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Isfahan Traditional Hotel Sheikh Lotfollah Mosque

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Isfahan Traditional Hotel Sheikh Lotfollah Mosque اﻗﺘﺼﺎد ورزش ﻓﺮﻫﻨﮓ و ﻫﻨﺮ اﻗﺘﺼﺎد ﺗﻨﺪرﺳﺘﻰ ورق ﻫﺎى وﯾﮋه ﻣخﺎزن آژﻣﺎن، «دﻧﯿﺎى ﻗشﻨﮓ ﺻﺎدﻗﺎﻧﻪ ﺑﺎ ﻃﺮح ﺣﻤﻞ ﮔﺎز ﻣﺎﯾﻊ در ﺗﺤﻮل ﺳﻼﻣﺖ ﻧﻮ» را ﺑﺮرﺳﻰ ﻣ ﻰ ﮐﻨﺪ ﻫﺮﮔﻮﺷﻪ اﯾﻦ ﭼﺮﺧﻪ درﻣﺎن و ﺳﻼﻣﺖ ﮐﻪ ﻓﻮﻻد ﻣﺒﺎرﮐﻪ ﺗﻮﻟﯿﺪ ﺷﺪ ﻧﺸﺴﺖ ﻣﺘﻤﺮﮐﺰ ﮔﺮوﻫﻰ درﺑﺎره ﮐﺘﺎب دﺳﺖ ﺑﮕﺬارى، ﻫﺮﭼﻘﺪر ﻫﻢ روﻏ ﻦﮐﺎرى ورق ﻫﺎى ﻓﻮﻻدى ﺑﺎ ﮔﺮﯾﺪ P460NJ2 «دﻧﯿﺎى ﻗﺸــﻨگ ﻧﻮ» ﻧﻮﺷﺘﻪ «آﻟﺪوس ﺷــﺪه ﺑﺎﺷــﺪ، ﺑﺎز ﻫــﻢ ﺻــﺪاى ﺑﻌﻀﻰ از اﺳﺘﺎﻧﺪارد AFNOR ﻓﺮاﻧﺴﻪ ﻣﺮﺑﻮط ﻫﺎﮐﺴﻠﻰ» از ﺳــﻮى ﻣﻮﺳﺴﻪ ﻓﺮﻫﻨﮕﻰ اﺟﺮاى دﻗﯿﻖ ﺳﯿﺎﺳ ﺖﻫﺎى زﻧ گزدﮔ ﻰﻫﺎﯾــﺶ ﺑﻪ ﮔﻮش ﻣﻰ رﺳــﺪ. ﺑﻪ ﻓﻮﻻدﻫﺎى ﻣﯿﮑﺮوآﻟﯿﺎژى اﺳﺘﺤﮑﺎم رﯾﺎل ﺑﻪرﯾﺎل ﻫﺰﯾﻨﻪ ﭘژوﻫﺸﻰ آژﻣﺎن ﺑﺮﮔﺰار ﻣﻰ ﺷﻮد. ﻣﺪﯾﺮ ﺧﻮدﻣﺎﻧ ﻰﺗﺮﺑ ﮕﻮﯾﯿﻢ، ﻣﻮﺿﻮع ﺳﻼﻣﺖ ﻣﺮدم ﺑﺎﻻ، وﯾژه ﺻﻨﻌﺖ ﺳﺎﺧﺖ ﻣﺨﺎزن ﺣﻤﻞ ﻧﻘ ﺶﺟﻬﺎن از ﮐﻨﺎر ﻣﺬاب رد داﺧﻠﻰ ﻣﻮﺳﺴــﻪ ﻓﺮﻫﻨﮕﻰ ﭘژوﻫﺸــﻰ اﺻﻞ 44 و اﻗﺘﺼﺎد را ﻧﻤﻰ ﺗﻮان دﺳــﺘﺨﻮش ﺑﻪ ﺑﻪ و ﭼﻪ ﭼﻪ ﮔﺎز ﻣﺎﯾﻊ... 15 ﺷﺪه اﺳﺖ 18 آژﻣﺎن ... 16 ﻣﻘﺎوﻣﺘﻰ اﺳﺖ 15 راهاﻧﺪاﺧﺘﻦ ﻫﺎى ﻏﯿﺮواﻗﻌﻰ ﯾﺎ ﻫﻤﺎن ... 17 ﭘﻨﺠﺸﻨﺒﻪ| 13 آﺑﺎن 1395| 3 ﻧﻮاﻣﺒﺮ 2016 | 3 ﺻﻔﺮ 1438 | ﺳﺎل ﺑﯿﺴﺖ و ﭘﻨﺠﻢ | ﺷﻤﺎره 5256| ﺻﻔﺤﻪ WWW. NASLEFARDA.NET naslefardanews naslfarda 30007232 13 ﯾﺎدداﺷﺖ ﻋصر دﯾروز، افﺘﺘﺎح فﺎز دوم و 4 اﯾسﺘگﺎه قﻄﺎر ﺷﻬری ﺑﻪ دﺳﺖ ﻣﻌﺎون اول رﯾﯿﺲ ﺟﻤﻬور و هﯿئﺖ هﻤراه اﻧجﺎم ﺷﺪ ﻧﯿـﻢ ﻧﮕـﺎه 13 ﻓﺮﺻﺖ ﺗﺤﻘﻖ ﭘﺪاﻓﻨﺪ ﻏﯿﺮﻋﺎﻣﻞ ﭘﯿﺸﻨﻬﺎد اﻣروز ﺑﺮدﯾﺎ ﺑﻬﻤﻨﺶ Tomorrow is ours Today,s weather ThursdayNasle | 3 November 2016 | No. 5256 farda Thursday WWW . NASLEFARDA 3 Sunrise: 06:23:03 .NET Sunset: 17:10:43 Fereydunshahr naslefardanews Morning call to prayer: 11:46:53 -1 ° c Noon call to prayer: 11:46:56 20 ° c Shahreza ° Evening call to prayer: 17:28:53 20 c Where to stay ? naslfarda 1 ° c 2 c ﻫﻤﮕﺎن ﺑﻪ ﯾﺎد دارﻧﺪ ﮐﻪ روز 13 آﺑﺎن، ﯾﺎدآور ﺣﻮادث ° 20 c Kashan 30007232 Isfahan 6 ° c Sheikh Lotfollah Mosque: 21 ° c Traditional ﻣﻬﻤﻰ اﺳﺖ ﮐﻪ در ﺷﮑﻞ ﮔﯿﺮى اﻧﻘﻼب اﺳﻼﻣﻰ Hotel Masterpiece Of World’s Architecture s the name suggests, this و ﺑﯿﺮون راﻧﺪن ﻣﻈﻬﺮ اﺳــﺘﮑﺒﺎر ﯾﻌﻨﻰ آﻣﺮﯾﮑﺎ از Ahotel offers tourists an insight into everyday elite living during the Safavid and Qajar eras. The hotel is housed in two adjoining Qajar mansions that have been masterfully restored by skilled craftsmen اﯾﺮان ﻧﻘﺶ اﺳﺎﺳﻰ داﺷﺖ. ﯾﺎدﻣﺎن ﻫﺴﺖ در روز from around Isfahan and Yazd and painted in bright blues and ochre. It uses symbolic Iranian architectural elements like low vaulted corridors, two central courtyards, and an entrance from a busy market. 