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The Latino Film Experience in History: a Dialogue Among Texts and Collaborators Chapter Author(S): DARIÉN J
Tamesis an imprint of Boydell & Brewer Chapter Title: The Latino Film Experience in History: A Dialogue Among Texts and Collaborators Chapter Author(s): DARIÉN J. DAVIS Book Title: A Companion to US Latino Literatures Book Editor(s): Carlota Caulfield and Darién J. Davis Published by: Boydell & Brewer; Tamesis an imprint of Boydell & Brewer Stable URL: https://www.jstor.org/stable/10.7722/j.ctt9qdmx2.17 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Boydell & Brewer and Tamesis an imprint of Boydell & Brewer are collaborating with JSTOR to digitize, preserve and extend access to A Companion to US Latino Literatures This content downloaded from 150.210.226.99 on Sun, 27 Dec 2020 18:34:58 UTC All use subject to https://about.jstor.org/terms 12 The Latino Film Experience in History: A Dialogue Among Texts and Collaborators DARIÉN J. DAVIS The Latino Film Experience in History: A Dialogue The complexity of the Latino experience has yet to be adequately explored in film. As in Latino literary texts, most themes and characters in Latino films have emerged from the sensibilities of a community’s insertion into the North American reality. From these national experiences, filmmakers have been able to explore issues relevant to the broadly constructed ‘Latino’ community. -
CONSTRUCTING TIN PAN ALLEY 17 M01 GARO3788 05 SE C01.Qxd 5/26/10 4:35 PM Page 18
M01_GARO3788_05_SE_C01.qxd 5/26/10 4:35 PM Page 15 Constructing Tin Pan 1 Alley: From Minstrelsy to Mass Culture The institution of slavery has been such a defining feature of U.S. history that it is hardly surprising to find the roots of our popular music embedded in this tortured legacy. Indeed, the first indige- nous U.S. popular music to capture the imagination of a broad public, at home and abroad, was blackface minstrelsy, a cultural form involving mostly Northern whites in blackened faces, parodying their perceptions of African American culture. Minstrelsy appeared at a time when songwriting and music publishing were dispersed throughout the country and sound record- The institution of slavery has been ing had not yet been invented. During this period, there was an such a defining feature of U.S. history that it is hardly surprising to find the important geographical pattern in the way music circulated. Concert roots of our popular music embedded music by foreign composers intended for elite U.S. audiences gener- in this tortured legacy. ally played in New York City first and then in other major cities. In contrast, domestic popular music, including minstrel music, was first tested in smaller towns, then went to larger urban areas, and entered New York only after success elsewhere. Songwriting and music publishing were similarly dispersed. New York did not become the nerve center for indigenous popular music until later in the nineteenth century, when the pre- viously scattered conglomeration of songwriters and publishers began to converge on the Broadway and 28th Street section of the city, in an area that came to be called Tin Pan Alley after the tinny output of its upright pianos. -
National Film Registry
National Film Registry Title Year EIDR ID Newark Athlete 1891 10.5240/FEE2-E691-79FD-3A8F-1535-F Blacksmith Scene 1893 10.5240/2AB8-4AFC-2553-80C1-9064-6 Dickson Experimental Sound Film 1894 10.5240/4EB8-26E6-47B7-0C2C-7D53-D Edison Kinetoscopic Record of a Sneeze 1894 10.5240/B1CF-7D4D-6EE3-9883-F9A7-E Rip Van Winkle 1896 10.5240/0DA5-5701-4379-AC3B-1CC2-D The Kiss 1896 10.5240/BA2A-9E43-B6B1-A6AC-4974-8 Corbett-Fitzsimmons Title Fight 1897 10.5240/CE60-6F70-BD9E-5000-20AF-U Demolishing and Building Up the Star Theatre 1901 10.5240/65B2-B45C-F31B-8BB6-7AF3-S President McKinley Inauguration Footage 1901 10.5240/C276-6C50-F95E-F5D5-8DCB-L The Great Train Robbery 1903 10.5240/7791-8534-2C23-9030-8610-5 Westinghouse Works 1904 1904 10.5240/F72F-DF8B-F0E4-C293-54EF-U A Trip Down Market Street 1906 10.5240/A2E6-ED22-1293-D668-F4AB-I Dream of a Rarebit Fiend 1906 10.5240/4D64-D9DD-7AA2-5554-1413-S San Francisco Earthquake and Fire, April 18, 1906 1906 10.5240/69AE-11AD-4663-C176-E22B-I A Corner in Wheat 1909 10.5240/5E95-74AC-CF2C-3B9C-30BC-7 Lady Helen’s Escapade 1909 10.5240/0807-6B6B-F7BA-1702-BAFC-J Princess Nicotine; or, The Smoke Fairy 1909 10.5240/C704-BD6D-0E12-719D-E093-E Jeffries-Johnson World’s Championship Boxing Contest 1910 10.5240/A8C0-4272-5D72-5611-D55A-S White Fawn’s Devotion 1910 10.5240/0132-74F5-FC39-1213-6D0D-Z Little Nemo 1911 10.5240/5A62-BCF8-51D5-64DB-1A86-H A Cure for Pokeritis 1912 10.5240/7E6A-CB37-B67E-A743-7341-L From the Manger to the Cross 1912 10.5240/5EBB-EE8A-91C0-8E48-DDA8-Q The Cry of the Children 1912 10.5240/C173-A4A7-2A2B-E702-33E8-N -
