DOCSLIB.ORG

(APN019-090-026) Santa Barbara, California

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
(APN019-090-026) Santa Barbara, California PHASE 1-2 HISTORIC SITES/STRUCTURES REPORT For 1809 Mira Vista Avenue (APN019-090-026) Santa Barbara, California Prepared for: John and Daryl Stegall c/o Tom Henson Becker, Henson, Niksto Architects 34 West Mission Street Santa Barbara, CA 93101 (805-682-3636 Prepared by POST/HAZELTINE ASSOCIATES 2607 Orella Street Santa Barbara, CA 93105 (805) 682-5751 [email protected] April 25, 2017 TABLE OF CONTENTS Section__________________________________________________________________Page 1.0 INTRODUCTION............................................................................................................ 1 2.0 PROJECT DESCRIPTION ............................................................................................... 1 3.0 PREVIOUS STUDIES AND DESIGNATIONS.................................................................2 4.0 DOCUMENTS REVIEW .................................................................................................. 2 5.0 ENVIRONMENTAL AND NEIGHBORHOOD SETTING.................................................. 2 PHASE ONE SECTION .....................................................................................................7 6.0 SITE DESCRIPTION ........................................................................................................ 7 6.1 House ................................................................................................................... 10 6.1.1 North elevation (Street façade, facing Mira Vista Avenue)..................... 10 6.1.2 South Elevation (Rear elevation, facing garden)....................................... 11 6.1.3 East Elevation (Facing landscaped lot at APN 019-090-027).................... 13 6.1.4 West Elevation (Side elevation, facing 1807 Mira Vista Avenue)............. 14 6.2 Designed Landscape ........................................................................................ 16 7.0 HISTORICAL CONTEXT............................................................................................... 24 7.1 From the Founding of the Spanish Presidio to the Early 20th Century; 1782- 1903 .................................................................................................................................. 26 7.2 History of the Property: 1925-1962 ..................................................................... 26 7.3 History of the Property at 1809 Mira Vista Avenue: 1962-2017...................... 28 7.4 Tudor Revival Style............................................................................................... 30 7.5 The Architectural Firm of Soule, Murphy and Hastings................................... 30 7.6 Lockwood de Forest, Jr. ..................................................................................... 32 8.0 SIGNIFICANCE EVALUATION.................................................................................... 33 8.1 Evaluation of Integrity ......................................................................................... 33 8.1.1 Establishing the Resource’s Period of Significance ..................................... 34 8.1.2 Application of the Integrity Criteria ............................................................... 34 8.1.3 Summary Statement of Integrity .................................................................... 37 8.2 Eligibility for Listing at the Local Level............................................................... 37 8.2.1 Application of the Significance Criteria........................................................ 38 8.3 Eligibility for Listing in the California Register of Historical Resources ........... 42 84 Eligibility for Listing in the National Register of Historic Places........................ 43 9.0 SUMMARY STATEMENT OF SIGNIFICANCE ............................................................ 44 i Section__________________________________________________________________Page PHASE TWO SECTON ...................................................................................................... 45 10.0 EVALUATION OF PROJECT IMPACTS ..................................................................... 45 10.1 Project Thresholds……………………………………………………………………45 10.2 Work Plan……………………………………………………………………………..47 10.3 Analysis of the Proposed Project…………………………………………………48 10.4 Impacts to Nearby Significant Historic Resources…………………………….60 10.5 Evaluation of Cumulative Impacts to Significant Historic Resources……..60 11.0 SUMMARY AND CONCLUSIONS………………………………………………………61 12.0 LIST OF RESOURCES AND BIBLIOGRAPHY……………………………………………61 MAPS AND FIGURES ii 1.0 INTRODUCTION This Phase 1 -2 Historic Structures/Sites Report (HSSR) is for a legal parcel at 1809 Mira Vista Avenue, California (APN 019-090-026). This report was prepared for John and Daryl Stegall. The parcel, located on the south side of Mira Vista Avenue in Santa Barbara, California, is developed with two- story house, built in 1925 by the architectural firm of Soule, Murphy and Hastings and remnants of a landscape designed by Lockwood de Forest Jr. (Figures 1 – 2a). This report evaluates the property’s potential eligibility for being considered a significant historic resource for the purposes of environmental review. If either property is determined to be a significant historic resource the report will evaluate project impacts to significant historic resources. The assessment was written by Pamela Post, Ph.D. (primary author) and Timothy Hazeltine. 