The Gazette September 1965
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50 Years Since 30 September, 1965: the Gradual Erosion of a Political Taboo
ISSUE: 2015 NO.66 ISSN 2335-6677 RESEARCHERS AT ISEAS – YUSOF ISHAK INSTITUTE SHARE THEIR UNDERSTANDING OF CURRENT EVENTS Singapore | 26 November 2015 50 Years since 30 September, 1965: The Gradual Erosion of a Political Taboo. By Max Lane* EXECUTIVE SUMMARY This year marks the 50th anniversary of the events of 30 September, 1965 and its aftermath. Amidst heightened discussion of the matter, President Widodo, on behalf of his government, stated that there would be no state expression of being sorry for the large scale massacres of 1965. He attended conventional activities on the anniversary consistent with the long-term narrative originating from the period of Suharto’s New Order. At the same time, there are signs of a gradual but steady erosion of the hegemony of the old narrative and an opening up of discussion. This is not driven by deliberate government policy, although some government decisions have facilitated the emergence of a generation for whom the hegemonic narrative holds less weight. The processes weakening the old hegemony have also been fostered by: a) Increased academic openness on the history of the period, both in and outside of Indonesia. b) More activity by lawyers, activists, researchers as well as former political prisoners demanding state recognition of human rights violations in 1965 and afterwards. c) A general attitude to educational processes no longer dominated by indoctrination concerns. 1 ISSUE: 2015 NO.66 ISSN 2335-6677 Hegemony may be slowly ending, but it is not clear what will replace it. *Max Lane is Visiting Senior Fellow with the Indonesia Studies Programme at ISEAS- Yusof Ishak Institute, and has written hundreds of articles on Indonesia for magazines and newspapers. -
SURVEY of CURRENT BUSINESS September 1966
SEPTEMBER 1966 / VOLUME 46 NUMBER OF CONTENTS U.S. Department of Commerce John T« Connor / Secretary THE BUSINESS SITUATION Summary 1 Office of Business Economies George Jaszi / Dime tor Capital Spending Programs in Second Half of 1966 3 Morris R. Goldman Louis J. Paradiso Associate Directors Manufacturers' Inventory and Sales Expectations 8 in Second Half 1966 Murray F. Foss / Editor Leo V* Barry, Jr. / Statistics Editor National Income and Product Tables 11 Billy Jo Hurley / Graphics ARTICLES STAFF CONTRIBUTORS TO THIS ISSUE The Balance of International Payments: 14 Business Review* Second Quarter 1966 David R. Hull, Jr. Foreign Investments, 1965-66 30 Francis L, Hirt Donald A. King Genevieve B. Wimsatt Marie P. Hertzberg Articles: Walther Lederer CURRENT BUSINESS STATISTICS Evelyn M, Parrish Samuel Pizer General S1-S24 Frederick Cutler Industry S24-S40 Subscription prices* including weekly statistical sup~ Subject Index (Inside Back Cover) plements, are $6 a year for domestic and $9*75 for foreign mailing. Single issue 45 cents* Make checks payable to the Superintendent of Docu- ments and send to U.S. Government Printing Office* Washington, D.C. 204029 or to any U.S. Department of Commerce Field Office. U.S. DEPARTMENT OF COMMERCE .FIELD OFFICES Allbnaqsiercpie, N. Mex.' 97101 Cheyenne, Wyo. 82001 Detroit, Mich. 48226 Memphis, Tfc*m. 38103 Portland, Greg. 97204 - ILS. Courthouse Ph. 247-0311. • ' 6022 U.S. Federal Bldg, 445 Federal Bldg. Ph. 226-6088. ; Ph. 634-5920. 345 Federal Oftice Bldg. 217 Old U.S. Courthouse Bldg. Anchorage, Alaska 99501 Ph. 534-3214. Ph. 226-3361. Loussac-Sogn Bldg, 272-6331. Greensboro, N.C. -
The Daily Egyptian, September 28, 1965
