Thelonious Monk Mulligan Meets Monk Mp3, Flac, Wma

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Thelonious Monk Mulligan Meets Monk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mulligan Meets Monk Country: US Released: 1967 Style: Bop, Cool Jazz MP3 version RAR size: 1737 mb FLAC version RAR size: 1307 mb WMA version RAR size: 1778 mb Rating: 4.4 Votes: 165 Other Formats: XM AUD AAC RA DMF FLAC ADX Tracklist Hide Credits 'Round Midnight A1 Written-By – Hanighen*, Williams*, Monk* A2 Rhythm-A-Ning Sweet And Lovely A3 Written-By – Arnheim*, Tobias*, Lemare* B1 Decidedly B2 Straight, No Chaser B3 I Mean You Credits Baritone Saxophone – Gerry Mulligan Bass – Wilbur Ware Design [Cover] – Paul Bacon Drums – Shadow Wilson Engineer [Recording Engineer] – Jack Higgins Liner Notes – Orrin Keepnews Photography By [Cover Photo] – Robert Parent* Piano – Thelonious Monk Producer – Orrin Keepnews Written-By – Gerry Mulligan (tracks: B1), Thelonious Monk (tracks: A2, B2, B3) Notes Recorded in New York; August 12 and 13, 1957. Green Orpheum Productions label. Barcode and Other Identifiers Matrix / Runout (Side A [etched]): RLP-12-247 A-1 RI Matrix / Runout (Side B [etched]): RLP-12-2̶4̶7̶ 247 B-1 RI Other versions Category Artist Title (Format) Label Category Country Year Thelonious Monk Thelonious And Gerry Mulligan - Riverside RLP 12-247 Monk And RLP 12-247 US 1957 Mulligan Meets Records Gerry Mulligan Monk (LP, Album) Thelonious Monk Thelonious And Gerry Mulligan - Musical MHS 512504Y Monk And Mulligan Meets Heritage MHS 512504Y US 1990 Gerry Mulligan Monk (CD, Album, Society Club, RE) Thelonious Monk Thelonious And Gerry Mulligan - JVCXR-0032-2 Monk And Mulligan Meets JVC JVCXR-0032-2 Japan 1987 Gerry Mulligan Monk (CD, Album, RE, RM) Thelonious Monk Thelonious And Gerry Mulligan - Riverside RLP 12-247 Monk And Mulligan Meets RLP 12-247 US 1959 Records Gerry Mulligan Monk (LP, Album, Mono) Thelonious Monk, Thelonious Gerry Mulligan - Riverside RLP 12-247 Monk, Gerry Mulligan Meets RLP 12-247 UK Unknown Records Mulligan Monk (LP, Album, Mono) Related Music albums to Mulligan Meets Monk by Thelonious Monk Thelonious Monk With John Coltrane - Thelonious Monk With John Coltrane Thelonious Monk - Thelonious Alone In San Francisco Thelonious Monk Quartet Plus Two - At The Blackhawk Art Blakey, Thelonious Monk - In Walked Bud, Rhythm A Ning The Thelonious Monk Quartet - Misterioso Gerry Mulligan & Johnny Hodges - Gerry Mulligan Meets Johnny Hodges Thelonious Monk Septet - Monk's Music Thelonious Monk - Blues Five Spot.

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FRIDAY the 13TH: the MICROS PLAY MONK (Cuneiform Rune 310)
Bio information: THE MICROSCOPIC SEPTET Title: FRIDAY THE 13TH: THE MICROS PLAY MONK (Cuneiform Rune 310) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: JAZZ / THELONIOUS MONK / THE MICROSCOPIC SEPTET “If the Micros have a spiritual beacon, it’s Thelonious Monk. Like the maverick bebop pianist, they persevere... Their expanding core audience thrives on the group’s impeccable arrangements, terse, angular solos, and devil-may-care attitude. But Monk and the Micros have something else in common as well. Johnston tells a story: “Someone once walked up to Monk and said, “You know, Monk, people are laughing at your music.’ Monk replied, ‘Let ‘em laugh. People need to laugh a little more.” – Richard Gehr, Newsday, New York 1989 “There is immense power and careful logic in the music of Thelonious Sphere Monk. But you might have such a good time listening to it that you might not even notice. …His tunes… warmed the heart with their odd angles and bright colors. …he knew exactly how to make you feel good… The groove was paramount: When you’re swinging, swing some more,” he’d say...” – Vijay Iyer, “Ode to a Sphere,” JazzTimes, 2010 “When I replace Letterman… The band I'm considering…is the Microscopic Septet, a New York saxophone-quartet-plus-rhythm whose riffs do what riffs are supposed to do: set your pulse racing and lodge in your skull for days on end. … their humor is difficult to resist.
