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Scottish Opera and the National Opera Studio Join Forces for Performance in Edinburgh
PRESS RELEASE 18 December 2018 SCOTTISH OPERA AND THE NATIONAL OPERA STUDIO JOIN FORCES FOR PERFORMANCE IN EDINBURGH Scottish Opera’s Opera in Concert 2018/19 series continues on 1 February at 6pm at King’s Theatre, Edinburgh, with a performance by the Young Artists from the National Opera Studio. This collaboration with National Opera Studio provides the Young Artists a week-long residency in Glasgow, culminating in a special performance on the set of Anthropocene at the King’s Theatre, Edinburgh. The Young Artists will also work on their repertoire with the English National Opera Orchestra for the first time, prior to their Scottish Opera recital, for a special performance at London’s Cadogan Hall this January. Directed by Orpha Phelan, with Charles Peebles conducting The Orchestra of Scottish Opera, the varied programme for February’s performance by 12 opera stars of the future includes favourites from Beethoven’s Fidelio, Mozart’s The Marriage of Figaro, Carmen by Bizet and Handel’s Rodelina. This year’s show follows the success of last year’s Scottish Opera and National Opera Studio collaboration, From Russia with Love. It featured two of Scottish Opera 2018/19 Emerging Artists: mezzo-soprano Bethan Langford in performance and repetiteur Erika Gundesen, who was involved in 2018’s week-long residency. Alex Reedijk, General Director of Scottish Opera said: ‘We are excited to be working with some of the country’s most talented developing artists from the National Opera Studio and to build on the success of last year’s From Russia With Love programme. It is the first year that the ENO Orchestra has also worked with the singers, in a performance at London’s Cadogan Hall, and we are delighted to be a part of this collaboration. -
AOR Management Ltd E-Mail: [email protected] Tel: 001 206 729 6160 6910 Roosevelt Way NE Fax: 001 206 985 8499 PMB 221 Cell Tel: 001 206 915 5145 Seattle
AOR Management Ltd E-mail: [email protected] Tel: 001 206 729 6160 6910 Roosevelt Way NE Fax: 001 206 985 8499 PMB 221 Cell Tel: 001 206 915 5145 Seattle. WA 981115 ALASDAIR ELLIOTT - TENOR One of Europe’s leading character tenors, Alasdair Elliott’s acclaimed portrayals include such roles as Mime for Scottish Opera’s production of Der Ring; Pong (Turandot) for the Teatro Real, Madrid, the Royal Opera, Covent Garden and Reisopera, Netherlands; Monostatos (Die Zauberflöte) ) for the Royal Opera, Covent Garden, English National Opera, Glyndebourne Touring Opera and in Lisbon; Red Whiskers ( Billy Budd ) and the Gamekeeper ( Rusalka ) for Glyndebourne Festival Opera; Bardolpho and Ciaus ( Falstaff ) for the Royal Opera, Scottish Opera, Glyndebourne Festival Opera, and with the London Symphony Orchestra; and First and Fourth Jew ( Salome ) for Opera Royal de la Monnaie, English National Opera, Welsh National Opera and Netherlands Opera also recorded for Chandos. Other operatic roles he has made his own include Brighella ( Ariadne auf Naxos ) for the Royal Opera and ENO; Snout ( A Midsummer Night’s Dream ) for Glyndebourne Festival Opera; Goro ( Madama Butterfly ) for the Royal Opera, Opera North and Holland Park Opera; Valzacchi ( Der Rosenkavalier ) for the English National Opera and Scottish Opera; Guidobald Usodimare ( Die Gezeichneten ) for the Netherlands Opera; David (Die Meistersinger) for Staatstheatre Stuttgart; Vitek ( The Makropulos Case ) and Shvonder ( Dog’s Heart ) for English National Opera; Sellem ( The Rake’s Progress ) in Israel and Lille; Andres ( Wozzeck ) for the Royal Opera and Israeli Opera; Red Whiskers ( Billy Budd ) with the London Symphony Orchestra; Nick ( Fanciulla del West ) for Opera Zuid; Cabaretier ( Benvenuto Cellini ) with the London Symphony Orchestra; and Der Bucklige ( Die Frau ohne Schatten ) with the Netherlands Radio Philharmonic. -
Broken Pencil
