Stuff Magazine, June 5, 2012-June 18, 2012
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Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets. -
Odesza Announces New “A Moment Apart Tour” Dates Tickets on Sale to Public Starting December 8 at Livenation.Com Electronic
ODESZA ANNOUNCES NEW “A MOMENT APART TOUR” DATES TICKETS ON SALE TO PUBLIC STARTING DECEMBER 8 AT LIVENATION.COM ELECTRONIC DUO EARNS TWO GRAMMY NOMINATIONS LOS ANGELES (Dec. 4, 2017) – On the heels of two GRAMMY nominations last week for Best Dance/Electronic Album for A Moment Apart and Best Dance Recording for “Line Of Sight”, ODESZA has announced a second leg to their “A Moment Apart Tour” with 14 new North American dates in 2018, produced by Live Nation. This year, ODESZA (Harrison Mills and Clayton Knight) has taken their "transcendent" (Nylon) brand of indie electronic to new heights of popularity with sold out arena shows and a No. 3 debut on the Billboard 200 chart for their album A Moment Apart (Counter Records/Ninja Tune). Presale tickets are available at www.odesza.com starting Tuesday, December 5 at 10:00am local time with password: APART. Tickets will go on sale to the general public starting Friday, December 8 at 10:00am local time at LiveNation.com. Citi® is the official credit card of the U.S. leg of the 2018 “A Moment Apart Tour.” As such, Citi® cardmembers will have access to purchase U.S. presale tickets beginning Tuesday, December 5 at 10:00am local through Thursday, December 7 at 10:00pm local through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com. Since starting in early September in New Zealand, the “A Moment Apart Tour” has spanned nine countries, selling out multiple nights in cities across the globe with a live show featuring musicians including horns, guitar, a six piece drum line and vocalists. -
Merriweather Post Pavilion
Citizen Advisory Panel on Merriweather Post Pavilion Final Report Introduction On August 12, 2004, County Executive Jim Robey signed Executive Order No. 2004-03 (attached as Appendix 1), which appointed 16 leaders of the business and arts communities in Howard County to serve on the Merriweather Citizens Advisory Panel (the Panel). He asked the Panel to advise him on whether Howard County (the County) should purchase Merriweather Post Pavilion from The Rouse Company (now General Growth Properties (GGP)), which had announced that Merriweather was for sale provided that the purchaser agrees to meet certain provisions. He asked the Panel to answer five questions: 1. Is there a public service purpose for Howard County to purchase Merriweather Post Pavilion? 2. If there is a public service purpose for the County to purchase Merriweather, what should be the primary purpose of the facility (e.g., a concert venue, an all-purpose arts facility, etc.), what other activities should be permitted and what organizations should have access? 3. Does Merriweather need to be renovated, and if so what type and scope of renovation would be necessary for it to most successfully and effectively achieve the determined primary purpose? 4. What type of management and control structure should be put into place for the operation of this facility? 5. What level of public oversight should exist? In addition, the County solicited proposals for consultant services for a “Feasibility study associated with the possible purchase and renovation of Merriweather Post Pavilion.” The County received five proposals it deemed to be acceptable. Following interviews with the firms that submitted those proposals, the County hired the team of Ziger/Snead LLP Architects, Webb Management Services, Inc. -