13 آﺑﺎن 1343، ﻣﺄﻣﻮران رژﯾﻢ ﺷﺎه، ﺣﻀﺮت اﻣﺎم The hotel offers an internet café, a secure parking area for guests, and a cab calling service. Rooms: The hotel is relatively small, with only 16 rooms – but this means that service is much more attentive, and the place does not get very ﺧﻤﯿﻨﻰ(ره) را در ﻗﻢ دﺳﺘﮕﯿﺮ و ﺑﻪ دﺳﺘﻮر آﻣﺮﯾﮑﺎ، .crowded Rooms come in different sizes – 10 Standard Double Rooms, 5 Regular Suites, and one VIP Suite. All rooms are ﻣﺘﺮو دراﯾﺴﺘﮕﺎه ﯾﺎزدﻫم spacious, with individual air conditioning, satellite television, pay-per-view ﺑﻪ ﺗﺮﮐﯿﻪ ﺗﺒﻌﯿﺪ ﮐﺮدﻧﺪ. ﻫﻤﭽﻨﯿﻦ ﻣﺮدم ﻣﺎ ﺧﻮب ﺑﻪ movies, DVD players, 14 refrigerators, direct landlines, and electric tea makers. Not all rooms have attached baths. Only the Suites do. masterpiece of the Dining: world’s architecture from other four Eivans Iranian A was built during the Not surprisingly, the hotel reign of Shah Abbas the Great. mosques. contains a restaurant that Sheikh Lotfollah was one of It is rather a small mosque when we enter the main part, we ﯾﺎد دارﻧﺪ ﮐﻪ واﻗﻌﻪ دﯾﮕﺮى ﮐﻪ اﯾﻦ روز را در اذﻫﺎن is really popular even Shiite prominent, preachers and without courtyard and minarets, will be able to see the glory and Ali Reza Abbasi one of the most with tourists who are not clergies who came from Jabal but the interior and exterior beauty of the mosque as real as famous calligraphers of Iran has staying at the hotel. It Amel in Lebanon to Isfahan. ornamentations are unbelievable possible. written major parts of mentioned only circulates the fresh air into serves delectable local and The Shah Abbas supported for visitors. The mosque is famous for calligraphy. the mosque but also just like a international dishes and him and the Sheikh took up The entrance of the mosque is calligraphies made of tile- The prayer hall was built on a lood- light brightens the Mehrab can seat up to 120 guests at residence in Isfahan and the located opposite of the Ali Qapu mosaic, for excellent patterns square plan which is converted located on