BROKEN PENCIL ORCHESTRAL LIBRARIANS’ NEWSLETTER SPRING 2002 I N T H E N E W S EDITORIAL We are sad to learn that Helen Lambert has decided to leave Scottish Opera in July upon th Welcome to this, the second issue of her 25 anniversary with the company. We wish her every happiness in her retirement. BROKEN PENCIL. The reaction to the She will be sorely missed by all her colleagues both north and south of the border. first issue was very encouraging and has had a wide circulation; in addition Publisher Corner to the UK circulation, a copy was Thanks to Boosey & Hawkes for being brave enough to send out their Hire Library posted on Molalist, making it an questionnaire. We hope that it bears fruit. international publication. We’re hoping to continue in the same vein. Grateful thanks also go to MDS for having Schott re-paginate the cello and bass parts of As always, the quality of this, our own the critical edition of Stravinsky’s Firebird ballet. in-house publication depends upon the Agency News contributions made to it and BROKEN Still with Boosey & Hawkes, they have acquired the publisher Richard Schauer. Two PENCIL looks forward to receiving more major hire catalogues are now administered from 295 Regent Street: Simrock, which submissions both great and small! Oh, contains original publications of many works by Brahms, Dvorak, Bruch; and Anton J. and if you receive this electronically, Benjamin. This is in addition to the Böte & Bock and Charles Foley agency catalogues you can link to the e-mail and web already represented (among others). -
Tosca Nixon in China a Midsummer Night's Dream
TOSCA NIXON IN CHINA A MIDSUMMER NIGHT’S 19 DREAM THE GONDOLIERS BREAKING THE WAVES ZANETTO SUSANNA’S SECRET IRIS 20CAVALLERIA RUSTICANA ZINGARI UTOPIA, LIMITED FOX-TOT! MERRILY WE ROLL ALONG 5 Subscription Information 6 Tosca 8 Nixon in China 10 A Midsummer Night’s Dream 12 The Gondoliers 14 Breaking the Waves 16 Opera in Concert 20 Opera Highlights 22 Fox-tot! 24 Merrily We Roll Along 26 Amadeus & The Bard 28 Pop-up Opera 32 Emerging Artists 33 Opera Unwrapped 34 Dementia Friendly Performances 36 Audio-described Performances 37 Pre-show Talks 38 Get Involved 40 Box Office Information A huge thank you to all our business sponsors and corporate members: Thanks also to our corporate supporters: Accenture, Caledonian MacBrayne, Cameron, Eusebi Deli, Glasgow Chamber of Commerce, Glasgow Memory Clinic, M.A.C., NorthLink Ferries and Pentland Ferries. WELCOME TO SCOTTISH OPERA’S 2019|20 SEASON Scottish Opera has been entertaining At a time when, perhaps more than ever, audiences the length and breadth of the we are all thinking and talking about country for over 56 years, and still at the heart partnership, we are proud of the relationships of all we do are the words of our founder, that are critical both to Scottish Opera’s success Sir Alexander Gibson, whose vision was and to our ability to create new work for you. ‘to lay the treasures of opera at the feet We don’t work in isolation, and this Season of the people of Scotland’. exemplifies this spirit of collaboration across the world of opera, embracing our partnerships In our 2019/20 Season, we are delighted and co-productions with festivals, companies to take forward his momentous legacy and opera houses in Scotland, England, with a wealth of operatic fare – including Australia, Denmark, Spain and the United 12 operas – that takes us to over 50 venues, States, and with artists and creative teams and is augmented by numerous events in from near and far. -
SIR ALEXANDER GIBSON CBE, MA(Glas), Honlld(Aberd), Hondmus(Glas, New'cle), Duniv(Stirl, York), Hond(OU), FRSAMD, Honram, FRCM, Honrsa, FRSA
SIR ALEXANDER GIBSON CBE, MA(Glas), HonLLD(Aberd), HonDMus(Glas, New'cle), DUniv(Stirl, York), HonD(OU), FRSAMD, HonRAM, FRCM, HonRSA, FRSA Alexander Gibson was born in Motherwell on 11 February 1926 into a family that was not especially musical. As a pupil at Dalziel High School the young Alex appeared as the Major-General in The Pirates of Penzance and it was soon clear that he was exceptionally gifted. He went with friends on Saturday nights to hear the Scottish Orchestra, as it then was, in St Andrew's Hall, Glasgow. His early musical education took place at the Royal Scottish Academy of Music and, at the age of 17, he became Organist at a nearby Congregational church. At Glasgow University he graduated with an MA in English Literature and Music. Between 1944 and 1948 Alex served as a pianist in the Royal Signals Band making arrangements for them of concertos by Mozart, Beethoven, Schumann, Grieg and Rachmaninov. He left the forces in 1948 and soon afterwards won a scholarship to the Royal College of Music where he was told that he could not join the Conducting Class as his theoretical knowledge was inadequate. By way of response he formed his own orchestra and the college authorities subsequently recognised his enormous talent. He won the Tagore Gold Medal and in 1950 attended the Conducting Class of Igor Markevitch at the Salzburg Mozarteum. The following year he went to Sadler's Wells Opera as a repetiteur and in 1952 was appointed Assistant Conductor of the BBC Scottish Orchestra. This two year contract was of untold value to him and he learned the standard concert repertoire under the direction of Ian Whyte. -