National Film Registry Titles Listed by Release Date
National Film Registry Titles 1989-2017: Listed by Year of Release Year Year Title Released Inducted Newark Athlete 1891 2010 Blacksmith Scene 1893 1995 Dickson Experimental Sound Film 1894-1895 2003 Edison Kinetoscopic Record of a Sneeze 1894 2015 The Kiss 1896 1999 Rip Van Winkle 1896 1995 Corbett-Fitzsimmons Title Fight 1897 2012 Demolishing and Building Up the Star Theatre 1901 2002 President McKinley Inauguration Footage 1901 2000 The Great Train Robbery 1903 1990 Life of an American Fireman 1903 2016 Westinghouse Works 1904 1904 1998 Interior New York Subway, 14th Street to 42nd Street 1905 2017 Dream of a Rarebit Fiend 1906 2015 San Francisco Earthquake and Fire, April 18, 1906 1906 2005 A Trip Down Market Street 1906 2010 A Corner in Wheat 1909 1994 Lady Helen’s Escapade 1909 2004 Princess Nicotine; or, The Smoke Fairy 1909 2003 Jeffries-Johnson World’s Championship Boxing Contest 1910 2005 White Fawn’s Devotion 1910 2008 Little Nemo 1911 2009 The Cry of the Children 1912 2011 A Cure for Pokeritis 1912 2011 From the Manger to the Cross 1912 1998 The Land Beyond the Sunset 1912 2000 Musketeers of Pig Alley 1912 2016 Bert Williams Lime Kiln Club Field Day 1913 2014 The Evidence of the Film 1913 2001 Matrimony’s Speed Limit 1913 2003 Preservation of the Sign Language 1913 2010 Traffic in Souls 1913 2006 The Bargain 1914 2010 The Exploits of Elaine 1914 1994 Gertie The Dinosaur 1914 1991 In the Land of the Head Hunters 1914 1999 Mabel’s Blunder 1914 2009 1 National Film Registry Titles 1989-2017: Listed by Year of Release Year Year -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Americana E-Journal of American Studies in Hungary
AMERICANA E-JOURNAL OF AMERICAN STUDIES IN HUNGARY VOLUME XIV, NUMBER 2, FALL 2018 "FIRST DEGREE FRIENDSHIP: CINEMATOGRAPHIC ASPECTS OF FRANKLIN D. ROOSEVELT’S GOOD NEIGHBOR POLICY TOWARDS LATIN AMERICA" BY ANDRÁS LÉNÁRT http://americanaejournal.hu/vol14no2/lenart András Lénárt is senior assistant professor at the Department of Hispanic Studies, University of Szeged, Hungary. He holds a PhD in Cotemporary History. His research interests include Spanish and Latin American history and cinema, the relation between film studies and universal history, as well as Inter-American studies. Lénárt is the author of two books and the co-editor of several volumes. His book chapters, essays and articles have appeared in Spanish, Hungarian, British, Italian, Mexican, German and Canadian journals, volumes of essays and books, and also on the website of the US Library of Congress, National Film Registry. He is currently the president of the International Federation of Latin American and Caribbean Studies (FIEALC) and is member of various international research groups and associations, such as the Association for Spanish Film Historians, the Association for European Historians of Latin America (AHILA), and also of the General Assembly of the Hungarian Academy of Sciences. He is also founding member of the Inter-American Research Centre at the University of Szeged. Email: [email protected] Abstract: Cultural policy, including film policy, has played a crucial role in strengthening a country’s domestic and foreign policy. The United States of America’s attitude towards Latin America has been changed several times throughout the 20th century, depending on the current international situation. The aim of my article is to present the cinematographic aspects of this policy in the 1930s and the first half of the 1940s, within the framework of the Good Neighbor Policy, formulated by President Franklin Delano Roosevelt. -
The Political Economy of International Development JPE 2408Y 2011-2012