Southern Illinois University Carbondale OpenSIUC September 1965 Daily Egyptian 1965 9-28-1965 The aiD ly Egyptian, September 28, 1965 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_September1965 Volume 47, Issue 6 Recommended Citation , . "The aiD ly Egyptian, September 28, 1965." (Sep 1965). This Article is brought to you for free and open access by the Daily Egyptian 1965 at OpenSIUC. It has been accepted for inclusion in September 1965 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SXl'lJ. STuOIES Advisement DAILY EGyprplAN Scheduled ..J.J~r.lern llIin . Students can get advisement sou THE R NIL LIN 0 I SUN ~rliVJ;Ei~.Jl ~r~o~:arg appointments for pre-regis tration for winter term start Volum.41 Carboncla1., III. Tuesday, September 28, 1965 Number 6 ing Wednesday, according to Amos Black, executive assis tant in General Studies. Seniors can obtain appoint ments on Wednesday. and juniors will make appoint University Adopts final Week; ments Thursday, Black said. Upperclassmen will make ap pointments under a new de centralized system which will require them to make appoint 50-Minute Examinations Set ments at thei r . respective schools or colleg.· s. Students who are majoring Faculty Council in education, business or fine arts, however, will make ap Okays Change po~ntments in the Olympic After a year of exper!men Room of the University Cen tation with its system of final ter. Upper-class appoint examinations, SIU has re ments will be made on a walk turned to a formal "finals in basis. -
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase. -
Appeal No. 1568 - Richard Gallegos V
Appeal No. 1568 - Richard Gallegos v. US - 7 July, 1966. ________________________________________________ IN THE MATTER OF MERCHANT MARINER'S DOCUMENT NO. Z-659500-D4 AND ALL OTHER SEAMAN DOCUMENTS Issued to: Richard Gallegos DECISION OF THE COMMANDANT UNITED STATES COAST GUARD 1568 Richard Gallegos This appeal has been taken in accordance with Title 46 United States Code 239(g) and Title 46 Code of Federal Regulations 137.30-1. By order dated 22 September 1965 an Examiner of the United States Coast Guard at Houston, Texas suspended Appellant's seaman documents for 12 months outright upon finding him guilty of misconduct. The specifications found proved allege that while serving as Able Seaman on board the United States SS DEL VALLE under authority of the document above described, during the period from 1 July 1965 to 9 September 1965, Appellant wrongfully absented himself from his duties on or about 21 July 1965 and on or about 11 August 1965, while the vessel was in a foreign port; that on or about 22 july 1965 while the vessel was in a foreign port Appellant wrongfully failed to perform his duties by reason of intoxication; that on or about 8 august 1965, while the vessel was underway in a foreign harbor, Appellant wrongfully failed to perform duty as a watchstander on wheel and lookout watches. At the hearing, Appellant did not appear and was not represented by counsel. A plea of not guilty to the charge and file:////hqsms-lawdb/users/KnowledgeManagement...%20R%201479%20-%201679/1568%20-%20GALLEGOS.htm (1 of 4) [02/10/2011 10:55:18 AM] Appeal No. -
Start Time Description Number-Cut Length User Defined 00:00:00 TOP
Start Time Description Number-Cut Length User defined 00:00:00 TOP OF HOUR 00:00:00 RUN MACRO-ON AIR 00:00:00-E (:00)LEGAL ID 00:00:00-E (:00)Enjoy Yourself (It's Later Than You Thin 0069603-001 03:17:0 Artist - Guy Lombardo 00:03:17-E (:00)I STILL GET A THRILL 0145611-001 02:57:2 Artist - OZZIE NELSON AND HIS ORCH v OZZIE 00:06:14-E (:00)MAMA'S MAMBO (MAMA BIN ICH FARLIEBT) 0148806-001 02:35:5 Artist - IRVING FIELDS TRIO 00:08:50-E (:00)TALES FROM THE VIENNA WOODS 0149804-001 02:19:8 Artist - GUY LOMBARDO AND HIS ORCHESTRA 00:11:10-E (:00)MY MOTHER'S EYES 0159203-001 02:34:0 Artist - KENNY BALL AND HIS JAZZMEN 00:13:44-E (:00)FIDDLE FADDLE 0047118-001 02:55:6 Artist - THE THREE SUNS 00:16:40-E (:00)I WISH YOU LOVE 0170325-001 02:07:4 Artist - BLOSSOM DEARIE 00:18:47-E (:00)RIDIN' AROUND IN THE RAIN 0171407-001 02:36:4 Artist - RAIE DE COSTA 00:21:24-E (:00)You're Getting To Be A Habit With