1809 Mira Vista Ave. Figure 1, Location Map 2.0 PROJECT DESCRIPTION This report provides an assessment of the study parcel’s potential historic significance (i.e. are the parcel or any of its improvements a significant historic resource for the purposes of environmental review). The applicant proposes a remodeling project that will alter the Post/Hazeltine Associates Phase 1-2 HSSR 1809 Mira Vista Avenue, Santa Barbara, California April 25, 2017 1 existing exterior elevations of the house and the surrounding landscaped grounds at 1809 Mira Vista Avenue. The architect of record for the project is Tom Henson of Becker, Henson, Niksto, Architects. Please note that a separate Phase 1 Historic Structures/Sites Report has been prepared for the adjoining property at APN 019-090-027, which has a historical association with the study parcel and is also owned by the applicants. 3.0 PREVIOUS STUDIES AND DESIGNATIONS The study parcel has not been previously surveyed, evaluated or placed on City of Santa Barbara registers of listed or potential historic resources. 4.0 DOCUMENTS REVIEW The following resources and information sources were consulted during the preparation of this report (Bibliographical resources are listed in Section 12): City of Santa Barbara: Street Files for 1809 Mira Vista Avenue Planning Files for 1809 Mira Vista Avenue Santa Barbara Historical Museum, Gledhill Library Preliminary Sketch of Santa Barbara 1853. Field Notes of Surveyor, 1853. Bancroft Library, University of California, Berkeley (Copy on file at the Santa Barbara Historical Society, Gledhill Library). United States Coast Survey Map of Santa Barbara: 1852, 1870 and 1878. 1877 Bird’s Eye View of Santa Barbara, California. Drawn and published by E. S. Glover. C.1887 Bird’s Eye View of Santa Barbara. 1898 Bird’s Eye View of Santa Barbara. United States Geological Survey, Santa Barbara County Special Maps: 1903 and 1909 Bird’s Eye View of Santa Barbara. El Pueblo de las Rosas. Published by E. S. Glover 1917 Map of the City of Santa Barbara Sanborn Fire Insurance Company Map of Santa Barbara, 1931 (updated to 1960). Photographic files for the Riviera Santa Barbara Public Library Eldon Smith Collection Santa Barbara City Directories: 1905-1965 University of California, Santa Barbara Map and Imagery Collection University Art Museum, Architecture and Design Collection: Lockwood de Forest Jr. Collection 5.0 ENVIRONMENTAL AND NEIGHBORHOOD SETTING The neighborhood is almost entirely composed of single-family houses set on large lots (Figures 3 – 6). Non-residential development includes the El Encanto Hotel and the Riviera Business Park, located west of Mira Vista Avenue. The houses along Mira Vista Avenue, including the house at 1809 Mira Vista Avenue, are located within the High Fire District and Hillside Design District. Most of houses on Mira Vista Avenue were either designed in various iterations of the Post/Hazeltine Associates Phase 1-2 HSSR 1809 Mira Vista Avenue, Santa Barbara, California April 25, 2017 2 Period Revival movement such as American Colonial Revival, Spanish Colonial Revival and Tudor Revival, between 1925 and the mid-to-late 1930s or in post World War II architectural idioms such as the Minimal Traditional and Ranch styles. The dominant landscape feature of the landscape is Mission Ridge which extends west from Sycamore Canyon to the mouth of Mission Canyon. Before European contact, vegetation was comprised of coastal chaparral, groves of native oaks and riparian plant communities along Mission and Sycamore Canyon creeks. The natural environment of the study area has been profoundly modified by a variety of human activities including stock grazing, agriculture and residential and institutional development since Spain founded the Santa Barbara Presidio in 1782. The study parcel at APN 019-090-026 is a R-1-zoned, 0.55-acre lot developed with 4,521 square-foot (gross) two- story Tudor Revival style house and garage built in 1925. The lot slopes down toward the south, which provides expansive views of downtown and the Santa Barbara Channel. On its east side this lot is flanked by
Load more

Recommended publications
  • Frank Furness Printed by Official Offset Corp
