Tapestries: Interwoven voices of local and global identities Volume 8 Issue 1 Resisting Borders: Rethinking the Limits Article 6 of American Studies 2019 Racial Representation and Miss Saigon: A Zero Sum Game? Isabel P. S. Ryde Macalester College,
[email protected] Keywords: musical theater, Miss Saigon, Broadway, Minnesota theater, race, Asian-American protest, Asian representation in media Follow this and additional works at: https://digitalcommons.macalester.edu/tapestries Recommended Citation Ryde, Isabel P. S. (2019) "Racial Representation and Miss Saigon: A Zero Sum Game?," Tapestries: Interwoven voices of local and global identities: Vol. 8 : Iss. 1 , Article 6. Available at: https://digitalcommons.macalester.edu/tapestries/vol8/iss1/6 This Article is brought to you for free and open access by the American Studies Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Tapestries: Interwoven voices of local and global identities by an authorized editor of DigitalCommons@Macalester College. For more information, please contact
[email protected]. Racial Representation and Miss Saigon: A Zero Sum Game? Isabel (Izzy) P. S. Ryde Abstract People have been protesting and supporting the musical Miss Saigon since its premiere in 1989. The musical tale of a white American GI falling in love with a Vietnamese bargirl during the Vietnam War is praised for its diverse cast and showing the Vietnamese side of the war. Miss Saigon is also criticized for its stereotypical depiction of Asian women as prostitutes and Asian men as cold and treacherous. Both sides are passionate, and there is no clear consensus or majority opinion. What, then, is the value of Miss Saigon? Should it be banned or still performed? I analyze the different positions of the protesters, and compare their opinions to Miss Saigon supporters.