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16_587764 bindex.qxp 5/1/07 10:05 PM Page 832 832 Index A Albuquerque International A1A Aleworks (St. Augustine, AAA (American Automobile Balloon Fiesta (NM), 788 FL), 280 Association), 9–10, 25 Albuquerque Museum of Art Apartment rentals, New traveler’s checks, 14 and History (NM), 794 York City, 61 Abbey Lounge (Boston, MA), Alcoholic beverages, 20 Aquarius (San Francisco, 157–158 Alibates Flint Quarries CA), 651 Abbott Farms (Cowpens, SC), National Monument Aquatennial (Minneapolis, 380 (TX), 780 MN), 399 INDEX Abercorn Antique Village Allergens, 21–22 Arabia Steamboat Museum (Savannah, GA), 288 All Good Music Festival (Kansas City, MO), 421 Abiel Smith School (Boston, (Masontown, WV), The Arboretum at Flagstaff MA), 159 43, 99–102 (AZ), 520–521 Abode Apartment Rentals All-terrain vehicle tours, Arcata, CA, 660 (New York City), 61 Palms Springs, CA, 585 Arches National Park (UT), Absolutli Goosed (St. Louis, Amarillo, TX, 768–781 494–497 MO), 745 Amarillo Museum of Art Area 51 (NV), 573–575 Access-Able Travel Source, 36 (TX), 779 Area 51 Research Center (NV), Accessible Journeys, 36 Amarillo Zoo (TX), 779 574–575 Accidents, 24–25 The American Dime Museum Arizona Snowbowl, 523 Accommodations, 10, 11, 64 (Baltimore, MD), 83 The Ark (Point Pleasant tips on, 28–33 American Express traveler’s Beach, NJ), 206 Ace of Clubs House checks, 13 Arrow Bar (San Francisco, (Texarkana, AR), 342 American Foundation for the CA), 655 Acorn Attic (Wilmington, Blind (AFB), 36 The Arts and Antiques Show NC), 309 American Indian Festival (Wilmington, NC), -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. -
Neuhoff, Laura-Brynn.Pdf (929Kb)
“THE BIGGEST COLORED SHOW ON EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Laura-Brynn Neuhoff Washington, D.C. April 26, 2017 “THE BIGGEST COLORED SHOW ONE EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP Laura-Brynn Neuhoff Thesis Adviser: Marcia Chatelain, Ph.D. ABSTRACT This senior thesis seeks to answer the following question: how and why is the word “minstrel” and associated images still used in American rap and hip hop performances? The question was sparked by the title of a 2005 rap album by the group Little Brother: The Minstrel Show. The record is packaged as a television variety show, complete with characters, skits, and references to blackface. This album premiered in the heat of the Minstrel Show Debate when questions of authenticity and representation in rap and hip hop engaged community members. My research is first historical: I analyze images of minstrelsy and reviews of minstrel shows from the 1840s into the twentieth century to understand how the racist images persisted and to unpack the ambiguity of the legacy of black blackface performers. I then analyze the rap scene from the late 2000-2005, when the genre most poignantly faced the identity crisis spurred by those referred to as “minstrel” performers. Having conducted interviews with the two lyricists of Little Brother: Rapper Big Pooh and Phonte, I primarily use Little Brother as my center of research, analyzing their production in conjunction with their spatial position in the hip hop community. -
LIVE NATION, INC. (Exact Name of Registrant As Specified in Its Charter) Delaware 20-3247759 (State of Incorporation) (I.R.S
20072007 ANNUALANNUAL REPORTREPORREPO T TO OUR SHAREHOLDERS We continued to demonstrate success in 2007 in executing our strategic plan. We took multiple steps to transform Live Nation into a vertically integrated live music company that directly unites artists, fans and sponsors across all revenue generating products. We are moving ahead to capitalize on our global concert platform as artists look for expanded and new business partners. Reaching an agreement in principle with U2 for a 12-year exclusive partnership is another signifi cant validation that Live Nation is the most attractive option for the biggest artists in the world. Madonna, and now U2, believe in Live Nation and our promising future as a highly innovative music company that is responding quickly to changes in the music business landscape. As a result, we believe Live Nation is a signifi cantly stronger organization, strategically and fi nancially, than only one year ago. Over the next year, we will continue to build on our three core strategies: • Grow our global concert platform internally • Prepare to launch our global ticketing, online business in 2009 • Continue to enter relationships with touring artists for longer and wider product lines centered around our core concert business When we launched Live Nation in December 2005, the company had been declining in overall profi tability for the previous few years. We set out to stop the decline and turn Live Nation into a growth company by running our core business better and by expanding into new revenue streams. In 2007, we set out to do four main things, all of which we achieved – to improve our North American Music operations, grow our International Music platform, launch the Live Nation Artist division and defi ne our Ticketing/ Online future. -