The Political Economy of International Development JPE 2408Y 2011-2012 Prof. Richard Sandbrook Prof. Gustavo Indart Department of Political Science Department of Economics Rm. SSH3061 Rm. GE175 E-mail: [email protected] E-mail: [email protected] Tel: 416-9788264 Tel: 416-978-5331 Website: www.chass.utoronto.ca/~sandbroo/ Website: www.economics.utoronto.ca/gindart/ Office Hrs: Tues. 4-5 Office Hrs: By appointment 1. OVERVIEW Following an introductory section that sets out the context and themes of the course, we evaluate a range of development strategies. Neoliberal reform, shifting from an initial, austere Washington Consensus to an augmented agenda often identified as the Post-Washington Consensus, has dominated the theory and practice of development since 1980; we therefore devote 10 sessions to understanding the origins, evolution, political implications and performance of this evolving policy paradigm. Case studies of neoliberal reform in Latin America, Africa, and Asia complement our discussion of general themes and issues. The final section of the course deals with development alternatives to the mainstream paradigm. These alternatives operate at one or more of three levels: local, national and global. To achieve such goals as prosperity, fairness, poverty reduction, freedom and/or environmental sustainability, activists and scholars have recently explored nationally-based social-democratic, ‘twenty-first-century’ socialist, and revived developmental-state strategies, projects of local empowerment or community-centred development and programs for reforming or transforming global economic governance. We probe the nature, practicability and desirability of these development alternatives. 2. ORGANIZATION AND REQUIREMENTS One of the instructors will introduce the topic of the first five sessions. -
Glenn Miller Archives
Glenn Miller Archives ARTIE SHAW INDEX Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 Table of Contents 2.1 Recording Sessions 3 2.2 Broadcasts (Recordings) 4 2.3 Additional Broadcasts (Data Only) 8 2.4 Personal Appearances 13 2.5 Music Library 16 2.6 On The Record 82 2.6.1 Analog Media 83 2.6.2 Digital Media 143 2.7 Glenn Miller Archives 162 2.7.1 Analog Media 163 RTR Edward Burke Collection 163 2.7.2 Digital Media 164 EHD Columbia Broadcasting System (CBS) 164 EHD Mutual Broadcasting System (MBS) 165 EHD National Broadcasting Company (NBC) 165 2.8 Star Spangled Radio Hour 167 Cover: Artie Shaw 1940 Paramount Publicity Photo P-2744-6 (Glenn Miller Archives) 2 2.1 Recording Sessions 38-07-24 Bluebird Recording Session, Victor Studio #2, New York 38-09-27 Bluebird Recording Session, Victor Studio #2, New York 38-11-17 Bluebird Recording Session, Victor Studio #2, New York 38-11-28 Vitaphone Melody Master (Film), Warner Brothers, New York 38-12-19 Bluebird Recording Session, Victor Studio #2, New York 39-01-17 Bluebird Recording Session, Victor Studio #2, New York 39-01-23 Bluebird Recording Session, Victor Studio #2, New York 39-01-31 Bluebird Recording Session, Victor Studio #2, New York 39-03-00 Vitaphone Melody Master (Film), Warner Brothers, New York 39-03-12 Bluebird Recording Session, Victor Studio #2, New York 39-03-17 Bluebird Recording Session, Victor Studio #2, New York 39-03-19 Bluebird Recording Session, Victor Studio #2, New York 39-06-05 Bluebird Recording Session, Victor Studio, Hollywood 39-06-12 Bluebird Recording Session, Victor Studio, Hollywood 39-06-22 Bluebird Recording Session, Victor Studio, Hollywood 39-06-00 Paramount Headliner (Film), Paramount Studios, Hollywood 39-07-15 MGM Prerecording Session, MGM Studio, Culver City, Cal. -
Lerstl Ai*O Edward G
I [ Saturday, December 28, 15ju AMUSEMENTS DETROIT EVENING TIMES (PHONE CHERRY 8800) AMUSEMENTS PAGE 11 testing a fog device, Taylor be- on a rocky beach, Taylor follow- Quiz for Youthful Driver Screen Heroes Run coming entangled in a target ' ing him down to the rescue and Bizarre Accused of seriously Injuring * Film Herald Poll NewYear’s Gamut sleeve at machine gun practice; then leading fellow-flyers back to pedestrian in an auto accident, Adventure and barely pulling his plane out of the base through thick fog, after Kenneth R. Jones. 18. of 7114 Mil- ' \ THE AERIAL thrill*of "Flight a spin above the ocean, landings having perfected the fog device. ler road. Dearborn, was to be Appearing at Book Raiment Command” include scenes of Bob on and take-offs from an airplane questioned today by the prosecutor. Creates Furore Taylor forced to bail out at sea farrier, battle pracTtee at sea, the Gen. Hugh S. Johnson, “Amer- [The victim, William Cedoreack, and Statler in a thick fog, Shepperd Strud- jlocating of a disabled plane. Pid- Ira’s Fighting Thinker,” Writes 145. of 3009 femey avenue. Dear- For Stars wick crashing in flames while 'geon crashing in a forced landing Daily for the Time*. 