    Nineteenth Ce ntury The Magazine of the Victorian Society in America Volume 37 Number 1 Nineteenth Century hhh THE MAGAZINE OF THE VICTORIAN SOCIETY IN AMERICA VOLuMe 37 • NuMBer 1 SPRING 2017 Editor Contents Warren Ashworth Consulting Editor Sara Chapman Bull’s Teakwood Rooms William Ayres A LOST LETTER REVEALS A CURIOUS COMMISSION Book Review Editor FOR LOCkwOOD DE FOREST 2 Karen Zukowski Roberta A. Mayer and Susan Condrick Managing Editor / Graphic Designer Wendy Midgett Frank Furness Printed by Official Offset Corp. PERPETUAL MOTION AND “THE CAPTAIN’S TROUSERS” 10 Amityville, New York Michael J. Lewis Committee on Publications Chair Warren Ashworth Hart’s Parish Churches William Ayres NOTES ON AN OVERLOOkED AUTHOR & ARCHITECT Anne-Taylor Cahill OF THE GOTHIC REVIVAL ERA 16 Christopher Forbes Sally Buchanan Kinsey John H. Carnahan and James F. O’Gorman Michael J. Lewis Barbara J. Mitnick Jaclyn Spainhour William Noland Karen Zukowski THE MAkING OF A VIRGINIA ARCHITECT 24 Christopher V. Novelli For information on The Victorian Society in America, contact the national office: 1636 Sansom Street Philadelphia, PA 19103 (215) 636-9872 Fax (215) 636-9873 [email protected] Departments www.victoriansociety.org 38 Preservation Diary THE REGILDING OF SAINT-GAUDENS’ DIANA Cynthia Haveson Veloric 42 The Bibliophilist 46 Editorial 49 Contributors Jo Anne Warren Richard Guy Wilson 47 Milestones Karen Zukowski A PENNY FOR YOUR THOUGHTS Anne-Taylor Cahill Cover: Interior of richmond City Hall, richmond, Virginia. Library of Congress. Lockwood de Forest’s showroom at 9 East Seventeenth Street, New York, c. 1885. (Photo is reversed to show correct signature and date on painting seen in the overmantel).
    [Show full text]
  • “India in America” a Curatorial Conversation on the Work and Practice of Lockwood De Forest and the Ahmedabad Wood Carving Company
    Vol 9, No 1 (2021) | ISSN 2153-5914 (online) | DOI 10.5195/contemp/2021.314 http://contemporaneity.pitt.edu “India in America” A Curatorial Conversation on the Work and Practice of Lockwood de Forest and The Ahmedabad Wood Carving Company Nina Blomfield and Katie Loney Conversation A curatorial conversation between Nina Blomfield and Katie Loney on the work and practice of Lockwood de Forest and The Ahmedabad Wood Carving Company. This conversation is based on a public conversation held on October 3, 2019 at the University of Pittsburgh. About the Authors Nina Blomfield is a Ph.D. candidate in the Department of History of Art at Bryn Mawr College. She holds a B.A. in history from Victoria University of Wellington, New Zealand and an M.A, from Bryn Mawr College. Her research focuses on nineteenth-century architecture and design history, the material culture of the home, and networks of consumption in the decorative arts. She is working on a dissertation that explores the intimacy of cultural encounter in late- nineteenth-century interior decorating and the role of the domestic interior in engendering, embodying, and preserving complex social and artistic relationships. Katie Loney is a Ph.D. candidate in the Department of History of Art and Architecture at the University of Pittsburgh. Her research examines nineteenth-century American art and design, with a focus on processes of making, international art markets, collecting histories, and Orientalism. She currently holds an Andrew W. Mellon Predoctoral Fellowship at the University of Pittsburgh, where she is writing her dissertation “Lockwood de Forest, The Ahmedabad Wood Carving Company, and the Global Circulation of Luxury Goods.” Her work has been supported by the World History Center, the Terra Foundation for American Art, and CASVA.
    [Show full text]
  • Paintings by Streeter Blair (January 12–February 7)
    1960 Paintings by Streeter Blair (January 12–February 7) A publisher and an antique dealer for most of his life, Streeter Blair (1888–1966) began painting at the age of 61 in 1949. Blair became quite successful in a short amount of time with numerous exhibitions across the United States and Europe, including several one-man shows as early as 1951. He sought to recapture “those social and business customs which ended when motor cars became common in 1912, changing the life of America’s activities” in his artwork. He believed future generations should have a chance to visually examine a period in the United States before drastic technological change. This exhibition displayed twenty-one of his paintings and was well received by the public. Three of his paintings, the Eisenhower Farm loaned by Mr. & Mrs. George Walker, Bread Basket loaned by Mr. Peter Walker, and Highland Farm loaned by Miss Helen Moore, were sold during the exhibition. [Newsletter, memo, various letters] The Private World of Pablo Picasso (January 15–February 7) A notable exhibition of paintings, drawings, and graphics by Pablo Picasso (1881–1973), accompanied by photographs of Picasso by Life photographer David Douglas Duncan (1916– 2018). Over thirty pieces were exhibited dating from 1900 to 1956 representing Picasso’s Lautrec, Cubist, Classic, and Guernica periods. These pieces supplemented the 181 Duncan photographs, shown through the arrangement of the American Federation of Art. The selected photographs were from the book of the same title by Duncan and were the first ever taken of Picasso in his home and studio.