the opposite side a time. Sheikh Lotfollah mosque was Palace. As soon as we enter and designs of tile- mosaic which into a circular base the dome is southern. Bagh-e Ghalandarhra named after him. The mosque the mosque, we pass through has decorated major parts of located on the top of it. The area There is a winter gallery (Beit- Alley, off Hakim Street, was used as a Theological school a dimly- lit corridor which is the portal, the corridor, and the of the mosque is 1324 square ol-Shata) under the ground level Isfahan and also as a royal mosque. It was connected to the sanctuary of the main sanctuary. Splendid blue, زﻧﺪه ﻧﮕﻪ داﺷﺘﻪ اﺳﺖ، اﻗﺪام داﻧﺶ آﻣﻮزان ﺗﻬﺮاﻧﻰ meters and the dome is 32 meters with 16 huge pillars and simply started to be built in 1602 and it mosque. The mentioned corridor yellow and cream colors of tile- high and also 12 meters in decorated with mono- color was completed in 1619. First, was built for two purposes. First, mosaics are unique all over the diameters. There are 16 windows square tiles and plaster. Currency the portal was built to complete when entering the sanctuary our world. The dome of the sanctuary IRR around the lower part of the dome There are two small inscriptions USD the Maidan, to be a part of great face will be in the direction of (Prayer Hall) and polychrome of 31797 tile and tile mosaic are splendid. of equal size and shape and equal in the Persian language on two EUR Naghshe Jahan Square and it Mecca (Qiblah). Second, light 35186 The back- ground of tile mosaic intervals. These windows relect sides of Mehrab’s wall, showing GBP is said it was used as a private outside the mosque is sharp and 38917 designs is unglazed cream color day- light to upper parts of the the name of the architect saying CHF mosque for the Shah and the strong, but in the main parts 32668 dome just like a lood- lights. “a poor humble man begging the royal family. The plan and layout (sanctuary) light is dim. Passing bricks. The Solth calligraphy of The prayer- niche of the mosque mercy of Allah. Ostad Horrian of the mosque are different through the dimly- lit corridor interior and exterior parts is the در ﺳﺎل 1357 در اﻋﺘﺮاض ﺑﻪ دﺧﺎﻟﺖ ﻫﺎى آﻣﺮﯾﮑﺎ .”best kind in the Islamic world of is decorated with the most builder from Isfahan آب، دﻏﺪﻏﻪ اﻣﺮوز اﯾﺮان for a few seconds, our eyes will The Sheikh Lotfollah mosque is be adjusted to the dim light and art and architecture. Calligraphy delicate tile mosaic. There is is written in azure blue with white a large window located at the a philosophical complex. Each back- ground. north of the mosque, located part of its decoration covers lower than the drum of the dome. certain religious messages, in This window (aperture) not fact, the book must be written regarding facts and message of در اﯾﺮان و راﻫﭙﯿﻤﺎﯾﻰ ﺑﻮد ﮐﻪ ﻣﻨﺠﺮ ﺑﻪ ﺧﺎك و ﺧﻮن .the ornamentation ﮐﺸﯿﺪه ﺷﺪن ﮔﻞ ﻫﺎى ﺑﺎغ داﻧﺶ ﺷﺪ. و دﯾﺮوز اﺻﻔﻬﺎن 23 ﻧﺒﺎﯾﺪ از ﺧﺎﻃﺮﻣﺎن ﺑﺮود ﮐﻪ ﯾﻮم اه ﺳــﯿﺰده آﺑﺎن، ﻣﺸــﮑﻼت آب اﺻﻔﻬﺎن ﺑﺎ ﺣﻀﻮر ﻣﻌﺎون اول رﺋﯿﺲ ﺟﻤﻬﻮر و ﺑﺮﺧﻰ وزرا ﻧﺴﺨﻪ اﻧﮕﻠﯿﺴﻰ ﻧﺴﻞ ﻓﺮدا را اﻣﺮوز Nasle farda ﯾﺎدآور ﺣﻤﺎﺳــﻪ ﻫــﺎ، اﯾثﺎرﻫﺎ و ﻓــﺪاﮐﺎرى ﻫﺎى در اﺻﻔﻬﺎن ﺑﺮرﺳﻰ ﺷﺪ. ﻣﻌﺎون اول رﺋﯿﺲ ﺟﻤﻬﻮرى ﮔﻔﺖ: روز ﮔﺬﺷﺘﻪ در روزﻧﺎﻣﻪ ﺑﺨﻮاﻧﯿﺪ داﻧ ﺶآﻣﻮزان ﻋﺰﯾﺰﻣﺎن اﺳﺖ. اﯾﻦ روز ﺑﺎ ﺷﮑﻮه ﺑﺪﯾﻦ ﺑﺎ ﺣﻀﻮر رﺋﯿﺲ ﺟﻤﻬﻮر و دﯾﮕﺮ وزرا ﭘﯿﺮاﻣﻮن ﻣﺸــﮑﻼت و ﮐﻤﺒﻮد آب در دﻣﺎى ﻫﻮاى اﻣروز ﺳــﺒﺐ، روز «داﻧﺶ آﻣﻮز» ﻧﺎﻣﯿﺪه ﺷﺪ ﺗﺎ ﺧﺎﻃﺮه ﮐﺸﻮر ﺗﺸﮑﯿﻞ ﺟﻠﺴﻪ دادﯾﻢ.. اﺑری ﻓﺮزﻧﺪان دﻟﯿﺮ اﻧﻘﻼب ﺑﺮاى ﻫﻤﯿﺸﻪ ﺟﺎودان ﺑﻤﺎﻧﺪ و 14 درﺳﻰ ﻓﺮاﻣﻮش ﻧﺎﺷﺪﻧﻰ ﺑﺮاى ﺗﻤﺎم داﻧ ﺶآﻣﻮزان در اﻣــــــــﺮوز: 20 ﺳﺮاﺳﺮ ﮔﯿﺘﻰ ﺑﺎﺷﺪ ﮐﻪ ﺑﺎ اﺑﺮﻗﺪر تﻫﺎ و ﭼﭙﺎو لﮔﺮان رﺋﯿﺲ ﮐﻤﯿﺘﻪ توﺳﻌﻪ ﺻﺎدرات اتﺎق ﺑﺎزرﮔﺎﻧﻰ: 9 ﺑﯿﻦ اﻟﻤﻠﻠﻰ ﺑﻪ ﻣﺒﺎرزه ﺑﻰ اﻣﺎن ﺑﭙﺮدازﻧﺪ و ﻋﺰت را ﻓــــــــــﺮدا: ﺑﺮ زﻧﺪﮔﻰ ذﻟﺖ ﺑﺎر ﺗﺮﺟﯿﺢ دﻫﻨﺪ. روز داﻧﺶ آﻣﻮز 25 ﺑﺨﺶ ﻫﺎى ﺧﺼﻮﺻﻰ و دوﻟﺘﻰ 9 ﺑﻪ ﻫﻤﻪ ﻣﺴــﺘﻀﻌﻔﺎن ﺟﻬﺎن ﻣﻰ آﻣﻮزد ﮐﻪ ﻋﻠﯿﻪ ﻣﺴﺘﮑﺒﺮان ﻗﯿﺎم ﮐﻨﻨﺪ و ﺣﻘﻮق ﻣﺴﻠﻢ و از دﺳﺖ ﮐﯿﻔﯿﺖ ﻫﻮاى دﯾروز رﻓﺘﻪ ﺧﻮﯾﺶ را از ﭼﻨﮕﺎل اﺳﺘﮑﺒﺎر و اﺳﺘﻌﻤﺎر ﺑﯿﺮون ﺑﺎﯾﺪ ﮐﻨﺎر ﻫﻢ ﻗﺮار ﺑﮕﯿﺮﻧﺪ ﮐﺸﻨﺪ. ﭘﯿﺎم روز داﻧﺶ آﻣﻮز ﺑﻪ ﻣﺴﻠﻤﺎﻧﺎن اﯾﻦ اﺳﺖ 15 ﮐﻪ ﺗﻨﻬﺎ در ﺑﺮاﺑﺮ واﻻﯾﻰ ﻫﺎى ارﺟﻤﻨﺪ ﻣﮑﺘﺐ ﺗﻮﺣﯿﺪ ﭘﺎﯾﺎن ﺳرﭘرﺳﺖ تﯿﻢ ﮐوهﻨوردی ﺳﯿﺪالﺸﻬﺪا(ع): ﺑﻪ ﻧﻤﺎز ﺑﺎﯾﺴﺘﯿﺪ و ﻓﻘﻂ در ﭘﯿﺸﮕﺎه ﺧﺪا ﺑﻪ ﮐﺮﻧﺶ و ﺳﺠﻮد ﺑﻨﺸﯿﻨﯿﺪ. ﻫﻤﻪ اﯾﻨﻬﺎ ﻣﯿﺴﺮ ﻧﻤﻰ ﺷﻮد ﻣﮕﺮ در ﺻﻌﻮد ﺑﻪ ﻗﻠﻪ آﯾﻠﻨﺪﭘﯿﮏ ﻧپﺎل ع ک س : ﺷ رﯾ ﻒ اﯾﻨﮑﻪ داﻧﺶ آﻣﻮزان ﻣﺎ ﺑﻪ ﺳــﻼح ﻋﻠﻢ و داﻧﺶ در ﺳﻪ دﻫﻪ اﻧﺘﻈﺎر | راﺳﺘﺎى ﺗﺤﻘﻖ ﭘﺪاﻓﻨﺪﻏﯿﺮﻋﺎﻣﻞ ﻣﺴﻠﺢ ﺷﻮﻧﺪ. 18 فرنداسل 99 ﺑﯿﻤﻪ ﺣﻀﺮت اﺑﺎاﻟﻔﻀ ﻞ(ع) ﺑﻮدﯾﻢ ﺳــﺎﻟــــﻢ 18 آﮔﻬﻰ ﻣﻨﺎﻗﺼﻪ ﻋﻤﻮﻣﻰ ﻧﻮﺑﺖ دوم ﺷﻬﺮدارى ﺷﺎﻫﯿﻦ ﺷﻬﺮ ﺑﻪ اﺳﺘﻨﺎد ﻣﺠﻮز ﺷﻤﺎره 4139/ش ﻣﻮرخ 94/12/27 ﺷﻮراى ﻣﺤﺘﺮم اﺳــﻼﻣﻰ ﺷــﻬﺮ در ﻧﻈﺮ دارد ﻋﻤﻠﯿﺎت اﺟﺮاﯾﻰ زﯾﺮ ﺳﺎزى و ﺟﺪول ﮔﺬارى ﻣﻌﺎﺑﺮ ﻣﺤﻠﻪ ﺑﺮم را ﺑﺎ ﻣﺒﻠﻎ اوﻟﯿﻪ 000/000/000/11 رﯾﺎل ﺑﻪ ﭘﯿﻤﺎﻧﮑﺎر واﺟﺪ ﺷﺮاﯾﻂ واﮔﺬار ﻧﻤﺎﯾﺪ. رواﺑﻂ ﻋﻤﻮﻣﻰ ﺷﻬﺮدارى ﻣﺘﻘﺎﺿﯿﺎن ﺟﻬﺖ ﮐﺴﺐ اﻃﻼﻋﺎت ﺑﯿﺸﺘﺮ و اﺧﺬ اوراق ﻣﻨﺎﻗﺼﻪ ﻣﻰ ﺑﺎﯾﺴﺘﻰ در وﺷﻮراى اﺳﻼﻣﻰ زواره ﺳﺎﻋﺎت ادارى ﺑﻪ واﺣﺪ ﻋﻤﺮان ﺷﻬﺮدارى ﻣﺮاﺟﻌﻪ و ﭘﯿﺸﻨﻬﺎد ﺧﻮد را ﺣﺪاﮐﺜﺮ ﺗﺎ آﺧﺮ وﻗﺖ ادارى روز ﭼﻬﺎرﺷﻨﺒﻪ ﻣﻮرخ 26/08/95 ﺑﻪ دﺑﯿﺮﺧﺎﻧﻪ ﺣﺮاﺳﺖ ﺷﻬﺮدارى ﺗﺤﻮﯾﻞ ﻧﻤﺎﯾﻨﺪ.
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  • 14 Days Persia Classic Tour Overview
    Tour Name: 14 Days Persia Classic Tour Tour Code: OT1114001 Tour Duration: 14 Days and 13 Nights Tour Category: Discovery / Cultural Tour Difficulty: 2 Tour Tags: Classic Tour Tour Best Date: 12 months Tour Services Type: 3*/4* / All-inclusive Tour Destinations: Tehran/Kashan/Esfahan/Yazd/Shiraz/Kerman Related tours code: Number ticket limits: 2-16 Overview: Landing to Persia, Iran is a country with endless history and tradition and you explore both ancient Persia and modern Iran. Our Persia Classic Tour program includes the natural and historical attractions old central parts of Iran. In this route, we will visit cities like Tehran, Kashan, Isfahan, Yazd, Shiraz and finally Kerman. Actually, in most of these areas, living in warm and dry areas has been linked with history and has shaped the lifestyle that is specific to these areas. Highlights: . It’s a 14 days Iran classic discovery and cultural tour. The tour starts and ends in Tehran. In between, we visit 6 main cities and 17 amazing UNESCO world heritage site in Iran. Visit amazing UNESCO world heritage sites in Iran Tour Map: Tour Itinerary: Landing to PERSIA Welcome to Iran. To be met by your tour guide at the airport (IKA airport), you will be transferred to your hotel. We will visit Golestan Palace* (one of Iran UNESCO World Heritage site) and grand old bazaar of Tehran (depends on arrival time). O/N Tehran Magic of Desert (Kashan) Leaving Tehran behind, on our way to Kashan, we visit Ouyi underground city. Then continue to Kashan to visit Tabatabayi historical house, Borujerdiha/Abbasian historical house, Fin Persian garden*, a relaxing and visually impressive Persian garden with water channels all passing through a central pavilion.