'bom, is in Henry Ford Hospital. 'Hollywood Upset . HEIPv? Vs By BURDETTE JAY Over Latest HOLLYWOOD, Dec. 28.—The garment mo- y«» umk most bizarre in the At Favorite tion picture colony is John Lexter's ¦ w * ¦ ? ¦ ¦ Listings 4 « THIS STAR IDENTIFIES CO OPERATIVE THEATERS V dressing TODAY MOVIE gown which he wears By LOUELLA O. PARSONS betw'een scenes of "Scotland Yard’’ Century-Fox. -
La Representación De La Argentinidad En El Cine Hollywoodense De La Era De Oro (1930-1965) Y El Posmodernismo (1985-2019)
La representación de la argentinidad en el cine hollywoodense de la era de oro (1930-1965) y el posmodernismo (1985-2019) Autor/es: Colautti, Lucas – LU: 1117916 Soto, Lucas Ezequiel – LU: 1116991 Carrera: Licenciatura en Ciencias de la Comunicación (Ciclo) Tutor: Natalio Stecconi Director de carrera: José Crettaz Año: 2020 RESUMEN / ABSTRACT Desde sus orígenes, y gracias al alcance masivo de este, el cine actuó siempre como un modelo conformador de actitudes y estilos de vida. Además, se construyen representaciones colectivas mediante las cuales una comunidad, en este caso la sociedad estadounidense, designa su identidad e impone ciertas creencias comunes. Este trabajo tiene como objetivo principal comparar la representación de la argentinidad en Hollywood entre la época dorada del cine (1930-1965) y el cine posmoderno (1980-2019), para poder determinar cuál es la visión que tiene Estados Unidos para con nuestro país y su cultura. Since the beginning, and thanks to its massive reach, cinema has always acted as a model for shaping attitudes and lifestyles. In addition, collective representations are built through which a community, in this case American society, designates its identity and imposes certain common beliefs. The main objective of this work is to compare the representation of the argentine image in Hollywood between cinema’s golden age (1930-1965) and postmodern cinema (1980-2019), in order to determine the vision that the United States has for our country and its culture. PALABRAS CLAVE Hollywood - Argentina - Cine - Género - Imagen - Representación - Cultura - Puesta en escena - Arquetipos - Acción social. ÍNDICE GENERAL 1. INTRODUCCIÓN………………………………………………………………….....……3 1.1. Tema………………………………………………………...……….……..….….3 1.2. -
Musical Movie Memories Discussion Guide for 1940S Music Run DVD Film Segments on a TV Or Projection TV System to an Assembled Group
DiMusicalscussion Guide forMovi 1920s-30se MusicMemories Run film segments one at a time on a TV or projection system. Pause on the 4 questions at the end of each so the viewers can respond and share their memories woken by the film. This Discussion Guide suggests additional questions to aid the session leader. All films in this special program are filled with music, singers and bands from the late 1920s through the 1930s. Music has proven helpful in bringing smiles and distant memories even to seniors with alzheimers. Unlike regular volumes of Movie Memories with their vast variety, there may not be that much to discuss with some of the films. You can tell by reactions whether the viewers enjoy the films. Standard questions which can be applied to each segment are: Did you like the song? Do you like jazz and swing bands? Do you remember ___________? Would you like to watch the film again? What is your favorite song from this era? Do you want to see more Bing Crosby musicals? Etc. Do not hesitate to ask these simple questions again and again! Disc #1 Al Jolson Trailers We just watched coming attractions for 3 Al Jolson films: Wonder Bar (1934), Go Into Your Dance (1935) and The Singing Kid (1936). These “trailers” showed the highlights of three of Al’s films from the mid-1930s. Have you ever see the first sound film -- The Jazz Singer -- with Al Jolson on TV? Do the trailers make you want to see the complete movies? Who are your favorite singers, stars or dancers from 1930s Hollywood musicals? Glorifying the American Girl This 1929 musical comedy was produced by Florenz Ziegfeld and highlights Ziegfeld’s current star, dancer Mary Eaton.