    [Show full text]
  • The Design Sale
    THE DESIGN SALE 89 AUGUST 2018 ONLINE AUCTION LOTS 1–15 Closing Time: Th ursday, 9 August 2018 8 pm (IST) 10.30 am (US Eastern Time) In the old pieces of furniture almost as in the old paintings, dwells the charm of the past, of the faded which becomes stronger in a man when he reaches an advanced age. ADALBERT STIFTER 1 CARVED DAVENPORT DESK Attributed to Ahmedabad Wood Carving Company Rosewood with brass hardware 52.75 x 26.25 x 28.75 in (134.3 x 66.6 x 73 cm) $ 7,795 – 9,265 Rs 5,30,000 – 6,30,000 DESIGN SALE | 2 LOCKWOOD DE FOREST Gujarat has been one of the richest centres of wood carving, both in terms of craftsmanship and scale of and the GUJARAT WOODCARVING TRADITION production, since the 15th century. From temples to residences, Gujarat’s architectural facades show a liberal use of woodwork with intricately carved details. “Th e cantilevered balconies of palaces in Palanpur and Bhuj have been beautifully carved while the majestic doors of traditional houses or havelis are artistic masterpieces with images of the goddess Lakshmi or the elephant deity Ganesh carved in the central portion of the archway.” (craftandartisans.com, online) Over time, foreign infl uences had an impact on the aesthetics and craftsmanship of this tradition. During the 16th and 17th centuries, architectural woodwork began exhibiting a fusion of indigenous and Mughal styles. An example of this is the Chintamani Parshwanath Temple in Surat, built under the regime of Aurangzeb. It demonstrates some of the best handcrafted woodwork in the country.
    [Show full text]
  • Catalogue Winter Exhibition
    NATIONAL ACADEMY B OF DESIGN j : M. Knoedler & Co. invite attention to their carefully selected collection of PAINTINGS and Water Colors of various schools Old English Mezzotints and Colored. Sporting Prints 355 Fifth Avenue Cor. 34th St., N. Y. London : Paris 15 Old Bond Street 23 Place Vendome Paintings by American Artists CHOICE EXAMPLES ALWAYS ON VIEW FREQUENT SPECIAL EXHIBITIONS ALSO A FINE SELECTION OF VOL KM AR POTTERY W1LLIAH HACBETH 450 Fifth Avenue New York THE GETTY CENTER UGRASY Schaus’ Art Galleries 415 FIFTH AVENUE BETWEEN 37th AND 38th STREETS NEW YORK I HIGH GLASS OIL PAINTINGS DUTCH WATER COLORS FINE ENGRAVINGS AND ETCHINGS ARTISTIC FRAMING — N IMPORTERS OF Rare China A rtistic Faiences Plates, Oriental Porcelains , and Bric-a-Brac. Fifth Avenue and joth Street , New York. THE FIRST “BANK OF DEPOSIT” THAT PROVIDED SEPARATE BANKING FACILITIES FOR WOMEN, A.D. 1869 James Stillman, President John L. Riker, Vice-President J. S. Case, Cashier Wm. A. Simonson, 2d Vice-President Wm. Pabst, Asst. Cashier The Second National Bank OF THE CITY OF NEW YORK Fifth Avenue, corner 23d Street (under Fifth Avenue Hot) —AND Fifth Avenue Safe Deposit Company Capital, Surplus and Undivided Profits, $1,760,000 Fifth Avenue, cor. 23d Street (Fifth Avenue Hotel) IV Digitized by the Internet Archive in 2016 https://archive.org/details/cataloguewintere1906nati BY A. BREWSTER SEWELL, A.N.A. IRational Hcabemp of Design WINTER EXHIBITION 1906 HELD AT 215 WEST FIFTY-SEVENTH STREET NEW YORK OPEN DECEMBER 22D I906 TO JANUARY 19TH 1907 IO A.M. TO 6 P.M. AND 8 P.M.