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  • A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
    World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination.
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  • Tourism Boom by Islamic Art Spiritual Attractions in Iran Perspective Elements
    ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 7 No 4 S1 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2016 Tourism Boom by Islamic Art Spiritual Attractions in Iran Perspective Elements Susan Khataei Assistant Professor, Department of Graphic Design, Faculty of Architecture and Urban Design, Shahid Rajaee Teacher Training University, Tehran, Iran Doi:10.5901/mjss.2016.v7n4s1p40 Abstract Iran is one of the ten first countries in the world on the subject of tourism attractions. Iran, the land of four seasons simultaneously, and historical and scientific - cultural buildings is of interest for many tourists. Various works of Islamic art in the perspective of Iran that have been arisen in different periods and regions all have the same message and truth and have a sign of coordination and the greatness of Islamic civilization and culture. The artistic unity that stems from ideological unity, is able to attract many audience and can transcends the boundaries of time and place and communicate spiritually with all its contacts and believers. Islamic art and architecture is derived from religious sources and has an appearance (form) and the inside. Forms are created to give meaning and generally in Islamic art, nothing is void of the "meaning". General feeling of foreign tourists by observing Islamic-Iranian monuments is along with surprise, admiration and a sense of spirituality. In this study, the role of decorations in mosques and shrines in Iranian - Islamic architecture to establish spiritual relationship with the audience is emphasized. This is an applied research with analytical descriptive method which have been done based on observation and documentary studies.
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  • Use of Daylight in Mosques: Meaning and Practice in Three Different Cases
    H.S¸. Arel & M. Öner, Int. J. of Herit. Archit., Vol. 1, No. 3 (2017) 421–429 USE OF DAYLIGHT IN MOSQUES: MEANING AND PRACTICE IN THREE DIFFERENT CASES H. S¸. AREL & M. ÖNER Department of Architecture, I˙zmir University, Turkey. ABstract Since the emergence of the first cultures, light has been used in various ways for illuminating indoor spaces with sacred and symbolic meanings. Light has almost the same meaning in every religion: how- ever, in Islam, we distinctly see different notions of light, such as divine light, divine unity and unity of God which sets Islam apart from other religions. Mosques have the most perfect use of light in Islamic architecture. There is no doubt that mosques are sacred spaces that give out an intense sense of the pres- ence of God. Therefore, the use of light in mosques matters for both symbolic and spiritual reasons. We see the most striking and generous use of light particularly in Islamic mosques because light is likened to God, while darkness symbolizes Satan. Therefore, different ways of lighting are employed in order to highlight these notions. In addition to having symbolic and spiritual meanings, the use of light plays a role, in enhancing the decorative and aesthetic aspects of the interior spaces of mosques. Muslims aim at highlighting simplicity, clarity and purity by letting light into the interior of mosques in different ways. Wide spaces with no load-bearing walls, dome windows, colourful windows and grilled windows are used in designing mosques to enhance the symbolic, spiritual and aesthetic sense of the interior.