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Thelonious Monk: Life and Influences Thelonious Monk: Life and Influences
William Hanson Falk Seminar Spring 2008 Thelonious Monk: Life and Influences Thelonious Monk: Life and Influences Thelonious Monk was a prolific and monumental figure in modem jazz. He directly contributed to the evolution of bebop, as well as influenced the development of free jazz, and the contributed additions to the standard jazz repertoire. Monk branched out fiom his influences, including swing, gospel, blues, and classical to create a unique style of composition and performance. Monk more than any other major figure in bebop, was, and remains, an original1 Monk's life can be categorized into three periods: the early, the middle, and late period. Each period lasts roughly twenty years: from 1917- 1940,1940-1960, and from 1960-1982. In Monk's early period he toured the US playing gospel music, and found early influences in swing music like Duke Ellington. It wasn't until his middle period that Monk began to record and write his compositions, and in his late period he toured the world with other renowned musicians playing bebop. Thelonious Junior ~onl?was born October 10,191 7 in Rocky Mountain, North Carolina to Barbara Batts Monk and Thelonious Monk, Senior. Thelonious was the middle child, with an older sister, Marion born in 1915, and younger brother, Thomas born in 1919. Monk's birth certificate lists his father as an ice puller, and his mother as a household worker. Although both of his parents could read and write, they struggled to make enough to live on. In 1922 Thelonious' mother insisted that she take the family to New York to make a better living.
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Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
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Jazz Greats: Thelonious Monk
Name Date Jazz Greats: Thelonious Monk Thelonious Monk was one of the creators of the music known as modern jazz. Monk was born in 1917 in Rocky Mount, North Carolina. Around the age of ve, he began to imitate tunes he heard on the family’s player piano. When the family moved to New York, young Thelonious’ mother scraped together the money for a baby grand piano. Now a single mother, she had little extra money, but she managed to pay for the piano lessons Monk began taking at age 11. A serious student, Monk spent much of his time playing or observing other pianists as they played. By the age of 13, Monk was playing with a jazz trio at a local bar and grill. At 16, he left school to pursue music full-time. His rst important gig came in the early 1940s, when he became the house piano player at a club called Minton’s Playhouse. Jazz was undergoing a great period of innovation and change, and Monk was one of the musicians at the center of it all. Beginning in the late 1940s, however, his career declined. A period of poverty, depression, and occasional trouble with the law made life very dicult for Monk and his wife, Nellie. In 1954, Monk recorded his rst solo album, “Pure Monk.” Though his temperament was challenging to many of the other musicians he played with, Monk gained and kept the notoriety he had long deserved. In 1964, he appeared on the cover of Time Magazine, a rare honor, especially for a jazz musician at the time.
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Morgenstern, Dan. [Record Review: Thelonious Monk: Underground] Down Beat 35:16 (August 8, 1968)
Ugly Beauty, the ballad (a Monk title, oboe to tell it like it truly is (he is par isn't it?) is bittersweet, of the lineage of 10th Anniversary ticularly effective on this instrument). Ask Me Now, Ruby My Dear, Panonica He takes to the tenor sax on the perky and Crepescule with Nellie-the reflective, Kongsberg. Brooks keeps the kettles hot Summer .Jazz Clinics nostalgic aspects of love. As always, the Last Chance! and the leader charges forth with a very interpretation brings out the melody in gritty solo. Lawson, a man of talent, solos full contour, and Rouse is tuned in. Within days the first sessions of the with verve. Green Chimneys is my favorite, a riff 1968 Summer Jazz Clinics will begin. Lateef's flute is subtly beautiful on the piece; minor with a major bridge. It re Hundreds of musicians and educators longing Stay With Me. Through the minds of Dickie's Dream, the "old" Lester will meet with the best faculty ever technique of overdubbing, he is heard on assembled for a concentrated week of Young classic. Rouse gets off on this. flute and tenor simultaneously on See Line (He, too, so long with Monk, is taken learning jazz, playing jazz, living Woman. Again, the tambourine enhances jazz. There are still openings f~r _all for granted, while little heed is paid to the instruments at each of the five chmcs. this sanctified performance. fact that he has absorbed more about how If it's too late to write, just appear Brother strides in spirited fashion, Lateef Monk's music should be played than any on Sunday at 1 :00 pm at the location weaving urgent patterns.