    [Show full text]
  • Entire Press Release in Pdf Format
    Media Contact: Evelyn Trebilcock, Curator 518-828-0135 ex.302/ [email protected] Marcia Clark, PR Rep 845-528-6647 / [email protected] Caption for attached image: Detail of the interior of the main house at Olana showing a carved teak mantel and hand painted Kashmiri chair provided by de Forest and an Indian table acquired by Church. All the Raj - Frederic Church and Lockwood de Forest; Painting, Decorating and Collecting at Olana On view at Olana: May 11-November 2, 2014 (Hudson, NY – March 3, 2014) All the Raj - Frederic Church and Lockwood de Forest; Painting, Decorating and Collecting at Olana, an exhibition featuring oil sketches and decorative arts by landscape painter and 19th century tastemaker Lockwood de Forest, will open at Olana, the historic home and studio of Frederic Church, on Sunday May 11, 2014. Lockwood de Forest (1850-1932) studied painting with the eminent landscape artist Frederic Church in the 1870s; the exhibition will begin by highlighting sketches showing that the two artists worked side by side at Olana. At that time, Church was busy designing and building the main house, and the young de Forest watched Church draw inspiration from books on Persian and other exotic architecture. In the 1880s de Forest traveled to India to start a decorating business providing beautiful Indian and Kashmiri decorative objects to an American audience. De Forest provided Church with carved teak for fireplace mantels, exquisite painted furniture from Kashmir, expertly engraved brass trays and a variety of other lavish Indian objects. The exhibition will be on view through November 2, 2014.
    [Show full text]
  • READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
    READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue.
    [Show full text]
  • News Release
    fflj The Metropolitan Museum of Art news release For release Communications Department 1000 Fifth Avenue Immediate New York, NY 10028-0198 Contact tel 212-570-3951 fax 212-472-2764 Harold Holzer email [email protected] SCHEDULE OF EXHIBITIONS JANUARY-APRIL 2002 EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951. CONTACT NUMBER FOR USE IN TEXT IS (212)535-7710. New Exhibitions page 1 Upcoming Exhibitions Page 5 Continuing Exhibitions page 10 New and Recently Opened Installations page 15 Traveling Exhibitions page 19 Visitor Information page 21 OF SPECIAL NOTE • Surrealism: Desire Unbound, opening February 6, illustrates the shifting aspects of Surrealism's chief preoccupation, desire (see page 2). • Opening February 14, Orazio and Artemisia Gentileschi: Father and Daughter Painters in Baroque Italy is the first full-scale exhibition devoted to Caravaggio's most gifted and individual follower, Orazio, and his celebrated daughter, Artemisia (see page 3). • Treasures from a Lost Civilization: Ancient Chinese Art from Sichuan, opening March 6, explores the fascinating art and material culture of ancient Sichuan through recent archaeological discoveries (see page 3). • Also opening in March is Tapestry in the Renaissance: Art and Magnificence, the first major survey of tapestry production between 1460 and 1560 (see page 4). NEW EXHIBITIONS Earthly Bodies: Irving Venn's Nudes, 1949-50 January 15-April 21, 2002 Now in his mid-eighties, Penn is one of the world's finest photographers. Famous for portraiture, still life, and fashion work, he is less well known as a superb photographer of the female nude.
    [Show full text]
  • A Finding Aid to the Lockwood De Forest Papers, 1858-1980, Bulk Dates 1870-1930, in the Archives of American Art
    A Finding Aid to the Lockwood de Forest Papers, 1858-1980, bulk dates 1870-1930, in the Archives of American Art Rihoko Ueno Funding for the digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art. 15 June 2017 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1858-1931.................................................................... 5 Series 2: Writings, 1881-1976.................................................................................
    [Show full text]
  • The Magazine of the Victorian Society in America Volume 39 Number 1 Editorial
    Nineteenth Ce ntury The Magazine of the Victorian Society in America Volume 39 Number 1 Editorial The Record How words metamorphose over time interests me. Take the word ‘record’: as the descriptor of a specific object it is fading from the lexicon. It is becoming an abstraction again. Before there were flat, round, black discs with a hole in the middle, the record was an idea. It usually referred to a body of accumulated writing. Then all-of-a-sudden, the noun had a figure, a form, a weight, a thickness. And that form, when twirled beneath a needle, often brought us great joy. With time, that ‘record’ has been nudged aside by the eight-track tape, the cassette tape and later the compact disc. Now, when you hand a CD to someone in their twenties they will likely smile indulgently and shake their head. Precisely sixty years ago this May, the British musical comedy duo Flanders and Swann, announced to their audience at London’s Fortune Theatre, “We are recording this show tonight, stereophonically, for posterity.” Michael Flanders goes on to say, in his delicious dry manner, “So, wherever you are sitting now, that’s where you will be on the record.” Their enormously popular show, called At the Drop of a Hat , was in its third year at the Fortune and their record of the same name shortly became a huge success. Its combination of delightful animal songs (such as the Gnu Song ) and topical numbers such as Design for Living made for “a witty and educated diversion.” The record also helped this editor, then still in his first decade, deduce quite a lot about the adult world.
