David Bromige Correspondence
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Addison Street Poetry Walk
THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K. -
Alexander Literary Firsts & Poetry Rare Books
ALEXANDER LITERARY FIRSTS & POETRY RARE BOOKS CATALOGUE TWENTY- SEVEN 2 Alexander Rare Books [email protected]/ (802) 476‐0838 ALEXANDER RARE BOOKS – LITERARY FIRSTS & POETRY Mark Alexander 234 Camp Street Barre, VT 05641 (802) 476-0838 [email protected] Catalogue Twenty–Seven: All items are US, CN or UK Hardcover First Editions & First Printings unless otherwise stated. All items guaranteed & are refundable for any reason within 30 days. Subject to prior sale. VT residents please add 6% sales tax. Checks, Money Orders, Paypal & most credit cards accepted. Net 30 days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. SHIPPING IS FREE IN THE US (generally Priority Mail) & CANADA, elsewhere $13 per shipment. Visit AlexanderRareBooks.com for cover scans and photos of most catalogued items. I encourage you to visit my website for the latest acquisitions. The best items usually appear on my website, then appear in my catalogues, before appearing elsewhere online. I am always interested in acquiring first editions, single copies or collections, and particularly modernist & contemporary poetry. Thank you in advance for perusing this catalogue. CATALOGUE TWENTY-SEVEN 1) Adam, Helen. THE BELLS OF DIS. West Branch, Iowa: Coffee House Press, 1985. Tall sewn illustrated wraps. Morning Coffee Chapbook: 12. One of 500 copies, numbered and signed by the poet and the artist Ann Mikolowski. A lovely book hand set and hand sewn. Bottom tips bumped, else fine. (10690) $20.00 2) Armantraut, Rae. CONCENTRATE. Green River, VT: Longhouse, 2007. Small (3 x 4 1/2 in.) accordion style chapbook attached to unprinted card covers, with wrap around band. -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
George Oppen Papers
http://oac.cdlib.org/findaid/ark:/13030/tf7f59p2k1 No online items George Oppen Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html George Oppen Papers MSS 0016 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: George Oppen Papers Identifier/Call Number: MSS 0016 Physical Description: 15 Linear feet(34 archives boxes, 1 flat box, and 1 map case folder) Date (inclusive): 1958-1984 Abstract: Literary papers of George Oppen (1908-1984), objectivist poet and winner of the Pulitzer Prize for Poetry in 1969. Materials range in date from 1958-1984 and include correspondence, manuscripts and typescripts for all the poems contained in Oppen's nine published books, drafts and fragments of unpublished poems, typescripts of published and unpublished essays, and interviews, translations, and reviews of Oppen's work. Scope and Content of Collection Literary papers of George Oppen (1908-1984), objectivist poet and winner of the Pulitzer Prize for Poetry in 1969. Materials range in date from 1958-1984 and include manuscripts and typescripts for all the poems contained in Oppen's nine published books, drafts and fragments of unpublished poems, typescripts of published and unpublished essays, transcripts of Oppen's verse, and copies of reviews of Oppen's work. Of special interest are loose leaf pages of notes, and Oppen's personal daybooks, all of which help to reveal his thinking about diverse subjects. -
George Oppen and Lyn Hejinian
6O I rnr HUMANITIES REVIEW SPR]NG 201I pETER NrcHoLLs NUMERousNEss AND rrs Drscor{TENTS I 6l dates her interest in Oppen back to 1968, and it's clear from this material that she returned to a concentrated study of his work in the early nineties.2 The lecture, Numerousness and Its called originally'O s Affirmation'and subsequently retitled 'The Numerousi remains unpublished, but in 1998 Hejinian produced two other essays, 'Barbarism'and'Rea- Discontents: George Oppen sonl which also take Oppen as a major point of reference for her own meditations on philosophical and phenomenological conceptions of community or'numer- and Lyn Hejinian ousnessi to use Oppen's term.3 His work continues to act as a primary touchstone for Hejinian, as was clear at the 2002 Modernist Studies Association conference in Madison when she gave a paper titled'George Oppen and the Space of Appear- ancei Peter Nicholls , New York Uruversrty ln recent years, Hejinian's fascination with Oppen's work has focussed in- striking feature of Lyn Hejinian's recent work has creasingly on his long serial poem'Of Being Numerous'(she gave a whole course been her development of a series of