Iris-Press-Release.Pdf
PRESS RELEASE 7 October 2019 OPERA IN CONCERT SERIES CONTINUES WITH SCOTTISH OPERA PREMIERE OF MASCAGNI’S IRIS The Scottish Opera premiere of Pietro Mascagni’s Iris, a gripping tale of innocence lost, takes place on 1 December at City Halls, Glasgow. Conducted by Scottish Opera Music Director Stuart Stratford, Roxana Haines (Opera Highlights 2019) directs this semi-staged work, featuring soloists Helena Dix, Ric Furman (Kátya Kabanová 2019) and Roland Wood (Pelléas and Mélisande 2017). They are joined by The Orchestra of Scottish Opera and a 40-strong chorus. Set in Japan, Iris tells the story of a naïve young girl who is blissfully unaware of life’s darker side. When she is tempted from her home, she suffers a brutal crash course on how cruel the world can be. An opera full of colour and vibrancy it features ‘Hymn to the Sun’, which is often hailed as Mascagni’s finest work. Scottish Opera Music Director Stuart Stratford said: ‘Iris is, in many ways, Mascagni’s greatest opera. Composed six years before Puccini’s Madama Butterfly, it too looks to Japan for inspiration. The opening ‘Hymn to the Sun’ is one of the most spectacular depictions of a sunrise in music, starting from the murky depths of a solo double bass playing a quasi tone-row, later swelled by the rest of the strings, glittering horn calls and just when you think it can’t get any louder the full chorus join in to reach a tremendous climax. The drama is brutal and uncompromising, with some of the most alluring music given to the most desperate and appalling situations which creates a huge sense of unease in the listener.’ The Opera in Concert series continues in May 2020 with the passionate and lyrical Cavalleria rusticana by Mascagni. -
RNCM OPERA the CUNNING LITTLE VIXEN LEOŠ JANÁČEK WED 02, FRI 04, MON 07 DEC | 7.30PM SUN 06 DEC | 3PM RNCM THEATRE
WED 02 - MON 07 DEC RNCM OPERA The CUNNING LITTLE VIXEN LEOŠ JANÁČEK WED 02, FRI 04, MON 07 DEC | 7.30PM SUN 06 DEC | 3PM RNCM THEATRE LEOŠ JANÁČEK The CUNNING LITTLE VIXEN The Cunning Little Vixen Music by Leoš Janáček Libretto by Leoš Janáček based on the novella by Rudolf Těsnohlídek, translated by David Pountney Translation © David Pountney Used with permission of David Pountney. All Rights Reserved. 3 SYNOPSIS CAST THE ADVENTURES OF THE VIXEN BYSTROUŠKA Emyr Jones*, Ross Cumming** Forester Act I Pasquale Orchard*, Alicia Cadwgan** Vixen Sharp-Ears How they caught Bystrouška Georgia Mae Ellis*, Melissa Gregory** Fox Goldenmane Bystrouška in the courtyard of Lake Lodge Philip O’Connor*, Gabriel Seawright** Schoolmaster/Mosquito Bystrouška in politics Liam Karai*, George Butler** Priest/Badger Bystrouška gets the hell out Ema Rose Gosnell*, Lila Chrisp** Forester’s Wife/Owl Ranald McCusker*, Samuel Knock** Rooster/Mr Pásek Act II Sarah Prestwidge*, Zoë Vallée** Chocholka/Mrs Pásek Bystrouška dispossesses William Kyle*, Thomas Ashdown** Harašta Bystrouška's love affairs Rebecca Anderson Lapák Bystrouška's courtship and love Lorna Day Woodpecker Katy Allan Vixen as a Cub Interval Georgia Curwen Frantík/Cricket Emily Varney Pepík/Frog Act III Anastasia Bevan Grasshopper/Jay Bystrouška outran Harašta from Líšeň How the Vixen Bystrouška died RNCM OPERA CHORUS DANCER FOX CUBS The baby Bystrouška - the spitting image of her mother Lleucu Brookes Jade Carty Lleucu Brookes Jade Carty Jade Carty Dominic Carver HENS Abigail Jenkins James Connolly -
Opera Highlights Tours to 18 Locations Across Scotland in Spring 2019