There's No Shortcut to Longevity: a Study of the Different Levels of Hip
Running head: There’s No Shortcut to Longevity 1 This thesis has been approved by The Honors Tutorial College and the College of Business at Ohio University __________________________ Dr. Akil Houston Associate Professor, African American Studies Thesis Adviser ___________________________ Dr. Raymond Frost Director of Studies, Business Administration ___________________________ Cary Roberts Frith Interim Dean, Honors Tutorial College There’s No Shortcut to Longevity 2 THERE’S NO SHORTCUT TO LONGEVITY: A STUDY OF THE DIFFERENT LEVELS OF HIP-HOP SUCCESS AND THE MARKETING DECISIONS BEHIND THEM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Business Administration ______________________________________ by Jacob Wernick April 2019 There’s No Shortcut to Longevity 3 Table of Contents List of Tables and Figures……………………………………………………………………….4 Abstract…………………………………………………………………………………………...5 Introduction…………………………………………………………………………………..6-11 Parameters of Study……………………………………………………………..6 Limitations of Study…………………………………………………………...6-7 Preface…………………………………………………………………………7-11 Literary Review……………………………………………………………………………..12-32 Methodology………………………………………………………………………………....33-55 Jay-Z Case Study……………………………………………………………..34-41 Kendrick Lamar Case Study………………………………………………...41-44 Soulja Boy Case Study………………………………………………………..45-47 Rapsody Case Study………………………………………………………….47-48 -
Imagine Dragons Announces 13 Summer Tour Dates Due to Overwhelming Demand for Sold out Spring Tour
IMAGINE DRAGONS ANNOUNCES 13 SUMMER TOUR DATES DUE TO OVERWHELMING DEMAND FOR SOLD OUT SPRING TOUR LOS ANGELES, CA (February 22, 2013) - Imagine Dragons, one of the biggest break-out rock bands of 2012, has announced 13 additional summer tour dates due to overwhelming demand. The summer tour announcement comes on the heels of the band's first ever headlining club & theater tour, which sold out quickly with many dates selling out the same day tickets went on sale. Tickets to their summer tour go on sale to the public beginning Friday, March 1st at LiveNation.com. Beginning today fans can click here or visit http://on.fb.me/XDgEng to RSVP for early access to presale tickets available on Thursday, February 28th. Citi® cardmembers will have access to presale tickets beginning Tuesday, February 26th at 10 a.m. local time through Citi's Private Pass® Program. For complete presale details visit www.citiprivatepass.com. Live Nation mobile app users will have access to presale tickets beginning Thursday, February 28th. Mobile users can text “LNAPP” to 404040 to download the Live Nation mobile app. (Available for iOS and Android.) The summer leg of the Imagine Dragons tour will begin on Tuesday, May 7th at the Time Warner Cable Arena in Charlotte, North Carolina with dates through June 3rd at the Comerica Theater in Phoenix, Arizona. The current spring tour kicked-off on February 8th at The Marquee in Tempe, Arizona and will visit 29 Cities, wrapping March 23rd at the Fillmore Auditorium in Denver, Colorado. Imagine Dragons are touring in support of their full-length debut gold album Night Visions (KIDinaKORNER/Interscope Records) which debuted at No. -
Still on the Road: 1974 Tour of America with the Band
STILL ON THE ROAD 1974 TOUR OF AMERICA WITH THE BAND JANUARY 3 Chicago, Illinois Chicago Stadium 4 Chicago, Illinois Chicago Stadium 6 Philadelphia, Pennsylvania The Spectrum – Afternoon 6 Philadelphia, Pennsylvania The Spectrum – Evening 7 Philadelphia, Pennsylvania The Spectrum 9 Toronto, Ontario, Canada Maple Leaf Gardens 10 Toronto, Ontario, Canada Maple Leaf Gardens 11 Montreal, Quebec, Canada Forum de Montreal 12 Montreal, Quebec, Canada Forum de Montreal 14 Boston, Massachusetts Boston Gardens – Afternoon 14 Boston, Massachusetts Boston Gardens – Evening 15 Largo, Maryland Capital Centre 16 Largo, Maryland Capital Centre 17 Charlotte, North Carolina Coliseum 19 Hollywood, Florida Hollywood Sportatorium – Afternoon 19 Hollywood, Florida Hollywood Sportatorium – Evening 