An informal look into the history of digital typography David Walden walden-family.com/texland (Comments to me as
[email protected]) October 25, 2016 Introduction The ditto machine at the elementary school at which my mother taught was what first sparked my interest in printing (and it had a swell smell). I became seriously interested in the craft of printing during four summers of college when I worked in or near the printing department of a large Fibreboard company plant that made cardboard packaging for food and drink companies (for example, cereal boxes and milk cartons). The plant had a four-color Miehle offset lithography machine that printed an array of boxes on each approximately 4.5-foot-by-6.5-foot sheet of cardboard; the plant also had big two-color lithograph machines and a couple of smaller letterpress machines. I have retained this interest in printing throughout my life. I didn’t begin to explicitly think about typography itself1,2 until about 20 years ago when I adopted LATEX for drafting and formatting books and papers I write. Then in 2012, I began to think about the history of printing and typography as I prepared a presentation for TUG2012 in Boston.3,4 Since then I have been reading (books, papers, Internet websites) and watching YouTube videos about the history of printing and typography that in time led into the digital era. This companion paper to my TUG2016 presentation sketches some of what I (think I) have learned in the hope that my study and thinking will be useful to someone else who is just starting to dig into this history.