PRESS RELEASE 3 December 2018 OPERA HIGHLIGHTS TOURS TO 18 LOCATIONS ACROSS SCOTLAND IN SPRING 2019 Hitting the road on the 5 February, Scottish Opera’s much-loved Opera Highlights sets off once more around Scotland with a brand-new show. Four singers and a pianist journey to 18 venues across Scotland from Ayrshire to the Western Isles. Opening in East Kilbride, the Opera Highlights performers will go on to visit Strathmiglo, Cumbernauld, Ardfern, Barra, Benbecula, Tarbert Isle of Harris, Gairloch, Ardross, Duns, Blairgowrie, Maybole, Durness, Boat of Garten, Aboyne, Whiting Bay and Dunblane, before bringing the tour to a close in Paisley on 16 March. Sara Brodie directs a programme of works by composers from across the centuries, from Handel and Gluck, to Mozart, Verdi, Britten and Bernstein, carefully curated by Scottish Opera’s Head of Music Derek Clark. Scottish Opera Emerging Artist 2018/19 soprano Lucy Anderson, who sang the role of Countess Ceprano in the Company’s 2018 revival of Rigoletto; mezzo-soprano Heather Ireson; tenor Tom Smith and baritone Harry Thatcher join Music Director/Pianist Elizabeth Rowe to bring to life some of opera’s best-known arias alongside hidden gems and forgotten favourites. Director Sara Brodie said: ‘Opera Highlights 2019 offers a dazzling array of operatic hits from Wagner to Gilbert and Sullivan. We promise an evening of frivolities, folly and flirtation as our singers take you to the depths of the underworld, Paris at dawn, a Viennese masked ball and a tryst by the Thames. Four erstwhile travellers journey the seas of love and back again, in scenes of picaresque torment and delight, to warm your hearts on a chilly night.’ Scottish Opera General Director, Alex Reedijk, said: ‘Following the tremendous success of our 17-date Autumn Opera Highlights tour, we are greatly looking forward to visiting 18 smaller and rural venues in the Spring. -
Oliver Mears Directs New Production of Tchaikovsky’S Eugene Onegin
PRESS RELEASE 27 February 2018 OLIVER MEARS DIRECTS NEW PRODUCTION OF TCHAIKOVSKY’S EUGENE ONEGIN Oliver Mears, Director of Opera at The Royal Opera, directs a new production of Tchaikovsky’s Eugene Onegin to close Scottish Opera’s 2017/18 season. This sweeping tale of unfulfilled love opens in Glasgow on April 27 before touring to Aberdeen, Inverness, Edinburgh and Belfast. Not heard on Scottish Opera’s main stage since 1993, Tchaikovsky’s soaring score is the most radiant of Russian lyric operas. Adapted from Pushkin’s classic verse novel, Eugene Onegin is a deeply moving tale of unrequited love and high society life. When Tatyana, a young country girl, is introduced to the arrogant Eugene Onegin, she is besotted and confesses her love, only to be rejected and humiliated. Onegin flirts with Tatyana’s older sister Olga, who’s engaged to Vladimir Lensky, Onegin’s only friend, setting off a series of tragic events. Scottish Opera’s Music Director, Stuart Stratford conducts a cast of international talent. Award-winning Welsh soprano Natalya Romaniw (Rusalka 2016) sings Tatyana, and former Jette Parker Young Artist Samuel Dale Johnson (The Marriage of Figaro 2016) is Eugene Onegin. Peter Auty (Flight 2018) is Vladimir Lensky and former Scottish Opera Emerging Artist Sioned Gwen Davies (Flight 2018) is Olga. Scottish Opera Emerging Artist Alexey Gusev (Iolanta 2017) sings the role of Captain. Joining Oliver Mears’ team is award–winning set and costume designer Annemarie Woods, lighting designer Fabiana Piccioli and former Scottish Ballet Artistic Director, choreographer Ashley Page. Eve Mutso, former Principal Dancer with Scottish Ballet, is the Dancer. -
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660175-78 bk Siegfried US 11/16/06 11:04 AM Page 16 4 CDs Recorded at the Staatsoper Stuttgart, Germany, WAGNER on 1st October 2002 and 5th January 2003. General Director: Prof. Klaus Zehelein Siegfried Executive Producers: Dr Reinhard Ermen (SWR Radio), Dr Dietrich Mack (SWR TV) and Paul Smaczny (EuroArts) West • Göhrig • Schöne • Waag • Jun • Herrera • Ranada • Gasteen Producer: Thomas Angelkorte • Editor: Irmgard Bauer Engineers: Jürgen Buss and Karl-Heinz Runde Staatsoper Stuttgart • Staatsorchester Stuttgart This performance of Siegfried is the third part of Wagner’s Ring cycle recorded live during Stuttgart Opera’s 2002/2003 season. Lothar Zagrosek For the first time in the history of the Ring cycle each of the four operas was staged with separate producers and casts. A production of EuroArts Music International GmbH and Südwestrundfunk