terms which at the University of lowa based around this text in 1997). This was the title poem permeates both her poetic and critical writings: of the volume which brought Oppen the Pulitzer prize in 1969 and it remains, for words such as'incipiencei 'borderi 'reasoni dilemmai tontexti most readers, his best The Hmeities neview known work.'Of Being Numerousi which builds upon an ear, 'aporial and bccurrence' are deployed to create a termino- Volume g, lssue I lier poem called A Language of New York', has many interrelated concerns: in forty logical matrix in which ideas from theorists such as Hannah Spring 20 I I pp rjo-83 short sections it ranges over life in the contemporary metropolis. -
The Mid-Twentieth-Century American Poetic Speaker in the Works of Robert Lowell, Frank O’Hara, and George Oppen
“THE OCCASION OF THESE RUSES”: THE MID-TWENTIETH-CENTURY AMERICAN POETIC SPEAKER IN THE WORKS OF ROBERT LOWELL, FRANK O’HARA, AND GEORGE OPPEN A dissertation submitted by Matthew C. Nelson In partial fulfillment for the requirements for the degree of Doctor of Philosophy In English TUFTS UNIVERSITY May 2016 ADVISER: VIRGINIA JACKSON Abstract This dissertation argues for a new history of mid-twentieth-century American poetry shaped by the emergence of the figure of the poetic speaker as a default mode of reading. Now a central fiction of lyric reading, the figure of the poetic speaker developed gradually and unevenly over the course of the twentieth century. While the field of historical poetics draws attention to alternative, non-lyric modes of address, this dissertation examines how three poets writing in this period adapted the normative fiction of the poetic speaker in order to explore new modes of address. By choosing three mid-century poets who are rarely studied beside one another, this dissertation resists the aesthetic factionalism that structures most historical models of this period. My first chapter, “Robert Lowell’s Crisis of Reading: The Confessional Subject as the Culmination of the Romantic Tradition of Poetry,” examines the origins of M.L. Rosenthal’s phrase “confessional poetry” and analyzes how that the autobiographical effect of Robert Lowell’s poetry emerges from a strange, collage-like construction of multiple texts and non- autobiographical subjects. My second chapter reads Frank O’Hara’s poetry as a form of intentionally averted communication that treats the act of writing as a surrogate for the poet’s true object of desire. -
Poem on the Page: a Collection of Broadsides
Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches. -
Introduction
Copyrighted Material INTRODUCTION Poems, Poetry, Personhood It is time to explain myself. Let us stand up. EING NUMEROUS ADDRESSES a set of interdependent problems in the his Btory, theory, and politics of recent AngloAmerican poetry. In it, I offer a chal lenge and an alternative to a nearly unanimous literaryhistorical consensus that would divide poetry into two warring camps—postRomantic and postmodern; symbolist and constructivist; traditionalist and avantgarde—camps that would pit form against form on grounds at once aesthetic and ethical. Rather than choosing sides in this conflict or resorting the poems upon its field of battle, I argue that a more compelling history might begin by offering a revisionary account of what poetry is or can be. Poetry is not always and everywhere understood as a literary project aiming to produce a special kind of verbal artifact distinguished by its par ticular formal qualities or by its distinctive uses of language.1 Nor is it always un derstood as an aesthetic project seeking to provoke or promote a special kind of experience—of transformative beauty, for example, or of imaginative freedom—in its readers.2 Among the possible alternative ways of understanding poetry, I focus on the one that seems to me at once the most urgent and the one most fully ob scured by our current taxonomies. For a certain type of modern poet, I will argue, “poetry” names an ontological project: a civilizational wish to reground the con cept and the value of the person. This shift of emphasis, from “poems” as -
The Berkeley Poetry Conference
THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson. -
I Make Contact: Contributive Bookselling and the Small Press In
i Make Contact: Contributive Bookselling and the Small Press in Canada Following the Second World War Cameron Alistair Owen Anstee A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in English Literature Department of English Faculty of Arts University of Ottawa © Cameron Alistair Owen Anstee, Ottawa, Canada, 2017 ii Abstract This dissertation examines booksellers in multiple roles as cultural agents in the small press field. It proposes various ways of understanding the work of booksellers as actively shaping the production, distribution, reception, and preservation of small press works, arguing that bookselling is a small press act unaccounted for in existing scholarship. It is structured around the idea of “contributive” bookselling from Nicky Drumbolis, wherein the bookseller “adds dimension to the cultural exchange […] participates as user, maker, transistor” (“this fiveyear list”). The questions at the heart of this dissertation are: How does the small press, in its material strategies of production and distribution, reshape the terms of reception for readers? How does the bookseller contribute to these processes? What does independent bookselling look like when it is committed to the cultural and aesthetic goals of the small press? And what is absent from literary and cultural records when the bookseller is not accounted for? This dissertation covers a period from 1952 to the present day. I begin by positing Raymond Souster’s “Contact” labour as an influential model for small press publishing in which the writer must adopt multiple roles in the communications circuit in order to construct and educate a community of readers. -
Survival's Thin, Thin Radiance: George Oppen's Post
Eric Hoffman “Survival’s Thin, Thin Radiance”: George Oppen’s Post-War Poetics In 1958, the year the Oppens' exile in Mexico came to end, George Oppen’s wife Mary began seeing a therapist due to ongoing depression resulting from what she describes as marital strain.1 Oppen also attended and during one session told the therapist of a dream he'd had of going through his father's papers after his father's death, and finding a file marked 'How to prevent Rust in Copper.' He doubted that his father, however “frivolous” he may have found him, would believe that copper rusts. For some reason, Oppen found this dream quite funny and, upon waking, began to laugh hysterically. “When he told the doctor the dream,” Mary recalls, “laughing again at its ridiculousness, the doctor stopped him, 'You were dreaming that you don't want to rust,' he said. On the way home George stopped and bought a pad of paper and some pencils and started to write” (MAL, 202). Oppen sometimes recalls this story a bit differently, noting that he did not immediately set out to write after hearing the therapist's interpretation. In a letter from 1966 he describes how he was driving somewhere the following morning, and found myself swerving the car from one side of the road to the other - - - - deliberately - - and howling with laughter, actually swaying from side to side on the seat, howling with laughter and swerving the car from side to side of an empty road - -. And it was one of those startlingly witty dreams; I was laughing at a small thing in the dream, and one which was not really very funny. -
Red Or Dead: States of Poetry in Depression America
Red or Dead: States of Poetry in Depression America by Sarah Elizabeth Ehlers A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2012 Doctoral Committee: Professor Alan M. Wald, Chair Professor Howard Brick Professor June M. Howard Professor Yopie Prins Associate Professor Joshua L. Miller ACKNOWLEDGMENTS The same year I began my Ph.D. work at the University of Michigan, my father lost the coal-mining job he had worked for over twenty years. That particular confluence of events had a profound effect on me, and I would be remiss if I didn’t acknowledge the ways in which my personal feelings of anger and frustration—my sense of being somehow out-of-place—influenced my thinking and this project. Certainly, it was one of the catalysts for my deep interest in the U.S. literary Left. Like so many others, I am indebted to Alan Wald for my understanding of Left literature and culture. Alan has been, probably more than he knows, an example of the kind of scholar I hope to be—even, I admit, an ideal ego of sorts. I continue to be as awed by his deep knowledge as I am by his humility and generosity. Yopie Prins taught me how to read poetry when I already thought I knew how, and my conversations with her over the past five years have shaped my thinking in remarkable ways. From my first days in Ann Arbor, June Howard has been a source of intellectual guidance, and her insights on my work and the profession have been a sustaining influence.