences::Rajampet (Autonomous)
ANNAMACHARYA INSTITUTE OF TECHNOLOGY AND SCIENCES::RAJAMPET (AUTONOMOUS) www.aitsrajampet.ac.in DEPARTMENT OF ELECTRONICS AND COMMUNICATION ENGINEERING ACADEMIC REGULATIONS (R17) AND COURSE STRUCTURE AND SYLLABI For the students admitted to B. Tech., Regular Four Year Degree Programme in CBCS from the Academic Year 2017-18 and B. Tech., Lateral Entry Scheme from the Academic Year 2018-19 B. Tech., ELECTRONICS AND COMMUNICATION ENGINEERING VISION AND MISSION OF THE INSTITUTION Vision We impart futuristic technical education and instill high patterns of discipline through our dedicated staff who set global standards, making our students technologically superior and ethically strong, who in turn shall improve the quality of life of the human race. Mission Our mission is to educate students from the local and rural areas and from other states so that they become enlightened individuals, improving the living standards of their families, industry and society. We provide individual attention, world class quality of Technical education and take care of character building. VISION AND MISSION OF THE DEPARTMENT Vision To offer educational experiences that makes the students globally competent, socially responsible and bring in answers to ever-ebbing problems in the field of Electronics & Communication Engineering. Mission To offer high quality premier education in the field of Electronics & Communication Engineering and to prepare students for professional career and higher studies. To promote excellence in technical research, collaborative activities and positive contributions to society. PROGRAM EDUCATIONALOBJECTIVES: The B.Tech. Electronics & Communication Engineering graduates will be able to: 1. Work efficiently as Communication Engineers, including supportive and leadership roles on Multidisciplinary teams 2. Communicate effectively, recognize and incorporate societal needs and constraints in their professional endeavors, and practice their profession with high regard to legal and ethical responsibilities, 3.