in co-operation with ARTE and SBS-TV Gefördert von der Medien- und Filmgesellschaft Baden-Württemberg 8.660175-78 16 660175-78 bk Siegfried US 11/16/06 11:04 AM Page 2 Stuttgart Staatsorchester Established in 1589 as the Court Orchestra of Württemberg, the Württemberg Stuttgart State Orchestra has a history Siegfried of over four hundred years. Over the generations there have been collaborations with musicians of distinction, among them Leonhard Lechner, the Frobergers, Niccolò Jommelli, Johann Rudolf Zumsteeg, Konradin Kreutzer, The Second Day Johann Nepomuk Hummel and Carl Maria von Weber. Berlioz praised the orchestra, when he appeared with it as of conductor, and in the 1880s Stuttgart was one of the first to stage the complete Ring cycle, conducted by the then Der Ring des Nibelungen General Music Director Herman Zumpe, who had assisted Wagner at the first Bayreuth Festival. -
Undergraduate and Postgraduate Prospectus 2020–2021 WORLD TOP TEN Make the Right Choices
LIKE NOWHERE ELSE Undergraduate and Postgraduate Prospectus 2020–2021 WORLD TOP TEN Make the right choices. Live in the right city. Learn in one of the world’s Top Ten* performing arts institutions. If your future lies in Music, Drama, Dance, Production, Film or Education, the Royal Conservatoire of Scotland has everything to help you create and realise your ambitions. *For performing arts education 2016, 2017, 2018 QS World University Rankings When you see this icon our images and extra content come to life throughout the prospectus. Download and use the free Zappar app for your smart phone or tablet to experience a place like nowhere else. Or please visit rcs.ac.uk for all creative content. Music Bachelor of Music (Hons) 34 Masters of Music/Master of Arts in Music Brass Chamber Music CONTENTS Composition WELCOME Welcome Conducting Open Days Guitar and Harp 05 Historically Informed Performance Practice Jazz Life is not a rehearsal Keyboard Learn from the best Piano Accompaniment 06 Piano for Dance Professional partnerships Opera Performance Repetiteurship Global arts community Strings International students Timpani and Percussion Students’ Union Traditional Music Vocal Studies Alumni Woodwind 18 Dance 60 BA Modern Ballet Glasgow Drama Edinburgh BA Acting I am delighted to share this introduction to the Royal Open Days 24 Conservatoire of Scotland with you. We need all of our Scotland 66 BA (Hons) Contemporary Performance Practice Sign up to an Open Day and experience what life is BA Performance in British Sign Language and English performing and creative artists in our world now more than ever. Campus and facilities You’ve been on amazing and divergent journeys to bring you like at the Royal Conservatoire of Scotland. -
Scottish Opera Announces 2019/20 Season
PRESS RELEASE 10 April 2019 ** EMBARGOED UNTIL 00:00:01, 10 April 2019** SCOTTISH OPERA ANNOUNCES 2019/20 SEASON • European premiere of Missy Mazzoli’s Breaking the Waves at Edinburgh International Festival, directed by Tom Morris • Anthony Besch’s much-loved production of Puccini’s Tosca opens main season • Scottish Opera premiere of John Adams’ Nixon in China, conducted by Joana Carneiro and directed by John Fulljames • Dominic Hill, Artistic Director of Citizens Theatre, directs new production of Britten’s A Midsummer Night’s Dream • Stuart Maunder directs a new production of Gilbert & Sullivan’s The Gondoliers • World premiere of Fox-tot!, a new opera for toddlers by former Scottish Opera Composer in Residence, Lliam Paterson, directed by Roxana Haines • Scottish Opera returns to Lammermuir Festival with a double bill • Opera in Concert performances continue celebrations of Mascagni and Gilbert & Sullivan • Amadeus & The Bard explores the links between Mozart and Robert Burns • Opera Highlights visits 34 venues around Scotland in Autumn 2019 and Spring 2020 Scottish Opera has unveiled its 2019/20 Season which includes a European premiere at the Edinburgh International Festival, three further new productions, one revival, six titles in the 1 Opera in Concert series, and the world premiere of a new ‘opera for toddlers’ at the Edinburgh Festival Fringe. A truly international line-up of singers appears throughout the Season. Making their debuts with the Company are Trevor Eliot Bowes, Orla Boylan, Wallis Giunta, Eric Greene, Byron Jackson