    [Show full text]
  • LOCKWOOD DE FOREST II (1850-1932) - a COLLECTOR’S EYE Monday 13 July 2015 at 12.00 Paddington, Sydney
    LOCKWOOD DE FOREST II (1850-1932) - A COLLECTOR’S EYE Monday 13 July 2015 at 12.00 Paddington, Sydney LOCKWOOD DE FOREST II (1850-1932) - A COLLECTOR’S EYE Monday 13 July 2015 at 12.00 Paddington, Sydney VIEWING ENQUIRIES 76 Paddington Street Fiona Frith CONDITIONS OF SALE Paddington NSW 2021 Specialist All lots are sold subject to the +61 (0) 2 8412 2222 Conditions of Sale. Copies Friday 10 July [email protected] of the Conditions of Sale 10.00 - 16.00 will be displayed at the sale Saturday 11 July Yvett Klein venue and are available from 10.00 - 16.00 Asian Art Specialist any Bonhams saleroom on Sunday 12 July +61 (0) 2 8412 2231 request. 10.00 - 16.00 [email protected] 業務規定 SALE NUMBER CLIENT SERVICES 本拍賣會將根據邦瀚斯的《業 23156 Anna Booty 務規定》進行，在拍賣會的競 +61 (0) 2 8412 2222 投及購買將由《業務規定》規 BIDS [email protected] 管。《業務規定》將會公布在 Online bidding will be availablefor 拍賣會場，閣下亦可向邦瀚斯 the auction. For further information PRESS ENQUIRIES 工作人員索取該《規定》。 please visit www.bonhams.com Emma Miller +61 (0) 401 642 535 All bidders are advised to read [email protected] PHYSICAL CONDITION OF LOTS the important information on the IN THIS AUCTION following pages relating to bidding, CUSTOMER SERVICES PLEASE NOTE THAT THERE payment, collection, shipping and +61 (0) 2 8412 2222 IS NO REFERENCE IN THIS storage of any purchases. +61 (0) 3 8640 4088 CATALOGUE TO THE PHYSICAL +61 (0) 2 9475 4110 fax CONDITION OF ANY LOT. IMPORTANT INFORMATION INTENDING BIDDERS MUST The United States Government SATISFY THEMSELVES AS TO has banned the import of ivory into THE CONDITION OF ANY LOT the USA.
    [Show full text]
  • CNYSH Program 15-06-01 FINAL.Pdf
    Program THURSDAY, JUNE 18 *All sessions and events are in Niagara University’s St. Vincent’s Hall unless otherwise noted 9-12:00 Pre-Conference Workshop: “Developing Historical Content to Enable Tourism” (Includes lunch; separate registration fee is required) (room 315) Presenters: Liz Callahan, Director, Hanford Mills Museum Mark Castiglione, Acting Executive Director, Hudson River Valley Greenway Bruce Whitmarsh, Director, Chemung County Historical Society Innovative and engaging programming based on solid research and planning can lead to success in visitation and raise the profile of an organization locally and beyond. Programs that are educational and fun, as well as marketed properly are the basis of museum sustainability in the 21st century. This workshop will be led by three experts in the field who will use real-world examples to illustrate the successes their organizations (and others) have had utilizing innovative programming to drive an increase in visitation. Each workshop participant will leave the session with an idea sheet for how to produce an innovative program that will draw visitors to their institution and establish long-term audience building. This workshop is sponsored by the Museum Association of N New York. 12:00pm Conference Registration opens at St. Vincent’s Hall, Niagara University (4th floor) 1:00-5:00 PM 104/204 Tour: Adaptive Reuse of Places of Worship (Advance registration and separate $10 charge required. Tour departs from the front of St. Vincent’s Hall.) Chair: Mark Peckham, Director, Historic Sites, NYS Office of Parks, Recreation, and Historic Preservation, Waterford, NY Presentations/Tour Guides: Sloane D. Bullough, Historic Sites Restoration Coordinator, NYS Office of Parks, Recreation, and Historic Preservation, Waterford.
    [Show full text]