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Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY
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Bags’ Groove (composition) "Bags’ Groove" is a jazz composition by Milt Jackson. It was ﬁrst recorded by the Milt Jackson Quintet on Apr. 7, 1952 for Blue Note Records. Lou Donaldson, John Lewis, Percy Heath and Kenny Clarke were on that date. Next was the Mat Mathews quintet with Herbie Mann (July 6, 1953), Bud Powell (Sept. 1953), Mat Mathews again (Sept. 1, 1953), a bootleg version by the MJQ (Oct. 31, 1953), the Lighthouse All-Stars (Feb. 25, 1954), bassist Buddy Banks' quartet (with Bob Dorough and Roy Haynes in Oct. 1954) and then Jay Jay Johnson & Kai Winding (Dec. 3, 1954). Perhaps the most famous recording was the one by Miles Davis's quintet in 1954. The recording was released on the 1957 album Bags’ Groove. “Bags’ Groove”, along with "Oleo", "Doxy" and "Airegin" from the same album, has become a jazz standard.[1] The song was named for vibraphonist Milt Jackson's nick- name “Bags”.[2] 1 Personnel • Miles Davis – trumpet • Milt Jackson – vibraphone • Thelonious Monk – piano • Percy Heath – bass • Kenny Clarke – drums • Sonny Rollins – tenor saxophone 2 Notes [1] Bag’s Groove at jazzstandards.com - retrieved on 2 May 2009 [2] Scott Yanow: Milt Jackson biography at Allmusic - re- trieved on 2 May 2009 1 2 3 TEXT AND IMAGE SOURCES, CONTRIBUTORS, AND LICENSES 3 Text and image sources, contributors, and licenses 3.1 Text • Bags’ Groove (composition) Source: https://en.wikipedia.org/wiki/Bags’{}_Groove_(composition)?oldid=670458771 Contributors: Tad Richards, Magioladitis, Niceguyedc, BassHistory, Addbot, Jafeluv, DrilBot, CactusBot, Ramaksoud2000 and Anonymous: 4 3.2 Images • File:Jazz_music_icon.svg Source: https://upload.wikimedia.org/wikipedia/commons/4/46/Jazz_music_icon.svg License: LGPL Contrib- utors: File:Gnome-fs-regular.svg, File:Música_jazz.png Original artist: David Vignoni, Ch1902 3.3 Content license • Creative Commons Attribution-Share Alike 3.0.
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Thelonious Monk Orchestra at Town Hall
ad" melody, his debt to thing he has RIVERSIDE »re at hand: ell as leader proudly presents id personal) Ie does better a new, ingeniously mes or with Ray Haynes distinguished and truly different in) provided ussive piano Thelonious Monk recording: armer’s style ic than per- he is rather but perhaps lulated by a lally obvious ch as the fact trast for him man group, ay be correct THELONIOUS is not up to that is his at „ I MONK THELONIOUS I MONK I NS—Decca bl uilty; It's Tat xtd Emotions; ORCHESTRA uuday Kind Of ORCHESTRA '-ike My Baby; If Rain; Don't a. with varioM AT erent danger ■d labels: the t of old stuff n. TOWN s for Verve, dently a pas- ecording ses- s Fitzgerald's HALL Reasons, she m Boys; on Monaural: Riverside RLP 12-300 Stereo: Riverside RLP 1138 and an or- vith the Ray :stra directed ith the Song The debut performance of this new Monk band, recorded in concert orchestra; on at New York’s Town Hall, makes a really startling and unique album. le Andy Love er Bob Hag- Full-scale orchestrations of great Monk compositions add a new creative dimension nes are poor, to the work of one of the major forces of modem jazz. ases, terrible, rercial songs, (Special note: Listen to Little Rootie Tootie ly. Ella does in particular, for the most exciting sound of the year!) her best isn’t Soloists include Thelonious (in rare form), edious medi- Donald Byrd, Phil Woods, Charlie Rouse, Pepper Adams.
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Friday, October 13, 2017 @BLUEWHALE
Angel City Jazz Festival The tenth annual Angel City Jazz Festival continues its tradition of Criss Cross (featuring Donny McCaslin and Dan Weiss); and Elliott being Los Angeles’ most adventurous modern jazz celebration. This Sharp playing Monk in a solo guitar performance for the closing night year’s theme celebrates the centennial of Thelonious Sphere Monk of the festival. In addition, Dwight Trible is curating a Monk-themed (born October 10, 1917). A very innovative individual and creative double-bill at The World Stage with James Leary’s Bassed (six force throughout his career as both a pianist and a composer, many basses and a drummer) premiering original arrangements of Monk’s of Monk’s songs (best-known of which is “’Round Midnight”), while music, and Dwight Trible’s band ‘Cosmic Vibrations’ with special way ahead of their time when they were introduced in the 1940s and guest award-winning actor Roger Guenveur Smith adding a bit of ‘50s, have since become jazz standards. His unique piano style has abstract storytelling based on Monk’s life and career. also been very influential while being impossible to duplicate. As is always the case at the Angels City Jazz Festival, there is much Rather than merely recreating Monk’s classic recordings, many much more. You can find full details about all of the performances of the performers at this year’s Angel City Jazz Festival will be listed within this program. paying tribute to the musical genius in their own unique way. The special opening night concert at the Ford Theatres features Dee We hope you’ll enjoy our musical presentations and we’d like to Dee Bridgewater’s “Afro-Cuban Dream” — her interpretation of invite you to support our programming efforts through our non- Carmen McCrae’s famous Carmen Sings Monk album — under the profit organization Angel City Arts.
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2010 Music Accessories Equipment
Product Catalog / Winter 2009 - 2010 Music Accessories Equipment ELUSIVE DISC To order Toll Free call: Fax: 765-608-5341 4020 Frontage Rd. Anderson, IN 46013 Info: 765-608-5340 SHOP ON-LINE AT: 1-800-782-3472 e-mail: [email protected] www.elusivedisc.com ContentsSACD SACD SACD 1-35 Accessories 74-80 04. Analogue Productions 75. Gingko Audio 10. Chesky 78. Mobile Fidelitiy 15. Fidelio Audio 78. Record Research Labs 15. Groove Note 79. Audioquest 21. Mercury Living Presence 80. Audience 21. Mobile Fidelity 80. VPI 24. Pentatone 80. Michael Fremer 25. Polydor 80. Shakti 27. RCA 28. Sony 31. Stockfisch Equipment 81-96 31. Telarc 35. Virgin 81. Amps / Tuners / Players 83. Cartridges 86. Headphones XRCD 36-39 89. Loudspeakers 90. Phono Stages 36. FIM 92. Record Cleaners 36. JVC 93. Tonearms 94. Turntables Vinyl 40-73 41. Analogue Productions 43. Cisco 43. Classic Records 48. EMI 52. Get Back 53. Groove Note Records 54. King Super Analogue 55. Mobile Fidelity 57. Pure Pleasure Records 59. Scorpio 59. Simply Vinyl 60. Sony 60. Speaker’s Corner 63. Stockfisch 63. Sundazed 66. Universal 68. Vinyl Lovers 69. Virgin 69. WEA 4020 Frontage Rd. Info: 765-608-5340 72. Warner Brothers / Rhino Anderson, IN 46013 Orders: 800-782-3472 www.elusivedisc.com SACD SACD The Band / Music From Big Pink Pink Floyd / The Dark Side Of The Moon Tracked in a time of envelope-pushing Arguably the greatest rock album ever studio experimentations and pop released now available for the first psychedelia, Music From Big Pink is a time in Super Audio CD! This marks watershed album in the history of rock.