Me 1932 0172733-001 03:23:2 Artist - Ben Selvin HO v Muriel Sherman and Elmer Feldkamp 00:24:47-E (:00)DEEP IN THE HEART OF TEXAS 1942 0174154-001 02:40:6 Artist - BING CROSBY w WOODY HERMAN WC 00:27:28-E (:00)I'M ALWAYS CHASING RAINBOWS 1946 0174627-001 03:03:7 Artist - DICK HAYMES-HELEN FOREST 00:30:31-E (:00)Lonely Feet 1934 0003655-001 02:58:6 Artist - Harry Roy and his Orch v Harry Roy lmer Feldkamp 00:33:30-E (:00)MY TROUBLES ARE OVER 0175052-001 02:49:5 Artist - GUS ARNHEIM HO 00:36:20-E (:00)This Can't Be Lovel 1955 0181944-001 03:04:9 Artist - CAL TJADER 00:39:25-E (:00)Un Jeune Homme Chantait 1964 0182602-001 02:56:8 Artist - EDITH PIAF 00:42:22-E -
“Big Chief” Moore, in New York a Few Weeks Earlier on January 16
WIND12413 ITF Douglas Yeo ITA.qxp_Layout 1 5/22/17 11:24 AM Page 1 July 2017/ Volume 45, Number 3 / $11.00 Denson Paul Pollard — Page 36 Douglas Yeo Depends on Yamaha “Yamaha trombones are the most flexible, finely engineered and well-made instruments INTERNATIONALINTERNATIONAL I have ever played. They allow my musical voice to be expressed beautifully every time I have a trombone in my hands.” Douglas Yeo Visit 4wrd.it/yeoITA2 for details World-renowned Bass Trombonist ASSOCIATION JOURNAL THETHE QUARTERLYQUARTERLY PUBLICATIONPUBLICATION OFOF THETHE ITAITA Take it, Big Chief! An Appreciation of Russell Moore Photo credit: Timothy Hutchens INTERNATIONAL TROMBONE ASSOCIATION JOURNAL The Quarterly Publication of the ITA Volume 45, Number 3 / July 2017 General News — Page 6 The International Trombone Association is Dedicated to the Artistic Advancement of Trombone Teaching, Performance, and Literature. Contents Features Take It, Big Chief: An Appreciation of Russell Moore ITA JOURNAL STAFF by Douglas Yeo .............................................................. 18 Managing Editor A Conversation with Denson Paul Pollard Diane Drexler by Douglas Yeo ................................................................ 36 3834 Margaret Street, Madison, WI 53714 USA / [email protected] Associate Editors Feature Stories – Bruce Gunia Departments [email protected] Announcements ...................................................................... 2 Jazz – Antonio Garcia President’s Column - Ben van Dijk .......................................... -
History of Jazz Tenor Saxophone Black Artists
HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz. -
History, Memory, and the "1965 Incident" in Indonesia
HISTORY, MEMORY, AND THE “1965 INCIDENT” IN INDONESIA Mary S. Zurbuchen With the events of 1998 that climaxed in the stunning moment of President Suharto’s resignation, Indonesia embarked on a transi- tion from a tenacious authoritarianism. These changes have prompted re- examination of assumptions and tenets that have shaped the state, its laws and institutions, and the experience of being a citizen. They have also spurred calls for justice and retribution for persistent patterns of violence. Suharto’s New Order is the only government that most Indonesians alive today have ever known, and its passing has sparked notable interest in reviewing and assessing earlier chapters in the national story. This retrospective moment has not been systematic, and there are indications that it may not be sustained under the administration of President Megawati Sukarnoputri. 1 Nonetheless, public discourse continues to spotlight key actors and events from the past, including some that have long been hidden, suppressed, or unmentionable. Among these topics, the killings of 1965–66 are a particularly difficult and dark subject. In this essay, I will discuss some of the recent representations of this particular element of the collective past and offer some thoughts on how “1965” figures in contemporary public discourse, in social and private Mary S. Zurbuchen is Visiting Professor and Acting Director of the Center for Southeast Asian Studies at the University of California, Los Angeles. Asian Survey , 42:4, pp. 564–582. ISSN: 0004–4687 Ó 2002 by The Regents of the University of California. All rights reserved. Send Requests for Permission to Reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center St., Ste. -