21 Atlanta, Georgia The Omni 22 Atlanta, Georgia The Omni 23 Memphis, Tennessee Mid-South Coliseum 25 Fort Worth, Texas Tarrant County Convention Center Arena 26 Houston, Texas Hofheinz Pavilion – Afternoon 26 Houston, Texas Hofheinz Pavilion – Evening 28 Nassau, New York Nassau County Coliseum 29 Nassau, New York Nassau County Coliseum 30 New York City, New York Madison Square Garden 31 New York City, New York Madison Square Garden – Afternoon 31 New York City, New York Madison Square Garden – Evening FEBRUARY 2 Ann Arbor, Michigan Crisler Arena, University Of Michigan 3 Bloomington, Indiana Assembly Hall, Indiana University 4 St. Louis, Missouri Missouri Arena – Afternoon 4 St. Louis, Missouri Missouri Arena – Evening 6 Denver, Colorado Coliseum – Afternoon 6 Denver, -
Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, Its People
It’s Not Me, It’s You: Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, its People by Sharieka Shontae Botex April, 2019 Director of Thesis: Dr. Wendy Sharer Major Department: English The origins of Hip Hop evidence that the art form was intended to provide more than music to listen to, but instead offer art that delivers messages on behalf of people who were not always listened to. My thesis offers an analysis of Jay-Z and J. Cole’s lyrical content and adds to an ongoing discussion of the potential Hip Hop artists have to be effective leaders for the Black community, whose lyrical content can be used to make positive change in society, and how this ability at times can be compromised by creating content that doesn’t evidence this potential or undermines it. Along with this, my work highlights how some of Jay-Z and J. Cole’s lyrical content exhibits their use of some rhetorical strategies and techniques used in social movements and their use of some African American rhetorical practices and strategies. In addition to this, I acknowledge and discuss points in scholarship that connect with my discussion of their lyrical content, or that aided me in proposing what they could consider for future lyrical content. I analyzed six Jay-Z songs and six J. Cole songs, including one song from their earliest released studio album and one from their most recently released studio album. I examined their lyrical content to document responses to the following questions: What issues and topics are discussed in the lyrics; Is money referenced? If so, how; Is there a message of uplift or unity?; What does the artist speak out against?; What lifestyles and habits are promoted?; What guidance is provided?; What problems are mentioned? and What solutions are offered? In my thesis, I explored Jay-Z and J. -
Still on the Road: 1974 Tour of America with the Band
STILL ON THE ROAD 1974 TOUR OF AMERICA WITH THE BAND JANUARY 3 Chicago, Illinois Chicago Stadium 4 Chicago, Illinois Chicago Stadium 6 Philadelphia, Pennsylvania The Spectrum – Afternoon 6 Philadelphia, Pennsylvania The Spectrum – Evening 7 Philadelphia, Pennsylvania The Spectrum 9 Toronto, Ontario, Canada Maple Leaf Gardens 10 Toronto, Ontario, Canada Maple Leaf Gardens 11 Montreal, Quebec, Canada Forum de Montreal 12 Montreal, Quebec, Canada Forum de Montreal 14 Boston, Massachusetts Boston Gardens – Afternoon 14 Boston, Massachusetts Boston Gardens – Evening 15 Largo, Maryland Capital Centre 16 Largo, Maryland Capital Centre 17 Charlotte, North Carolina Coliseum 19 Hollywood, Florida Hollywood Sportatorium – Afternoon 19 Hollywood, Florida Hollywood Sportatorium – Evening 21 Atlanta, Georgia The Omni 22 Atlanta, Georgia The Omni 23 Memphis, Tennessee Mid-South Coliseum 25 Fort Worth, Texas Tarrant County Convention Center Arena 26 Houston, Texas Hofheinz Pavilion – Afternoon 26 Houston, Texas Hofheinz Pavilion – Evening 28 Nassau, New York Nassau County Coliseum 29 Nassau, New York Nassau County Coliseum 30 New York City, New York Madison Square Garden 31 New York City, New York Madison Square Garden – Afternoon 31 New York City, New York Madison Square Garden – Evening FEBRUARY 2 Ann Arbor, Michigan Crisler Arena, University Of Michigan 3 Bloomington, Indiana Assembly Hall, Indiana University 4 St. Louis, Missouri Missouri Arena – Afternoon 4 St. Louis, Missouri Missouri Arena – Evening 6 Denver, Colorado Coliseum – Afternoon 6 Denver,