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  • The Sheikh Lotfollah Mosque Consolidating Shi’Ism, Forming Spirituality, and Creating the Infinite Dome
    The Sheikh Lotfollah Mosque Consolidating Shi’ism, forming spirituality, and creating the infinite dome Nora Fathalipour M.A. candidate University of New Brunswick B.A. Law and History of Art and Archaeology, SOAS The truly unique Sheikh Lotfollah mosque Sheykh Baha’i, the Sheikh Lotfollah in the Naqsh-e Jahaan Square1 (henceforth mosque was the first monument of the “the Square”) in Esfahan, Iran is situated in Square to be finished; an inscription by the the heart and centre of the city. One enters chief calligrapher of the Shah on the tile the mosque of Sheikh Lotfollah through mosaic of the entry gateway to the mosque heavy wooden doors laden with geometric sets the starting date to 1012 AH/1603-04 carvings with intense anticipation. Not a CE.4 It was completed in 1028 AH/1618-19 single façade or inch has been left without CE, at the same time the Square itself was some sort of tile work. The colourful completed. portal skilfully hides, for the person outside, the ‘maze’ before the main room Used by the Shah himself for prayer, the that leads one to immediately face the mosque has had various names, though qibla, the direction that Muslims face to it currently bears the name of a learned pray. With a foundation in the same rare Safavid scholar.5 Exquisite, yet small, the marble employed throughout the square; Sheikh Lotfollah mosque is located on the entire colour scheme of the mosque is the east side of the Square. Of the Safavid refreshingly joyful and inviting. mosques, this is a unique building; its single dome is surrounded by resting Sheikh Baha’i was a cleric and polymath rooms and service areas, yet lacks the instrumental in formulating the Safavid typical features such as a court, and even ruler Shah Abbas I’s new religious policy minarets.
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  • Day 1: Flight from Your Home Country to Tehran
    Day 1: Flight from your home country to Tehran We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. O/N: Tehran Day 2: Tehran After breakfast, full day visit Tehran: Niyavaran Palace, Imamzadeh Saleh & Tajrish Bazaar O/N: Tehran The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajar was built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Imamzadeh Saleh is one of many imamzadeh mosques in Iran. The mosque is located at Tajrish Square in Tehran's northern Shemiran district.
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  • The Art of Islamic Architecture During the Safavid Period and the Introduction of the Teachings of Islam
    Journal of Fine Arts Volume 1, Issue 3, 2018, PP 37-42 ISSN 2637-5885 The Art of Islamic Architecture during the Safavid Period and the Introduction of the Teachings of Islam Ali reza Khajegir PhD*1, Mohammad reza Afroogh PhD student2, Ali reza Fahim PhD2 1Shahrekord University, Iran 2Department of Law and Theology, Najafabad Branch, Islamic Azad university, Najafabad, Iran *Corresponding Author: Ali reza Khajegir, Shahrekord University, Iran ABSTRACT Islam played an important role in the development and progress of most arts in different periods, especially during the Safavid period in Iran. During the Safavid period, the arts, paintings, lines, gilding, carpet weaving, cloth, tiling, etc. reached the peak of their evolution, which is seen less in the past and subsequent times. The extensive activity of the Safavid era began since Shah Abbas. In Safavid era, the style of ancient architecture of Iran was renewed and in the design of buildings, the shape and materials of buildings opened their place. Most of the buildings in the Safavid period were built like four-edged mosques, schools and caravansaries. The use of mosaic tiles and seven colors for decorations has become widespread. In this paper we try to reveal some ways they use to develop Islamic cultural concepts in architecture field. Keywords: Architecture, culture, Safavid era, art, Islam INTRODUCTION during the 42 years of his rule, he continued to develop the country, especially Esfahan. The One of the brightest artistic periods of great square of the role of the world, the great architecture in Iran is Safavid era, in 1502 AD.
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  • See the Document
    IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways
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  • Exploration of Arabesque As an Element of Decoration in Islamic Heritage Buildings: the Case of Indian and Persian Architecture
    Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Exploration of Arabesque as an Element of Decoration in Islamic Heritage Buildings: The Case of Indian and Persian Architecture Mohammad Arif Kamal Architecture Section Aligarh Muslim University, Aligarh, India Saima Gulzar School of Architecture and Planning University of Management and Technology, Lahore, Pakistan Sadia Farooq Dept. of Family and Consumer Sciences University of Home Economics, Lahore, Pakistan Abstract - The decoration is a vital element in Islamic art and architecture. The Muslim designers finished various art, artifacts, religious objects, and buildings with many types of ornamentation such as geometry, epigraphy, calligraphy, arabesque, and sometimes animal figures. Among them, the most universal motif in ornamentation which was extensively used is the arabesque. The arabesque is an abstract and rhythmic vegetal ornamentation pattern in Islamic decoration. It is found in a wide variety of media such as book art, stucco, stonework, ceramics, tiles, metalwork, textiles, carpets, etc.. The paper discusses the fact that arabesque is a unique, universal, and vital element of ornamentation within the framework of Islamic Architecture. In this paper, the etymological roots of the term ‘Arabesque’, its evolution and development have been explored. The general characteristics as well as different modes of arabesque are discussed. This paper also analyses the presentation of arabesque with specific reference to Indian and Persian Islamic heritage buildings. Keywords – Arabesque, Islamic Architecture, Decoration, Heritage, India, Iran I. INTRODUCTION The term ‘Arabesque’ is an obsolete European form of rebesk (or rebesco), not an Arabic word dating perhaps from the 15th or 16th century when Renaissance artists used Islamic Designs for book ornament and decorative bookbinding [1].