United Nations Juridical Yearbook, 1965
Extract from: UNITED NATIONS JURIDICAL YEARBOOK 1965 Part Four. Legal documents index and bibliography of the United Nations and related intergovernmental organizations Chapter IX. Legal documents index of the United Nations and related intergovernmental organizations Copyright (c) United Nations CONTENTS (continued) Page 2. United States ofAmerica U.S. District Court, Southern District of New York Menon v. Esperdy: Judgement of 15 November 1965 The right to claim "G-4" status for a member of the immediate family of a United Nations official belongs to the United Nations, not to the member of the family-United States Code, title 8, para. 1101 (a) (15) (G) (IV) 247 Part Four. Legal documents index and bibliography of the United Nations and related inter-governmental organizations CHAPTER IX. LEGAL DOCUMENTS INDEX OF THE UNITED NATIONS AND RELATED INTER GOVERNMENTAL ORGANIZATIONS A. LEGAL DOCUMENTS INDEX OF THE UNITED NATIONS 1. General Assembly and subsidiary organs 252 1. Plenary General Assembly and Main Committees (A) Documents relating to agenda items of legal interest (twentieth session) 252 (1) Implementation of the Declaration on the Granting of Independence to Colonial Countries and Peoples: reports of the Special Committee on the Situation with regard to the Implementation ofthe Declaration on the Granting of Independence to Colonial Countries and Peoples (agenda item 23). ...................... 252 (2) Report of the Committee on arrangements for a conference for the purpose of reviewing the Charter (agenda item 26) ........ 253 (3) Question of general and complete disarmament: reports of the Con ference of the Eighteen-Nation Committee on Disarmament (agenda item 28) ... ....................... 253 (4) Urgent need for suspension of nuclear and thermonuclear tests: reports of the Conference of the Eighteen-Nation Committee on Disarmament (agenda item 30) . -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
A Chronology of the U.S. Coast Guard's Role in the Vietnam
U.S. Coast Guard History Program USCG in Vietnam Chronology 16 February 1965- A 100-ton North Vietnamese trawler unloading munitions on a beach in South Vietnam's Vung Ro Bay is discovered by a US Army helicopter. The Vung Ro Incident led to the creation of the OPERATION MARKET TIME coastal surveillance program to combat Communist maritime infiltration of South Vietnam. 16 April 1965- Secretary of the Navy Paul Nitze asks Secretary of the Treasury Henry Fowler for Coast Guard assistance in the Navy’s efforts to combat seaborne infiltration and supply of the Vietcong from North Vietnam 29 April 1965- President Lyndon Johnson committed the USCG to service in Vietnam under the Navy Department’s operational control. Announcement of formation of Coast Guard Squadron One (RONONE) 27 May 1965- Commissioning of Coast Guard Squadron One (RONONE) 12 June 1965- Coast Guard Squadron One (RONONE) comes under the command of Commander in Chief, Pacific Fleet (CINPACFLT) 16 July 1965- Division 12, Coast Guard Squadron One (RONONE) departs Subic Bay, Philippines for Da Nang, Republic of Vietnam 20 July 1965- Division 12, Coast Guard Squadron One (RONONE) arrives at Da Nang 21 July 1965- Coast Guard OPERATION MARKET TIME patrolling begins with 5 WPBs deployed along the DMZ 24 July 1965- Division 11, Coast Guard Squadron One (RONONE) departs Subic Bay, Philippines for An Thoi, Phu Quoc Island, Republic of Vietnam 30 July 1965- Commander, Task Force 115 (CTF 115) (MARKET TIME) established 31 July 1965- Division 11, Coast Guard Squadron One (RONONE) arrives