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Gigi Gryce Nica's Tempo Mp3, Flac, Wma
Gigi Gryce Nica's Tempo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Nica's Tempo Released: 2013 Style: Hard Bop, Swing MP3 version RAR size: 1682 mb FLAC version RAR size: 1942 mb WMA version RAR size: 1610 mb Rating: 4.4 Votes: 939 Other Formats: MMF WMA TTA MIDI RA DXD DMF Tracklist 1 Speculation 4:08 2 In A Meditating Mood 4:25 3 Social Call 2:44 4 Smoke Signal 3:40 5 (You'll Always Be) The One I Love 3:27 6 Kerry Dance 3:00 7 Shuffle Boil 5:01 8 Brake's Sake 4:45 9 Gallop's Gallop 5:28 10 Nica's Tempo 6:09 Other versions Category Artist Title (Format) Label Category Country Year Gigi Gryce · Thelonious Monk · Percy Heath · Art Gigi Gryce · Blakey · Horace Silver · Art Thelonious Monk · Farmer · Kenny Clarke · Percy Heath · Art Cecil Payne · Jimmy Blakey · Horace Cleveland · Oscar Pettiford Silver · Art · Julius Watkins - Gigi S1201, S Signal , S1201, S Farmer · Kenny Gryce · Thelonious Monk · US 1955 1201 Signal 1201 Clarke · Cecil Percy Heath · Art Blakey · Payne · Jimmy Horace Silver · Art Farmer Cleveland · Oscar · Kenny Clarke · Cecil Pettiford · Julius Payne · Jimmy Cleveland · Watkins Oscar Pettiford · Julius Watkins (LP, Album, Mono) Gigi Gryce (LP, Album, S 1201 Gigi Gryce Signal S 1201 US 1955 Mono) BYG BYG Thelonious Monk, Gigi BYG Thelonious Monk, Records, 529153, Gryce - Nica's Tempo (LP, 529153, France 1969 Gigi Gryce BYG 529.153 Album, RE) 529.153 Records Thelonious Monk & Gigi Thelonious Monk RM 52223 Gryce - Nica's Tempo (LP, CBS RM 52223 UK 1966 & Gigi Gryce Album, Mono, RE) The Orchestra* And The The Orchestra* UK, Quartet Of Gigi Gryce* - Savoy Jazz CY-18057 And The Quartet CY-18057 Europe & 1998 Nica's Tempo (CD, Album, Classics Of Gigi Gryce* US RE, RM) Related Music albums to Nica's Tempo by Gigi Gryce Gigi Gryce - Duke Jordan - Hall Overton - Signals Art Farmer - When Farmer Met Gryce Thelonious Monk, Phil Woods, Jimmy Cleveland, Max Roach - I Giganti Del Jazz Vol.
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MILES DAVIS: the ROAD to MODAL JAZZ Leonardo Camacho Bernal
MILES DAVIS: THE ROAD TO MODAL JAZZ Leonardo Camacho Bernal Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: John Murphy, Major Professor Cristina Sánchez-Conejero, Minor Professor Mark McKnight, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Camacho Bernal, Leonardo, Miles Davis: The Road to Modal Jazz. Master of Arts (Music), May 2007, 86 pp., 19 musical examples, references, 124 titles. The fact that Davis changed his mind radically several times throughout his life appeals to the curiosity. This thesis considers what could be one of the most important and definitive changes: the change from hard bop to modal jazz. This shift, although gradual, is best represented by and culminates in Kind of Blue, the first Davis album based on modal style, marking a clear break from hard bop. This thesis explores the motivations and reasons behind the change, and attempt to explain why it came about. The purpose of the study is to discover the reasons for the change itself as well as the reasons for the direction of the change: Why change and why modal music? Copyright 2006 by Leonardo Camacho Bernal ii TABLE OF CONTENTS Page LIST OF MUSICAL EXAMPLES............................................................................................... v Chapters 1. INTRODUCTION ...............................................................................................
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