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  • Culture and Tourism
    IRAN STATISTICAL YEARBOOK 1391 17. CULTURE AND TOURISM organization called ''Cultural Heritage and Tourism Organization", the related data have been Introduction provided by the new organization. Data on pilgrims include only those dispatched by Hajj and Pilgrimage Organization. Definitions and concepts his chapter presents statistical information Production of radio and television on radio and television programmes, programmes:is a process in which the contextual Tpress, books and public libraries, cinemas, (massage) and structural componentsof the museums, monuments, touristsarrived and massage are incorporated artistically and pilgrims. Following paragraphs summarize the technically using required resources in order to be history of data collection in these areas. broadcast on TV, radio and the Internet. Regular data compilation on radio and television Radio and television broadcasting: refers to a programmes and museums began in the years produced and broadcast programme which can be 1345 and 1347 respectively. received by people on radio, TV and the Internet. The earliest data on movies available in the SCI National production and broadcast of date back to the year 1348. They were produced programme: refers to the programme produced by the Culture and Art Ministry, renamed the and broadcast for people in the country. Ministry of Culture and Islamic Guidance after International production and broadcast of the victory of the Islamic Revolution. programme: refers to the programme produced Comprehensive data collection on the press was and broadcast for overseas people. first accomplished by the SCI under the title of Radio and television network: is an "Review of the country’s publications survey" in organizational structure responsible for activities the year 1349.
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  • Iran Photography Trip (21 Days)
    Date:2018 (If the dates do not fit your schedule, I can arrange a tour led by photographers I collaborate with, for your desired dates) Available: 3 spots Price (per person): 3000 EUR (28000 NOK) For booking or questions email [email protected] Iran photography trip (21 days) Photography -wise trip to at least 9 the world heritage sites of Iran . Taking photo of the sunset at "Dasht -e Kavir", the Iranian central desert. Show your photos of Iran to the hospitable Iranians. Photography of the beautiful mountains of Iran in Alborz and Zagrus ranges, the two main mountain ranges of Iran. Watch the highlights: sunrise on the roof of a Persian caravanserai on the Silk road. Take the photo of the amazing Persian tile-work at Isfahan Royal mosque. Visit the beautiful gardens of Shiraz. Join the silence of the Zoroastrian tower of silence in Yazd. Iran photography tour is a photography-wise trip that show you Iran in 21 days in a way that you get to the sites the best time suitable for taking photos in luxury to be focused on taking photos. itinerary See Iran National museum and get amazed at its priceless pieces, spend your time in the busiest Day 1 Bazaar in Iran and maybe sip some tea in a nice tea-house. Discover the eye-catching precious collection of Jewels of Iranian 2500 years of Monarchy in the Iran Jewels museum. Tehran Fly to Tabriz. Visit Tabriz and see the impressive tomb of Shahriar, the most famous Persian and Azeri poet. You will also be able to visit the exotic bazaar with an interesting array of ethnic crafts on sale.
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  • Iran-Tour-2022 In-Depth
    930 Irwin Street, Suite 222, San Rafael, CA 94901 Phone: 415-381-5861 ◆ 888-367-6147 [email protected] ◆ www.originalworld.com CST Permit #2057026-40 Persian Treasures of Iran In-Depth Tour: 28 Days/27 Nights May 1-28 and September 28-October 25, 2022 September Tour Follows Our Tour to The Caucasus Persian Treasures of Iran is an in-depth exploration of this intriguing country. The journey offers a comprehensive experience of the major cities and sites of Iran, plus smaller towns and villages, with opportunities for interaction with local people and immersion with the culture. We will visit historic sites, ancient traditional villages, enjoy spectacular landscapes, browse crafts centers and local bazaars. Our itinerary gives distances; coaches do 50-70 km an hour depending on roads (mountainous or flat) and the drives are mostly full days with en-route visits. The roads are very good here and not “bumpy dirt” roads. DETAILED ITINERARY May 1 /Sep 28 Sun Day 1 ARRIVAL TEHRAN PM OR May 2/Sep 29 ARRIVAL TEHRAN EARLY AM You will be met at the airport and transferred to hotel. Rest of day/evening at leisure. May 2/Sep 29 Mon Day 2 TEHRAN TOUR Come down to breakfast as you wish, breakfast restaurant opens at 7 am. We shall meet our guide in the lobby at 8:40 am and head out, about a 20 minute drive, to visit to the opulent Golestan Palace/Museum Complex, the former residence of the 19th early 20th century Qajar Kings of Iran, with several museums including the Marble Throne Room.
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